View allAll Photos Tagged structured,

Applying rules set forth by Stephen Shore I stood there for quite a while structuring this seemingly simple scene.

Rule; utilize all the elements at your disposal when creating your picture.

Those arguably irritating electric wires define the space and add to the depth of this scene. Also they work so nicely with that furrow in the foreground.

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Symmetry! A mirror image of the structure over the botanical gardens at the Valencia park of Arts and Sciences.

from the series: abstract impressions of South Limburg

 

Thank you everyone for your visit, favorites and comments.

Parking structure in downtown Milwaukee, WI.

Location : La Défense, Paris, France

La Porte Bleue, a mixed-use structure located in the Arenc district of Marseille, was completed in 2023 as part of the Euroméditerranée redevelopment project. Designed by Pietri Architectes, the building stands 53 meters tall and features a façade of 414 white concrete arches, inspired by Mediterranean heritage and rationalist architecture.

I was wandering around the shoreline near the old Dumbarton Bridge in Newark, California, capturing photons bouncing off driftwood when I found this; what appears to be a small piece of root structure from something. Looked cool though.

 

From my Wild and Weathered Wood collection.

remains of coral - rough but beautiful

Please Press L for less distraction

 

***Thank you for your visit and comments :)

Detail of Cathedral Building, Heart of Worcestershire College, Worcester. Designed by architects Richard Sheppard, Robson & Partners. Completed at some point between 1965-73.

Windblown snow structures while hiking in the Austrian Karwendel mountains

Black and white capture of a palm leaf

I’m getting a bit addicted to my 16mm close-ups. It is just amazing what kind shots I come home with.

The lovely structures on the beach find a mirror in the sky above.

Sony A7iii, 2x teleconverter, Helios 44M-7.

=== NEW POST ===

Credits: JBC STRUCTURES

JBC Courtyard

 

Information in my BLOGGER

 

This is the same building as in Structures 61.

On the margin of the National Park Eifel near Kall, a small industrial area accrues. (Countryside Cologne).

Shot this morning Feb 24, 2019

The Conical Glass Structure (viewed from the bottom) of Wheelock Place at Orchard Road.

 

*Note: More pics of Architectural, Interior and Exterior Designs in my Architectural, Interior and Exterior Designs Album.

The Parthenon in Nashville, TN

A detail of the Academy of the Arts in Berlin, which is, in my belief, a wonderful architecture - unlike the newer building close to the Brandenburg Gate.

 

Also I love this tiny camera. Always to have with me, extremely fast to shoot with and still under my control.

 

Olympus XA on Ilford Delta 100, developed in CaffenolCMrs

Electric power companies tend to build large and very heavy, structurally sound buildings because they sometimes contain elements like transformers that deal in very large amounts of energy. It is protection and strength, in case of a malfunction. Photograph taken in Sacramento, California.

This enigmatic structure was a former sport stadium opened by King Léopold II. His plan was to turn the old citadel site, which no longer served any military purpose, into a centre for culture and sport.

The slogan Ludus Pro Patria was borrowed from the Olympic Games held in Athens in 1896.

Modelled on an ancient Greek stadium, it was designed by the Brussels architect Georges Hobé in the style of the Vienna Secession. One of the earliest reinforced concrete buildings in the country, it could seat 4,000 spectators. (The Brussels Times). Namur, Belgium.

www.istockphoto.com/fr/portfolio/sonja-ooms

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Seoraksan National Park Korea

Entry for the weekend photo competition 'Structure'

From the visitor's centre Naturkraft near Ringkøbing, Denmark – July 2023.

Standing before the Viaur railway viaduct, I wanted to move beyond engineering prowess to reveal the dream woven into steel. By framing the structure diagonally and stripping away all context, reducing the scene to black and white, I sought to exalt the raw power of metal, the complex interplay of bracings, and the graphic tension of a suspended work.

My intention is to invite the viewer to see this giant not as a bridge, but as calligraphy traced across the sky—a monumental signature in lines and rhythms, of light and shadow. In this abstraction, matter becomes drawing, and technique transforms into poetry.

Through this gaze, I celebrate the essential: the human gift for shaping—and imagining—the landscape. The Viaur, in this frame, is a symbolic passageway: it joins the force of engineering with the creative breath of the imagination, bridging earth and idea, utility and art.

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