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Der Jackhammer hat neben dem Guv‘nor den extremsten Verzerrungsgrad, den man bei Marshall-Pedalen findet. Genau richtig für mich !
In addition to the Guv’nor, the Jackhammer has the most extreme degree of distortion found on Marshall pedals. Just right for me!
These things should fit the board quite nicely. @walrusaudioeffects has National Park versions of their Julia and Lillian chorus and phaser effects!
Some Roland-Boss stuff I got :) Update: my new guitar effects site
can be found here: www.guitarfx.it
Update to my small collection :) I swear that after 5 minutes I thought they were switching places when I wasn't looking....
News from @cogeffects: !!!! NEW PEDAL DAY !!!! Say hello to the new Tarkin Fuzz and Grand Tarkin Bass Fuzz! The Tarkin mk2 remains firmly based on the Green Russian, just like the original, but the new version has been upgraded with expanded options over Mids and clipping, as well as having been shrunk to the pedalboard-friendly teeny-tiny Hammond 1590A enclosure. Even more versatile than before, and able to find a spot on even the most cramped guitar and bass pedalboards. bit.ly/1RKlSqw The goal behind the Grand Tarkin hasn't shifted – a solid and versatile bass fuzz for the gigging musician, with building-crushing tone and no frills or gimmicks. What's changed is an increase in flexibility and versatility. The single Level and Blend knobs have been replaced with two pairs of Clean Level and Fuzz Level knobs, and a second footswitch to swap between these two presets on the fly. The clean signal is filtered, just like on the original Grand Tarkin, to deliver massive bass tones rather than unnatural-sounding and lacklustre “side-by-side” blended fuzz sounds. This is THE Muff-based fuzz you need on your bass pedalboard. bit.ly/1UUgEzd Bass demo of the Tarkin by the awesome @mrexcane can be found at https://www.youtube.com/watch?v=ctaT60v3o10 Guitar demo of the Tarkin and bass demo of the Grand Tarkin will follow this week. !!!! NEW PEDAL DAY !!!! #stompbox #pedalboards #pedalboard #effectspedals #effectsdatabase #pedalsandeffects #knowyourtone #ilf #ilovefuzz #geartalk #cogeffects #cleantone #knowyourtone #gearporn #basspedalboard #pedalboardmadness #starwars #tarkin #fuzz #bass #guitar #sheffield #gearnerds #bigmuff @mrexcane @pedaloftheday, via Instagram: bit.ly/1RKlSqy
Great news from @way.huge.electronics: Here they come... #wayhuge #wayhugeelectronics #wayhugepedals #jimdunlop #jimdunlopusa #dunlop #effectpedals #guitarpedals #pedals #tone #guitartone #effectpedal #stompbox #effect #stompboxes #guitar #electricguitar #camel #cameltoe #cameltoeoverdrive #overdrivepedal #overdrive #gearfest #gearfest2016 #picoftheday #gear @jimdunlopusa, via Instagram: bit.ly/1XxuqZI
Univox Super-Fuzz and Ibanez Standard Fuzz.
The Super-Fuzz wins the match, but the Standard Fuzz does octave-up better than the Super-Fuzz.
Still, they both kill on contact.
Now we're talking. This one is a rarity. Not easy to find, a perfect replica of the 1976 Boss CE-1 tones. Serial number 830, a pedal out of production.
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Esse eu comprei na hora perfeita! Item de colecionador, visto que não se acha mais à venda, e comprei novo, na caixa. Serial number #830.
Pra quem conhece, é, talvez, o único pedal que consiga chegar aos timbres do antigo Boss CE-1, de 1976, que era um tijolão, tinha fonte embutida e tal. Alguns já devem ter visto!
Part of my Single in January 2016 collection. See www.flickr.com/photos/rensehaveman/albums/72157662985671536 for the rest of my photos, and www.pentaxforums.com/forums/26-mini-challenges-games-phot... for the explanation of the Single in Challenge on Pentax Forums!
DIY echo pedal. Makes all manner of strange noises, like these ones here: soundcloud.com/musicthing/echo-base-pt2399-delay-pedal-on...
