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Artist Statement (by MelOrchid)
This work exists in the aftermath of belief.
The billboard once sold a promise—happiness distilled, identity simplified, desire made portable. Now it stands rusted and towering, still speaking louder than the land beneath it. The figure below does not look back in anger, but in reckoning.
Her body carries marks—not of a single event, but of prolonged exposure. To systems. To consumption. To the quiet violence of being told what will save you. The blue of her skin is artificial, learned, absorbed—an echo of what we ingest without noticing. And yet, life insists. White flowers bloom anyway.
I am not interested in apocalypse as spectacle. I am interested in what remains after faith in the spectacle collapses.
This piece asks:
When the promise fails, what part of us is still capable of standing—and what grows at our feet despite it?
Statements of Heritage: Arkansas State University Heritage Sites
arkansasheritagesites.astate.edu/
Southern Tenant Farmers Museum (Tyronza)
"Fiscal paradises are the theft of people -ATTAC (Association for the Taxation of financial Transactions and Aid to Citizens)"
(see attac.org)
I have not a clue who this is or what message he is trying to convey. The picture was found in my great-grandfather's (Louis Ross Medaglia) photo collection, so presumably it had some meaning or relevance to him.
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Street performance by poets on Royal St in the French quarter, New Orleans during Essence festival July 2019
Overall Statement: A very Rainy Day in Columbus, Ohio, (Surprise me again!) yielded three of these shots where I play with the way the rain confused what one was seeing. I stoked the apprehension most of us feel when entering an unknown place, where we can't clearly see what we are catapulting into, entering a space by faith. The others are playing with multiple angles, again confusing the viewer with where terra firma is located.
1. My goal was to produce an image that created tension in the viewer.
2. I feel I was successful in achieving the goal.
3. Adjusted Clarity to accentuate the raindrops on the outside of the window. Camera WB was set to Direct Sunlight.