So a few quick things I have opinions about that I want to hear from you guys about. This is LEGO related so don't mind the photo much, more of a discussion starter.

Anyway:

1. Do you guys think we will ever get a Jason Todd figure whether it be a variant Robin, or even Red Hood? We have gotten Damian, Tim, and Dick now. Also, do you think we will ever get new printing for any Robin's, like maybe a Red Robin fig?

2. Do you think LEGO is getting lazy with they're printing? In the photos and videos of the new sets, not just DC, the printing on the legs seem to be minimal to no printing! Do you think that maybe they took money away from printing on legs and instead making new molds?

3. What do you think of LEGO's being printed in China now with their plastic coming next year? Do you think it's a good idea? Bad? Don't care?

4. Will we ever get Green Lantern or any other Justice League figure soon? In a set, polybags, or something else?

5. What figures do you want to see in the future/what do you think is being considered? Note: Don't answer with random characters and more of characters that are probably coming at one time or another, so basically no "Dark Knight Scarecrow" or some other character that won't pop up in future sets.

6. If any DC Cuusoo sets get the amount of supporters it needs, do you think LEGO will actually go through making them? Same with all other major themes? So far all the sets we have gotten have been never before seen themes.

7. Other questions you want to talk about? Please keep it spoiler free and be nice to each other in the comments! Also try staying within the boundaries of LEGO or DC, don't talk about that mayor in Toronto or whatever lol

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As late as 1844 the following was published in a guidebook:

 

"You who love Nature in her wildest beauty, you pious souls who seek utter solitude to muse on godly things, come to St Brelade's and you will find the object of your search."

Durell wrote in 1852:

 

"The bay is enclosed by barren hills covered with heath and furze. The sealine is formed by a sandy down, yet even here the surface is overspread by a dwarfish, creeping rose."

 

The only building in the bay, probably for centuries, was the parish church, which is on the shoreline at the western end. Quite why it was built here, so far from such centres of population which existed in the 11th or 12th century, is a matter for speculation.

 

One theory is that in those days the sea level around Jersey's south-west coast was somewhat lower and that there were areas of agricultural land at La Pulente, on St Brelade's St Ouen's Bay coast, which could be reached by walking round the coastline from the church, which was equidistant between that agricultural community, the small village of St Aubin and other farmsteads in the Quennevais Area.

 

It is perhaps more likely that an earlier chapel had existed where the church was built, which had served a community which sought the isolation of the otherwise uninhabited bay.

 

A fanciful alternative theory suggests that the original intention was to build a church at Les Quennevais - a more logical location - but the land chosen was special to fairies, who daily moved the workmen's tools and stones to the seaside spot where the church now stands.

 

An uninhabited bay with a flat, sandy beach, was the perfect location for smugglers and records suggest that contraband was regularly landed in the 19th century. A British Customs House report of 1823 recorded:

 

"On March 17 a Cawsand boat took in at St Brelade's Bay upwards of 300 ankers of brandy. On March 31 a Plymouth cutter took in at the same place upwards of 600 tubs of brandy and geneva. On June 10 a cutter from East Looe took in at the same place 690 casks of brandy, and during the same month a Cawsand boat took away a large cargo of spirits."

 

Not only was the bay ideally suited to smugglers' vessels, but there were fears that it may be chosen for an invasion during the periods in the 18th and 19th centuries when Britain was at war with France. Two coastal round towers with 18-pounder guns on top were built in the bay and still survive, but as historian George Balleine wrote in his The Bailiwick of Jersey, that was not all:

 

"The sand-dunes were bristling with guns - two 12-pounders on Le Grouin, three 24-pounders where the Hotel l'Horizon now stands, two 12-pounders near the St Brelade's Bay Hotel, three 24-pounders in the churchyard, two more on the point just behind the church, and at each extremity of the bay, at Beau Port and Le Fret, a battery. But when peace came, the gunners were withdrawn and the bay resumed its sleep."

 

The construction of a road from St Aubin, down Mont Sohier into the heart of the bay, and then up La Marquanderie at the western end, encouraged some landowners to build houses, although the relative isolation of the bay ensured that development was still very limited right up to the Second World War.

 

The Fisherman's Inn, near the church, which had been popular both with fishing folk and, on Sundays, with those attending morning service and not wishing or able to go home and back again for evening service, grew into a large hotel, and some houses were eventually adapted to take in guests and eventually became hotels. Hotel l'Horizon is an example of an establishment which started in this way.

 

Among the distinguished visitors to the bay were General Georges Boulanger, whose own political party became very successful in late 19th century France and was thought to be on the verge of staging a coup d'etat when he fled the country when a warrant was issued for his arrest. He spent two years in a house in St Brelade's Bay before committing suicide over the grave of his former mistress in Belgium in 1891.

 

After the Second World War, which saw the construction of a substantial seawall by the Germans, where sand dunes had previously swept down to the beach, a rapid process of tourism-based development saw St Brelade's Bay established as the most popular island beach with locals and tourists alike. At the peak of the tourism industry from the 1960s to 1990s the beach would be packed tightly from seawall to the sea along its whole length with sun-worshippers.

 

Today the beach remains almost as popular and the bay is extensively developed with hotels, cafes, restaurants, private houses and apartment blocks, and every spare space in between is given over to car parks.

 

This development is interrupted only by colourful gardens alongside the seafront promenade and the quiet oasis of the Winston Churchill Memorial Garden in the backdrop of the bay, a tribute to Britain's wartime leader.

 

Picturesque and a highly popular summer destination, St Brelade's Bay and its beach have proved a big draw for both residents and tourists since the 19th century.

 

Research into the history of the bay reveals some fascinating stories as well as identifying a strong association with many famous figures in island history.

 

Marie Bartlett, nee Mauger, whose money was used to build the General Hospital, is buried in the cemetery with her husband. The internationally renowned surrealist photographer Claude Cahun (Lucy Schwob) is also buried there, only a stone's throw from La Rocquaise, the house in which she and her stepsister Marcel Moore (Suzanne Malherbe) lived. The house dates back to the 17th century, with many original features still surviving.

 

The growth of tourism has clearly been instrumental in the development of the bay as it is today, typified by two of its most iconic hotels. The first of these is St Brelade's Bay Hotel, which was originally called the Pic-nic Hotel, and appears under that name on the Commander Richards military map of the island dating from 1867.

 

Stead's Picture of Jersey, written in 1809, mentions an inn near the church 'where excellent accommodation will invite the tourist to stay a night'. It is difficult to confirm that this is the same hotel, but research indicates that the Pic-nic Hotel was certainly in existence by the mid-19th century. (Editor's note: The signwriter may have decided that no apostrophe was needed in St Brelades, but used a hyphen in the word not long introduced to the English language from the French pique-nique.)

 

The story of the hotel took an unusual turn during the Occupation when, while under the ownership of the Colley family, it became a German soldiers' home. Many sketches and poems by German soldiers who stayed there can be found in the surviving guest book held by the hotel.

 

The second hotel in the bay with an intriguing history is the l'Horizon, which now gives the impression of a mid-20th century building, but dates back to the previous century. Property contracts reveal that it was originally built as a seaside villa on land purchased by Thomas Sutton in 1847. Sutton was a renowned Victorian photographer who move to Jersey. He invented one of the early panoramic lenses.

 

It was under the chairmanship of George Francis Child Villiers, the ninth Earl of Jersey, that the property was developed into a hotel for the first time in the 1950s.

 

The popularity of St Brelade's Bay, both for tourists and islanders, increased its draw as a place to live, from the Victorian era onwards. It provided a refuge for a prominent French political figure at the site of what are now Chateau des Roches apartments.

 

The original house was built in the mid-19th century and had various names, including St Brelade's Villa, Pinehurst and Chateau des Roches. In 1889 General Georges du Boulanger stayed there while seeking refuge in Jersey. He was recorded as living there in the 1891 census, with nine servants, including a cook, coachman and gardener. It was his occupancy which led to the house sometimes being called Maison du Boulanger.

 

The general was born in Rennes on 29 April 1837. After an army career he entered French politics in the mid-1880s and became War Minister. From that point his supporters, often known as Boulangistes, grew rapidly in number. He resigned in protest when his policies were not adopted and was re-elected to the French Chamberof Deputies in 1889. Now he was regarded as a major threat to the Third Republic.

 

He failed to seize the initiative which might have given him an opportunity to take power, and his opponents in government decided to proceed with a prosecution against him. He fled, much to the dismay of his supporters, staying at Chateau des Roches until the summer of 1891, when he moved to Brussels and committed suicide there in September that ye

 

Another person strongly associated with the bay is Constance Brown, who lived above the beach at Mimosa Cottage on Mont Sohier. Following the death of her father, Constance's mother moved to Jersey with her family and bought the cottage on 7 January 1933. At this time it was known as The Hut and shortly afterwards the family built Brown's Cafe on the site of the later Zanzibar Restaurant.

 

The family continued to run the cafe throughout the Occupation. During their time there Constance was responsible for saving 22 people's lives from the often treacherous currents in the bay. She was also instrumental in the founding of the Jersey Lifeguard Club in 1953, and her services to life saving were formally recognised when she was awarded the MBE in 1967.

Middleton.

