View allAll Photos Tagged stringlights

Oh Deer! Silent night: Fatpack- Anthem

* Oh Deer! Silent night: Fireplace

*Oh Deer! and WetCat Silent Night: Ottoman Without Blanket

*Oh Deer! Silent night: Ottoman Table with tray

*Oh Deer! Silent night: Rug FP Bonus

*Oh Deer! Silent night: Bells

*Oh Deer! Silent night: Deer and Stringlights

 

.:TM:. Creation GP64 Tropical Plant Elephant Ear Pot

 

Illussion Plaster Wall Frame 3 LI [ Erfe Arch & Design]

 

Elm. Bewitched Home Hunt//Floral Globe [Silver]

Elm. Bewitched Home Hunt//Crystal Terrarium [Gold]

Elm. Bewitched Home Hunt//Enchanted Ouija Phone [Black]

 

KAZZA - LittleDwellingPlantPot8 - plant

A wide, low-angle candid street photography shot at dusk on Chulia Street in George Town, Penang, Malaysia, showing customers waiting in line at a brightly lit food cart while a male cook prepares street food near gas cylinders and string light decorations.

 

www.strangphotography.com/george-town-penang-malaysia-fra...

In downtown Portland, Oregon. Lit up for the season.

when nothing works

ideas and plans don’t develop

just play and dance with light

 

“The most interesting painting is one that expresses more of what one thinks than of what one sees.” — Mark Rothko

 

GoPro Hero 4 Black; Image Post: Affinity Photo 1.7.0

 

2019-06-08-GOPR2144

 

(79/92 Spring 2019) GT Cooper

Credits:

 

Backround:

 

Amitie Antique Room BACKDROP

[Harshlands] Falling Petals - Full Bright - Rotation

+Half-Deer+ Fireflies - Realistic - Medium Dense

+Half-Deer+ Sakura Petals - Big Group - Pink

+Half-Deer+ Vintage Birdcage - White w/ Lights

+Half-Deer+ Lighted Cattail Bush - Medium

+Half-Deer+ Star Creeper Moss - Light Green

+Half-Deer+ Fairylight Rose Vines - Pale - Straight Wide

+Half-Deer+ Stringlights

 

DRESS: :Moon Amore: Creme de la Creme / Gown / Ebody (non shiny vs)

 

Hair: VCO ~ Roo Hair / Rigged

Skin: Enfer Sombre, Albino

+Demonic touch - bom fingers+

[REVERIE] Gysa Eyes- Highlight 100%

IXCHEL. - fingertip shadows_v3

Jack Spoon. Blotted Lipstick Balm [12]

Keikumu - orchid eyelook (eyeshadow - 02)

SAXO - Body blush unisex

OATMILK // Astor Nose Cuff

OATMILK // Noa Lip stud/Nose Ring/

Swan Anita Nose Ring - Moon, silver

Swan Moon Gem Forehead - silver

Vibing -- bunni rings -- silver

Vibing -- ciara bracelet -- silver

Vibing -- ariel earings

Yasum*Spirit* Snow *mod*

 

You guys probably will see this dress again, I'm OBSESSED with how pretty this is, and I loved it with the combination of this backround but.... I wanted to add /something/ to it. It's such a pretty set.

 

and since Flickr keeps killing quality unless you pay -shrug-

 

twitter.com/Akemox/status/1658177070864941057

At the hinge where Chinatown begins to climb, this corner building holds its ground with quiet authority. The Chinese Railroad Workers History Center occupies a three-story structure that reads instantly as San Francisco: a flatiron-like geometry shaped by topography, brickwork painted deep charcoal, and trim that catches light just enough to outline its bones. The building sits squarely in the street’s logic, meeting the hill without flinching, letting the city rise around it.

