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NOT MY PHOTO (via Music Thing): John Frusciante of the Red Hot Chili Peppers has a crazy huge pedalboard for his guitar effects.
From Inside Home Recording episode #71, May 2009.
The primary difference between this version of my board and the last version is the Eventide ModFactor. After not very exhaustive non-scientific lab work, I determined it should go in the effects loop, rather than in front of the amp. Therefore, it needed to go on the top level, displacing the amp footswitch to the bottom level, where the Phase 90 used to be.
I'm about ready to sell every modulation pedal I own (and that is a good number of pedals). The ModFactor renders them obsolete. Sure, it's probably not a perfect clone of all of my old pedals, but it sounds great anyway. Man...I haven't heard flanging like this since the last time I hooked up my A/DA Flanger.
Next up (as soon as I can raise the funds by selling some of the aforementioned pedals), a PitchFactor!
30th January 2012 the Slaughtered Lamb, London EC1 (Genticorum gig).
The Stomp Box is a wooden board or box which a musican (usually guitar or banjo player) taps with their feet to enhance the rhythm. They can be solid or have an acoustic chamber. A microphone is often placed above the board/inside the box They go by a variety of other names - e.g. stomp drum, foot drum, or porch board, and were originally used by American Folk and Blues performers. They can be home made or, with more sophisticated version, manufactured for the purpose. The term Stomp Box is also sometimes applied to the Pedal Boards electric guitarist use to obtain a variety of effects.
Stomp Boxes are also a feature of Québécois music. The role of "podorhythmie" or “tapements de pieds” is usually assigned to a seated fiddler.
For this board in use see: www.flickr.com/photos/kmlivemusic/6901708577/.
Stomp Boxes are assigned the number 111.24 in the Hornbostel-Sachs classification of musical instruments ( en.wikipedia.org/wiki/Hornbostel-Sachs ), indicating:
1 = Idiophones. Sound is primarily produced by the actual body of the instrument vibrating, rather than a string, membrane, or column of air.
11 = Struck Idiophones. These idiophones are set in vibration by being struck.
111 = Directly Struck Idiophones. The player himself executes the movement of striking; whether by mechanical intermediate devices, beaters, keyboards, or by pulling ropes, etc.
111.2 = Percussive idiophones. The instrument is struck either with a non-sonorous object (hand, stick, striker) or against a non-sonorous object (human body, the ground).
111.24 = Percussion vessels.
Here she is—complete!
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Built from a Build Your Own Clone kit, the "Scrambled Octave". This kit is a clone of the rare Ampeg Scrambler. I titled mine "The White Peach" because this effect can be sweet or tart—just like a peach.
Atsuko & Stompbox - soundcloud.com/atsubox
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Simple treble boost with tone switches and a bias/gain knob.
Image on the enclosure is from the brilliant illustrator James Joyce www.one-fine-day.co.uk/ It's a drawing of Daniel Pemberton's music gear
La modificación Pure Mod para el Boss Blues Driver BD-2 convierte a este pedal en un exquisito overdrive con un completo rango de sonido y una inigualable transparencia de tonos arenosos y afiliados.
Mathieu Guillou "Mr Mat " (vocals, guitar, stompbox).
Mountain Men @ Chat Noir. 19.11.2010 (c) Christophe Losberger 2010
This is the pushme-pullyou octave fuzz circuit in a junction box. It's a small box and doesn't quite have room for a 9v battery.
Circuit design:
www.forrestwhitesides.com/files/up/img/layouts/pushpull/p...
Russian Big Muff Pi modified to include a bypass for the second diode clipping stage, and a feedback loop. Cosmetic changes like an ultra bright white LED and white knobs were also made.
Original Madbean Cave Dweller circuit with a Split n Blend added to keep the dry signal from losing too much treble. Second footswitch is a momentary fail/detune that warps the pitch of the repeats by sending the output of the 5v regulator to ground via a 22 ohm resistor. Definitely a sound that you can get lost in.