In one sense white settlement here began in 1849 when the first 80 acre section of land was purchased by Thomas Higgins for land speculation. Higgins had taken up a large estate along Currency Creek further inland in 1840 upon which he built his Higginsbrook homestead. But when a canal was proposed to link Goolwa and Freeman’s Knob (Port Elliot) and then a railway he took the opportunity to indulge in some land speculation along its coastal route. He purchased one 80 acre section. Work began on the railway in 1851 (long before the feasibility of river transport up the Murray was resolved) and it was completed in 1853 with a crossing point which needed double tracks so that the horse drawn trains could pass. This spot was named Middletown. In 1869 when the horse railway was extended to Strathalbyn its track bypassed Goolwa and joined the Port Elliot tracks at Middleton. With a siding constructed in 1854 a small town began to emerge here and Higgins’ land speculation paid off when he subdivided some land for town blocks in 1856. He named it Middleton (not Middletown). A small store had opened in 1854 and the largest building in Middleton the Bowman flourmill was completed in 1855 before the town was created. Bowman’s flourmill was added to in the 1860s. The town of Middleton took shape from 1857 with an early Congregational Church (1859) and the Bible Christian Methodist church opening in 1863, a brickworks being established in 1857 and the Middleton Inn opened in 1859 and the original town school room started up in 1861 at 6 William Street. Much later the Education Department was established in 1875 and a fine bluestone Gothic style state school was erected in the town in 1880. It closed in 1968 and became part of the pioneer hall – the original institute erected in 1901.

 

The large three storey flourmill still exists in Middleton next to the important railway siding. It its heyday wheat milled here was shipped as flour up the Murray River from Goolwa to the Darling and to the goldfields of Bendigo from Echuca. The extension of the railway line to Strathalbyn in 1869 expanded the wheat growing areas that could service the flourmill. When the train line was converted from horse power to steam engines and linked to Port Adelaide through Mt Barker Junction in 1884 Middleton declined and the flourmill with it. At that time the Strathalbyn line was redirected to Middleton through Goolwa. The original flourmill owners was William Bowman. William had cropping acreages at Finniss along the Finniss River and he farmed in the Milang area from 1844 to 1854 before he set up the flourmill in 1855. William Bowman appears to have created Bowmans & Co around 1869 with Alexander Bowman to operate the mill into the 1870s. William Bowman and his mill went into insolvency in January 1886 when competition from Port Adelaide saw its gradual demise. William was dead by March 1886. New millers took over and the mill finally closed in 1915 when the labour supply dwindled as men enlisted for World War One. The last miller was Henry Ellis. When the rail line came from Strathalbyn the station was directly opposite the flourmill. Public meetings were held as early as 1858 in the Bowman flourmill urging a railway line from Strathalbyn to Middleton.

 

The notable buildings of Middleton are Fortuna a superb Georgian house with symmetry and simplicity that looks as if it was erected in the 1860s. After the inauguration of the Strathalbyn to Middleton railway in 1869 a new general store with five sides in a Romanesque style with rounded windows was attached to Fortuna House. It later became a post office, a temperance hotel, a shop and in more recent decades a cafe and gallery. Fortuna is now privately owned as a residence. Mindacowie House was built as a Temperance Hotel. John Abbott of Glenford farm at Middleton built Mindacowie for his sisters Jessie and Ruth in 1899. They ran it as a Temperance Hotel for several decades. In latter years it has been a bed and breakfast establishment but is now a residence. The old Bible Christian Methodist Church has closed (1971) as a church but was operated as a restaurant a few years ago but is now a residence too. It opened in 1863.

 

Strathalbyn.

A Special Survey of 4,000 acres was taken out along the Angas River in 1839 for George Hall (secretary to Governor Gawler) and William Mein and others. Land was surveyed from the mouth of the Angas along the river to about where Macclesfield is now situated. Other contributors to the Mouth of the Angas Special Survey were Strathalbyn settlers including: 806 acres purchased by Dr John Rankine, Blackwood Park; 166 acres purchased by William Rankine, Glenbarr; 410 acres purchased by Donald McLean; 81 acres purchased by Edward and Charles Stirling of Hampton and later the Lodge. William and Nicol Mein kept 728 acres for themselves but George Hall (who kept about 930 acres) was a Colonial Office employee with an eye on speculation. He also paid £4,000 for the Great Bend Special Survey along the River Murray from Morgan to Blanchetown but it was claimed this was taken for Governor Gawler but in Hall’s name to avoid scandal! But the land was not worth £1 per acre! The Meins were graziers and also took out Occupational Licenses for leasehold land in 1843. They were Scots so they donated £600 for the building fund for the Presbyterian Church in Adelaide in 1840. But in 1843 they dissolved a business partnership in Adelaide and they appear to have left the colony perhaps to join their relatives in NSW. Meins did not stay on to become Strathalbyn pioneers unlike the Rankines, McLeans and Stirlings. The other prominent early founder was William Dawson- hence the creek flowing in front of Glen Barr is the Dawson Creek which enters the Angas River in Strathalbyn. Dawson Banks is another of the grand old properties in Strathalbyn.

  

Stirlings chose their land to the north of the town and built Hampden and the Lodge; John Rankine chose his land to the north of the town and built Blackwood Park whilst brother William Rankine chose land to the south on Dawson Creek and built Glenbarr house. The first public building in the fledgling town of Strathalbyn was the Strathalbyn Hotel erected in 1840 and the second was probably St. Andrews Presbyterian Church which opened in 1844 with additions in 1869. As most of the settlers were Scottish the name chosen for the town was Scottish and the first church was Presbyterian. The first farmer to produce a crop was David Gollan. His interest in wheat led him to open the first flour mill in 1850 in the centre of the town. Mill Bridge adjacent to the flourmill bridged the Angas River. As the town progressed quickly a local council was formed in 1854 with the Stirlings, Rankines and Archibald McLean (investor in Langhorne Creek) being among the first councillors. The Stirlings were especially important to Strathalbyn. Edward Stirling (the father) joined into a partnership with (Sir) Thomas Elder and Robert Barr Smith in 1855. Stirling stayed with the company as it funded the Moonta and Wallaroo copper mines in 1861 then he withdrew but remained as an investor in the mines. The company went on to become Elder Smith and Co the most successful SA 19th century company. Edward Stirling had two sons, (Sir) Edward Stirling a famed surgeon who lived at St. Vigeans at Stirling and (Sir) Lancelot Stirling, local Member of Parliament for the Strathalbyn district, sheep and cattle breeder and company director. The Stirlings lived in the family home Hampden until it burnt down around 1870. Then they moved into the Lodge which was extended and remained the family home for Sir Lancelot Stirling after his father Edward died in 1873. Lancelot lived there until he died in 1932. The Stirlings of Strathalbyn also owned and operated Nalpa Station on Lake Albert and Highland Valley estate. The Lodge is now the centre of a new suburban development at Strathalbyn.

 

From the beginning Strathalbyn prospered because of its access to water from the Angas River, its reliable rainfall, its genial climate for cropping and from the patronage of its wealthy founders. The town was laid out in 1840 and blocks sold at that time. But Strathalbyn has always had a range of local industry. A foundry operated in the town from the mid 1850s as well as the usual businesses of blacksmith, saddlery etc, and the town handled coach services to Wellington via Langhorne Creek from around 1854. It was also one of the first towns in SA to have its own gas works started by David Trenouth in 1868. By 1870 the small urban centre of Strathalbyn had gas street lights! The gas works operated until 1917 when an electrical service took over power provision. From an early date Strathalbyn also had its own newspaper and printing press the Southern Argus housed in Argus House which was built 1867/68. The Southern Argus which is still published, is SA’s oldest country newspaper. In 1912 it established an offshoot - the Victor Harbor Times. In terms of transportation and the transport of goods Strathalbyn prospered as it was the terminus of the horse drawn tram service from Port Elliott and Goolwa in 1869. That is why the Terminus Hotel is so named. In 1884 that line was converted to a broad gauge rail line for steam engines and linked at Mt Barker with the line to Adelaide. Strathalbyn had a flour mill from 1850 as noted above and in the 1860s the town had its own brewery. The heyday of business boom for Strathalbyn was in the 1860s and 1870 when so many of the fine town buildings were erected.

 

Highland Valley.

This locality in the Mount Lofty Ranges was in the District Council of Onaunga as was Woodchester on the flats. The first major land owner here was Sir Lancelot Stirling of Strathalbyn who took up land in the 1840s. Their property sheep station which they called Highland Valley was held by the Stirling family until 1937. With their Scottish background they gave their property Scottish name. It encompassed 7,500 acres. As the major land owners the district also became known as Highland Valley. The discovery of silver, lead and zinc at the Wheal Ellen mine in February 1857 at Highland Valley boosted settlement in these hills. Tenders were called at that time to cart tons of ore to either Port Elliot or Milang. Most of it was shipped out of Milang by Landseer’s to Goolwa and thence to Port Elliot. The mine was owned by Mr Basset and Mr Squarey of Highland Valley but it was on Stirling’s Highland Valley estate. From 1858 some lead was smelted at Highland Valley and from 1861 some copper was mined there too. Despite the optimism and the initial high percentage of lead with adequate silver percentages in the ores the mine shares declined in value by early 1863 and little work occurred in 1864. It went into liquidation in 1869. A British mining company took it over in 1871 but it does not appear to have worked the mine. All equipment was sold off in March 1880 and the land in May 1880. It was after this that the railway line to Strathalbyn was constructed through Highland Valley. The Wheal Ellen mine briefly re-opened from 1888-89. Unsuccessful attempts were made by a new company between 1910-15 to re-open the mine but that never eventuated. Until recently Strathalbyn has had another zinc mine conducted by Terramin Mining which started operations in 2007. The zinc from here was sent to Nyrstar refinery at Port Pirie for smelting. The mining occurred 360 metres below the ground surface. The mine had a life of five years and closed in late 2013 ending the jobs of 115 local people.

