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This is a real photo with an exposure time of 0.8 seconds.
This is one exposition.
I was inspired by the works of Harold Ross, especially "Burnt Offerings I". When I found a structure that matched my idea of the images I wanted to make, I thought it was worth showing such an object as a levitating one. For a long time I was looking for a way to take this photo at home.
The most difficult in this photo was to show the object and space so that a shadow with a hole could be seen confirming the free hovering of the object.
The object has dimensions of 64x64x50 mm.
This is a version made in the dark with additional lighting with several colored mini flashlights and a laser.
I also exhibited a version in full light (lighting comes from lamps on the ceiling of the room) - both photos were taken simply on a winter evening.
from the series: b/w impressions of South Limburg
Thank you everyone for your visit, favorites and comments.
from the series: abstract impressions of South Limburg
Thank you everyone for your visit, favorites and comments.
Whilst on a family trip to Valencia, a visit to the City of Arts culture and science was a great experience. Here is an angle undershot of its modern structure.
Luxor -Ramses III:s Tempel-Medinet Habu
The temple, some 150 m long, is of orthodox design, and resembles closely the nearby mortuary temple of Ramesses II (the Ramesseum). The temple precinct measures approximately 700 ft (210 m). by 1,000 ft (300 m) and contains more than 75,350 sq ft (7,000 m2) of decorated wall reliefs.[1] Its walls are relatively well preserved and it is surrounded by a massive mudbrick enclosure, which may have been fortified. The original entrance is through a fortified gate-house, known as a migdol (a common architectural feature of Asiatic fortresses of the time).
Just inside the enclosure, to the south, are chapels of Amenirdis I, Shepenupet II and Nitiqret, all of whom had the title of Divine Adoratrice of Amun.
The first pylon leads into an open courtyard, lined with colossal statues of Ramesses III as Osiris on one side, and uncarved columns on the other. The second pylon leads into a peristyle hall, again featuring columns in the shape of Ramesses. This leads up a ramp that leads (through a columned portico) to the third pylon and then into the large hypostyle hall (which has lost its roof). Reliefs and actual heads of foreign captives were also found placed within the temple perhaps in an attempt to symbolise the king's control over Syria and Nubia.
In Coptic times, there was a church inside the temple structure, which has since been removed. Some of the carvings in the main wall of the temple have been altered by coptic carvings.
This brick structure was built in 1911/1912. It is the second church building on this site. The first burned in 1893. The current building was designed under the direction of the parish priest, Father Henry Heitz. He was the last of a long line of French priests serving the parish and the surrounding Pima Native American communities. The church is listed on the National Register of Historic Places
I visited this famous area for the first time and immediately forgot to bring my highly necessary tripod plate. Fortunately, Rob and later Karin were there and we had a nice chat about our mutual hobby....Fortunately, I still managed to get the chance to take this shot and clearly have another reason to return there.....:)
Photographed while exploring with Alice-san, Kageyama-san, Lonny, Mamoru-san, and Yoshikatsu-san. Marunouchi, Chiyoda-ku, Tokyo. November 4, 2019.
Scene in Kasha-Katuwe Tent Rocks National Monument, New Mexico. Wind, water and time can make some amazing structures.
Thank you all so very much for your comments and faves, but most of all I thank you for just taking your valuable time to look. I appreciate each one of you! Gracias. Merci. Danke. Obrigado. Grazie. Go raibh maith agat. Tapadh leat. Gratias tibi.
All images are ©Tom Harrington and may not be used in any way without my permission. Thank you.