 

The composition works because everything resolves toward the corner. The crosswalk lines, the curb, the gentle tilt of the street, and the receding storefronts all reinforce the building’s role as an anchor. It’s a familiar Chinatown streetscape—dense signage, layered façades, and tight setbacks—but pared back here to emphasize form, proportion, and presence. The absence of motion lets the architecture speak at a measured volume.

 

There’s a particular San Francisco calm in the color palette: warm rust-red trim against cool blue-gray walls, set under a pale, softly textured sky. It’s a combination that feels coastal and urban at once, shaped by fog, distance, and time. The fire escape adds just enough asymmetry to keep the façade from becoming static, a reminder that these buildings were designed to be lived in as much as looked at.

 

Photographed straight-on and unhurried, the scene rewards attention at both thumbnail and full frame. It’s a study in how San Francisco’s history embeds itself not through monumentality, but through corners like this—working buildings, still doing their job, still holding memory.

I found a beautiful scene of snowflakes falling on the lanterns in my garden, but I had Double-X 200 speed loaded in the camera. However, I heard that it's a very flexible film, so I changed the ISO to 400 for these night shots and developed it at 200.

back when there was snow on the ground

Sorry for the Christmas-tree-ornament picture overload... :)

 

[[ + 2 in comments ]]

   

----------------------------------------------------------------------------------------------------------------------------------------

For print inquiries, please Email Me :-)

be a fan on f a c e b o o k*

----------------------------------------------------------------------------------------------------------------------------------------

Serenity Style The Lost Arrow Irish Pub @Deco(c)rate March

BackBone Luck O´the Irish Beer Bath @Deco(c)rate March

BackBone Luck O´the Irish Barrel @Deco(c)rate March

Kres Wild Gaelic Garden Shamrock Pots @Deco(c)rate March

Mesh India Panda Dew Irish Whiskey Barrel @Deco(c)rate March

Mesh India Panda Dew Beer Crate @Deco(c)rate March

Merak Cozy Loveseat @Deco(c)rate March

 

ionic The Story of Raccoons Gacha Mommy Bear

floorplan Industrial Shelf

floorplan String Light Pallets

floorplan Ladder Light

CCD Decorative Potted Cactus Set

8f8 Primavera in Toscana Gacha Stool

Tool Shed Floating Balloons

Half-Deer Antler Stringlights Gift(old)

Dust Bunny White Winter Gacha Robin Nest

Dust Bunny Guiana Chestnut Tree @Fifty Linden Fridays

CLAVv Light Studio Gacha Light Rug

NaT Deer Rug 1L @Marketplace

MishMish Fancy Turtle

Ariskea Mirror Decor March Group Gift

Ariskea Ivy Old Window @Fameshed

  

I know so many people with birthdays in August! More than any other month of the year - more cake, more presents, and more fun. And this year, our family added a new baby. Another August birthday!

 

When you figure the numbers... if you leap back 8 or 9 months... those cold winter nights... well, what else is there to do?

 

KITE - The Garden Studio

dust bunny . pastel celebration . tassel table

dust bunny . pastel celebration . balloons & presents chair

dust bunny . pastel celebration . funfetti cupcakes

dust bunny . pastel celebration . funfetti cake

dust bunny . pastel celebration . backdrop . fatpack exclusive

dust bunny . pastel celebration . table confetti

dust bunny . woodland dreams . doughnut cake

DRD Boho baskets

DRD - Boho Backyard - Round Table

{what next} Bellevie Chair 3

{what next} Bellevie Chair 2

floorplan. neon it's not love / black

(Milk Motion) stringlight 2

:CP: Autumn Home Rug

:CP: Autumn Home Sofa (PG)

:CP: Autumn Home Console Table

:CP: Autumn Home Word Art

:CP: Autumn Home Vases

Calm. Leaf Wall Panel . Brass x3

Kaerri Solano Floor Lamp

Apple Fall Huge Fan Palm

2 - DRD - Garden Party - Big Tree Decorated - RARE x2

  

I'm literally the worst at inspiring myself to take pictures, so here's hopefully the last time I make one picture cover a few days. Anyway, the past few days have been lazy, Lindsay and I just hung around the house. But in the evenings we've been making lovely dinners and sitting out on our porch enjoying the night air. These here are our outdoor decor, along with some candles on the table.