   

With speculation of the infamous CP(CPKC) Port Coquitlam deadline being scrapped at some point, the time has come after rotting away since the last decade.

Dutch postcard by Croeze Bosman Universal, no. 57. Lupe Velez in The Storm (William Wyler, 1930).

 

Lupe Velez (1908-1944), was one of the first Mexican actresses to succeed in Hollywood. Her nicknames were 'The Mexican Spitfire' and 'Hot Pepper'. She was the leading lady in such silent films as The Gaucho (1927), Lady of the Pavements (1928), and Wolf Song (1929). During the 1930s, her well-known explosive screen persona was exploited in a series of successful films like Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934). In the 1940s, Vélez's popularity peaked after appearing in the Mexican Spitfire films, a series created to capitalise on Vélez's well-documented fiery personality. She had several highly publicised romances and a stormy marriage. In 1944, Vélez died of an intentional overdose of the barbiturate drug Seconal. Her death and the circumstances surrounding it have been the subject of speculation and controversy.

 

Lupe Vélez was born María Guadalupe Villalobos Vélez in 1908 in the city of San Luis Potosí in Mexico. She was the daughter of Jacobo Villalobos Reyes, a colonel in the army of the dictator Porfirio Diaz, and his wife Josefina Vélez, an opera singer according to some sources, or vaudeville singer according to others. She had three sisters: Mercedes, Reina and Josefina, and a brother, Emigdio. The family was financially comfortable and lived in a large home. At the age of 13, her parents sent her to study at Our Lady of the Lake (now Our Lady of the Lake University) in San Antonio, Texas. It was at Our Lady of the Lake that Vélez learned to speak English and began to dance. She later admitted that she liked dance class, but was otherwise a poor student. Denny Jackson at IMDb: "Life was hard for her family, and Lupe returned to Mexico to help them out financially. She worked as a salesgirl for a department store for the princely sum of $4 a week. Every week she would turn most of her salary over to her mother, but kept a little for herself so she could take dancing lessons. By now, she figured, with her mature shape and grand personality, she thought she could make a try at show business." She began her career as a performer in Mexican vaudeville in 1924. She initially performed under her paternal surname, but after her father returned home from the war, he was outraged that his daughter had decided to become a stage performer. She chose her maternal surname, "Vélez", as her stage name and her mother introduced Vélez and her sister Josefina to the popular Spanish Mexican vedette María Conesa, "La Gatita Blanca". Vélez debuted in a show led by Conesa, where she sang 'Oh Charley, My Boy' and danced the shimmy. Aurelio Campos, a young pianist, and friend of the Vélez sisters recommended Lupe to stage producers, Carlos Ortega and Manuel Castro. Ortega and Castro were preparing a season revue at the Regis Theatre and hired Vélez to join the company in March 1925. Later that year, Vélez starred in the revues 'Mexican Rataplan' and '¡No lo tapes!', both parodies of the Bataclan's shows in Paris. Her suggestive singing and provocative dancing was a hit with audiences, and she soon established herself as one of the main stars of vaudeville in Mexico. After a year and a half, Vélez left the revue after the manager refused to give her a raise. She then joined the Teatro Principal but was fired after three months due to her "feisty attitude". Vélez was quickly hired by the Teatro Lirico, where her salary rose to 100 pesos a day. In 1926, Frank A. Woodyard, an American who had seen Vélez perform, recommended her to stage director Richard Bennett, the father of actresses Joan and Constance Bennett. Bennett was looking for an actress to portray a Mexican cantina singer in his upcoming play 'The Dove'. He sent Vélez a telegram inviting her to Los Angeles to appear in the play. Vélez had been planning to go to Cuba to perform, but quickly changed her plans and traveled to Los Angeles. However, upon arrival, she discovered that she had been replaced by another actress.

 

While in Los Angeles, Lupe Vélez met the comedian Fanny Brice. Brice recommended her to Flo Ziegfeld, who hired her to perform in New York City. While Vélez was preparing to leave Los Angeles, she received a call from MGM producer Harry Rapf, who offered her a screen test. Producer and director Hal Roach saw Vélez's screen test and hired her for a small role in the comic Laurel and Hardy short Sailors, Beware! (Fred Guiol, Hal Yates, 1927). After her debut, Vélez appeared in another Hal Roach short, What Women Did for Me (James Parrott, 1927), opposite Charley Chase. Later that year, she did a screen test for the upcoming Douglas Fairbanks feature The Gaucho (F. Richard Jones, 1927). Fairbanks was impressed by Vélez and hired her to appear in the film with him. The Gaucho was a hit and critics were duly impressed with Vélez's ability to hold her own alongside Fairbanks, who was well known for his spirited acting and impressive stunts. Her second major film was Stand and Deliver (Donald Crisp, 1928), produced by Cecil B. DeMille. That same year, she was named one of the WAMPAS Baby Stars. Then she appeared in Lady of the Pavements (1929), directed by D. W. Griffith, and Where East Is East (Tod Browning, 1929), starring Lon Chaney as an animal trapper in Laos. In the Western The Wolf Song (Victor Fleming, 1929), she appeared alongside Gary Cooper. As she was regularly cast as 'exotic' or 'ethnic' women that were volatile and hot-tempered, gossip columnists took to referring to Vélez as "Mexican Hurricane", "The Mexican Wildcat", "The Mexican Madcap", "Whoopee Lupe" and "The Hot Tamale". Lupe Vélez made the transition to sound films without difficulty. Studio executives had predicted that her accent would likely hamper her ability to make the transition. That idea was dispelled after she appeared in the all-talking Rin Tin Tin vehicle, Tiger Rose (George Fitzmaurice, 1929). The film was a hit and Vélez's sound career was established. Vélez appeared in a series of Pre-Code films like Hell Harbor (Henry King, 1930), The Storm (William Wyler, 1930), and the crime drama East Is West (Monta Bell, 1930) opposite Edward G. Robinson. The next year, she appeared in her second film for Cecil B. DeMille, Squaw Man (Cecil B. DeMille, 1931), opposite Warner Baxter, in Resurrection (Edwin Carewe, 1931), and The Cuban Love Song (W.S. Van Dyke, 1931), with the popular singer Lawrence Tibbett. She had a supporting role in Kongo (William J. Cowen, 1932) with Walter Huston, a sound remake of West of Zanzibar (Tod Browning, 1928) which tries to outdo the Lon Chaney original in morbidity. She also starred in Spanish-language versions of Universal films like Resurrección (Eduardo Arozamena, David Selman, 1931), the Spanish version of Resurrection (1931), and Hombres en mi vida (Eduardo Arozamena, David Selman, 1932), the Spanish version of Men in Her Life (William Beaudine, 1931) in which Lois Moran had starred.

 

In 1932, Lupe Vélez took a break from her film career and traveled to New York City where she was signed by Broadway impresario Florenz Ziegfeld, Jr. to take over the role of "Conchita" in the musical revue 'Hot-Cha!'. The show also starred Bert Lahr, Eleanor Powell, and Buddy Rogers. Back in Hollywood, Lupe switched to comedy after playing dramatic roles for five years. Denny Jackson at IMDb: "In 1933 she played the lead role of Pepper in Hot Pepper (1933). This film showcased her comedic talents and helped her to show the world her vital personality. She was delightful." After Hot Pepper (John G. Blystone, 1933) with Edmund Lowe and Victor McLaglen, Lupe played beautiful but volatile, characters in a series of successful films like Strictly Dynamite (Elliott Nugent, 1934), Palooka (Benjamin Stoloff, 1934) both opposite Jimmy Durante, and Hollywood Party (Allan Dwan, a.o., 1934) with Laurel and Hardy. Although Vélez was a popular actress, RKO Pictures did not renew her contract in 1934. Over the next few years, Vélez worked for various studios as a freelance actress; she also spent two years in England where she filmed The Morals of Marcus (Miles Mander, 1935) and Gypsy Melody (Edmond T. Gréville, 1936). She returned to Los Angeles the following year where she appeared in the final part of the Wheeler & Woolsey comedy High Flyers (Edward F. Cline, 1937). In 1938, Vélez made her final appearance on Broadway in the musical You Never Know, by Cole Porter. The show received poor reviews from critics but received a large amount of publicity due to the feud between Vélez and fellow cast member Libby Holman. Holman was irritated by the attention Vélez garnered from the show with her impersonations of several actresses including Gloria Swanson, Katharine Hepburn, and Shirley Temple. The feud came to a head during a performance in New Haven, Connecticut after Vélez punched Holman in between curtain calls and gave her a black eye. The feud effectively ended the show. Upon her return to Mexico City in 1938 to star in her first Mexican film, Vélez was greeted by ten thousand fans. The film La Zandunga (Fernando de Fuentes, 1938) co-starring Arturo de Córdova, was a critical and financial success. Vélez was slated to appear in four more Mexican films, but instead, she returned to Los Angeles and went back to work for RKO Pictures. In 1939, Lupe Vélez was cast opposite Leon Errol and Donald Woods in the B-comedy, The Girl from Mexico (Leslie Goodwins, 1939). Despite being a B film, it was a hit with audiences and RKO re-teamed her with Errol and Wood for a sequel, Mexican Spitfire (Leslie Goodwins, 1940). That film was also a success and led to a series of eight Spitfire films. Wikipedia: "In the series, Vélez portrays Carmelita Lindsay, a temperamental yet friendly Mexican singer married to Dennis 'Denny' Lindsay (Woods), an elegant American gentleman. The Spitfire films rejuvenated Vélez's career. Moreover, they were films in which a Latina headlined for eight films straight –a true rarity." In addition to the Spitfire series, she was cast in such films as Six Lessons from Madame La Zonga (John Rawlins, 1941), Playmates (David Butler, 1941) opposite John Barrymore, and Redhead from Manhattan (Lew Landers, 1943). In 1943, the final film in the Spitfire series, Mexican Spitfire's Blessed Event (Leslie Goodwins, 1943), was released. By that time, the novelty of the series had begun to wane. Velez co-starred with Eddie Albert in the romantic comedy, Ladies' Day (Leslie Goodwins, 1943), about an actress and a baseball player. In 1944, Vélez returned to Mexico to star in an adaptation of Émile Zola's novel Nana (Roberto Gavaldón, Celestino Gorostiza, 1944), which was well-received. It would be her final film. After filming wrapped, Vélez returned to Los Angeles and began preparing for another stage role in New York.

