View allAll Photos Tagged study
Two young trees in our yard. I used Derwent pencils...I am trying to find a few good green combos, I do like to mix them so they are not so green, mixed more like the real nature greens. One of the best benefits of painting it that you really see. You see so much more detail when you really look. I appreciate viewing anything so much more then I did ten years ago. I am thankful for that gift. Oh well. This is strathmore 400 series, I actually think I like it. 5" x 7"
To give Johanna some time to get things done, I took our daughter for a little trip to the pier. Although she slept firmly from the moment we walked out of the subway station, this gave me the opportunity to take a few pictures. Some spectacular, dark clouds and bright sunshine promised to give some nice scenic pictures, but in the end, I was more happy with this.
Please do not use any of my images commercially without contacting me first to make financial arrangements.
To whom it may concern,
I am a sophomore that just returned from studying abroad in Barcelona
Spain. I am submitting these six photos of some of my travels and
experiences while abroad as part of the requirements to receive honors
elective credit. Please let me know if there is any problems with the
photos. Thank you,
Elena Sachs
TUID#: 0563587
This couple walked past me about 20 times whilst i had coffee - everytime snipets of their conversation - how beautiful something/someone was, their friends. Holding each others hands almost like a knowing secret. this is what love should be about?
As you enter the Study Centre, double doors lead to the message center and fan off to the stairs, the garden, library and meeting room.
Hi,
My name is Amanda Reid, and I have attached photos I took during my time
abroad as part of earning honors credit at Towson.
A late September 2018 visit to Packwood House, another National Trust property. Been meaning to visit this one myself for a while now!
A nice cool Sunday afternoon to visit Packwood.
Packwood House is a timber-framed Tudor manor house near Lapworth, Warwickshire. Owned by the National Trust since 1941, the house is a Grade I listed building. It has a wealth of tapestries and fine furniture, and is known for the garden of yews.
The house began as a modest timber-framed farmhouse constructed for John Fetherston between 1556 and 1560. The last member of the Fetherston family died in 1876. In 1904 the house was purchased by Birmingham industrialist Alfred Ash. It was inherited by Graham Baron Ash (Baron in this case being a name not a title) in 1925, who spent the following two decades creating a house of Tudor character. He purchased an extensive collection of 16th- and 17th-century furniture, some obtained from nearby Baddesley Clinton. The great barn of the farm was converted into a Tudor-style hall with sprung floor for dancing, and was connected to the main house by the addition of a Long Gallery in 1931.
In 1941, Ash donated the house and gardens to the National Trust in memory of his parents but continued to live in the house until 1947 when he moved to Wingfield Castle.
Grade I listed building.
Packwood House and Outbuildings to North East
Listing Text
LAPWORTH PACKWOOD LANE
SP17SE (West side)
Packwood
1/43 Packwood House and outbuildings
11/04/67 to NE
(Formerly listed as Packwood
House)
GV
Includes that part formerly separately listed as Outbuildings to north-east.
House and outbuildings. Late C16 house; mid C17 outbuilding range; early C20
alterations and additions, including Long Gallery and Great Hall (c.1931) for
Graham Baron Ash. House: render, probably on brick, to ground floor; render,
probably on timber framing to first floor; old plain-tile complex cross-gabled
roof; various brick stacks. 2 storeys and attic; 4-bay range. 2 storeys and
attic porch to left of centre with Tudor-arched outer doorway with hoodmould.
Plank door. C20 five-light wood mullion and transom window to ground floor left.
