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This is the statement of Romine Builders Drywall service. We used this picture to embedd in surveymonkey so people could read it and then answer the survey questions.
by bpNichol.
nothing is known of this & the copy i have is perhaps only fragments: this unpunctured front cover printed 2 colours & 2 sheets staple-punctured top left, both printed purple, all print by spirit duplicator ("Ditto"). the 3 poems included on those 2 sheets are Fragment, Prologue: 1335 Comox Avenue & Blues on Green, suggesting it's a very early classroom handout, somewhen probably in 1967. cover unID'd & unknown & almost certainly not by bp.
From my nighttime expedition to the Turk St. hoard for long exposure images (for my fellow amateur photographers who like cars, I've discovered that the best images are nighttime ones with timed exposures--try it). Since my first trip here two weeks ago, I've learned that the owner is a gentleman called Nick who evidently works as a cab driver, and who owns at least 15 cars. One of these days I hope to meet him. I went out of my way to be conspicuous while shooting these, but no one came to the window.
As to what we have here, in the foreground is the beautiful 58 Buick Century, now parked on the street with its 'Deluxe Fashionaire' grill visible for all to see (even though this is one of my dream cars, I wouldn't want the job of having to keep all of those little squares polished), and in the background, along with appropriate period architecture, a fellow 1958 GM offering: the Oldsmobile 88.
Photographer: SHAMAYIM
Model: Rose @ FORD
Wardrobe Stylist: Quela Renee
Wardrobe Assistant: Rachel Pollen
Makeup: Elisabet Mascorro
Hair: Nico Doniele
___________________________
Jewelry by Charles Albert
One Piece by Yotam Solomon
And that statement is I'm back! Once abundant, there have been almost no egrets at Aquatic Park since the big oil spill in the bay. Now they are starting to return.
Statue of a lion at the Eaton mausoleum in Mount Pleasant Cemetery. Toronto, Canada. Spring morning, 2018. Pentax K3 II.
Timothy Eaton
Plot 2, Lot 4, Private Mausoleum
Mount Pleasant Cemetery, Toronto
Born in 1836 on a small farm a couple of miles north of the town of Ballymena in Ireland, Timothy Eaton was the youngest of nine children born to John and Margaret Eaton. The hard working father never did see Timothy, however. John Eaton died from an illness contracted while helping a farmer friend. Margaret named the fatherless son after one of John’s favourite books of the New Testament.
As a young man, Timothy was apprenticed to a prosperous merchant in the nearby small town of Portglenone where he put in sixteen-hour days and six-day weeks. With famine and misery prevalent throughout the land and working long hours for someone else, Timothy had finally had enough. With a hundred pounds in his pocket, he struck out for the promises of a “new world” across the ocean. In 1854, for reasons that are not entirely clear, Timothy made his way to Georgetown, then a small hamlet northwest of Toronto. He only spent a short time here, moving on to nearby Glen Williams where he worked in a small store. Then it was on to Kirkton near London, Ontario and soon Timothy, with the help of his two sisters, Nancy and Sarah, who had also emigrated looking for a better life, was operating a small general store and post office. Then it was off to St. Mary’s where Timothy joined his two brothers Robert and James who had been running their own grocery and dry goods store. In 1860, the trio decided to split up, with Timothy and James retaining the dry goods and millinery departments, while Robert remained in the grocery business. Two years later Timothy met and married the former Margaret Beattie of Woodstock.
In 1868, Timothy made one of the most important decisions of his young life. He would take his family and move to the big city of Toronto (then with a population somewhat less than 50,000) where he would open his own dry goods store. Forced into a short stint in the wholesale dry goods business, which Timothy truly disliked, the thirty-three-year-old father of three finally got his chance to go it alone when he purchased, for the sum of $6,500, the business of James Jennings at the southwest corner of Yonge and Queen Streets, far from the hustle and bustle of the retail heart of the “Queen City of the West” down on King Street. In his first advertisement, Eaton startled Torontonians with the statement that rather than bartering for the best price or buying on credit, goods in Eaton’s new store would be sold at a fixed price and for cash only. Commonplace enough today, but in 1869 those concepts were, well, revolutionary to say the least. As the years went by, benchmarks in the fascinating Eaton’s story came and went: the move north of Queen and the first Eaton catalogue, both in 1884; the company’s first telephone in 1885 and first elevator in 1886; early store closings on Saturday in the same year followed by the creation of a mail order department; buying offices in foreign countries, company owned and operated manufacturing factories, and so on.
By January 1, 1907, the T. Eaton Company, under the control and guidance of the founder had become the most important and influential department store in the entire Dominion. On January 31 of the same year, Timothy Eaton died from the complications of pneumonia at the age of 70. The funeral procession, moving through crowd-lined streets from the family residence at 182 Lowther Avenue to the newly constructed family mausoleum at Mount Pleasant Cemetery, was comprised of more than two hundred carriages, and a large number of the “new-fangled motors” preceded by several thousand mourners on foot.