I believe I have reached maximum pedal density on the pedalboard.
Put the CS-3, Big Muff and Swollen Pickle ( the wife wonders who the hell names these things ) and Fat Sandwich on loop through the NS-2. Put the CH-1 at the front of the effects pedals with an MXR Analog Chorus at the end. The Beat Buddy Mini and foot switch round out the "band".
A few day earlier to this shot, I had seen Frim Fram Quartet onstage in Kallio park, another neighbourhood in Helsinki. The music was great, but it was rather crowded and the stage was too high up to get any decent closeup from below.
However, I was given a second chance when the band performed downtown on the familiar Espan Lava. It's less crowded and it's easy to approach the musicians once they leave the stage.
After their 45 minute concert on Espan Lava, I approached the talented saxophonist Sirpa Suomalainen for a portrait. She was so kind and went back onstage to bring down her saxophone on my request. We then had a nice conversation about her music life.
Sirpa composes the music while Juki writes the lyrics.
I also found out that she and Juki Välipakka - Vocals/ guitar/ harp/stompbox - have been married for 10 years and have a 7 y/o son. Sirpa's mother was watching her grandson while Sirpa and Juki were onstage. I got to meet them, too.
After sending the photos to them they thanked me and Juki sent a friend request on Facebook. They have since used my photos on their Facebook page.
This is my 280th submission to The Human Family group.
Visit the group here to see more portraits and stories: www.flickr.com/groups/thehumanfamily.
I socketed some parts for future tweaking in the second delay line. I also swapped the B line MN3207 for a MN3208, increasing the delay time. This allows for dual-voice chorusing in "lush" mode.
Super simple circuit from www.beavisaudio.com/techpages/PedalHacker/index.htm
Waterslide transfer, spray paint, car varnish
Red momentary switch is 'max feedback', black is a kill switch.
You connect this pedal to other pedals, and it makes them freak out.
Default setting is 'really high pitched squeal', but 'impending high pitched squeal' is also possible, along with 'detuned short wave radio'.
Simple passive circuit in a 1590a box.
Circuit comes from this article by Jack Orman: www.muzique.com/lab/pickups.htm
It's half a 10k audio transformer (a Triad TY-141P), a standard guitar volume/tone circuit with orange drop .1uf cap, then a 10ohm carbon comp cap and a 470pf cap to simulate a long cable run.
Basically, it rolls off some top end, but also makes the impedance of whatever source you plug it into a bit more like a guitar pickup.
So, synths sound better through stompboxes, particularly finickity fuzz boxes. It's also a bit like a DI box...
The switch selects no/half/full transformer coils. A bit like single coil v humbucker pickups.
Repost @fuzzpope ・・・ I'm going to kick off Fuzz Friday with a spiffy new, Big Foot-proof fuzzy preamp my comrade Rob of @huber_effects Effects has conjured up. Effect description, from the source, "The IzzyPlus is a little known impedance buffer/preamp designed for steel guitars by the C.M. Baker company. This is a careful recreation of the original circuit, with only slight changes to the components, and housed in a board friendly enclosure. This version also includes a Big Muff tone stack, trimmed for maximum gain, and a switch to remove the tone stack. As a buffer, it can be placed before or after your signal chain or used as a standalone boost to push your tubes to fuzz overload. Unit #001, antiqued finish.".This stomp should make a great drinking partner with the Osiris Fuzz that Rob sent me last month, give a follow and keep your eyes on Mr Huber Effects for more awesomeness coming soon. The Izzy Plus is available by request, so first cone, first serve! #hubereffects #fuzzfriday #effectsdatabase #pedalboardmadness #rigsofdoom #guitar #tone #guitars #pedal #pedals #electricguitars #geartalk #gearporn #knowyourtone #fuzz #overdrive #gearwire #gearnerds #toneheaven #guitargear #gottone #guitarpedals #gearaholics #pedalporn #guitareffects #tonefordays #gearpassion #stompbox, via Instagram: bit.ly/2bEB1hc