View allAll Photos Tagged statement.
Style statements for the moment: Pockets, long night dress like amma's, not pajamas. Flowers everywhere.
"Better to do something imperfectly than to do nothing flawlessly."
-- Robert H. Schuller
I've seen this car around town and have meant to take photos. It just happened to be parked under our balcony, so I took a top view. Sometime I may have a chance to capture the other artwork..
To see the messages, be sure to enlarge the photo.
Real photo view of an entrance to an estate, showing open gates and a tree-lined road.
The card also reads, "Photo by I. E. Goodale." The card is numbered P1266.
Digital Collection:
North Carolina Postcards
Creator:
Goodale, I. E.;
Location:
Southern Pines (N.C.); Moore County (N.C.);
Collection in Repository
Durwood Barbour Collection of North Carolina Postcards (P077); collection guide available
online at www.lib.unc.edu/ncc/pcoll/77barbour/77barbour.html
Bodie Island Lighthouse
History
In 1837, the federal government sent Lieutenant Napoleon L. Coste of the revenue cutter Campbell to examine the coastline for potential lighthouse sites that would supplement the existing one at Cape Hatteras. Coste determined that southbound ships were in great need of a beacon on or near Bodie Island by which they could fix their position for navigating the dangerous cape. He punctuated his recommendation with the statement that "more vessels are lost there than on any other part of our coast."
Congress responded with an appropriation for a lighthouse that same year, but complications over purchasing the necessary land delayed construction until 1847. This was but the first of many problems. Though the skillful Francis Gibbons was contracted as engineer, the project's overseer was a former Customs official named Thomas Blount, who unfortunately, had no lighthouse experience at all. This proved disastrous when Blount ordered an unsupported brick foundation laid, despite Gibbons' recommendations to the contrary. As a result, the 54-foot tower began to lean within two years after completion. Numerous expensive repairs failed to rectify the problem and the lighthouse had to be abandoned in 1859.
The second lighthouse fared little better than its wobbly predecessor. Though funded, contracted, and completed in prompt fashion at a nearby site in 1859, it soon succumbed to an unforeseen danger - the Civil War. Fearing that the 80-foot tower would be used by Union forces, retreating Confederate troops blew it up in 1861.
After the war, the coast near Bodie Island remained dark for several years while a replacement tower was considered by the Lighthouse Board. Though the Board was disposed against the idea, numerous petitions came in from concerned ship captains and, finally, it decided in favor of a third Bodie Island Lighthouse. Still, it was not until 1871 that construction began. The first two Bodie Island Lights had been located south of Oregon Inlet, actually on Pea Island.
The new 15-acre site, purchased by the government for $150.00 from John Etheridge, was north of the inlet. Work crews, equipment, and materials from the recent lighthouse project at Cape Hatteras were used to build necessary loading docks, dwellings, and facilities. Government contracts brought bricks and stone from Baltimore firms and ironwork from a New York foundry. Construction of the tower proceeded smoothly and it first exhibited its light, magnified by a powerful first-order Fresnel lens, on October 1, 1872. The keepers' quarters duplex was completed soon thereafter.
Early problems with flocks of geese crashing into the lens and improper grounding for electrical storms were quickly rectified with screening for the lantern and a lightning rod for the tower. There have been few other difficulties with the lighthouse itself since its completion. From the keeper’s perspective, however, there remained the problem of isolation. Bodie Island was completely undeveloped and the closest school was in Manteo on neighboring Roanoke Island (accessible only by boat). This meant that the keeper’s wife and children lived away from the lighthouse except during the summer months, which made for a lonely and trying family life most of the year. Such situations, of course, were quite common in the Lighthouse Service. Eventually, progress enabled school buses to reach the island and the families were able to live with the keepers.
The light was electrified in 1932, phasing out the need for on-site keepers. Finally, all of the light station’s property, except the tower, was transferred to the National Park Service in 1953. The keepers' duplex has since undergone two historic restorations, the last having been completed in May 1992. The building now serves as a ranger office and visitor center for Cape Hatteras National Seashore. The most recent restoration of the lighthouse itself was completed in 2013. Still a functioning navigational aid, the tower is open for public tours.
