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A colour photograph of my Chinese pedals pedalboard, I just love this thing!

Nuance - Guitarist stombox gear

2007-06-10, la Flèche d'Or, Paris. Simon's foot from Exsonvaldes.

 

listen to the trees, it rocks!

Two notes "Le Crunch", une place de choix dans mon pédalier.

Buzz & Fuzz con transistores de Silicio

Some Roland-Boss stuff I got :) Update: my new guitar effects site

can be found here: www.guitarfx.it

 

Updated version of this shot is here.

Random shots around the house on a boring rainy day. Part 1.

Update to my small collection :) I swear that after 5 minutes I thought they were switching places when I wasn't looking....

 

www.guitarfx.it

News from @cogeffects: !!!! NEW PEDAL DAY !!!! Say hello to the new Tarkin Fuzz and Grand Tarkin Bass Fuzz! The Tarkin mk2 remains firmly based on the Green Russian, just like the original, but the new version has been upgraded with expanded options over Mids and clipping, as well as having been shrunk to the pedalboard-friendly teeny-tiny Hammond 1590A enclosure. Even more versatile than before, and able to find a spot on even the most cramped guitar and bass pedalboards. bit.ly/1RKlSqw The goal behind the Grand Tarkin hasn't shifted – a solid and versatile bass fuzz for the gigging musician, with building-crushing tone and no frills or gimmicks. What's changed is an increase in flexibility and versatility. The single Level and Blend knobs have been replaced with two pairs of Clean Level and Fuzz Level knobs, and a second footswitch to swap between these two presets on the fly. The clean signal is filtered, just like on the original Grand Tarkin, to deliver massive bass tones rather than unnatural-sounding and lacklustre “side-by-side” blended fuzz sounds. This is THE Muff-based fuzz you need on your bass pedalboard. bit.ly/1UUgEzd Bass demo of the Tarkin by the awesome @mrexcane can be found at https://www.youtube.com/watch?v=ctaT60v3o10 Guitar demo of the Tarkin and bass demo of the Grand Tarkin will follow this week. !!!! NEW PEDAL DAY !!!! #stompbox #pedalboards #pedalboard #effectspedals #effectsdatabase #pedalsandeffects #knowyourtone #ilf #ilovefuzz #geartalk #cogeffects #cleantone #knowyourtone #gearporn #basspedalboard #pedalboardmadness #starwars #tarkin #fuzz #bass #guitar #sheffield #gearnerds #bigmuff @mrexcane @pedaloftheday, via Instagram: bit.ly/1RKlSqy

Bourke St Mall - On Melbourne Cup Carnival Day 2017

 

About George

 

George hails from Japan but moved to Australia in 2000’s to make his life as a busker musician. He has spent the last 15 years honing his skills to become an exemplary country blues artist. His playing is typified by its raw energy and broad tonal range-from delicate harmonics to searing rips and slides on guitar, soulful singing and driving rhythms on harmonica. The instruments George plays are slide guitar, lap steel guitar, harmonica, stompbox with his left foot and drum pedals (snare, high hat, cymbal etc) with his right. Much like a one man band. Known as the Japanese Blues Cowboy he has played at various venues and festivals throughout Australia winning the Tamworth Country Music Busking Championships in 2003 and playing regularly on the legendary Blues Train in Queenscliff. He has appeared in the media a few times including an article in ʻThe Ageʼ newspaper, on ʻAbsolutely Melbourneʼ from channel 7 which was a segment about buskers in Melbourne, Spicks and Specks, Japanese TV show 『ぐっと地球便』 etc. You can sometimes catch him busking in Bourke St mall in the Melbourne cbd.

 

George has been playing as one part of a duo with Noriko Tadano who plays shamisen. Shamisen is a traditional Japanese instrument with a banjo like sound. George and Noriko’s music is a blend of blues and traditional Japanese music. With Noriko, George has won the Australian Busking Championships at Mortlake in 2008 and they were a finalist on Australia’s Got Talent, most recently they released their second album “Howlin’ Sun”(available on iTunes) and did a Japan tour in 2016.

 

He has played at various events and festivals including National Folk Festival, Queenscliff Music Festival, WOMADelaide, Port Fairy Folk Festival, Blues on Broadbeach 2013, Bruthen Blues Festival 2015, Caloundra Music Festival 2015 & 2016, Illawarra Folk Festival 2012 & 2017, Blue Mountains Music Festival 2012, 2014 & 2017, CubaDupa Festival in NZ 2017. George’s banter and easy interaction make him a popular choice with audiences. George was also featured on TV shows in Japan about his music life in Australia. He is currently keeping busy with shows and music festivals throughout Australia and overseas.

