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from the series: abstract impressions of South Limburg
Thank you everyone for your visit, favorites and comments.
I was seeking that moment when winter light reveals the hidden structure of the landscape — that geometry which humans have imposed upon the earth across generations. By composing along these successive curves, from foreground to the distant church, I attempted to translate what I feel facing cultivated valleys: a form of breathing between human order and natural freedom. The forest of the medial valley drew me particularly — that dark scar dividing the landscape, almost a pause in the reading of the terrain. It is within that gap, that silence of autumn woodland, that I found the intention of this frame: to celebrate not smooth beauty, but the poetic tension between ploughed fields and the wildness that persists.
Shot on a January afternoon near Villeneuve-lès-Lavaur, in the Tarn. It was the hour when winter strips the landscape of its colorful distractions, when each curve becomes legible, when the silence of the field speaks louder than spring. I had come seeking this sobriety, this austere intimacy that only agricultural winter offers.
Bronica ETRsi, Zenzanon 50mm f2.8, Kodak Tmax 100 35mm, 35mm panorama back.
These sorts of driftwood/branch structures always make me uneasy when I find them out wandering. I don't know why, perhaps it is because I think the maker is observing me. Focus is a bit softer than I would like, but overall, I think a good composition and the tones work for me.
Shot on 35mm Tmax in my DIY-converted 35N film back. Developed for 5 minutes at 65F in Tmax developer.
Applying rules set forth by Stephen Shore I stood there for quite a while structuring this seemingly simple scene.
Rule; utilize all the elements at your disposal when creating your picture.
Those arguably irritating electric wires define the space and add to the depth of this scene. Also they work so nicely with that furrow in the foreground.
Thank you for your visit
Nikon F3
Zoom-NIKKOR 35~70mm f/3.5 AI-s
Nikon L1bc filter
Kodak professional Tmax 400@ISO500
1/250 sec@f/11
Developed in Diafine 3+3 min
Roof structure of Village Hotel Changi.
Enjoyed a lovely 3 days staycation (from 2nd to 4th of Aug 2019) with my BB in Village Hotel Changi.
More pics of: Our Staycation at Changi Village Hotel. (2019)
*Note: More pics of Architectural, Interior and Exterior Designs in my Architectural, Interior and Exterior Designs Album.
Mary Tyler Moored passing had me going through shots I took in Minneapolis a few years ago. We can now say she quietly and indelibly influenced women's rights.
Flower Dome, Gardens by the Bay, Marina Bay, Singapore. 2012 Architect: Wilkinson Eyre. Guinness World Record for the largest glass greenhouse. The conservatory has a composite structure composed of a gridshell, which works in tandem with an external superstructure of radially arranged, arched steel ribs.
Structure of the well known Olympic roof at the Olympic park in Munich, Germany. This is on the way to the former Olympic Village in the north of the park.
Wikipedia: Westminster Abbey is a large and famous Anglican church in Westminster, London. It is the shrine of Edward the Confessor and the burial place of many kings and queens. Since it was built it has been the place where the coronations of Kings and Queens of England have been held. The present structure dates from 1245, when it was started by Henry III.
The status of the Abbey is that of a Royal Peculiar. This means it is place of worship that falls directly under the jurisdiction of the British monarch, rather than under a bishop. The concept dates from Anglo-Saxon times, when a church could ally itself with the monarch and therefore not be subject to the bishop of the area. Technically speaking, it is not a cathedral, though it is regarded as one in practice.
One of the most famous tombs at Westminster Abbey is that of the Unknown Warrior.
Westminster Abbey and its small parish church, St Margaret's, form a UNESCO World Heritage site, which also includes Westminster Palace.
Thank you all for your support, kind comments and faves
Initially the plethora of elements was overwhelming, but after about 10 minutes of utilizing the tenants taught by Stephen Shore in structuring the transparency of 3D space onto a flat picture plane I slowly became comfortable with the scene.
That yellow pail was the fulcrum where I began structuring my picture around.
beneath the cathedral-like ribs of the ciudad de las artes y las ciencias, a small story unfolds. the mother, standing still, frames the scene with her phone. a child runs toward the father, the other already within reach. he bends down, arms opening, ready to gather them close.
it’s a moment of intimacy, framed by cold precision. the architecture is towering, mathematical, almost merciless in its symmetry. yet this fragile family moment – soft, fleeting – defies it all.
the starkness of black and white strips the image of distraction, leaving only the contrast. the human, the monumental. the personal, the grand. it’s a scene where time feels slowed, yet you know it passed in an instant.
if you like to see more, check out my blogpost: arnds.photos/blog/ciudad-de-las-artes-y-ciencias-valencia
from the series: abstract impressions of South Limburg
Thank you everyone for your visit, favorites and comments.
View from far: www.flickr.com/photos/regisa/51196022285/in/dateposted/
"La bien nommée, une belle découverte. Excellente image dans un rendu inimitable !" (René CARRERE / www.flickr.com/photos/143018951@N07/)
"Almost looks like the little charming structure dropped there from above." (Elliot MARGOLIES / www.flickr.com/photos/elliotmar/)
own texture