Tucked away between tall pine trees and freshwater marshland, the Bodie Island Light presents anything but a typical lighthouse setting. Though not as well-known as its neighbors, it remains an important part of local history and a favorite spot for visitors. And still every evening, amidst the water towers and blinking radio antennae of modern development, its powerful light beams out across the darkening waves, keeping silent watch over the treacherous waters known as the “Graveyard of the Atlantic.”
In the Land of 10,000 Lakes...Minnesota, you just HAVE TO GO BOATING ON THE FOURTH OF JULY! Boating involves a parade of boats, streamers, hats, flags, stars and stripes, swimming, congregating, and stunt riding. Enjoy and BE SAFE. sal
Michael and Albert (AJ) Patnode - Artist Statement
Father and son collaboration
Our photographic art is a kinetic motion study, from the results of interacting with my son A.J and his toys.
He was born severely handicapped much like a quadriplegic. On December 17,1998. Our family’s goal has always been to help A.J. use his mind, even though he has minimal use of his body.
A.J. likes to watch lights and movement. One of the few things he can do for himself is to operate a switch that sets in motion lights and various shiny, colorful streamers and toys that swirl above his bed.
One day I took a picture of A.J. with his toys flying out from the big mobile near his bed like swings on a carnival ride. I liked the way the swirling objects and colors looked in the photo.
I wanted to study the motion more and photograph the whirling objects in an artful way, I wanted my son A.J. to be a part of it. After all, he’s the one who inspires me. When A.J. and I work together on our motion artwork, A.J. starts his streamers and objects twirling, I take the photographs.
Activating a tiny switch might not seem like much to some, but it’s all A.J. can do. He controls the direction the mobile will spin, as well as when it starts and stops. The shutter speeds are long, and sometimes, I move the camera and other times I hold it still.
I begin our creation with a Nikon digital camera. Then I use my computer with Photoshop to alter the images into what I feel might be an artistic way. Working with Photoshop, I find the best parts from several images and combine them into the final composite photograph. I consider the finished work to be fine art. The computer is just the vehicle that helps my expressions grow.
I take the photographs and A.J. adds the magic. It’s something this father and son do together. After I’ve taken a few shots, I show him the photos in the back of the camera. When the images are completed, I show him from a laptop. He just looks. He can’t tell me whether or not he likes the images, but he’s always ready to work with me again.
It offers me my only glance into A.J.’s secret world. We’ve built a large collection of images and I hope the motion and color move you as much as they do me.
A.J. inspires me to work harder to understand my life in the areas of art, photography, people, spirituality, and so much more. He truly sets my mind in motion and helps me find the beauty in everyday things.
AJ Patnode - A Journey of Hope (documentary):
www.youtube.com/watch?v=OR7m8QFcmRM
AJ'S blog:
Abstract set:
www.flickr.com/photos/patnode-rainbowman/sets/72157602269...
I discovered this statement to the world on Perrie's foot.
From Psalm 139 verse 14. "I am a unique creation filled with wonder and awe".
Michael and Albert (AJ) Patnode - Artist Statement
Father and son collaboration
Our photographic art is a kinetic motion study, from the results of interacting with my son A.J and his toys.
He was born severely handicapped much like a quadriplegic. On December 17,1998. Our family’s goal has always been to help A.J. use his mind, even though he has minimal use of his body.
A.J. likes to watch lights and movement. One of the few things he can do for himself is to operate a switch that sets in motion lights and various shiny, colorful streamers and toys that swirl above his bed.
One day I took a picture of A.J. with his toys flying out from the big mobile near his bed like swings on a carnival ride. I liked the way the swirling objects and colors looked in the photo.
I wanted to study the motion more and photograph the whirling objects in an artful way, I wanted my son A.J. to be a part of it. After all, he’s the one who inspires me. When A.J. and I work together on our motion artwork, A.J. starts his streamers and objects twirling, I take the photographs.
Activating a tiny switch might not seem like much to some, but it’s all A.J. can do. He controls the direction the mobile will spin, as well as when it starts and stops. The shutter speeds are long, and sometimes, I move the camera and other times I hold it still.
