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Excerpt from miyajima.or.jp/english/spot/spot_other.html:
Designated as a National Important Cultural Property on August 29, 1910
Hokoku Shrine is dedicated to the warlord Toyotomi Hideyoshi (one of the three unifiers of Japan in the 16th century) and his loyal aid Kato Kiyomasa. The reason for building this structure is clearly stated in a letter by Ankokuji Ekei, head monk of Ankokuji Temple. In 1587, Ekei asked Daiganji Temple, the temple in charge of construction and repair work in Miyajima including Itsukushima Shrine, to build a Buddhist library in which the chanting of Senbu-kyo sutras could be held every month. As there is no board ceiling or outer gate, it is believed that the construction of the building was not completed.
Originally, Amida Buddha and two subordinate Buddhist saints, Anan and Kasho-sonja, were enshrined in the Buddhist altar until the early Meiji era. Since that time, however, the altar has been used in Shinto rituals.
The building is called Senjokaku (Hall of One Thousand Tatami Mats), reflecting its standing as the largest structure on Miyajima Island. The shrine was a popular landmark in Miyajima where many people came to relax and cool themselves and to buy popular souvenirs such as tooth picks, and a variety of legends and traditions have been created here.
The fact that this structure, unique among the buildings belonging to Itsukushima Shrine, is unpainted and that its exact date of founding is recorded makes it a valuable gauge of the passage of time. The traces of weathering on its pillars and floor boards can be used to determine the approximate age of any other wooden structure on Miyajima.
A piece of wood used as a measuring device in the reconstruction work of the O-Torii in 1873 hangs on a pillar under the floor of the south part of the shrine. Countless votive picture tablets that had been hanging on the walls of Itsukushima Shrine buildings until the mid Meiji era decorate the walls inside the hall.
The shrine did not yet exist at the time of the Battle of Itsukushima in 1555 when the Mori clan defeated the Sue clan to unify the Chugoku region. The headquarters of the Sue clan was located on this hill, which was then called To-no-oka (Pagoda Hill). Starting in the Meiji era, the hill was developed through the establishment of stone steps, among other additions.
Excerpt from www.japan-experience.com/all-about-japan/miyajima/temples...:
Its bare appearance may not intrigue you at first. Only unfinished walls and a hundred pillars. Although the building is pretty, there is something missing. But once inside, look up: the gigantic ceiling is covered with a mosaic of paintings whose subjects are as varied as the styles and periods of implementation. Medieval battles, Buddhist representations, landscapes and animals in a modern style, the eye does not know where to turn.
Structure, discipline and creativity. Image taken by 1920-ies Zeiss Ikon Box Tengor and printed in the darkroom on Rollei Vintage 332 RC. Selenium toned.
Pretty structures made by the strong winds in the volcanic sand at a small waterfall near Landmannalaugar, Highlands in the south of Iceland. Almost like a miniature dessert with its own dunes....
Part of my 'Duffus Castle through the seasons' project.
The castle is situated on the Laich of Moray, a fertile plain that was once the swampy foreshore of Spynie Loch. This was originally a more defensive position than it appears today, long after the loch was drained.
The motte is a huge man-made mound, with steep sides and a wide ditch separating it from the bailey. The whole site is enclosed by a water-filled ditch, which is more a mark of its boundary than it is a serious defensive measure.
Duffus Castle was built by a Flemish man named Freskin, who came to Scotland in the first half of the 1100s. After an uprising by the ‘men of Moray’ against David I in 1130, the king sent Freskin north as a representative of royal authority.
He was given the estate of Duffus, and here he built an earthwork-and-timber castle. Freskin’s son William adopted the title of ‘de Moravia’ – of Moray. By 1200, the family had become the most influential noble family in northern Scotland, giving rise to the earls of Sutherland and Clan Murray.
In about 1270, the castle passed to Sir Reginald Cheyne the Elder, Lord of Inverugie. He probably built the square stone keep on top of the motte, and the curtain wall encircling the bailey. In 1305, the invading King Edward I of England gave him a grant of 200 oaks from the royal forests of Darnaway and Longmorn, which were probably used for the castle’s floors and roofs.
This is the Smith Interpretive Center / Greenhouse. It originally was administrative offices and laboratory/greenhouse.
Now it serves its special function as an interpretive center and a greenhouse.
"Crude masonry and rustication characterize the initial architecture at the Boyce Thompson Arboretum. The Smith Building, the arboretum’s original visitor center and administration building, designed by Thompson and built by local contractor and mason Jack Davey in 1925–1926, is sited on the canyon floor. The rustic edifice, composed of locally quarried rhyolite, originally featured lichen-covered interior walls and flagstone floors. The 6,500-square-foot space contained offices, laboratories, a library, a herbarium, a seed room, a photography studio, supply rooms, and a fireproof vault; a soft-water cistern filled the basement. Flanking the structure are two attached greenhouses that display indigenous and exotic cacti and succulents. Measuring 50 feet long and 20 feet wide, the prefabricated iron-frame and glazed structures were supplied by the Lord and Burnham Company of New York."