Recorded a small piece "live" two nights ago and took pictures of the set-up. I recorded a small piece "live" two nights ago and took pictures of the set-up. More info here: Dance Robot Dance
It's a Strymon Blue Sky Reverb, A Stereo Memory Man delay, and the Teenage Engineering OP-1
Very exciting glowing valve, a 12AU7 running on 12v in a Matsumin Valvecaster circuit. This should be a great preamp for my new Hohner Pianet.
Thanks for including me in your favourite 10 fx pedals of 2016! HAPPY NEW YEAR! #Repost @thetonemob with @repostapp ・・・ Well, for a final post of the year, how about a post of 10 of my favorite pedals from 2016? From left to right top: The @wrought_iron_effects Orcrist, the @adventure_audio Whateverb, the @spruceeffects Salt Water Fuzz, the @mrblackpedals Supermoon Ltd., the @raygunfx Super Fuzz Boy, and the @fuzzrocious Anomalies. From left to right bottom: the @solidgoldfx Zeta Deluxe, the Tone Mob Model 001 Aluminum Edition (which will be shipping next week! Yay!) the @hologram_electronics Dream Sequence, and the @pelicannoiseworks Silver Pelitaur. 2016 was loud folks. Let's hope 2017 is even louder! #ToneMob #stompbox #happynewyear #geartalk #guitarpedals #gearnerds #guitareffects #guitarfx #GoodToanz via Instagram ift.tt/2iShwUK
Autumn red, brighton, London, uk, alt-country, folk, gothic americana, indie, singer-songwriter autumn red, gospel, woven hand, john martyn, nick drake, lloyd williams, banjo, Stomp, Stomping, Stomp Box
here are 2 of my fav effects pedals...of which i built ^_^
this was my first try on building or even soldering one of these bad boys...they are true bypass pedals. and clones of the greats.
analog chorus (right, and always on my chain) and tonebender (left). they sound so awesome! especially on my Marshall 100watter. The wiring is pretty darn clean if i do say so myself.
i have yet to paint to covering. been lazy, had these for a while too...
17-50mm f/2.8 Tammy
Strobist:
285HV thru umbrella 1/16th cam left. YN460 into softbox difused 1/4th, SB-26 w/DIY snoot grid 1/8th cam left above pedals
'97 Russian Electro-Harmonix/Sovtek Small Stone phaser pedal repaired and ready to play. From Matt's personal collection. This is now my favorite phaser pedal. I love the strength of the effect with the color switch in the up position. It also feels rock solid and is undeniably cool looking in a very olive-green military drab sort of way. Love the knobs on these old Sovtek built pedals.
Repost @keeleyelectronics ・・・ How about The Dark Side for Summer NAMM in Nashville. Has Delay and Plate Reverb, or Rotary Speaker Cab, or U-Vibe with Octave Up or Down. And that to a killer IC Huge Muph Pi for the front end with three way EQ selector and you have stompbox Heaven. #guitar #tone #effectspedals #stompbox #geartalk #knowyourtone #pinkfloyd #davidgilmour #bigmuff #onestompawayfromnirvana, via Instagram: bit.ly/28PI2ZH
Autumn red, brighton, London, uk, alt-country, folk, gothic americana, indie, singer-songwriter autumn red, gospel, woven hand, john martyn, nick drake, lloyd williams, banjo, Stomp, Stomping, Stomp Box
Versiones mejoradas del Tubescreamer 9 y el OCD v3. Todo en uno. Si mal no recuerdo, el TS tenía aumento de ganancia y clipeo asimétrico, mientras que el OCD incluye el clásico switch HP/LP y clipeo con LEDs, lo que le da un sonido muy radical que lo convierte casi en un octavador.
Realizado en un acabado swirl en azul, celeste y blanco y con gráficos negros. Funciona con fuente de poder de 9v o batería del mismo voltaje.
DIY Octavia pedals, boosters and treble boosters
Cheap case, the circuit almost falling apart inside, weird wiring, but who cares? It’s working!