I begin our creation with a Nikon digital camera. Then I use my computer with Photoshop to alter the images into what I feel might be an artistic way. Working with Photoshop, I find the best parts from several images and combine them into the final composite photograph. I consider the finished work to be fine art. The computer is just the vehicle that helps my expressions grow.
I take the photographs and A.J. adds the magic. It’s something this father and son do together. After I’ve taken a few shots, I show him the photos in the back of the camera. When the images are completed, I show him from a laptop. He just looks. He can’t tell me whether or not he likes the images, but he’s always ready to work with me again.
It offers me my only glance into A.J.’s secret world. We’ve built a large collection of images and I hope the motion and color move you as much as they do me.
A.J. inspires me to work harder to understand my life in the areas of art, photography, people, spirituality, and so much more. He truly sets my mind in motion and helps me find the beauty in everyday things.
AJ Patnode - A Journey of Hope (documentary):
www.youtube.com/watch?v=OR7m8QFcmRM
AJ'S blog:
Abstract set:
www.flickr.com/photos/patnode-rainbowman/sets/72157602269...
My credit card statement consists of two sheets of paper, one I keep with the amount spent each month, this sheet is surplus to my requirements so I shred it.
As you see I used it for a few sums :)
Carthay Circle Restaurant
Disney California Adventure
The Carthay Circle Restaurant occupies the Carthay Circle Theater, the new centerpiece of DCA. Nobody denies the place is beautiful both inside and out, but some questioned whether the centerpiece of the park should be a restaurant rather than an attraction of some sort. While an attraction is always nice, I think the Carthay makes a statement. The place is unprecedented within a theme park on the West Coast of the US. Walt Disney World in Florida's big secret is that it's a culinary powerhouse, but even there most of the good stuff is hiding in hotels or to the wonderful selection in Epcot's World Showcase, which itself has unprecedented refined theming and dining. Yet still, the Disney theme parks suffer from stereotypes of their own past and lesser amusement parks that crowd the country. Burgers, fries, and junk food are what most people expect, and anything beyond that is greeted with low expectations. Sure Disney has multiple award-winning chefs working the background of many of these restaurants, but you can't blame the general public for not knowing about this or expecting it: the parks themselves don't really advertise themselves as places to have fantastic, unique dining experiences.
But here we have the Carthay Circle Restaurant, a place that has ended up one of the classiest restaurants in Southern California let alone a theme park. The first floor houses a full lounge and bar serving 1930s era cocktails put together with a masterful flavor and attention to detail. These aren't drinks you can just go pick up anywhere in the country, finding anything like them typically requires finding one of a few top tier bars scattered about, even then usually buried in a few populous cities like LA or NY. The 2nd floor is a dramatic, opulent dining area, full of various rooms and enclaves evoking a restaurant design they really don't do that often anymore. The food is exceptional, with a menu that isn't afraid to be adventurous even though it still needs to appeal to a majority of the tens of thousands of people walking through the gates. Quail, Rack of lamb, Fresh fish, Short Rib, Udon… it's a feat that it all pulls together.
The dining experience is really an extension of Disney's approach to most experiences: a great blend of nostalgic theming, constructing an idealized past along with modern flourish. You can't really go anywhere else in California and have the dining experience you can have at the Carthay. That Disney has put this front and center in the park is a notice to all guests that theme parks may not be about what they assume they are. It's not just rides and burgers (although there's nothing wrong with that): it can be about refinement and relaxation, it can be about idealized culinary experiences as much as lands of fairy tales and talking cars.
I think the Carthay is one of those placemaking institutions, a place DCA sorely needed. The Carthay is something I can keep coming back to. There's always one more drink to have, always an item on the menu calling my name. Sometimes it's not about a ride or attraction, sometimes I want to be transported to an idealized fantasy and just exist in it, sipping a cocktail, looking over the menu, enjoying my surroundings and my company. Putting a place like this within an icon of a theme park tells people "this is the kind of thing you should be expecting to do here." If it defies expectations for not being "a ride" then I think the plan is working perfectly.
(That's a Pimm's Punch up there by the way: a perfect drink for the summer.)
Website: Consumer Machine
Twitter: photojames
Tokyo DisneySea in Photographs eBook: available in both iPad and PDF editions.
