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Bộ ảnh cưới mà Ròm Studio thực hiện cho cặp đôi cách nhau nửa vòng trái đất. Về Việt Nam quyết định cưới và giao cho Ròm tự setup ý tưởng thực hiện bộ ảnh cưới luôn <3 <3
Cái kết hạnh phúc cho đôi tim luôn vững tin vào tình yêu của mình, cùng vượt qua khoảng cách địa lý,qua bao nhớ nhung, trải bao sóng gió...một cái kết thật tuyệt, phải ko nào !
Cùng ngắm bộ ảnh và chúc phúc cho cặp đôi hạnh phúc nhất ngày hôm nay nhé <3 <3 <3
💗💗💗 "Em vẫn luôn hi vọng, có một người yêu em, có thể cùng em chung một chỗ, cùng em đi hết cả đời này.Có lẽ tình yêu sẽ tới trễ, nhưng không phải là biến mất, mặc dù chậm một chút ở bên nhau, nhưng chúng ta còn cả quãng thời gian một đời, thật quá tốt ! Gặp được anh, không sớm cũng không muộn, là chuyện hạnh phúc nhất trong cuộc đời của em !" 💗💗💗
📢📻📢📻📢📻📢📻📢📻📢📻📢📻📢📻📢📻📢📻
Mỗi ngày một cảm xúc <3
Xem thư viện cảnh cưới đẹp rõ nét của Ròm Studio tại đây :https://www.flickr.com/photos/147375357@N08/
Like trang Ròm Studio www.facebook.com/rom.studio.wedding/ để theo dõi ảnh cưới đẹp nhé <3
#RòmStudio
👉Album cưới ngoại cảnh trọn gói
👉Áo cưới - Makeup chuyên nghiệp
🏠Địa chỉ : Hẻm Mimosa(168) - Phan Đình Phùng - Đà lạt
📝Liên hệ trực tiếp :
📡Inbox trên trang (24/24)
☎Call :0917472889 (Ròm) (chỉ 1 sđt duy nhất )
Facebook photographer :https://www.facebook.com/hoangphi.photographer?pnref=stor
Studio portrait photograph of D'Alton Lally McCarthy (1870-1963).
Date: June 1880
Photographer: Gagen & Fraser, Toronto
Reference code: P2413
Rending of NCL Epic studio stateroom - images provided by Norwegian Cruise line.
The Studios are a completely new concept and one of the coolest places to stay on Norwegian Epic. Taking a cue from the studio flats of London, we’re upping the experience with an urban design, a unique window to the corridor and domed ceilings with mood lighting. Studio guests will have an exclusive key card to enter the Studios area and a shared private lounge, we call “The Living Room”. This hip lounge is nothing like the living room at your parent’s house. It features a full bar, a video jukebox, two 50” televisions and comfy seating perfect for hanging out or enjoying a drink.
Studio
• Sleeps up to 2 guests
• Key card access to the Studios and The Living Room
• Window to corridor
• Recessed lighting
• Domed ceiling has mood lighting
• A bathroom with a separate vanity sink
• Many connecting Studios
• 128 Studios on board
I set up some lights for a family shoot and was testing it on my buddy kev. Here i used two lights behind him and pointing at him with grids on for the backlighting.
I used one light to photo right with an umbrella for the main light and some white styrofoam sheets to photo left for fill.
I also used one light right behind him pointed at the background.
LIVE VIDEO of
TRANS-SIBERIAN ORCHESTRA
TrackHead Studios wishes everyone the very best holiday season, wherever, whatever, however.... wishing you all the very best!
HAPPY HOLIDAYS!
HSP (home studio production) student Frans is working on one of the audio workstations on an exercise.
The Home Studio Production course is one of the 6 month short courses that SAE offers. It's ideal for the singer/songwriter, hobbyist or beginner in the audio/music field.
Here is the desk extension in place, and the basic studio layout. I'm still figuring out where everything needs to go. I'll label everything individually with notes, for those who are curious.
In addition to the songwriting prowess of the writers and producers, one of the major factors in the widespread appeal of Motown's music was Gordy's practice of using a highly select and tight-knit group of studio musicians, collectively known as "The Funk Brothers", to record the instrumental or "band" tracks of the Motown songs. Among the studio musicians responsible for the "Motown Sound" were keyboardists Earl Van Dyke, Johnny Griffith, and Joe Hunter; guitarists Joe Messina, Robert White, and Eddie Willis; percussionists Eddie "Bongo" Brown and Jack Ashford; drummers Benny Benjamin, Uriel Jones, and Richard "Pistol" Allen; and bassists James Jamerson and Bob Babbitt.
Much of the Motown Sound came from the use of overdubbed and duplicated instrumentation. Motown songs regularly featured two drummers instead of one (either overdubbed or in unison), as well as three or four guitar lines. Bassist James Jamerson often played his instrument with only his index finger, and created many of the basslines apparent on Motown songs such as "You Can't Hurry Love" by The Supremes.
Hitsville USA
Detroit, MI
October 2008
Mama Melrose's Ristorante Italiano in Disney's Hollywood Studios.
Please feel free to visit my blog Paris Pastry:
In the Machine Learning Studio, visitors can use computer vision and machine learning applications to discover how machines learn and perceive their environment. Working with tech trainers, they can build and train self-driving model cars here, program robots with facial recognition, and gain insights into how they can teach these devices a wide variety of activities. Step-by-step, they can experience not only how these technologies function, but also that everything the machines know is determined by us.
The Machine Learning Studio not only offers insights into the hidden inner life of our learning devices—it is also a place where prototypes and objects can be maintained or repaired by the tech trainers, and museum procedures are revealed that are usually kept behind the scenes. Photo showing a Donkey Car.
Credit: vog.photo
Sorry for the cluttered room, but you really can make just about any space “studio” space. This is a three light shot with a reflector for fill. It was set up “on location” in the living room. Just to see if I could, I set it up without moving any furniture…
From left to right:
--Main Light: Sony HVL-F42AM flash in a Photoflex LiteDome XS softbox. It uses the Photoflex Adjustable Shoe Mount Hardware (AC-B222SM) that has been modified to allow attachment of the Sony MS-1 flash mini stand to the bracket so the Sony/Minolta flash units slip right in (see here for how it’s used with a shoe flash).
--Wescott “Desert Scape” 10 X 12 backdrop on a Savage Port-A-Stand
--Background Light: Minolta 3600HSD flash in a Wescott Mico Apollo Light Modifier on a short stand
--PhotoVision 14" Pocket One-Shot Digital Calibration Target
--Hair Light: Minolta 3600HSD flash in a Wescott Mico Apollo Light Modifier on a tall stand (reflected off the white ceiling to cut back on it’s power—remember the 3600’s are manual flash units when used in wireless mode)
--Fill reflector: Photoflex LitePanel 39"x72" reflector with simi-silver fabric
…And a Manfrotto tripod to hold the camera. I also use a Minolta RC-1000L remote cord to fire the camera—I like the steps of focus, then hold for expression, then fire. The image here was exposed using only the three flash units used in the configuration. Sample shots are here and here...