 

Lupe Vélez's temper and jealousy in her often tempestuous romantic relationships were well documented and became tabloid fodder, often overshadowing her career. Vélez was straightforward with the press and was regularly contacted by gossip columnists for stories about her romantic exploits. Her first long-term relationship was with actor Gary Cooper. Vélez met Cooper while filming The Wolf Song in 1929 and began a two-year affair with him. The relationship was passionate but often stormy. Reportedly Vélez chased Cooper around with a knife during an argument and cut him severely enough to require stitches. By that time, the rocky relationship had taken its toll on Cooper who had lost 45 pounds and was suffering from nervous exhaustion. Paramount Pictures ordered him to take a vacation to recuperate. While he was boarding the train, Vélez showed up at the train station and fired a pistol at him. During her marriage to actor Johnny Weissmuller, stories of their frequent physical fights were regularly reported in the press. Vélez reportedly inflicted scratches, bruises, and love-bites on Weissmuller during their fights and "passionate love-making". In July 1934, after ten months of marriage, Vélez filed for divorce citing cruelty. She withdrew the petition a week later after reconciling with Weissmuller. In January 1935, she filed for divorce a second time and was granted an interlocutory decree that was dismissed when the couple reconciled a month later. In August 1938, Vélez filed for divorce for a third time, again charging Weissmuller with cruelty. Their divorce was finalised in August 1939. After the divorce became final, Vélez began dating actor Guinn "Big Boy" Williams in late 1940. They were reportedly engaged but never married. Vélez was also linked to author Erich Maria Remarque and the boxers Jack Johnson and Jack Dempsey. In 1943, Vélez began an affair with her La Zandunga co-star Arturo de Córdova. De Córdova had recently moved to Hollywood after signing with Paramount Pictures. Despite the fact that de Córdova was married to Mexican actress Enna Arana with whom he had four children, Vélez granted an interview to gossip columnist Louella Parsons in September 1943 and announced that the two were engaged. Vélez ended the engagement in early 1944, reportedly after de Córdova's wife refused to give him a divorce. Vélez then met and began dating a struggling young Austrian actor named Harald Maresch (who went by the stage name Harald Ramond). In September 1944, she discovered she was pregnant with Ramond's child. She announced their engagement in late November 1944. On 10 December, four days before her death, Vélez announced she had ended the engagement and kicked Ramond out of her home. On the evening of 13 December 1944, Vélez dined with her two friends, the silent film star Estelle Taylor and Venita Oakie. In the early morning hours of 14 December, Vélez retired to her bedroom, where she consumed 75 Seconal pills and a glass of brandy. Her secretary, Beulah Kinder, found the actress's body on her bed later that morning. A suicide note addressed to Harald Ramond was found nearby. Lupe Vélez was only 36 years old. More than four-thousand people filed past her casket during her funeral. Her body was interred in Mexico City, at Panteón Civil de Dolores Cemetery. Velez' estate, valued at $125,000 and consisting mostly of her Rodeo House home, two cars, jewelry, and personal effects were left to her secretary Beulah Kinder with the remainder in trust for her mother, Mrs. Josephine Velez. Together with Dolores del Rio, Ramon Novarro, and José Mojica, she was one of the few Mexican people who had made history in the early years of Hollywood.

 

Sources: Denny Jackson (IMDb), Wikipedia, and IMDb.

 

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Some items displayed on our dining room book shelves. The pot is ancient Peruvian. The bust is of old Pakal. Access to this area of our home has been blocked for many months due some goods to be sold and my not being in good enough health to pack and identify the items.

 

Kʼinich Janaab Pakal I[N 1] (Mayan pronunciation: [kʼihniʧ xanaːɓ pakal]), also known as Pacal, Pacal the Great, 8 Ahau and Sun Shield (March 603 – August 683),[1] was ajaw of the Maya city-state of Palenque in the Late Classic period of pre-Columbian Mesoamerican chronology. He acceded to the throne in July 615 and ruled until his death. During a reign of 68 years—the fourth-longest verified regnal period of any sovereign monarch in history, the longest in world history for more than a millennium,[N 2] and still the longest in the history of the Americas—Pakal was responsible for the construction or extension of some of Palenque's most notable surviving inscriptions and monumental architecture.[N 3][2][3]Pakal is perhaps best-known in popular culture for his depiction on the carved lid of his sarcophagus, which has become the subject of pseudoarchaeological speculations.[4]

 

Kʼinich Janaab Pakal I's glyphs.

Before his name was securely deciphered from extant Maya inscriptions, this ruler had been known by an assortment of nicknames and approximations, including Pakal or Pacal, Sun Shield, 8 Ahau, and (familiarly) as Pacal the Great. The word pakal means "shield" in the Classic Maya language.[5]

 

In modern sources his name is also sometimes appended with a regnal number,[N 4] to distinguish him from other rulers with this name, that either preceded or followed him in the dynastic lineage of Palenque. Confusingly, he has at times been referred to as either "Pakal I" or "Pakal II". Reference to him as Pakal II alludes to his maternal grandfather (who died c.612) also being named Janahb Pakal. However, although his grandfather was a personage of ajaw ranking, he does not himself appear to have been a king. When instead the name Pakal I is used, this serves to distinguish him from two later known successors to the Palenque rulership, Kʼinich Janaab Pakal II (ruled c. 742) and Janaab Pakal III, the last-known Palenque ruler (ruled c.799).[6]

 

Pakal expanded Palenque's power in the western part of the Maya states and initiated a building program at his capital that produced some of Maya civilization's finest art and architecture.

 

In 628, one of Pakal's officials (aj kʼuhuun), was captured by Piedras Negras. Six days later Nuun Ujol Chaak, ajaw of Santa Elena, was captured and taken to Palenque. Santa Elena became a tributary of Palenque. Having been appointed ajaw at the age of twelve, Pakal's mother was a regent to him. Over the years she slowly ceded power until she died in September 640. In 659 Pakal captured six prisoners, One of them, Ahiin Chan Ahk, was from Pipaʼ, generally associated with Pomona. In 663 Pakal killed another lord of Pipaʼ. At this time he also captured six people from Santa Elena.[8]

 

647 Kʼinich Janaab Pakal began his first construction project (he was 44 at the time). The first project was a temple called El Olvidado, also called the forgotten temple because it's far away from Lakamhaʼ. Of all Pakal's construction projects, perhaps the most accomplished is the Palace of Palenque. The building was already in existence, but Pakal made it much larger than it was. Pakal started his construction by adding monument rooms onto the old level of the building. He then constructed Building E, called Sak Nuk Naah "White Skin House" in Classic Maya for its white coat of paint rather than the red used elsewhere in the palace. The east court of the palace is a ceremonial area marking military triumphs. Houses B and C were built in 661 and house A in 668. House A is covered with frescos of prisoners captured in 662.[9][10]

 

The monuments and text associated with Kʼinich Janaab Pakal I are: Oval Palace Tablet, Hieroglyphic Stairway, House C texts, Subterranean Thrones and Tableritos, Olvidado piers and sarcophagus texts.[11]

 

After his death, Pakal was deified and was said to communicate with his descendants. He was succeeded by his son, Kʼinich Kan Bahlam II.

