View allAll Photos Tagged study
Doin' my "Enterprise Organizations" reading at the reference desk. (It's allowed! I'm approachable! It takes two hours to read four pages sometimes, I'm reference-librarianing so hard!)
Hi Bethany,
Attached are my six photos which I am submitted for honors credit for study abroad.
Thank you!
Danielle Russell
Universitat Pompeu Fabra
Parc de la Ciutadella
Pamplona, Spain for the Running of the Bulls
Montpellier, France
Mediterranean Sea off of Costa Brava
Hike up Montserrat peak mountain
Soybean research at the MU Fisher Delta Research Center. Facilities involve cold storage for seeds and germplasm, studies involve students sorting out seeds and using high-tech equipment to find high oleic soybean varieties.
Photo by Kyle Spradley | © 2014 - Curators of the University of Missouri
Many studies for architectural projects in Frei Otto's studio. He has a storage facility where he keeps most of his models.
We had a good day at the NZ Trotting cup. So lucky the weather stayed fine but it was really cold.
Addington Raceway Christchurch November 10, 2020 New Zealand
Here is a link to the days events: i.stuff.co.nz/sport/racing/123353274/new-zealand-trotting...
I remember trying to take pictures at a circus with this camera, or one like it. I don't remember if the film was ever processed. I was 9 or 10. There must have been more than one around the house atone time or another. I found 1.5 cases for this one. The whole case is marked "Elite." The half case is a bottom, and has no marking.
There is a slot on the shutter marked B and I, but no lever. I can't imagine taking a bulb exposure with this camera. The shutter works.
Acrylic painting. Study of Entrance to Sunderland Harbour by John Wilson Carmichael 1864 by D. Paterson
A simple study of a building at the corner of Langdon Street and Wisconsin Ave in Madison Wisconsin.
Better Homes & Garden Five Star Home No. 2301
"An Achievement in Small-House Planning"
Better Homes & Garden
January 1953
designed by: Burton W. Duenke and Ralph Fournier
St. Louis, Mo
Studying (or student dying) is something that's been taking up too much of my time lately. Although procrastination does creep its way in...
All COMFORTABLE, and all re-mixed. Must study for a major exam coming up... a little red to energize, a lot of coffee, too!
By Zanele Muholi
Somnyama Ngonyama (2012 – ongoing) is a series in which Muholi turns the camera on themself to explore the politics of race and representation. The portraits are photographed in different locations around the world. They are made using materials and objects that Muholi sources from their surroundings.The images refer to personal reflections, colonial and apartheid histories of exclusion and displacement, as well as ongoing racism. They question acts of violence and harmful representations of Black people. Muholi’s aim is to draw out these histories in order to educate people about them and to facilitate the processing of these traumas both personally and collectively.
Muholi considers how the gaze is constructed in their photographs. In some images they look away. In others they stare the camera down, asking what it means for ‘a Black person to look back’. When exhibited together the viewer is surrounded by a network of gazes. Muholi increases the contrast of the images in this series, which has the effect of darkening their skin tone.
I’m reclaiming my Blackness, which I feel is continuously performed by the privileged other.
The titles of the works in the series remain in isiZulu, Muholi’s first language. This is part of their activism, taking ownership of and pride in their language and identity. It encourages a Western audience to understand and pronounce the names. This critiques what happened during colonialism and apartheid. Then, Black people were often given English names by their employers or teachers who refused to remember or pronounce their real names.
[Tate Modern]
Zanele Muholi
(November 2020 – May 2021)
Zanele Muholi is one of the most acclaimed photographers working today, and their work has been exhibited all over the world. With over 260 photographs, this exhibition presents the full breadth of their career to date.
Muholi describes themself as a visual activist. From the early 2000s, they have documented and celebrated the lives of South Africa’s Black lesbian, gay, trans, queer and intersex communities.
In the early series Only Half the Picture, Muholi captures moments of love and intimacy as well as intense images alluding to traumatic events – despite the equality promised by South Africa’s 1996 constitution, its LGBTQIA+ community remains a target for violence and prejudice.
In Faces and Phases each participant looks directly at the camera, challenging the viewer to hold their gaze. These images and the accompanying testimonies form a growing archive of a community of people who are risking their lives by living authentically in the face of oppression and discrimination.
Other key series of works, include Brave Beauties, which celebrates empowered non-binary people and trans women, many of whom have won Miss Gay Beauty pageants, and Being, a series of tender images of couples which challenge stereotypes and taboos.
Muholi turns the camera on themself in the ongoing series Somnyama Ngonyama – translated as ‘Hail the Dark Lioness’. These powerful and reflective images explore themes including labour, racism, Eurocentrism and sexual politics.
[Tate Modern]
Taken in Tate Modern
Some students taking a study break at a cafe in Juba, Sudan. Winter 2011. Photo Credit: Majok Maluk Atem.
اوقات الدراسه :)
ذكرى من الأرشيف
Nikon D90
AF-S Nikkor 18-105mm f/3.5-5.6 G ED
ساعدني في هذي اللقطه الأضآءه الجميله
I am in the middle of trying to pull together a 15,000 word dissertation for my MA degree, so life outside of this little corner is barely existent. I get excited by a short walk down to Tesco!!!
So, if I don't visit your photos or comment then that is why - if I do, then you obviously benefited from one of my *distraction* moments!
This photodrawing was done on top of this original photo by bernd&bina with his permission to do a painting in the future. This is just a study for the painting. Please check out his wonderful wavepool series.
we ware studying in a cafe
ba3dayn la3at echboodnah wo 6la3naah...
sernaa nel3ab belyaard ;P
taken by: Tayih
We have verb drills tomorrow in class (without the teacher, who is in Italy for two weeks, one of my fellow students also used to teach Italian and he takes the helm when the teacher is gone). I hate verb drills. I spent some time chatting with an Italian friend this afternoon, in Italian (he speaks little English), and I was able to get by, so why the heck to I need to remember things like: Già erano partiti quando sono arrivato. (They had already left when I arrived.), or Avevo chiuso le finestre quando è cominciato a piovere. (I had shut the windows when it started to rain.)
Or perhaps the even more convoluted: Immaginavano che ormai l'avresti trovata (They were imagining- or they imagined- that you guys would have found it by now). Whatever "it" is, it is a noun with a feminine ending, so not libro, book, or tesoro, treasure- maybe macchina, car, or maybe terrafirma, the mainland.)
Does someone want me to speak better than many Italians do themselves? lol