C20 seven-light wood mullion and transom window to ground floor right. C20
5-light wood mullion and transom hall window with 4 rows of lights to right of
centre. C20 four-light wood mullion and transom window to left. C20 five-light
wood mullion and transom window to right. C20 three-light wood mullion and
transom window to first floor of porch. C20 three-light mullion windows to attic
cross-gables. South front: 2 storeys and attic; 3-window range. 4-centre arched
doorway to centre with plank studded door. C20 five-light wood mullion and
transom windows to ground floor left and right. C20 three-light wood mullion and
transom window to first floor centre. C20 four-light wood mullion and transom
windows to first floorleft and right. C20 three-light wood mullion windows to
attic cross-gables. West front: 2-storey, 3-window range. 2-storey porch to
centre, having stone Tudor-arch outer doorway with hoodmould. Plank panelled and
studded door. C20 three-light wood mullion and transom windows to ground and
first floor left. C20 four-light wood mullion and transom windows to ground and
first floor right. C20 three-light wood mullion and transom window to first
floor of porch. Great Hall wing: red brick; old plain-tile roof; various brick
stacks. 2-storey, 5-bay hall range with single-storey, 3-bay link range. Regular
fenestration of early C20 stone mullion windows and stone mullion and transom
windows. Outbuilding range: red brick, with areas of red brick with flared
headers in Flemish bond, and with some diaper work, old plain-tile roof; various
brick stacks. South front: 2-storey, 3-window range to left; single storey and
attic. 4-bay range to right with gable end of cross-wing to right. 4-centre
arched doorway with plank door to centre of 2-storey range. having brick pediment
gable above. 4-light wood mullion and transom window to Tudor-arched opening to
left. 3-light casement to right. 2-light wood casement to Tudor-arched opening to
first floor left. Plank doors to right, and to right of centre of single storey
and attic range. Blocked door to left. 3-light casement to left of centre. Brick
pilaster strips divide bays. Oval brick recesses above doors to left, and to
right of centre. Cut brick cornice to eaves. Pediment-topped doors to left,
and to right of centre. Cutbrick cornice to eaves. Pediment-topped painted brick
sundial panel to left. End of cross-wing to right has irregular fenestration,
and clock face dated 1817. East front of cross-wing: red brick with flared
headers in Flemish bond; old plain tile roof; brick ridge stack to right of
centre. Single storey and attic; 9-bay range. Double plank doors to segmental
brick arched carriageway to left of centre. Bays divided by brick pilaster
strips. Transom windows to second and seventh bays having oval brick recesses
above. 2-light stone mullion windows to first and third bays. 4 gabled dormer.
Brick gable above carriageway having painted sundial and 2-light wood casement
above. Louvred bell turrets to ridge at left of centre and left, that to left
having windvane. Interior: early C20 staircase from ground to first floors. Much
of the panelling in the house was brought in by Graham Baron Ash. The Great Hall
has a 5-bay upper-cruck roof. The stone fireplace and plaster overmantel in the
Great Hall were brought in from a wine shop in Stratford-upon-Avon. Stained glass
medallions to many windows are C17 Flemish and came from Culham House in
Oxfordshire. The house contains a good collection of furniture, including
various pieces from Baddesley Clinton (q.v.).
(Buildings of England: Warwickshire: 1966. pp370-3701; Packwood House: National
Trust guide book, 1987)
[ 18]
Listing NGR: SP1735272239
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Also known as Mr Ash's House.
Study
Study Tip: Look for better solutions to problems
For example, if you don't understand the course material, don't just re-read it.
Try something else! Consult with the professor, a tutor, an academic advisor, a classmate, a study group, or your school's study skills center. #study #studytip
Study for Beina is the pencil work produced in advance of “Beina” which won the Kyffin Williams Drawing Prize
at Gallery Yns Mon 2012. Kyffin Williams is widely regarded as the defining artist of Wales during the 20th century. Banal symbols of every day life in this still life in the studio. The simplistic shape of the basket, the life force of the coconut pods, their femininity and their primitive history combined with rawness, powerful masculine surface making ground and connect us.
63 x 83 cm framed. Mixed media on paper.
Find this work at Chris Holmes Decorative Interiors
Tova in AMH Field Study. I made a size medium based on my measurements, but then ended up taking in the sleeves and side seams by 1.5 inches. I used a 4 inch hem on the dress length to make it more of a tunic. I liked being able to wear it with my skinny cords. This was quick and fun to make!
"Looking at yourself in a mirror isn't exactly a study of life."
Lauren Bacall
"You use a glass mirror to see your face; you use works of art to see your soul."
George Bernard Shaw
"All is vanity, look you; and so the preacher is vanity too."
William Makepeace Thackeray
Follow me on: Facebook Flickeflu Flickriver Twitter
© Copyright Natalie Panga - All rights reserved.
* Lightbox: Best seen in larger size on black (click image above)