 

1/12-14/13

After nightfall, Golden Gate Park transforms into a living canvas during Lightscape, where trees, fog, and pathways become instruments of light. These images capture the event at its most immersive: branches traced with saturated color, mist pierced by theatrical beams, and foliage glowing as if lit from within. Rather than overwhelming the landscape, the installations lean into the park’s existing forms—root systems, trunks, canopies—amplifying their structure and rhythm through color and motion.

 

Walking the route feels less like viewing an exhibition and more like moving through a sequence of environments. Light wraps itself around eucalyptus limbs, climbs upward in slow pulses, then dissolves into haze before reappearing elsewhere. The crowd recedes into silhouette, becoming part of the composition, while the park’s familiar darkness anchors the spectacle. There’s a deliberate balance at work: moments of vivid intensity give way to quieter passages where light thins out and the night reasserts itself.

 

Lightscape works here because Golden Gate Park already knows how to hold scale. These installations don’t compete with the landscape—they collaborate with it, revealing texture, depth, and movement that daylight keeps hidden. The result is both celebratory and contemplative: a reminder that even in the middle of San Francisco, nature remains the primary architecture, and light is simply another way of listening to it.

After dark, Golden Gate Park becomes something else entirely. Paths dissolve into shadow, familiar trees slip their daytime identities, and light takes over as the dominant architectural material. Lightscape transforms the park into a slow, immersive procession where color, rhythm, and scale replace signage and sound.

 

These scenes unfold at walking speed. Ground-level points of warm light map the terrain like a constellation pressed into grass, guiding visitors forward without urgency. Elsewhere, trees are traced in saturated reds, blues, greens, and golds, their branching structures revealed as living diagrams—part nervous system, part skyline. Fog and mist catch beams of white light and fracture them into drifting planes, turning air itself into something sculptural and temporary.

 

What makes Lightscape work here is restraint. The installations don’t compete with the landscape; they collaborate with it. Mature trees become vertical canvases. Open lawns become fields of measured repetition. Darkness is not erased but carefully preserved, allowing color to feel earned rather than overwhelming. Even the presence of people recedes, absorbed into silhouette and motion, reinforcing the sense that the park itself is the primary subject.

 

Seen together, these moments form a quiet argument for public space as experience rather than spectacle. Lightscape doesn’t ask to be consumed quickly or photographed once and forgotten. It invites lingering, recalibration, and a renewed awareness of Golden Gate Park as one of San Francisco’s most adaptable—and most poetic—urban environments.

27 May 2004, Alberta, Canada --- Christmas Tree Under The Northern Lights --- Image by

🌟Noche. Stringlight Harness Fatpack

 

Noche. Gabe garter socks Fatpack

 

Noche. Reindeer Harness

Noche. Reindeer Gear

marketplace.secondlife.com/.../Noche.../24467215

NOCHE. Knit Gloves Essentials - Legacy

marketplace.secondlife.com/.../NOCHE.../21357727

Noche. Kitt Swim Briefs Fatpack [B3] - Legacy

 

2/365

 

The blue Planet

...................................

Zuerst war es nur ein Testbild für die Völlig losgelöst.

 

Mein Ziel war es eigentlich, Sterne in das Bild mit Rakete zu integrieren, aber das hätte das ICM unmöglich gemacht, und ich wollte keine Collage aus zwei Bildern, es sollte ein „echtes“ Foto sein. So habe ich entschieden, den blauen Planeten als eine Art Bonus zu veröffentlichen.

...................................

 

The test picture for the Völlig losgelöst picture. My intent was to add stars in that image, but it would make the ICM impossible and I didn't want to make a collage from two pictures. So, I publish it today as a single pic.

