View allAll Photos Tagged standdevelopment
Durham, NC
June, 2017
Wista 45VX
Nikon SW 90mm f8
Expired Ilford FP4+
Stand Developed in Rodinal 1:100 for 1.5 hours
My first shot using a view camera, after 50 years of shooting everything else :).
The original DBAP is where Bull Durham was filmed. It's now used for tournaments and by the NCCU Eagles baseball team. On this day it was hosting a wedding, with chairs set up between home plate and the pitchers mound.
Leica M3 / Carl Zeiss Planar T* 50mm f2 ZM
Rollei Retro400s @1600 ASA f2 1/10sec
Compard R09 One Shot (Rodinal) 1+100 20℃ 90min (Stand development)
EPSON GT-X980
Nikon L35AF, test roll
Kodak GC/Ultramax 400, expired, shot at iso 160
Unicolor, stand developed, 45 minutes developer, 60 minutes blix
Pakon F135
Nikon L35AF test: Camera focuses correctly, exposes properly and frame spacing is even.
Father's Day,
Tikkala, Sysmä, Finland 2024.
And my dad (1951) once again photographed with a camera of suitable vintage (1959-1963).
The photo was taken handheld and the exposure was measured with another tool from the same era: the Gossen Sixtino 2 light meter.
Low light scenes can be tricky for this old selenium cell light meter but this time it came through.
Adox Polo 1S
with Schneider-Kreuznach Radionar L 45mm f2.8
Agfaphoto APX 400 at ISO 1600
Compard R09 One Shot 1+100 90 min semi-stand development at 19°C
This is the limestone pavement above Conistone in the Yorkshire Dales. It's a fantastic place like many others in the Dales.
This was my first shot of the day and i couldn't resist doing the shallow depth of field thing.
Am getting a bit more used to this TMax100 film although i think i;'ll go back to delta100.
IN ENGLISH BELOW THE LINE
Ningú havia vist aquestes fotos fins ara, sobretot els que les varen fer. Fins que jo les he revelat ara.
Aquest carret de fet és el primer que vaig tenir pendent de revelar des de fa dècades. He esperat fins ara perquè volia dominar més la tècnica. Hi apareixen unes 7 fotos, i la darrera imatge de fet és la impressió del interior de la càmera durant decades. Les fotos estan força degradades però es veu un paisatge desertic i una ciutat clarament no europea. Sospitava que era America, Àfrica o Australia, però curiosament la imatge d'un monument a un pedrot donà la pista a internet: Alice Springs i el seu entorn, al centre d'Australia!
Aquesta gorja potser és el Standley Chasm. Potser.
S'anomena "found film" a aquelles fotografies en pel•licula o placa que es troben sense revelar dins càmeres velles o per altres racons. La gracia és que ningú ha vist mai aquestes fotografies.
Al contrari que la majoria de carrets trobats a internet, aquest no va venir amb un paquet d'altres, sino que el vaig trobar dins la seva càmera, una Ensign Commando fabricada el 1948. El que no sé és si l'autor era australià o un turista britanic.
Aquest rodet en blanc i negre, de format 120, era del tipus Kodak Verichrome Pan, fabricat entre 1956 i aproximadament 1970. Revelat amb HC110 "stand" durant quasi una hora.
en.wikipedia.org/wiki/Standley_Chasm
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Nobody, even less the author, had seen these pictures until now. Until I've developed them in the dark room.
There are about 7 photos in this roll film, and the last image is in fact the impression of the inside of the camera for decades. The photos are quite degraded but you see a desert landscape and a clearly non-European city. I suspected it was America, Africa or Australia, but curiously the image of an odd boulder monument gave the clue to the internet: Alice Springs and its surroundings, in central Australia!
This gorge maybe it's the Standley Chasm. Just maybe.
They call "found film" at those images in film or plates that are find undeveloped inside old cameras or in other places, like boxes or old houses.
This one was not bought in a pack with others as usual, but found inside an Ensign Commando camera I bought from somebody in the UK, made in 1948. What I don't know if it's original owner was Australian or a British tourist in Australia.
This one was a b&w 120 format Kodak Verichrome Pan film, produced from 1956 to c.1970. Stand developed in HC110 for almost an hour.
IN ENGLISH BELOW THE LINE
Ningú havia vist aquestes fotos fins ara, sobretot els que les varen fer. Fins que jo les he revelat ara.
En aquest rodet només hi havia una imatge visible, aquesta mol mal conservada visió d'una mena de terrassa amb gent prenent copes o cafès; probablement és als Paisos Baixos, als anys 60 o 70.
S'anomena "found film" a aquelles fotografies en pel•licula o placa que es troben sense revelar dins càmeres velles o per altres racons. La gracia és que ningú ha vist mai aquestes fotografies.