 

Pakal was buried in a colossal sarcophagus in the largest of Palenque's stepped pyramid structures, the building called Bʼolon Yej Teʼ Naah "House of the Nine Sharpened Spears"[12] in Classic Maya and now known as the Temple of the Inscriptions. Though Palenque had been examined by archaeologists before, the secret to opening his tomb — closed off by a stone slab with stone plugs in the holes, which had until then escaped the attention of archaeologists—was discovered by Mexican archaeologist Alberto Ruz Lhuillier in 1948. It took four years to clear the rubble from the stairway leading down to Pakal's tomb, but it was finally uncovered in 1952.[13] His skeletal remains were still lying in his coffin, wearing a jade mask and bead necklaces, surrounded by sculptures and stucco reliefs depicting the ruler's transition to divinity and figures from Maya mythology. Traces of pigment show that these were once colorfully painted, common of much Maya sculpture at the time.[14]

 

Whether the bones in the tomb are really those of Pakal is under debate because analysis of the wear on the skeleton's teeth places the age of the owner at death as 40 years younger than Pakal would have been at his death. Epigraphers insist that the inscriptions on the tomb indicate that it is indeed Kʼinich Janaabʼ Pakal entombed within, and that he died at the age of 80 after ruling for around 70 years. Some contest that the glyphs refer to two people with the same name or that an unusual method for recording time was used, but other experts in the field say that allowing for such possibilities would go against everything else that is known about the Maya calendar and records of events. The most commonly accepted explanation for the irregularity is that Pakal, being an aristocrat, had access to softer, less abrasive food than the average person so that his teeth naturally acquired less wear.[15]

 

An underground water tunnel was found under the Temple of Inscriptions in 2016. Later on, a mask of Pakal was discovered in August 2018.[16][17]

 

The large carved stone sarcophagus lid in the Temple of Inscriptions is a unique piece of Classic Maya art. Iconographically, however, it is closely related to the large wall panels of the temples of the Cross and the Foliated Cross centered on world trees. Around the edges of the lid is a band with cosmological signs, including those for sun, moon, and star, as well as the heads of six named noblemen of varying rank.[18] The central image is that of a cruciform world tree. Beneath Pakal is one of the heads of a celestial two-headed serpent viewed frontally. Both the king and the serpent head on which he seems to rest are framed by the open jaws of a funerary serpent, a common iconographic device for signalling entrance into, or residence in, the realm(s) of the dead. The king himself wears the attributes of the Tonsured maize god - in particular a turtle ornament on the breast - and is shown in a peculiar posture that may denote rebirth.[19] Interpretation of the lid has raised controversy. Linda Schele saw Pakal falling down the Milky Way into the southern horizon.[20]

 

Pakal's tomb has been the subject of ancient astronaut hypotheses since its appearance in Erich von Däniken's 1968 best seller, Chariots of the Gods?. Von Däniken reproduced a drawing of the sarcophagus lid, incorrectly labeling it as being from "Copán" and comparing Pacal's pose to that of Project Mercury astronauts in the 1960s. Von Däniken interprets drawings underneath him as rockets, and offers it as possible evidence of an extraterrestrial influence on the ancient Maya.[21]

 

In the center of that frame is a man sitting, bending forward. He has a mask on his nose, he uses his two hands to manipulate some controls, and the heel of his left foot is on a kind of pedal with different adjustments. The rear portion is separated from him; he is sitting on a complicated chair, and outside of this whole frame, you see a little flame like an exhaust.[22]

 

Another example of this carving's manifestation in pseudoarchaeology is the identification by José Argüelles of "Pacal Votan" as an incarnation named "Valum Votan," who would act as a "closer of the cycle" in 2012 (an event that is also significant on Argüelles' "13 Moon" calendar). Daniel Pinchbeck, in his book 2012: The Return of Quetzalcoatl (2006), also uses the name "Votan" in reference to Pakal.[citation needed]

 

Notes:

 

^ The ruler's name, when transcribed is KʼINICH-JANA꞉B-PAKAL-la, translated "Radiant ? Shield", Martin & Grube 2008, p. 162.

^ Pakal's record was eventually surpassed in June 1711, by Louis XIV of France; Louis's record still stands as of 10 January 2020.

^ These are the dates indicated on the Maya inscriptions in Mesoamerican Long Count calendar. Born: 9.8.9.13.0 8 Ahaw 13 Pop; acceded: 9.9.2.4.8 5 Lamat 1 Mol; died: 9.12.11.5.18 6 Etzʼnab 11 Yax, Martin & Grube 2008, p. 162.

^ Maya rulership titles and name glyphs themselves do not use regnal numbers, they are a convenience only of modern scholars.

 

Footnotes:

 

^ 9.8.9.13.0 and 9.12.11.5.18 (Tiesler & Cucina 2004, p. 40)

^ Skidmore 2010, p. 71.

^ Martin & Grube 2008, pp. 162-168.

^ Wade, Lizzie (2019-04-09). "Believe in Atlantis? These archaeologists want to win you back to science". Science | AAAS. Retrieved 2019-04-14.

^ Skidmore 2010, pp. 71-73.

^ Skidmore 2010, pp. 56-57, pp. 71-73, p. 83, p. 91.

^ Martin & Grube 2008, pp. 162-165.

^ Skidmore 2010, pp. 71-73.

^ Martin & Grube 2008, pp. 162-168.

^ Skidmore 2010, pp. 71-73.

^ Martin & Grube 2008, p. 162.

^ Universidad Nacional Autónoma de Mexico

^ Mathews, p. 1.

^ Stokstad, p. 388.

^ Mathews, p. 1.

^ "Incredible Maya discovery: Ancient king's mask uncovered in Mexico". Fox News. 29 August 2018.

^ "This Haunting Mask Could Be The Face of The Longest-Reigning Ancient Maya King". Science Alert. 30 August 2018.

^ Schele & Mathews 1998, pp. 111-112.

^ Stuart & Stuart 2008, pp. 174-177

^ Freidel, Schele & Parker 1993, pp. 76-77

^ Finley, p.1

^ von Däniken, pp. 100-101, line drawing between pp. 78-79.

 

References:

 

Finley, Michael. "Von Daniken's Maya Astronaut". SHAW WEBSPACE. Archived from the original on April 12, 2008. Retrieved 18 October 2015.

Freidel, David A.; Schele, Linda; Parker, Joy (1993). Maya Cosmos: Three Thousand Years on the Shaman's Path. New York: William Morrow and Company. ISBN 9780688100810.

Martin, Simon; Nikolai Grube (2008). Chronicle of the Maya Kings and Queens: Deciphering the Dynasties of the Ancient Maya (2nd ed.). London and New York: Thames & Hudson. ISBN 9780500287262. OCLC 191753193.

Mathews, Peter. "WHO'S WHO IN THE CLASSIC MAYA WORLD". Foundation for the Advancement of Mesoamerican Studies, Inc. (FAMSI). Retrieved 18 October 2015.

Schele, Linda; Mathews, Peter (1998). The Code of Kings: The Language of Seven Sacred Maya Temples and Tombs. New York: Touchstone. ISBN 068480106X. Retrieved 17 October 2015.

Skidmore, Joel (2010). The Rulers of Palenque (PDF) (Fifth ed.). Mesoweb Publications. Retrieved 12 October 2015.

Stokstad, Marilyn (2008). Art History Fourth Edition. Upper Saddle River, New Jersey: Prentice Hall. ISBN 978-0-205-74422-0.

Stuart, David; Stuart, George (2008). Palenque: Eternal City of the Maya. Thames & Hudson. ISBN 9780500051566.

Tiesler, V.; Cucina, A.; Pacheco, A. Romano (2004-10-18). "Who was the Red Queen? Identity of the female Maya dignitary from the sarcophagus tomb of Temple XIII, Palenque, Mexico". HOMO. 55 (1): 65–76. doi:10.1016/j.jchb.2004.01.003. ISSN 0018-442X. PMID 15553269.

von Däniken, Erich (1969). Chariots of the Gods?: Unsolved Mysteries of the Past. Bantam Books. ISBN 0285502565.

 

The Maya - Lost Cities in the Jungle. youtu.be/OfnvQ_vQZuA

 

Palenque's Maya Glyph Carver: youtu.be/bRvoVfrrSRE

Warkworth Castle in Northumberland is forever associated with the Percy Earls of Northumberland but the site did not start with them. Indeed there is some mystery over who first built it and when. Located on a tight bend in the River Coquet and about a mile from the sea, the castle sits on the neck of this land which means that the enclosed space becomes an outer ward with the river as its moat on three sides. The medieval church and modern village now occupy the bend.

 

As an easy to defend site, close to the English/Scottish border, the speculation is that it may have had some sort of fortification well before the present building but this is now elusive - especially so if the first fortification was of mere earth and timber. Henry, son of King David I of Scotland, was granted the site around 1139 AD and he, in turn, granted salt pans to various local monks. As the new Earl of Northumberland the old guide book speculates that he either built the first castle or he improved an existing motte and bailey with new stone walls; the guide book certainly notes ‘Norman’ foundations at various points in the current building. A castle certainly exists in documents of 1157 AD.

 

King John of England confirmed the castle to Robert of Clavering in 1199 AD. Robert spent much time in the area as Sheriff of Northumberland and was gifted other local estates. He is thought to have built the main gateway, some of the walls and improved the Great Hall. He may also have built or improved the keep but this work has since vanished under the large and luxurious later Percy building. The Claverings held the castle but such was its importance that royal troops were also garrisoned here at times - at the king’s expense - due to the Scottish wars. In 1322 the constable of the castle sent 26 light horsemen (hobilars) to join the English army. The Scots were beaten off in 1327 and again the following year when Robert The Bruce besieged it.

 

The last Clavering male died in debt in 1332 and the castle eventually passed to Henry, the second Lord Percy of Alnwick. He improved the gatehouse and walls and may have added the Grey Mare’s Tail tower on the eastern side. From this time onwards Warkworth was the second castle home of the Percys and much favoured by them. The third Percy lord was a great soldier in the 100 Years War in France and was created Earl of Northumberland in 1377 before winning the battles of Otterburn and Homildon Hill against the Scots.

 

Sometime during this period extensive building work was carried out by the Percys with the keep on the motte being rebuilt as a sumptuous and comfortable building with decent accommodation, ample water management and drainage. It even had a very modern feature - a light well extending down the centre of the building to draw in both light and fresh air. For the ‘grim north’ this was a very princely home.

 

However after supporting Henry IV’s 1399 coup against Richard II, the Percys fell out with King Henry and rebelled - leading to executions and a period of disgrace. During this time Warkworth was attacked by a royal army with gunpowder artillery and it surrendered after seven discharges of the royal cannons. It is thus the first British castle to be successfully attacked by artillery despite the claims of nearby Bamburgh Castle.