....................................

 

View in Blog gerzen.net

 

After dark, Golden Gate Park becomes something quieter and more immersive. Lightscape transforms familiar paths and plantings into a sequence of slow reveals—color, shadow, and rhythm layered carefully onto the landscape rather than imposed on it. The experience rewards attention. Light is treated as a material, not a spectacle: violet and blue tones skim leaves and trunks, fine points of warm white trace overhead canopies, and distant beams fracture through foliage like refracted starlight.

 

What makes Lightscape work here is restraint. The installations respect the park’s scale and darkness, allowing negative space to do as much work as illumination. Trees remain trees, understory remains understory; the intervention is temporary, precise, and intentionally fleeting. Movement through the route feels almost musical—dense passages give way to breath, then build again—encouraging visitors to slow down and look, not just photograph.

 

These scenes capture that balance. The color is bold but controlled, the compositions anchored by natural forms rather than novelty. Leaves become silhouettes, stems read as calligraphy, and strings of light recede into depth, guiding the eye forward. It’s an event designed for walking pace and winter nights, where the park’s familiar geography dissolves briefly into something contemplative before returning, unchanged, by morning.

My Style:

 

Doe Cupid

Doe Heart stringlights

Michan Harlow Pasties

Spoiled Eat Me Cream

Aleutia Rose Nails

Emotional Circus Heart Eyes

Sixx Basic Bindings

Izzie Heart Shaped Wound

 

My Backdrop:

 

Hive Rose Petals

Tarte Rose Petals

BackBone Kiss & Tell Toy Case

Foxcity Bad Kitty Pose

After dark, Golden Gate Park becomes something else entirely. Paths dissolve into shadow, familiar trees slip their daytime identities, and light takes over as the dominant architectural material. Lightscape transforms the park into a slow, immersive procession where color, rhythm, and scale replace signage and sound.

 

These scenes unfold at walking speed. Ground-level points of warm light map the terrain like a constellation pressed into grass, guiding visitors forward without urgency. Elsewhere, trees are traced in saturated reds, blues, greens, and golds, their branching structures revealed as living diagrams—part nervous system, part skyline. Fog and mist catch beams of white light and fracture them into drifting planes, turning air itself into something sculptural and temporary.

 

What makes Lightscape work here is restraint. The installations don’t compete with the landscape; they collaborate with it. Mature trees become vertical canvases. Open lawns become fields of measured repetition. Darkness is not erased but carefully preserved, allowing color to feel earned rather than overwhelming. Even the presence of people recedes, absorbed into silhouette and motion, reinforcing the sense that the park itself is the primary subject.

 

Seen together, these moments form a quiet argument for public space as experience rather than spectacle. Lightscape doesn’t ask to be consumed quickly or photographed once and forgotten. It invites lingering, recalibration, and a renewed awareness of Golden Gate Park as one of San Francisco’s most adaptable—and most poetic—urban environments.

Outdoor Patio - Tavern on the Green

Central Park - New York, NY

First roll in a new compact camera, exposes well and has a nice sharp lens, though no ability to manually override, automatic DX film speed which can't be adjusted.

#RoomDecor - It Makes more sense to use decorative string lights and outdoor lighting. And within this arena outdoor lighting, you have many options that you can put to use. You can enjoy some beautiful landscape lighting decoration hedge plants and a gazebo in your garden if you have one. You can go for...

 

goo.gl/k15YKj

#RoomDecor - It Makes more sense to use decorative string lights and outdoor lighting. And within this arena outdoor lighting, you have many options that you can put to use. You can enjoy some beautiful landscape lighting decoration hedge plants and a gazebo in your garden if you have one. You can go for...

