View allAll Photos Tagged splittoning
Which do you prefer?
Strobist: Two Vivitar 285hv's. One in an umbrella high and camera left, one (with less power) in another umbrella low and camera right.
I've written my own split-tone program - which was slightly trickier than I thought. Not least writing my very own idiosyncratic colour-picker routine, to select 2 from 16.8 million colours. It's written partly in Pentium Assembly Language for speed. The split-tone algorithm is written entirely in Pentium code. Took me most of Sunday to code and debug.
This abandoned lot has a view of the sunsets. I didn't get the color version to come out like I intended so I added this creative touch.
Please also visit:
Emotional numbness to a war photography exhibit.
May I always be sensitive to the atrocities of war.
Split Tone edit.
Photo taken at Shelly Beach in South Africa.
Using the Nikon Nikkor 35mm f/1.8 DX lens.
I Shoot Raw.
I edit in GIMP.
C&C always welcome.
Shot with the Carl Zeiss Planar T 50mm f1.7 50 mm F 1.7. Am really delighted with this lens ! Still need to buy a precision focusing screen and solve the issue that it sometimes prevents the mirror from returning to its normal position. But apart from that, amazing piece of glass for a very reasonable price !
I took a different approach to this image. I desaturated all the color out, then painted in general tones in a very muted fashion. It has a very mellow feeling now that if nothing else expresses my intent as the artist.
© 2011 Thousand Word Images by Dustin Abbott
Facebook Fan Page | 500px Gallery | Order Fine Art prints | Fluidr Thousand Word Images| Image available for commercial use at iStock
Procrastination, something I so expertly did today. Instead of working on my "to do" list, I shot almost everything on my desk.
Talk about being productive... at least, I had my music.
St Vitus Cathedral, Prague, Czech Republic. Situated in the castle district of Prague, St Vitus is an impressive Roman Catholic Cathedral that attracts lots of visitors, admiring its Gothic architectural style. This is a stitched shot composited from 2 frames and converted to monochrome and then split toned using LR6. Best viewed in 'L' large view mode to see the intricate architectural detail.
I took this on the moors near Haworth, Yorkshire. This tree appeared almost white in the morning light. Taken with my friend's Lumix DMC-FZ72 bridge camera, and split-toned in Adobe Lightroom
So here is for all of you a strong and small coffee for the start into the morning.
All of you a good sunday.
An octagonal brick building erected in 1816. A Coast Guard and tower beacon were maintained at the point during the Revolution. Original wooden lighthouse, built in 1806, was blown down in the Great Gale of September 1815. The last German U-Boat sunk in World War II was two miles off the light. www.visitrhodeisland.com/what-to-see/lighthouses/994/poin...
THE WOOD
Charlotte Bronte
But two miles more, and then we rest!
Well, there is still an hour of day,
And long the brightness of the West
Will light us on our devious way;
Sit then, awhile, here in this wood--
So total is the solitude,
We safely may delay.
These massive roots afford a seat,
Which seems for weary travellers made.
There rest. The air is soft and sweet
In this sequestered forest glade,
And there are scents of flowers around,
The evening dew draws from the ground;
How soothingly they spread!
www.love-poems.me.uk/bronte_charlotte_the_wood.htm
link to full poem
Taken in Billinge woods Blackburn
explore 11 6/09
Split toned in Adobe Lightroom, the variations of split toning you can get in Lightroom are endless. One does ones best!!!
Developed in Lightroom and then converted to B&W in Photoshop using combined hue/sat and gradient map adjustment layers. Toning applied back in Lightroom.
Part of the Hindu wedding ceremony in Himachal Pradesh. Having his fortune told by the fire, the groom will be led outside through this door. Himachal Pradesh, 2004.
(C) Radoslaw Czyrnek
I've been a little frustrated with the cold tones of some of my recent photos. The compositions are strong but with my basic adjustments in Lightroom I've been unable to get the warmth I want. I think it has to do with my reliance on shadow and highlight adjustments to compensate for the range of brightness in the single exposure.
I experimented with Hue, Luminance, and Split Toning, adjustments I typically don't use, to bring more warmth and dynamism to the shot, and I was really pleasantly surprised by the results.
This shot shows a comparison with the non split-toned shot below and the split-toned version above. Here are the specific adjustments I made:
Highlights - Hue 52, Sat 5
Shadows - Hue 28, Sat 23
As usual, just when I think I've got post-processing figured out I realize I've got a lot to learn.
Next up is the mysterious and intimidating tone curve.