 

Source: www.georgekamikawa.com.au/about/

óleo sobre tela. 30 x 24,5 cms. 2012.

cbgb '78

jody beach - jane fire- susan springfield

© s. fitzstephens 1978 -2006 ©

Great news from @way.huge.electronics: Here they come... #wayhuge #wayhugeelectronics #wayhugepedals #jimdunlop #jimdunlopusa #dunlop #effectpedals #guitarpedals #pedals #tone #guitartone #effectpedal #stompbox #effect #stompboxes #guitar #electricguitar #camel #cameltoe #cameltoeoverdrive #overdrivepedal #overdrive #gearfest #gearfest2016 #picoftheday #gear @jimdunlopusa, via Instagram: bit.ly/1XxuqZI

Univox Super-Fuzz and Ibanez Standard Fuzz.

 

The Super-Fuzz wins the match, but the Standard Fuzz does octave-up better than the Super-Fuzz.

 

Still, they both kill on contact.

Now we're talking. This one is a rarity. Not easy to find, a perfect replica of the 1976 Boss CE-1 tones. Serial number 830, a pedal out of production.

 

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Esse eu comprei na hora perfeita! Item de colecionador, visto que não se acha mais à venda, e comprei novo, na caixa. Serial number #830.

 

Pra quem conhece, é, talvez, o único pedal que consiga chegar aos timbres do antigo Boss CE-1, de 1976, que era um tijolão, tinha fonte embutida e tal. Alguns já devem ter visto!

Part of my Single in January 2016 collection. See www.flickr.com/photos/rensehaveman/albums/72157662985671536 for the rest of my photos, and www.pentaxforums.com/forums/26-mini-challenges-games-phot... for the explanation of the Single in Challenge on Pentax Forums!

- Behringer BCH100 Bass Chorus pedal: 17€

- Materials for two DIY signal cables: 12€

- Sigma 70-300 APO DG: 200€

- Having this little fuzzy ball of cuteness roaming around your room: priceless

DIY echo pedal. Makes all manner of strange noises, like these ones here: soundcloud.com/musicthing/echo-base-pt2399-delay-pedal-on...

  

Vincent Slegers performing in Café "de Wereld" in Bergen op Zoom during "Popmonument".

I believe I have reached maximum pedal density on the pedalboard.

 

Put the CS-3, Big Muff and Swollen Pickle ( the wife wonders who the hell names these things ) and Fat Sandwich on loop through the NS-2. Put the CH-1 at the front of the effects pedals with an MXR Analog Chorus at the end. The Beat Buddy Mini and foot switch round out the "band".

erasers

susan springfield

bottom of the village gate '78

bleeker street

©s76fitzstephens1978-2006©

 

View On Bla

I socketed some parts for future tweaking in the second delay line. I also swapped the B line MN3207 for a MN3208, increasing the delay time. This allows for dual-voice chorusing in "lush" mode.

Super simple circuit from www.beavisaudio.com/techpages/PedalHacker/index.htm

Waterslide transfer, spray paint, car varnish

 

Red momentary switch is 'max feedback', black is a kill switch.

 

You connect this pedal to other pedals, and it makes them freak out.

 

Default setting is 'really high pitched squeal', but 'impending high pitched squeal' is also possible, along with 'detuned short wave radio'.

Simple passive circuit in a 1590a box.

 

Circuit comes from this article by Jack Orman: www.muzique.com/lab/pickups.htm

 

It's half a 10k audio transformer (a Triad TY-141P), a standard guitar volume/tone circuit with orange drop .1uf cap, then a 10ohm carbon comp cap and a 470pf cap to simulate a long cable run.

 

Basically, it rolls off some top end, but also makes the impedance of whatever source you plug it into a bit more like a guitar pickup.

 

So, synths sound better through stompboxes, particularly finickity fuzz boxes. It's also a bit like a DI box...

 

The switch selects no/half/full transformer coils. A bit like single coil v humbucker pickups.

Repost @fuzzpope ・・・ I'm going to kick off Fuzz Friday with a spiffy new, Big Foot-proof fuzzy preamp my comrade Rob of @huber_effects Effects has conjured up. Effect description, from the source, "The IzzyPlus is a little known impedance buffer/preamp designed for steel guitars by the C.M. Baker company. This is a careful recreation of the original circuit, with only slight changes to the components, and housed in a board friendly enclosure. This version also includes a Big Muff tone stack, trimmed for maximum gain, and a switch to remove the tone stack. As a buffer, it can be placed before or after your signal chain or used as a standalone boost to push your tubes to fuzz overload. Unit #001, antiqued finish.".This stomp should make a great drinking partner with the Osiris Fuzz that Rob sent me last month, give a follow and keep your eyes on Mr Huber Effects for more awesomeness coming soon. The Izzy Plus is available by request, so first cone, first serve! #hubereffects #fuzzfriday #effectsdatabase #pedalboardmadness #rigsofdoom #guitar #tone #guitars #pedal #pedals #electricguitars #geartalk #gearporn #knowyourtone #fuzz #overdrive #gearwire #gearnerds #toneheaven #guitargear #gottone #guitarpedals #gearaholics #pedalporn #guitareffects #tonefordays #gearpassion #stompbox, via Instagram: bit.ly/2bEB1hc

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