Aquest rodet prové d'un conjunt força gran (70 rodets, la majoria de format 120) que vaig comprar per internet a algú de Rotterdam.
Aquest rodet en blanc i negre, del inusual format 116, i del tipus Kodak Verichrome Pan. Revelat amb el metode lent "stand": una hora en Rodinal 1+100. El ser un format diferent al usual 120, vaig haver de carregar a ma la pel·licula en dos bobines Paterson separades, amb molta paciencia.
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Nobody, even less the author, had seen these pictures until now. Until I've developed them in the dark room.
A sneak peak at some kinf of bar terrasse, probably in the Netherlands in the 50's or 60's.
They call "found film" at those images in film or plates that are find undeveloped inside old cameras or in other places, like boxes or old houses.
I found a large pack of medium format roll films in the Internet. I bought them from a seller from Rotterdam (Low Countries).
This one was a b&w 116 inusual format Kodak Verichrome Pan film. Stand developed for 1 hour in Rodinal 1+100. Being a larger format than 120, I had to manually load the film in the separated Paterson reels.
Leica M6, Voigtlander Color-Skopar 35 f/2.5 MC LTM. Rollei RPX 100 R09 (1:100) 60' 20°C. Stand development. Scan from negative film. © All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.
Alejandra
Bogotá (COL)
Olympus OM-4TI / Zuiko OM 50mm 1:1.8
Ultrafine Extreme 400 / Kodak Hc-110 'G' (1:119, stand dev. 1h)
Epson Perfection 4490
Development details on FilmDev
'Dilutions spreadsheet' provided by Ralph Lundvall
© 2017 Prezioso PH
Praktica MTL 3
Meyer-Optik Görlitz Primoplan 58mm f1.9 from the 50s
light yellow-green filter (original accessory)
Agfaphoto APX 400 shot at ISO
1600
Rodinal 1+100 semi-stand, 70 min, 23°C
2 min presoak, agitation 30 s + 10 s at 30min.
Tikkala, Sysmä, Finland 2023.
Kamera: Ondu 6x6 Rise
Film: Rollei Retro 400S + Red Filter
Kjemi: Rodinal (1:100 / 60 min. Semi-Stand @ 20°C)
Nikon F100, Nikon AF Nikkor 50mm 1:1.8 D. Fomapan 200@400, Adox Rodinal (1:100) 90' 20°C. Stand deveopment. Selfdevelopedfilm. Scan from negative film. © All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.
Riverside in fog. Oulu, October 2016, Mamiya 645 Pro Tl, Mamiya-Sekor 80 mm Rollei RPX 400, f4, 1/30 handheld, Adonal 1+100 60 minutes stand development, Epson V700.
Testshot for:
-Camera: (Minolta 9000af with fomapan 100 and 17-35)
-Development (stand 60min, Rodinal 1:50)
-Scanner (Fuji Celsis 6250 drum scanner)
next time i will try 30min with this dilution
Arnhem, The Netherlands. Sonsbeekpark
I wasn't able to re-spool HP5 very well onto 126 backing paper and back into the cartridge, but an old Instamatic X-30 got to shoot again. Advancing film gets crunchy, like film-tearing at the sprockets crunchy, but I do want to experiment with 35mm film in 126 cameras again.
Kodak Instamatic X-30, test
Ilford HP5 400, re-spooled onto 126 backing paper and inserted back into 126 cartridge
Blazinal/Rodinal 1:100, stand developed, 1 hour, 68°F/20°C
Epson V550
Lunch break, Church Square. Relaxing and communicating with others in one way or another, each in their own separate way.
Leica MP, Summicron M 50mm lens; Fomapan 100 stand developed in Rodinal 1:100 for 1 hour with agitation at 0 and 30 mins. Heiland splitgrade print on Ilford MGIV paper with Focomat 1c; scanned with a flatbed scanner.
yay! i wish i was there, or knew where there was… :)
date unknown.
delta 3200 shot at ei 6400.
stand development in hc110. three rounds of 1:119 for thirty minutes each, untouched. for two rolls in a 480ml tank, that leaves 2ml of concentrate per roll, per round. total is 6ml per roll, the minimum recommended by kodak. i think this worked slightly better than the previous two cycles at 1:100.
Arnhem. Sonsbeek park. KMZ Horizont with fomapan 100. stand development rodinal 1:100 1hr. print on old Ilford MGIII. scan with epson 3200. post with darktable
Fujica ST801
EBC Fujinon 55mm f1.8
Neopan Acros 100
Rodinal 1+100 stand developing for 1 hour at 20 °C
Here is a picture of the camera I used: flic.kr/p/2g5ETRj