View allAll Photos Tagged splinter
Taken in Henry Cowell Redwoods near Santa Cruz.
Scanned from 35mm slide (1982)
Part of a (slow) process of digitalizing my old photos
Grind: Fine (Average Circles & Effect: Auto Adjust), Brew: Circles (No Pic & Full Blended Circles), Serve: Black (Clear Tone & Paper Cup Texture)
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Traditional Digital Photography
12.47'' x 19.27'' PPI 240
1/6400 sec. II f/6.3 II ISO 250 II 62mm
This a photo of a run down piece of wood as part as what used to be a wagon. I tried to frame it so not only was there a pure focus on texture, but also a clear path on where the viewer was supposed to follow the lines of the wood. Also, I like the way the splint of wood jetting through the middle of the main piece of wood really throws off the repetition and keeps the focus on the area of texture that is in sharp focus.
The question this week is: How can you emphasize texture and give a viewer of a sense of how an object feels in a still photograph? Black and white definitely helped in this photo. The editing adds the contrast necessary to truly be able to tell how rough and worn the wood in the photo would feel.
An N.C. State Grad student made this car out of and all wood weave for his Graduate Degree project it is utterly amazing what we can do when we put our minds to it.
most of these are from my iceland trip, they're pretty poor quality scan i just wanted to get them up and get some feedback
Taken at "Splinter Hill Pitcher Plant Bog"
Tons of pitcher plants, but we thought we would see some iris's, but, not too many to be had! :((
2009-10 President Jessica Weaver, VP Kimberly Tyson, and Treasurer Ashley Scott prepare for the film's release.
This chunk of wood was in this same spot only *under* the my fingernail earlier today. Thankfully, a good set of tweezers got it out, but it was the icing on the cake for my weekend.