sah-archipedia.org/buildings/AZ-01-021-0017
I haven't been here since I was a child. I consider it more of a walk rather than a hike. But it is incredibly interesting. Especially for photography. My Grandfather - Joseph Harris - was the Superintendent of Col. Thompson's Miami Inspiration Mines.
en.wikipedia.org/wiki/Boyce_Thompson_Arboretum
Boyce Thompson Arboretum is the oldest and largest botanical garden in the state of Arizona. It is one of the oldest botanical institutions west of the Mississippi River. Founded in 1924 as a desert plant research facility and “living museum”, the arboretum is located in the Sonoran Desert on 392 acres (159 ha) along Queen Creek and beneath the towering volcanic remnant, Picketpost Mountain. Boyce Thompson Arboretum is on U.S. Highway 60, an hour's drive east from Phoenix and 3 miles (4.8 km) west of Superior, Arizona.
The arboretum was founded by William Boyce Thompson (1869-1930), a mining engineer who made his fortune in the copper mining industry. He was the founder and first president of Inspiration Consolidated Copper Company at Globe-Miami, Arizona and Magma Copper Company in Superior, Arizona. In the early 1920s, Thompson, enamored with the landscape around Superior, built a winter home overlooking Queen Creek. Also in the 1920s, as his fortunes grew, he created and financed the Boyce Thompson Institute for Plant Research in Yonkers, New York (now at Cornell University), and the Boyce Thompson Arboretum on the property of the Picket Post House, west of Superior.
Boyce Thompson wrote: “I have in mind far more than mere botanical propagation. I hope to benefit the State and the Southwest by the addition of new products. A plant collection will be assembled which will be of interest not only to the nature lover and the plant student, but which will stress the practical side, as well to see if we cannot make these mesas, hillsides, and canyons far more productive and of more benefit to mankind. We will bring together and study the plants of the desert countries, find out their uses, and make them available to the people. It is a big job, but we will build here the most beautiful, and at the same time the most useful garden of its kind in the world.”[3]
DSC03410-HDR acd
Planet Earth Vintage Architecture, PEVA,
found some rock stacks at the narrows of the Virgin river at Zion National Park in Utah. although individually beautiful, as this photo hopefully proves, they disturbed the natural landscape. I hope this doesn't encourage people to build these man-made structures in preserved natural settings.
Structure design of Eco Galleria in Johor, Malaysia.
*Note: More pics of Architectural, Interior and Exterior Designs in my Architectural, Interior and Exterior Designs Album.
Here are some old farm structures taken near my friend’s wheat farm in Eastern Washington. I would guess that the building straight ahead with the sunken roof and the barn to the right were the original buildings and then the other two structures were added on. I’m sure the rodents and snakes are enjoying the extra space now.
“Blessed are the pure in heart, for they will see God” – Matthew 5:8
For purchasing, licensing, or more information you can find me at www.bSharpPhoto.com (or contact me through flickr). Thanks for looking!
Sonoran Desert, Arizona
Camera: Rolleiflex 6008 Professional
Lens: Rollei Sonnar HFT PQ 150mm F/4
Film: Kodak T-MAX 400 developed in Rodinal 1+50
Explore - #18
The Riverside Drive Viaduct, built in 1900 by the US City of New York, was constructed to connect an important system of drives in Upper Manhattan by creating a high-level boulevard extension of Riverside Drive over the barrier of Manhattanville Valley to the former Boulevard Lafayette in Washington Heights.
F. Stuart Williamson was the chief engineer for the municipal project, which constituted a feat of engineering technology. Despite the viaduct's important utilitarian role as a highway, the structure was also a strong symbol of civic pride, inspired by America’s late 19th-century City Beautiful movement. The viaduct’s original roadway, wide pedestrian walks and overall design were sumptuously ornamented, creating a prime example of public works that married form and function. An issue of the Scientific American magazine in 1900 remarked that the Riverside Drive Viaduct's completion afforded New Yorkers “a continuous drive of ten miles along the picturesque banks of the Hudson and Harlem Rivers.”[1]
The elevated steel highway of the viaduct extends above Twelfth Avenue from 127th Street (now Tiemann Place) to 135th Street and is shouldered by masonry approaches. The viaduct proper was made of open hearth medium steel, comprising twenty-six spans, or bays, whose hypnotic repetition is much appreciated from underneath at street level. The south and north approaches are of rock-faced Mohawk Valley, N.Y., limestone with Maine granite trimmings, the face work being of coursed ashlar. The girders over Manhattan Explore - #40
Street (now 125th Street) were the largest ever built at the time. The broad plaza effect of the south approach was designed to impart deliberate grandeur to the natural terminus of much of Riverside Drive’s traffic as well as to give full advantage to the vista overlooking the Hudson River and New Jersey Palisades to the west.
The viaduct underwent a two-year long reconstruction in 1961 and another in 1987. (source: Wikipedia)
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D3200
Tokina 11-16mm DX PRO II
I know, this same view has been uploaded again and again by multiple people already. just google "vulcania" and you'll see what i'm talking about. But this is such an incredible architecture, i couldn't help it, i needed my own version. It's actually located in a volcano park, in the middle of France. A fun "one day" adventure for people passing in the Auvergne region.
24-105 f4 L