It's been awhile since we saw one of these...
I'd rather have a foot of snow instead of ice...the absolute worst!
Let's hope this is yet more media hype by the so called forecasters.
Late in the afternoon at Sumner beach September 16, 2015 Christchurch New Zealand.
Sumner is a coastal seaside suburb of Christchurch.On 22 February 2011, Sumner was hit by the Christchurch earthquake, which destroyed or made uninhabitable a large number of the local houses and commercial buildings. On 13 June the same year, Sumner was hit by another earthquake of almost the same magnitude as the February event. These two earthquakes caused many of Sumner's iconic cliffs to collapse, and many areas to be cordoned off with both traditional fences and, more interestingly, shipping containers.
For more Info:https://en.wikipedia.org/wiki/Sumner,_New_Zealand
20210528-8170
Voor de ingang van Algemene Zaken, stond een jonge vrouw op een kruk met ontbloot bovenlijf terwijl ze haar borsten met viltstiften aan het roodkleuren was. Niemand wist wat hier gebeurde, na enig rondvragen zei iemand: "vraag het haar zelf maar". Dus dat deed ik. "Ik maak een statement" zei ze. Waarover, waartegen, waarom? "Een radicaal statement" zei ze. Maar ondertussen kwamen 2 politieagenten die haar sommeerden de borsten te bedekken en mee te komen naar.... nog onbekend.
Iemand vroeg mijn kaartje (heb ik altijd bij me) want ze wilden deze foto's wel hebben. Ik hoor later wel waarover dit radicale statement ging.
Jacolinde Geerte, kunstwerk
jacolindeeck.wixsite.com/website
performance, ± 6 min. (with performativity(?) prolonged to 3 hrs)
For the pahmphlet i was stuck by this sentence within the assignment "a radical message in a radical way." So i first thought about what a radical way was. I believe this is when it's unerasable. So i was thinking about writing with lipstick on some white walls in the school and what not. Then it developped in being an unerasable image in peoples minds. Or maybe what wpuld.ignite the most reaction.
As i did a naked performance once in school, and some were kind of crossed by that. And i knew that my breasts evoked this same kind of reaction on people, both on social media, in public and even under a shirt without bra, i wanted to do something with the ridicoulousness of this given. Especially nipples being censured as breasts are over sexualized and the increasing prudishness of society, which is especially taken out on female bodies, i wanted to question the radicality of my flesh. Is this radical enough for you? Is it radical at all? Police sure did thought so.
With writing variations of this question on my breats until covered, I state that breasts shouldn't be so radical - which apparently was quite a radical message an sich.
All images are copyrighted by Pieter Musterd. If you want to use or buy any of my photographs, contact me. It is not allowed to download them or use them on any website, blog etc. without my explicit permission.
If you want a translation of the text in your own language, please try "Google Translate".
This is a film detail shot of the room full of computers at abandoned Six Flags Hurricane Harbor in New Orleans. When I look at it, I imagine how the mission statement posted on the wall must have taken on a strange meaning with the high water mark sitting just below it. Floating above Lake Six Flags. Some people boated through the ruins. I imagine them reading "To deliver Family Fun and Fond Memories for all of Our Guests" just hovering on the water. A surreal hope, but their mission was successful with me. I will never forget the intensity I felt wandering the ruins.
by the way
next backpacker
filthy dreads
on trains in summer
psitrancejeans, crumbs flying
four words:
stun-guns in the night
This tower seems to be to large for this tower, it must have been a statement to here neighbours in Liverpool.
One the first things I noticed on the street Barcelona were the flags draped from many balconies. A quick Wikipedia search taught me that these flags are the Estelada, the flag of Catalonian independence.
There are two versions here, the nationalist flag with the blue triangle and white star and the socialist flag with the red star. The hardest thing about getting a balcony panorama are the lovely trees that line the streets.
Barcelona IMG_5770
The original photo was taken by CANON F1 35mm... It was a very beautiful old house somewhere in Monirieh-Tehran belonged to a friend of mine who is an artist. Wish her well for giving me this opportunity to take some shots there.
passing thro the years is something and some of the SHARP memories is another thing!