View allAll Photos Tagged standdevelopment

Cameraporn but this camera is just so beautiful :)

Spotmatic SP, SMC Takumar 2/55, Lucky Film SDH100; Rodinal stand dev. 60' (poorly scanned)

Nikon F6 w/ 50mm 1.8D AF / Kodak Tri-X @800

Rodinal 1+100 75min Stand Dev

Home scanned on Epson V550

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This old hardware store, established in 1889, sadly closed its doors on december 18th, 2015.

Location: Olympian City, Tai Kok Tsui, Hong Kong

 

Canon EOS 1V HS

Canon EF 28-70mm f/2.8 L USM

Agfa APX 100 (Push to 400)

 

Stand Development

R09 One Shot (1+100)

1.5 hour @ 20˚C

 

Development details on FilmDev

Zenit EM with Helios 44M

Kodak Pro Foto/Pro Image 100, stand developed in Unicolor kit

Nikon FM

Pre-Ai Nikkor-O f2/35

Kodak Plus-X 125 (exp. 2000)

Stand developed in HC-110G

Plustek 8100

HP5+ 400@1600 Rodinal stand development

Minolta CLE | APX 100 NEW 100@800

Rodinal 1+100 / 100,0 Min / 20°C Info

Voigtlander Vitoret, test

Arista EDU Ultra 400

Blazinal/Rodinal, stand, 1:100, 1 hour, 20°C/68°F

Pakon F135

Rollei TE 35 | APX 100 NEW 100@800

Rodinal 1+100 / 80,0 Min / 20°C Info

Nikon L35AF, test roll

Kodak GC/Ultramax 400, expired, shot at iso 160

Unicolor, stand developed, 45 minutes developer, 60 minutes blix

Pakon F135

 

Nikon L35AF test: Camera focuses correctly, exposes properly and frame spacing is even.

Kamera: Pentacon SIX TL

Film: Fomapan 100

Objektiv: Volna-3 2.8/80

Entwicklung: Rodinal 1+150, 1h

Nikon FM2, Nikkor-H C Auto 1:1.8 f=85mm. Rollei Retro 80S, Kodak HC110 (1:119) 60' 20°C. Stand development. Scan from negative film. © All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.

IN ENGLISH BELOW THE LINE

 

Fotografia feta amb la Hasselblad 500 C/M, fabricada el 1979; objectiu Carl Zeiss Sonnar f4/150mm; pel·licula Fomapan 100; revelada en Rodinal durant 52 minuts.

 

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Picture taken with a Hasselblad 500 C/M, made in 1979; Carl Zeiss Sonnar f4/150mm lens; Fomapan 100 film, stand developed in Rodinal for 52 minutes.

 

1/125, f/3.8, TMax 100, Vivitar 70-150mm CF f/3.8 on A-1. HC-110, 1:160, 46 min @ 17.5C semi stand.

During my christmas hospital stay - I passed some of the the time with my Diana+ analog camera.

 

Diana+ | Ilford HP 5+ 400

Hasselblad

501C/M

T*CF_80mm/f2.8

TMax100

KODAK

Kodak_HC-110

Stand_Development

Dilution_H

1:63_Dilution

 

Revue AC4P-1 (Chinon CP-X)

Auto Revuenon MC f2.8/35

Expired Kodak T-Max 400

Stand developed in HC-110

Plustek 8100

Rolleiflex T - 75mm - Ilford FP4 - Stand development - Ilfotec HC 1:100 - 1 hour

Rollei 35 | Ilford HP4 Plus | 400 ASA

Adonal 1+100 / 60,0 Min / 20°C Info

Rollei TE 35 | APX 100 NEW 100@400

Rodinal 1+100 / 60,0 Min / 20°C Info

Rollei TE 35 | APX 100 NEW 100@400

Rodinal 1+100 / 60,0 Min / 20°C Info

Minolta CLE | APX 100 NEW 100@800

Rodinal 1+100 / 120,0 Min / 20°C Info

First experiments with Rodinal stand developing.

1:100 (6mL:600mL)

1 hour

1 inversion every 20 minutes

 

Texture remains in the barn roof while detail remains in fence and tree. i think i see why we stand with Rodinal.

Aquest luxós edifici del carrer Industria l'he vist reformat tantes vegades en diversos tipus de despatx, que ja sembla normal que estigui en obres.

 

Foto feta amb una Zeiss-Ikon Contaflex II, fabricada cap al 1954-57; Adox HR-50 revelat "stand" de 45 minuts amb Rodinal 1+100.