 

John, Duke of Bedford held the castle for 11 years before it was returned to the next Percy - Henry, Earl of Northumberland. He was drawn into disputes with the junior Nevilles (the Earls of Salisbury and Warwick) but was supported by the senior Nevilles, the Earls of Westmoreland, who had their own issues with the junior Nevilles. Inevitably all this was mostly about money and inheritance. It paved the way to private battles between these families BEFORE the so-called Wars of the Roses. Indeed the first Battle of St Albans in 1455 may be more of a Mafia-style ‘hit’ as the Yorkists were lead by the three Richards (York, Salisbury and Warwick) and the principal dead were the Duke of Somerset, Henry Percy and a Percy kinsman, Lord Clifford.

 

The castle passed into Yorkist hands and - at various times - the Earl of Warwick directed sieges at Alnwick, Bamburgh and Dunstanburgh using Warkworth as his base. Warwick’s brother John Neville was given the castle and the earldom of Northumberland for a time but Edward IV eventually returned it to Henry Percy, the 4th Earl of Northumberland. John Neville was thus ‘downgraded’ to 1st Marquis of Montague and was thoroughly alienated by this action, leading to John joining his brother Warwick in rebellion against Edward IV. Warkworth’s Montague Tower is probably his work.

 

The 4th Percy earl carried out some work in his own right. One oddity is that a collegiate church was planned right in front of the keep which would have cut the keep off from the rest of the inner bailey. We know this as the present church foundations contain a tunnel which would have passed under the massive building to allow access to the keep from the bailey. However the guide book suggests the church was never finished and that the foundation crypts were partly buried and then became used for storage.

 

Henry the 4th earl became infamous for not supporting King Richard III at Bosworth in 1485. He then managed to get himself killed by the locals at Cocklodge in 1489 and is now buried in Beverley Cathedral. Later Percys got involved in the 16th century religious conflicts in England and none of them came out of it well. One even got involved in the Gunpowder Plot against the new Protestant King James I of England. One footnote is that King James visited Warkworth in this period and found it ruined and overrun by goats and sheep in every chamber. Some of his party went into the castle and were: “Much moved to see it so spoiled and so badly kept”.

 

Later Percys favoured Alnwick over Warkworth and it was one of these (now a Duke) who turned the site over to the future Ministry of Public Building and Works in 1922. It is now an English Heritage site and well worth a visit.

   

Night Puja at the Ganga River. It takes place every day after sunset and lasts for about one hour.

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Varanasi, also known as Benares, or Kashi is an Indian city on the banks of the Ganga in Uttar Pradesh, 320 kilometres south-east of the state capital, Lucknow. It is the holiest of the seven sacred cities (Sapta Puri) in Hinduism, and Jainism, and played an important role in the development of Buddhism. Some Hindus believe that death at Varanasi brings salvation. It is one of the oldest continuously inhabited cities in the world. Varanasi is also known as the favourite city of the Hindu deity Lord Shiva as it has been mentioned in the Rigveda that this city in older times was known as Kashi or "Shiv ki Nagri".

 

The Kashi Naresh (Maharaja of Kashi) is the chief cultural patron of Varanasi, and an essential part of all religious celebrations. The culture of Varanasi is closely associated with the Ganges. The city has been a cultural centre of North India for several thousand years, and has a history that is older than most of the major world religions. The Benares Gharana form of Hindustani classical music was developed in Varanasi, and many prominent Indian philosophers, poets, writers, and musicians live or have lived in Varanasi. Gautama Buddha gave his first sermon at Sarnath, located near Varanasi.

 

Varanasi is the spiritual capital of India. It is often referred to as "the holy city of India", "the religious capital of India", "the city of Shiva", and "the city of learning". Scholarly books have been written in the city, including the Ramcharitmanas of Tulsidas. Today, there is a temple of his namesake in the city, the Tulsi Manas Mandir. The current temples and religious institutions in the city are dated to the 18th century. One of the largest residential universities of Asia, the Banaras Hindu University (BHU), is located here.

 

ETYMOLOGY

The name Varanasi possibly originates from the names of the two rivers: Varuna, still flowing in Varanasi, and Asi, a small stream near Assi Ghat. The old city does lie on the north shores of Ganges River bounded by its two tributaries Varuna and Asi. Another speculation is that the city derives its name from the river Varuna, which was called Varanasi in olden times.[11] This is generally disregarded by historians. Through the ages, Varanasi has been known by many names including Kāśī or Kashi (used by pilgrims dating from Buddha's days), Kāśikā (the shining one), Avimukta ("never forsaken" by Shiva), Ānandavana (the forest of bliss), and Rudravāsa (the place where Rudra/Śiva resides).

 

In the Rigveda, the city is referred to as Kāśī or Kashi, the luminous city as an eminent seat of learning. The name Kāśī is also mentioned in the Skanda Purana. In one verse, Shiva says, "The three worlds form one city of mine, and Kāśī is my royal palace therein." The name Kashi may be translated as "City of Light".

 

HISTORY

According to legend, Varanasi was founded by the God Shiva. The Pandavas, the heroes of the Hindu epic Mahabharata are also stated to have visited the city in search of Shiva to atone for their sins of fratricide and Brāhmanahatya that they had committed during the climactic Kurukshetra war. It is regarded as one of seven holy cities which can provide Moksha:

 

The earliest known archaeological evidence suggests that settlement around Varanasi in the Ganga valley (the seat of Vedic religion and philosophy) began in the 11th or 12th century BC, placing it among the world's oldest continually inhabited cities. These archaeological remains suggest that the Varanasi area was populated by Vedic people. However, the Atharvaveda (the oldest known text referencing the city), which dates to approximately the same period, suggests that the area was populated by indigenous tribes. It is possible that archaeological evidence of these previous inhabitants has yet to be discovered. Recent excavations at Aktha and Ramnagar, two sites very near to Varanasi, show them to be from 1800 BC, suggesting Varanasi started to be inhabited by that time too. Varanasi was also home to Parshva, the 23rd Jain Tirthankara and the earliest Tirthankara accepted as a historical figure in the 8th century BC.

 

Varanasi grew as an important industrial centre, famous for its muslin and silk fabrics, perfumes, ivory works, and sculpture. During the time of Gautama Buddha (born circa 567 BC), Varanasi was the capital of the Kingdom of Kashi. Buddha is believed to have founded Buddhism here around 528 BC when he gave his first sermon, "Turning the Wheel of Law", at nearby Sarnath. The celebrated Chinese traveller Xuanzang, who visited the city around 635 AD, attested that the city was a centre of religious and artistic activities, and that it extended for about 5 kilometres along the western bank of the Ganges. When Xuanzang, also known as Hiuen Tsiang, visited Varanasi in the 7th century, he named it "Polonisse" and wrote that the city had some 30 temples with about 30 monks. The city's religious importance continued to grow in the 8th century, when Adi Shankara established the worship of Shiva as an official sect of Varanasi.

 

In ancient times, Varanasi was connected by a road starting from Taxila and ending at Pataliputra during the Mauryan Empire. In 1194, the city succumbed to Turkish Muslim rule under Qutb-ud-din Aibak, who ordered the destruction of some one thousand temples in the city. The city went into decline over some three centuries of Muslim occupation, although new temples were erected in the 13th century after the Afghan invasion. Feroz Shah ordered further destruction of Hindu temples in the Varanasi area in 1376. The Afghan ruler Sikander Lodi continued the suppression of Hinduism in the city and destroyed most of the remaining older temples in 1496. Despite the Muslim rule, Varanasi remained the centre of activity for intellectuals and theologians during the Middle Ages, which further contributed to its reputation as a cultural centre of religion and education. Several major figures of the Bhakti movement were born in Varanasi, including Kabir who was born here in 1389 and hailed as "the most outstanding of the saint-poets of Bhakti cult (devotion) and mysticism of 15th-Century India"; and Ravidas, a 15th-century socio-religious reformer, mystic, poet, traveller, and spiritual figure, who was born and lived in the city and employed in the tannery industry. Similarly, numerous eminent scholars and preachers visited the city from across India and south Asia. Guru Nanak Dev visited Varanasi for Shivratri in 1507, a trip that played a large role in the founding of Sikhism.

 

In the 16th century, Varanasi experienced a cultural revival under the Muslim Mughal emperor Akbar who invested in the city, and built two large temples dedicated to Shiva and Vishnu. The Raja of Poona established the Annapurnamandir and the 200 metres Akbari Bridge was also completed during this period. The earliest tourists began arriving in the city during the 16th century. In 1665, the French traveller Jean Baptiste Tavernier described the architectural beauty of the Vindu Madhava temple on the side of the Ganges. The road infrastructure was also improved during this period and extended from Kolkata to Peshawar by Emperor Sher Shah Suri; later during the British Raj it came to be known as the famous Grand Trunk Road. In 1656, emperor Aurangzeb ordered the destruction of many temples and the building of mosques, causing the city to experience a temporary setback. However, after Aurangazeb's death, most of India was ruled by a confederacy of pro-Hindu kings. Much of modern Varanasi was built during this time by the Rajput and Maratha kings, especially during the 18th century, and most of the important buildings in the city today date to this period. The kings continued to be important through much of the British rule (1775–1947 AD), including the Maharaja of Benares, or Kashi Naresh. The kingdom of Benares was given official status by the Mughals in 1737, and continued as a dynasty-governed area until Indian independence in 1947, during the reign of Dr. Vibhuti Narayan Singh. In the 18th century, Muhammad Shah ordered the construction of an observatory on the Ganges, attached to Man Mandir Ghat, designed to discover imperfections in the calendar in order to revise existing astronomical tables. Tourism in the city began to flourish in the 18th century. In 1791, under the rule of the British Governor-General Warren Hastings, Jonathan Duncan founded a Sanskrit College in Varanasi. In 1867, the establishment of the Varanasi Municipal Board led to significant improvements in the city.