Also interred in the family mausoleum are three of Timothy and Margaret’s children who died while still babies (Timothy Jr. at ten months, Kate at eleven months and George, who drowned when he was just twenty-two months old). Other children include twenty-six-year-old Lillie and thirty-seven-year-old Edward. Another son, Sir John Craig Eaton (1876-1922), who was knighted in 1915 for his numerous philanthropic endeavours during both war and peacetime, is also in the mausoleum. Sir John was company president from 1909 until his death in 1922. Also interred within is John David, John Craig’s second eldest son who was president from 1942 until he retired in 1969 when he turned over control of the business to his sons. Robert Young Eaton, Timothy’s nephew who looked after the business from 1922 until John David was ready to assume control in 1942, is across the way in Plot 3, Lot 3. Others in the mausoleum include Timothy’s wife Margaret (1842-1933), Sir John’s wife Lady Flora McCrea (1880-1970), and Timothy Craig (1903-1986), the eldest son of Sir John who could have been president, but opted for a life of leisure rather than one of business headaches. Interestingly, Timothy Craig had requested to be buried in Ballymena, Ireland, where his grandfather, namesake and founder of Eaton’s had been born. Obviously his request went unheeded. In total there are eighteen people interred in the Eaton family mausoleum.
Mike Filey
Mount Pleasant Cemetery: An Illustrated Guide
Second Edition Revised and Expanded
Note-Grids are a tool for collecting and connecting objects of thought (in this case, words).
They treat words and other manifestations of thought as objects that can be freely manipulated to create new meaning.
They break meaning up into individual words to facilitate a more fluid, intuitive, and improvisational approach to knowledge production.
Follow Note Grids on tumblr: notegrids.tumblr.com/
To read some direct statements about these ideas, see "Note-Grids: Statements" www.flickr.com/photos/asgood/sets/72157626654002747/
Downtown Brooklyn
Founded in 1883, the New York and New Jersey Telephone and Telegraph Company served the ever-increasing populations of Long Island, Staten Island and northern New Jersey.
The fast growth of the city and the company created the need for a large headquarters building for this local service provider of the Bell system.
This elaborate and elegantly designed Beaux- Arts style building served as a major statement of the company’s expansion in the area, providing offices and telephone switching in the heart of Brooklyn’s expanding business district.
The company installed and maintained telephone wires and provided telephone service to more than 16,000 subscribers in 1897 when this building was constructed. Designed by leading Brooklyn architect Rudolphe L. Daus, the building’s distinctive ornamentation establishes a strong presence on this busy street corner. Daus drew on his classical French training to create a dramatic structure, epitomized by the rounded corner accented by an elaborate cartouche and a deep, projecting cornice. These design features are balanced by oversized arches resting on engaged columns and broad rustication of the lower floors.
The New York and New Jersey Telephone Company Building occupies an almost square site at the corner of Willoughby and Lawrence Streets in downtown Brooklyn. Eight stories tall, it is faced with light tan brick, limestone and terra cotta and terminates in a broadly projecting copper cornice. The two street facades are almost identical, each having three bays, with an additional bay located at the rounded corner where the two sides join together. Most of the bays (except where there are building entrances) hold three, paired windows. The main entrance to the building is in the easternmost bay of the Willoughby Street façade, and the Lawrence Street façade has an altered service entrance on the ground floor of the central bay. All the windows have been changed to 1/1 double-hung aluminum sash. Stone cornices divide the building horizontally above the first, fourth and sixth stories.
There is an additional narrow service bay to the east of the building’s main entrance on Willoughby Street, slightly recessed from the main plane of the building. The façade treatment of this additional section is very plain, with unadorned single window openings and plain brick facing, except for a continuation of the stone cornices above the first, fourth and sixth stories. A plain, non-historic service door is located at the ground floor of this section.
The ground story is faced with rusticated stone which has been given a cement coating. On Lawrence Street, the central bay has a metal stoop leading to a pair of replacement metal doors surrounded by cement infill. The rest of the ground story windows are partially covered by deep fabric awnings. The central window of the corner bay has been replaced by a glass door, reached by cement stairs with modern metal railings. The flanking windows have fixed, single-pane sash. The double-height, main entrance to the building is located in the eastern bay on Willoughby Street. It consists of a large, rounded, deeply-set archway which is framed by a full entablature. Its cornice is engraved with the words, “Telephone Company.” The side piers, which support this cornice, are adorned with terra-cotta ornament in the form of early telephones with intertwined wires and ear pieces. Above each of the capitals of these piers is a spread-wing eagle perched on an embellished medallion. The rounded archway is fronted by moldings and a keystone with a head. Its reveal is coffered and it is supported by double columns with Corinthian capitals. Within the arch, the rectangular door opening is surrounded by a wide molding ornamented with emblems related to telephones, such as wires, early receivers and earpieces. A triangular pediment rises above the doorway, within the arch.