 

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This former mansion in central Sabadell has a long history of reforms and refurbishments into diverse offices. It happens about once in a decade...

 

Picture taken with a Zeiss-Ikon Contaflex II, made c.1954-57; Adox HR-50 stand developed in Rodinal 1+100 for 45 minutes.

messing about with 124G, Rodinal (RO9) 1:100; 60mins; 2 gentle inversions at start and 30 mins

Minolta CLE | APX 100 NEW 100@800

Rodinal 1+100 / 100,0 Min / 20°C Info

Olympus 35RC

Kodak_Tmax-100

Kodak_HC-110

Stand_Development

18minutes_21deg.C

Dilution_H(1:63)

 

Ricoh XR-2s

Tamron SP 90mm f/2.5

Kodak T-Max P3200, expired 2000

Rodinal/Blazinal 1:100, 60mins.

Pakon F135

 

HP5+ 400 @200

Rodinal 1:100

When commercial television started in the provinces in 1957 we, in Bristol, shared our service with South Wales. It was provided by TWW ...Television Wales & West. There was a small number of programmes in Welsh, including an evening news bulletin. Still a small boy, I used to turn on our Ekco television set to listen to these broadcasts; I couldn't understand a word, but I loved to hear it. Others constantly moaned about "Welsh programmes" on their televisions. Had they no poetry in their souls? If they didn't like it, couldn't they find something else to do for ten minutes? In later life it occurred to me that the survival, against all the odds, for 1,500 years, of the aboriginal language of the whole of Britain, little more than a hundred miles from London, was one of the most remarkable things about our remarkable and mysterious islands. I have remained a partisan of Wales and the Welsh.

Since moving to East Anglia eleven years ago the thing I have missed is the soft, maritime light of the West. Just look at that distant hillside. It's almost a wall of grey, but subtle gradations of tone, seen through the damp air, create the semblance of trees. Never mind, for the moment, that they are Forestry Commission sitka spruce. I have sometimes thought of "the Valleys" as the place where I'd like to spend my declining years. Everything is a little behind the times here (regulars will remember "Fray's Law") and there is an air of benign neglect. These are things of which I approve. Traffic wardens make a fortune up here, I was told. With no garages or driveways and "double yellows" outside their houses, where are the residents to park? The wardens look benignly upon their predicament and, on their occasional patrols of these streets, may, for a small consideration, be persuaded to turn a blind eye to infringements of the regulations. This humane, informal commerce also meets with my approval. Looked upon with disfavour by officialdom, because untaxable, it will disappear in the coming cashless future.

ADOX Golf 63 | Ilford FP4 Plus | ISO 125@400 ASA

Adonal 1+100 / 60,0 Min / 20°C Info

Boyer Chute

Minolta Autocord

Neopan acros 100

Hc110 50min semi-stand development @68F

Berlin-Tegel Urban Rail Station

 

Rolleiflex SL66, Adox CMS 20 in Rodinal 1+150 stand development

This is the good example - gradation fits really well here. See a less perfect one here:

 

www.flickr.com/photos/38046104@N02/24045515032/in/datepos...

Helsinki, Finland 2024.

 

Fujica ST605

Zenit Helios 44M-7 58mm f2

 

Agfaphoto APX 400 shot at ISO 1600

 

Compard R09 One Shot 1+100 60 min semi-stand at 20°C

Kamere: Ricoh TLS 401

Film: 35mm Agfa APX 100

Entwicklung: Rodinal 1+150, 1h

Leica IIIf, test after curtain replacement and CLA

Summitar 50mm f/2

Arista 200, Caffenol-C-L, 70 minutes, 20-21°C

Pakon F135

 

Caffenol-C-L

 

water 500mL @ 20°C

washing soda 8g

vitamin C powder 5g

iodized salt 3g

instant coffee 20g

 

Got the shutter curtain replaced on my Leica IIIf, so no more pinhole light leaks. The Summitar was also cleaned, so everything is good!

Widelux F7 + Kodak T-max 400

 

Stand development process using Fomadon R09 at 1+119 dilution 20°C

 

Digitised using Plustek OpticFilm 120 + Vuescan + Lightroom

Stockholm

April 2018

 

Leica M6, CV Nokton 40/1.4, Rollei Retro 80S @64, Rodinal 1:100 semi-stand

Canon7

Canon_50mm/f1.4 LTM

Kodak_Tmax-100

Kodak_HC-110

Stand_Development

18minutes_21deg.C

Dilution_H(1:63)

 

Kentmere 100 pushed to 800 exposed with Olympus XA stand developed in 12ml Rodinal into 600ml Water for an hour

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