 

In 1897, Mark Twain, the renowned Indophile, said of Varanasi, "Benares is older than history, older than tradition, older even than legend, and looks twice as old as all of them put together." In 1910, the British made Varanasi a new Indian state, with Ramanagar as its headquarters but with no jurisdiction over the city of Varanasi itself. Kashi Naresh still resides in the Ramnagar Fort which is situated to the east of Varanasi, across the Ganges. Ramnagar Fort and its museum are the repository of the history of the kings of Varanasi. Since the 18th century, the fort has been the home of Kashi Naresh, deeply revered by the local people. He is the religious head and some devout inhabitants consider him to be the incarnation of Shiva. He is also the chief cultural patron and an essential part of all religious celebrations.

 

A massacre by British troops, of the Indian troops stationed here and of the population of the city, took place during the early stages of the Indian Rebellion of 1857. Annie Besant worked in Varanasi to promote theosophy and founded the Central Hindu College which later became a foundation for the creation of Banaras Hindu University as a secular university in 1916. Her purpose in founding the Central Hindu College in Varanasi was that she "wanted to bring men of all religions together under the ideal of brotherhood in order to promote Indian cultural values and to remove ill-will among different sections of the Indian population."

 

Varanasi was ceded to the Union of India on 15 October 1948. After the death of Dr. Vibhuti Narayan Singh in 2000, his son Anant Narayan Singh became the figurehead king, responsible for upholding the traditional duties of a Kashi Naresh.

 

MAIN SIGHTS

Varanasi's "Old City", the quarter near the banks of the Ganga river, has crowded narrow winding lanes flanked by road-side shops and scores of Hindu temples. As atmospheric as it is confusing, Varanasi's labyrinthine Old City has a rich culture, attracting many travellers and tourists. The main residential areas of Varanasi (especially for the middle and upper classes) are situated in regions far from the ghats; they are more spacious and less polluted.

 

Museums in and around Varanasi include Jantar Mantar, Sarnath Museum, Bharat Kala Bhawan and Ramnagar Fort.

 

JANTAR MANTAR

The Jantar Mantar observatory (1737) is located above the ghats on the Ganges, much above the high water level in the Ganges next to the Manmandir Ghat, near to Dasaswamedh Ghat and adjoining the palace of Raja Jai Singh of Jaipur. Compared to the observatories at Jaipur and Delhi, it is less well equipped but has a unique equatorial sundial which is functional and allows measurements to be monitored and recorded by one person.

 

RAMNAGAR FORT

The Ramnagar Fort located near the Ganges River on its eastern bank, opposite to the Tulsi Ghat, was built in the 18th century by Kashi Naresh Raja Balwant Singh with creamy chunar sandstone. It is in a typically Mughal style of architecture with carved balconies, open courtyards, and scenic pavilions. At present the fort is not in good repair. The fort and its museum are the repository of the history of the kings of Benares. It has been the home of the Kashi Naresh since the 18th century. The current king and the resident of the fort is Anant Narayan Singh who is also known as the Maharaja of Varanasi even though this royal title has been abolished since 1971. Labeled "an eccentric museum", it has a rare collection of American vintage cars, sedan chairs (bejeweled), an impressive weaponry hall and a rare astrological clock. In addition, manuscripts, especially religious writings, are housed in the Saraswati Bhawan. Also included is a precious handwritten manuscript by Goswami Tulsidas. Many books illustrated in the Mughal miniature style, with beautifully designed covers are also part of the collections. Because of its scenic location on the banks of the Ganges, it is frequently used as an outdoor shooting location for films. The film titled Banaras is one of the popular movies shot here. However, only a part of the fort is open for public viewing as the rest of the area is the residence of the Kashi Naresh and his family. It is 14 kilometres from Varanasi.

 

GHATS

Ghats are embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. Ghats in Varanasi are an integral complement to the concept of divinity represented in physical, metaphysical and supernatural elements. All the ghats are locations on "the divine cosmic road", indicative of "its manifest transcendental dimension" Varanasi has at least 84 ghats. Steps in the ghats lead to the banks of River Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat and the Harishchandra Ghat (where Hindus cremate their dead). Many ghats are associated with legends and several are now privately owned.

 

Many of the ghats were built when the city was under Maratha control. Marathas, Shindes (Scindias), Holkars, Bhonsles, and Peshwas stand out as patrons of present-day Varanasi. Most of the ghats are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular visitor attraction. The extensive stretches of ghats enhance the river front with a multitude of shrines, temples and palaces built "tier on tier above the water’s edge".

 

The Dashashwamedh Ghat is the main and probably the oldest ghat of Varansi located on the Ganges, close to the Kashi Vishwanath Temple. It is believed that Brahma created it to welcome Shiva and sacrificed ten horses during the Dasa -Ashwamedha yajna performed here. Above the ghat and close to it, there are also temples dedicated to Sulatankesvara, Brahmesvara, Varahesvara, Abhaya Vinayaka, Ganga (the Ganges), and Bandi Devi which are part of important pilgrimage journeys. A group of priests perform "Agni Pooja" (Worship to Fire) daily in the evening at this ghat as a dedication to Shiva, Ganga, Surya (Sun), Agni (Fire), and the whole universe. Special aartis are held on Tuesdays and on religious festivals.

 

The Manikarnika Ghat is the Mahasmasana (meaning: "great cremation ground") and is the primary site for Hindu cremation in the city. Adjoining the ghat, there are raised platforms that are used for death anniversary rituals. It is said that an ear-ring (Manikarnika) of Shiva or his wife Sati fell here. According to a myth related to the Tarakesvara Temple, a Shiva temple at the ghat, Shiva whispers the Taraka mantra ("Prayer of the crossing") in the ear of the dead. Fourth-century Gupta period inscriptions mention this ghat. However, the current ghat as a permanent riverside embankment was built in 1302 and has been renovated at least three times.

 

TEMPLES

Among the estimated 23000 temples in Varanasi, the most worshiped are: the Kashi Vishwanath Temple of Shiva; the Sankat Mochan Hanuman Temple; and the Durga Temple known for the band of monkeys that reside in the large trees nearby.

 

Located on the outskirts of the Ganges, the Kashi Vishwanath Temple – dedicated to Varanasi's presiding deity Shiva (Vishwanath – "Lord of the world") – is an important Hindu temple and one of the 12 Jyotirlinga Shiva temples. It is believed that a single view of Vishwanath Jyotirlinga is worth more than that of other jyotirlingas. The temple has been destroyed and rebuilt a number of times. The Gyanvapi Mosque, which is adjacent to the temple, is the original site of the temple. The temple, as it exists now, also called Golden Temple, was built in 1780 by Queen Ahilyabai Holkar of Indore. The two pinnacles of the temple are covered in gold, donated in 1839 by Ranjit Singh, the ruler of the Punjab and the remaining dome is also planned to be gold plated by the Ministry of Culture & Religious Affairs of Uttar Pradesh. On 28 January 1983, the temple was taken over by the government of Uttar Pradesh and its management was transferred to a trust with then Kashi Naresh, Vibhuti Narayan Singh, as president and an executive committee with a Divisional Commissioner as chairman. Numerous rituals, prayers and aratis are held daily, starting from 2:30 am till 11:00 pm.

 

The Sankat Mochan Hanuman Temple is one of the sacred temples of the Hindu god Hanuman situated by the Assi River, on the way to the Durga and New Vishwanath temples within the Banaras Hindu University campus. The present temple structure was built in early 1900s by the educationist and freedom fighter, Pandit Madan Mohan Malviya, the founder of Banaras Hindu University. It is believed the temple was built on the very spot where the medieval Hindu saint Tulsidas had a vision of Hanuman. Thousands flock to the temple on Tuesdays and Saturdays, weekdays associated with Hanuman. On 7 March 2006, in a terrorist attack one of the three explosions hit the temple while the Aarti was in progress when numerous devotees and people attending a wedding were present and many were injured. However, normal worship was resumed the next day with devotees visiting the temple and reciting hymns of Hanuman Chalisa (authored by Tulidas) and Sundarkand (a booklet of these hymns is provided free of charge in the temple). After the terrorist incident, a permanent police post was set up inside the temple.

 

There are two temples named "Durga" in Varanasi, Durga Mandir (built about 500 years ago), and Durga Kund (built in the 18th century). Thousands of Hindu devotees visit Durga Kund during Navratri to worship the goddess Durga. The temple, built in Nagara architectural style, has multi-tiered spires[96] and is stained red with ochre, representing the red colour of Durga. The building has a rectangular tank of water called the Durga Kund ("Kund" meaning a pond or pool). Every year on the occasion of Nag Panchami, the act of depicting the god Vishnu reclining on the serpent Shesha is recreated in the Kund.

 

While the Annapurna Temple, located close to the Kashi Vishwanath temple, is dedicated to Annapurna, the goddess of food, the Sankatha Temple close to the Sindhia Ghat is dedicated to Sankatha, the goddess of remedy. The Sankatha temple has a large sculpture of a lion and a nine temple cluster dedicated to the nine planets.

