View allAll Photos Tagged standdevelopment
Leica M4-P
Voigtländer Nokton 35mm f/1.4 VM II MC
Fomapan 400 Action EI400
Kodak HC-110 + ars-imago #9 45min @20° in Jobo1520
Essential Film Holder
DSLR Scan
Negative Lab Pro
Leica M4-P
TTArtisan M50mm f1.4 ASPH.
Kodak Tri-X EI400
Kodak HC-110 + ars-imago #9 45min @20° in Jobo1520
Digitaliza on Essential Film Holder
DSLR Scan
Negative Lab Pro
Bronica SqA, Zenzanon PS 50mm + yellow filter 1/125@F4
TriX@1600, 90min stand development, Adonal 1/100@20°
Lake Superior. Bayfield, Wisconsin. Photo by John Lishamer Photography (www.johnlishamer.com) All Rights Reserved. Mamiya RB67 Pro SD. 50mm f4.5 Sekor. HP5 400 pushed to 3200. HC-110 1:100.
Leica M6, Carl Zeiss C Biogon 2,8/35 ZM". Fomapan 100, Acurol-N (1:100) 60' 20°C. Stand development. Scan from negative film. © All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.
Nikon F2 Photomic, Nippon Kogaku Nikkor-S Auto 50 f/1.4; Neopan 100 Acros; Adox Adonal (1:100) 60', 20-23°C.Scan from negative film.© All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.
This shot is another of Posforth Gill Falls. It was taken with a neutral density filter which made the exposure longer than it would have been otherwise (120 seconds), hence the motion blur in the water.
More info on neutral density filters here: andyw1x.posterous.com/96802266
The paint tins were there when we moved in. They are not ours, obviously, but I don't know whether they are the next-door neighbour's or belonged to the previous owner. I don't want them, but are they mine to remove? One doesn't like to mention the matter to the neighbour, a nice bloke, in case it comes across as a complaint. I wouldn't want to sour relations. Oh dear, it's all so difficult. Some handy odds and ends were left in the house by the previous owners and I now find myself the owner of five ladders of various types. My own step-ladder was rather too tall for convenience (my own silly fault) and this smaller, well used, but perfectly serviceable ladder is very acceptable.
From a second film put through a recently acquired Agfa Isolette with Solinar lens. The focus ring is a bit stiff (perhaps the Jerries were using left-over doodlebug grease in the 1950s) and I wanted to make sure the camera focused satisfactorily. I actually measured the distance to the tins with a steel rule (found in the garage and superior to my faithful Stanley) and focus looks spot-on. Rollei Retro 400S stand developed in Agfa Rodinal.
Kentmere 100 pushed to 400 exposed with Olympus XA stand developped in 5ml Rodinal into 300ml distilled water for a hour
Aufgenommen auf der Bürgerweide in Bremen. Zum ersten Mal habe ich die Bürgerweide gesehen, wenn die Verkäufer und ihre potentiellen Kunden weg sind. Unglaublich was die Leute an Schrott und Müll zurück lassen. Dazu werde ich gleich noch einen Blogpost mit weiteren Bildern und www.pixelprinzen.de veröffentlichen.
Das Bild ist mit der Yashica Electro 35GX aufgenommen. NEOPAN 400, Standentwicklung in Rodinal 1+100, 20°. Die ersten 60 Sekunden gekippt.
Goodman Zone with Mamiya Press 6.3/50
Film: Fomapan 100@250
Development: Standdevelopment 510 Pyro 5:00h
1/1000, f/1.4, Tri-X, Pentax S-M-C Takumar 50mm f/1.4 on Spotmatic F. HC-110, 1:160, 44min @ 19C semi stand.
Minolta SRT 101
Minolta MC Rokkor - PF 50mm f/2
Kodak Tri-X @3200
Fomadon R09 1+100, 2-hour semi-stand
CanoScan 4200f
Leica M4-P
TTArtisan M50mm f1.4 ASPH.
Fomapan 100 Classic EI100
ars-imago #9 @20° in Job1520 UniTank
Essential Film Holder
DSLR Scan
Negative Lab Pro
my cat is perfect for testing the tonal range of different development techniques. Rodinal 1:200, 120 mins (agitate 30 seconds, then 2 inversions at 60 mins).
Holocaust Memorial
1/500, f/8, Tri-X, Canon FD 17mm f/4 on AE-1. HC-110, 1:160, 28 min @ 25C semi stand
Пушкино, 19 января 2014, река Уча, -23°С.
Pushkino, water baptism.
Olympus OM-1n, Zuiko 50/1.4, Rollei Retro 80S
Cloud Gate. Chicago, IL. Photo by John Lishamer Photography (www.johnlishamer.com) All Rights Reserved. Mamiya C220 Professional TLR. 55mm f4.5. Ilford FP4 125. HC-110 1:119.
Leica M3 / Carl Zeiss Planar T* 50mm f2 ZM
Ilford HP5+ @1600 ASA f2 1/25sec
Compard R09 One Shot (Rodinal) 1+100 20℃ 60min (Stand development)
EPSON GT-X980
Janne Karlsson. Musician, actor, artist.
Mamiya RB67. 127/3.8
Kodak PlusX expired 2007 developed in Rodinal 1-100 stand 60 min.
My images are © Copyrighted and All Rights Reserved. This image cannot be reproduced and/or used in any form of publication, print or the Internet without my written permission.
Label Reads. Finished 19/10/70. Barcaldine 5pm and 5.25pm.
One of 11 rolls of exposed film purchased from a deceased estate. The film was in a large tin box full of random film goodies including loads of 35mm tin canisters, unexposed rolls of various 35mm films, handfuls of 120 and 620 spools, Ilford FP3 120 exp Mar 1963, Verichrome Pan exp Oct 1973 still in the original box, 11 rolls of exposed Kodak Verichrome Pan 120 and ADOX R21 620. It was the 35mm tin canisters that caught my eye but the real gem was the exposed found film.
Developing: Not knowing how the film was stored I decided to do a stand development.
Rodinal 1+100 semi stand one hour at aprox 20c.