Stone cornices are located below the second and above the fourth stories, which are faced with brick laid to suggest rustication. Each bay has three paired windows with continuous stone sills, and lintels formed by flat brick arches. Above the fourth story, the wide stone cornice is punctuated by ornate terracotta medallions mounted between each bay. At the rounded corner bay, this cornice projects slightly and is carried on paired brackets. The fifth and sixth stories are linked by double-height, engaged columns set on stone bases. The center window of the fifth story is topped by a triangular pediment supported by smaller columns. Above the sixth story, another deep cornice rings the building, recessed slightly within -5 - each bay and projecting between them. Each bay of the seventh story holds a large rounded arch with moldings and an elaborate terra cotta keystone. Tripartite window are set within each arch. The rounded corner bay at this level is pierced by a large oculus window enhanced by ornate terra-cotta ornament including a head, volutes and foliage. The original sash has been replaced by a fixed single-pane sash. At the top story, each bay has three paired, rectangular windows set between short brick pilasters, with no openings in the corner bay. A deep, projecting copper cornice enhanced by brackets and moldings creates a strong finishing element for the façade.
There is a narrow service bay located to the east of the main section of the building on Willoughby Street. It is set back slightly from the main plane of the building and has a narrow entrance at the ground story. Although the cornices continue as on the rest of the façade, the bay is generally unornamented, with a single window opening on each floor.
On the northern elevation, the wall which overlooks the short building to the north is faced by plain, unfenestrated brick. The other elevations are not visible from the street.
- From the 2004 NYCLPC Landmark Designation Report
Backpacking fashion statement - Not. The Lightheart Gear hiking skirt is proving better than my hiking kilts. Lots of usable pockets, very lightweight, sheds water and dries quickly. The center snap is great for converting it to baggy shorts when in public. Copyright © 2021 Gary Allman, all rights reserved.
Photographer: SHAMAYIM
Model: Brittany @ eNVy
Wardrobe Stylist: Quela Renee
Hair: Nico Doniele
-----------------------------------------
Designer: Natalia Romano
Necklace by Charles Albert
Designed and crafted by Caine Kindred @ Black Boudoir
Part of the Reworked Vintage Collection.
One-of-a-kind/ Reworked Vintage/ Clustered/ Statement Piece
~ Material: Mix of Vintage Czech Glass Beads, Green Jasper Stone Beads, Pewter Spacers, Pewter Chain, Pewter Toggle Clasp
Preparing financial statements that are useful to your management team is one of the key CFO Services Barbar Financial Solutions provides.
Wenn du nach einer Möglichkeit suchst, dein Streetstyle-Spiel auf den neuesten Stand zu bringen, dann ist das Tragen von Statement Pants definitiv ein lustiger Weg. Selbst wenn Sie etwas wirklich einfaches wie ein einfaches weißes T-Stück tragen, können Sie bezaubernd und fabelhaft aus...
coolideen.com/2018/08/10/fabulous-statement-hosen-zu-trag...
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Artist Statement-For my sustained investigation, I looked at how different lines, colors, and shapes can make you feel disoriented. My mind is constantly going 100 miles an hour. Using color, light, and Photoshop I wanted to execute how my mind feels. I thought the color is very similar with seeing different things everyday but then when you see other objects those objects merge with the previous objects you have seen. I also used double exposure to show the feeling of how my mind feels. I also put subjects behind the lights to implicate how I feel. As my investigation went on I wanted to see how much of a subject I could show with keeping the theme of disorientation. All of the different lines and shapes remind me of how fast everything moves and how my mind does go 100 miles an hour.
Materials- I used my friend, a digital camera, Christmas lights, paper, a computer, and Photoshop
Processes- I asked my friend what makes her feel most disoriented and she said homework so we laid out homework and then i took pictures of Christmas lights an then I used double exposure to overlay both of those pictures.
Gab es heute auf der Englischkurs-Weihnachtsfeier. Gut für die Nerven. Aber deine tröstenden Worte waren noch viel, viel besser, liebe Christiane! Big hugs!! Und davon eine ganze Menge!
Chocolate from the Christmas party we had on our last evening English course. Good for the nerves. But much better were the kind words I recieved from my special friend. Big hugs. Many of them!
I think we go well together!
#CashFlowStatement or Statement of cash is one of the four most typical #financial statements while the three others are,
Income Statement
Statement of financial position
Statement of changes in equity. goo.gl/3MU6zn
Manchmal, egal wie viele Accessoires du hast, hast du immer noch das Gefühl, dass dein Look nicht komplett ist, bis du realisierst, was du verpasst hast: ein wunderschönes Paar Ohrringe. Obwohl sie ein kleiner Teil Ihres Outfits sind, können Ohrringe einen großen Einfluss auf Ihr Gesamtbild ...
coolideen.com/2018/08/08/statement-ohrringe-die-ihren-loo...