 

goo.gl/UsjyAO

Taken in Memphis, TN

my brother does not like having his picture taken

I love my feet in this, even though you can't really see them (:

muffinfaerye.weebly.com/blog/238

 

-Decor-

Dust Bunny //

-woodland dreams . makeshift gazebo

-harvest feast - turkey . fullset exclusive , filling , Pumpkin Pie , cranberry punch pitcher , cranberry punch glass , dinner rolls , mashed potatoes , gravy boat , green beans , sweet potato casserole , cranberry sauce .fullset exclusive

-Rose cake

Half Deer //

-Christmas Set - Pale Vintage - Wreath , Christmas Set - Princess - FULL TREE SETUP

-Hot Chocolate Bar Cart - ALL (linked)

-Crystal Romance Garland - Bow - Purple/Pink

-Vintage Heart Chair - White+Pink , Vintage Heart Chair - White+Mint

-Princess Heart Table - Purple*Gold , Princess Heart Table - Mint*Gold

-Colorcopia Pumpkin Garland - Gold - Long , Colorcopia Pumpkin - Group of 5

-Country Rose Chandelier - Soft Pink

-Stringlights - Ceiling - Criss Cross

-Hanging Dried Flowers - Spring - Random

-Macaron Dream Buffet - Glass Display Case RARE

-Single Rose with Light (tex. change)

-Sakura Petals - Big Group - Pink

-Fantasy Cloche - Pink - Bow

-Fairylight Rose Vines - Early

-Firefly Vine - Frost

-Frilly Heart Rug - Neutrals - Bright White

moss&mink //

-Lily Outdoor set - Sofa , Chair

-Lolli Ottoman @ Tres Chic

-Deep Desires Gacha - Twinkle Gems (Pink)

-Tropical Bliss Gacha - Scattered petals

-Sparkle leaf garland

-Dazzle Pumpkins

-Unicorn Party - Placeset Blue , Placeset Mint , Placeset Lilac , Placeset Yellow , Placeset Pink

Zerkalo //

-Be My Valentine - Rug

-Winter Cozy - Christmas Tree

Bazar // Forest Dining Set - Menu Card

Myrrine // Valentine's Gacha - Table Rare

Tres Blah // Soiree Gacha - Pastries , Peach Cake

Disorderly //

-Berry Dream Cake - Multi White, Berry Dream Cake - Single White

-Petit Blooms Gacha - Mini Cake Rose

Petite Maison // Calie Cake Pink

BunBun // Sweet Cafe Gacha - Rose Cake RARE

 

-Landscape-

Happy Mood //

-Bush-c (GT04/ice)

keke //

-winter maple leaves . ground frost , winter maple leaves . whirling frost

-glitter lantern on stick . white

Studio Skye // Snow

 

On a quiet Chinatown block, this mural turns a plain façade into a layered conversation about labor, belief, and forward motion. The composition unfolds horizontally, anchored by two figures who never quite meet: one bent inward, absorbed in a phone, the other reaching outward, arm extended toward something just beyond the frame. Between them, geometry, pattern, and maritime imagery collide, stitched together by color and line rather than narrative clarity.

 

What makes the scene distinctly San Francisco is its restraint. The palette stays cool and coastal—blue-grays, teals, and muted reds—allowing the wall to sit comfortably within the street rather than shouting over it. Even the bold typography of “OPTIMISM” feels weathered and earned, less slogan than artifact. The mural doesn’t erase the building beneath it; windows, trim, and surface texture remain visible, reminding you this is a working street, not an outdoor gallery.

 

There’s a quiet tension here between movement and stillness. The figures suggest action, yet the street is empty, the sidewalk bare. That pause gives the work space to breathe and lets the viewer read it slowly, the way San Francisco often asks you to—through fragments, overlaps, and contradictions. It’s public art that rewards proximity without demanding attention.

 

Photographed straight-on, the mural becomes a flat plane of ideas held in balance by the city itself. It’s not decorative; it’s situational. Another example of how San Francisco’s street art works best when it feels inseparable from the block it inhabits.

1 2 ••• 8 9 11 13 14 ••• 79 80