 

Kalabhairav Temple, an ancient temple located near the Head Post Office at Visheshar Ganj, is dedicated to Kala-Bhairava, the guardian (Kotwal) of Varanasi. The Mrithyunjay Mahadev Temple, dedicated to Shiva, is situated on the way to Daranagar to Kalbhairav temple. A well near the temple has some religious significance as its water source is believed to be fed from several underground streams, having curative powers.

 

The New Vishwanath Temple located in the campus of Banaras Hindu University is a modern temple which was planned by Pandit Malviya and built by the Birlas. The Tulsi Manas Temple, nearby the Durga Temple, is a modern temple dedicated to the god Rama. It is built at the place where Tulsidas authored the Ramcharitmanas, which narrates the life of Rama. Many verses from this epic are inscribed on the temple walls.

 

The Bharat Mata Temple, dedicated to the national personification of India, was inaugurated by Mahatma Gandhi in 1936. It has relief maps of India carved in marble. Babu Shiv Prasad Gupta and Durga Prasad Khatri, leading numismatists, antiquarians and nationalist leaders, donated funds for its construction.

 

RELIGION

HINDUISM

Varanasi is one of the holiest cities and centres of pilgrimage for Hindus of all denominations. It is one of the seven Hindu holiest cities (Sapta Puri), considered the giver of salvation (moksha). Over 50,000 Brahmins live in Varanasi, providing religious services to the masses. Hindus believe that bathing in the Ganges remits sins and that dying in Kashi ensures release of a person's soul from the cycle of its transmigrations. Thus, many Hindus arrive here for dying.

 

As the home to the Kashi Vishwanath Temple Jyotirlinga, it is very sacred for Shaivism. Varanasi is also a Shakti Peetha, where the temple to goddess Vishalakshi stands, believed to be the spot where the goddess Sati's earrings fell. Hindus of the Shakti sect make a pilgrimage to the city because they regard the River Ganges itself to be the Goddess Shakti. Adi Shankara wrote his commentaries on Hinduism here, leading to the great Hindu revival.

 

In 2001, Hindus made up approximately 84% of the population of Varanasi District.

 

ISLAM

Varanasi is one of the holiest cities and centres of pilgrimage for Hindus of all denominations. It is one of the seven Hindu holiest cities (Sapta Puri), considered the giver of salvation (moksha). Over 50,000 Brahmins live in Varanasi, providing religious services to the masses. Hindus believe that bathing in the Ganges remits sins and that dying in Kashi ensures release of a person's soul from the cycle of its transmigrations. Thus, many Hindus arrive here for dying.

 

As the home to the Kashi Vishwanath Temple Jyotirlinga, it is very sacred for Shaivism. Varanasi is also a Shakti Peetha, where the temple to goddess Vishalakshi stands, believed to be the spot where the goddess Sati's earrings fell. Hindus of the Shakti sect make a pilgrimage to the city because they regard the River Ganges itself to be the Goddess Shakti. Adi Shankara wrote his commentaries on Hinduism here, leading to the great Hindu revival.

 

In 2001, Hindus made up approximately 84% of the population of Varanasi District.

 

OTHERS

At the 2001 census, persons of other religions or no religion made up 0.4% of the population of Varanasi District.

 

Varanasi is a pilgrimage site for Jains along with Hindus and Buddhists. It is believed to be the birthplace of Suparshvanath, Shreyansanath, and Parshva, who are respectively the seventh, eleventh, and twenty-third Jain Tirthankars and as such Varanasi is a holy city for Jains. Shree Parshvanath Digambar Jain Tirth Kshetra (Digambar Jain Temple) is situated in Bhelupur, Varanasi. This temple is of great religious importance to the Jain Religion.

 

Sarnath, a suburb of Varanasi, is a place of Buddhist pilgrimage. It is the site of the deer park where Siddhartha Gautama of Nepal is said to have given his first sermon about the basic principles of Buddhism. The Dhamek Stupa is one of the few pre-Ashokan stupas still in existence, though only its foundation remains. Also remaining is the Chaukhandi Stupa commemorating the spot where Buddha met his first disciples in the 5th century. An octagonal tower was built later there.

 

Guru Nanak Dev visited Varanasi for Shivratri in 1507 and had an encounter which with other events forms the basis for the story of the founding of Sikhism. Varanasi also hosts the Roman Catholic Diocese of Varanasi, and has an insignificant Jewish expatriate community. Varanasi is home to numerous tribal faiths which are not easily classified.

 

Dalits are 13% of population Of Varanasi city. Most dalits are followers of Guru Ravidass. So Shri Guru Ravidass Janam Asthan is important place of pilgrimage for Ravidasis from all around India.

 

RELIGIOUS FESTIVALS

On Mahashivaratri (February) – which is dedicated to Shiva – a procession of Shiva proceeds from the Mahamrityunjaya Temple to the Kashi Vishwanath Temple.

 

Dhrupad Mela is a five-day musical festival devoted to dhrupad style held at Tulsi Ghat in February–March.

 

The Sankat Mochan Hanuman Temple celebrates Hanuman Jayanti (March–April), the birthday of Hanuman with great fervour. A special puja, aarti, and a public procession is organized. Starting in 1923, the temple organizes a five-day classical music and dance concert festival titled Sankat Mochan Sangeet Samaroh in this period, when iconic artists from all parts of India are invited to perform.

 

The Ramlila of Ramnagar is a dramatic enactment of Rama's legend, as told in Ramacharitamanasa. The plays, sponsored by Kashi Naresh, are performed in Ramnagar every evening for 31 days. On the last day, the festivities reach a crescendo as Rama vanquishes the demon king Ravana. Kashi Naresh Udit Narayan Singh started this tradition around 1830.

 

Bharat Milap celebrates the meeting of Rama and his younger brother Bharata after the return of the former after 14 years of exile. It is celebrated during October–November, a day after the festival of Vijayadashami. Kashi Naresh attends this festival in his regal attire resplendent in regal finery. The festival attracts a large number of devotees.

 

Nag Nathaiya, celebrated on the fourth lunar day of the dark fortnight of the Hindu month of Kartik (October–November), that commemorates the victory of the god Krishna over the serpent Kaliya. On this occasion, a large Kadamba tree (Neolamarckia cadamba) branch is planted on the banks of the Ganges so that a boy acting the role of Krishna can jump into the river on to the effigy representing Kaliya. He stands over the effigy in a dancing pose playing the flute; the effigy and the boy standing on it is given a swirl in front of the audience. People watch the display standing on the banks of the river or from boats.

 

Ganga Mahotsav is a five-day music festival organized by the Uttar Pradesh Tourism Department, held in November–December culminating a day before Kartik Poornima (Dev Deepawali). On Kartik Poornima also called the Ganges festival, the Ganges is venerated by arti offered by thousands of pilgrims who release lighted lamps to float in the river from the ghats.

 

Annually Jashne-Eid Miladunnabi is celebrated on the day of Barawafat in huge numbers by Muslims in a huge rally coming from all the parts of the city and meeting up at Beniya Bagh.

 

WIKIPEDIA

Speculation about the real subject is open to discussion

Following GM Buses Souths acquisition by Stagecoach speculation was rife on the North side as to how long we would survive as a private entity. Sure enough, weeks later we were sold to First Bus and with it came a new livery. Early repaints comprised of Olympians and Metrorusts, but following a couple of the former being done at Atherton (3192 being the first) surprise came when a Fleetline was outshopped in the new 'Tomato soup' livery.

4955 which had been new to Lancashire United is seen on Atherton depots forecourt in its first moring in service wearing its new coat of paint. Although admittedly the sun was against me for this shot, this livery was notoriesly difficult to shoot on anything but a dull day. This was also the oldest vehicle in the fleet to recieve the new livery.

The History of Yazoo City

  

By the 1820 Treaty of Doak’s Stand, the Choctaw Nation sold their northwestern lands to the United States, and for the first time the large area of Mississippi in which Yazoo City was to be located was opened to settlement by white and black Americans.

In 1823, the Mississippi legislature created Yazoo County, several times larger than it is today before other counties to the north were carved out of it.

In 1825, by additional terms to the 1820 treaty, a new, young, Choctaw Chief, Greenwood LeFlore, whose mother was Choctaw and father was French, was granted one square mile of land for himself, the exact site of Yazoo City today, even though it was now in the newly-bought American territory.

LeFlore wanted the location as a speculation for future sale. He could see that it was the only sport on the entire length of the continuous Coldwater-Tallahatchie-Yazoo River system, that snaked southward throughout the Delta, where the Yazoo abruptly made a hairpin curve eastward to touch the foot of the bluffs that border the Delta from present-day Memphis down to Vicksburg. It would bed a unique and ideal situation for a year-round steamboad port for shipping cotton to New Orleans, even during the times of high water in the rest of the Delta each spring before the levees existed. And surely cotton would soon be widely grown in the new counties of Central Mississippi to the East.

LeFlore soon sold his land at a profit, and by 1828 it was in the hands of five proprietors in Clinton who began the planning for just such a port.

Like Washington D.C., 30 years previously, the future town on the river, to be named Manchester, was thoroughly surveyed and designed on paper to fit the contour of the site. Its streets were given names they still have today, and the entire town was subdivided into numbered lots, all before a single soul lived there.

After wide advertising in the small newspapers of the day in South Mississippi an neighboring states, the proprietors announced an auction sale of lots in Manchester on February 22, 1830. A chartered steamboat brought potential buyers, docking at the foot of Main Street as a floating hotel; and in the first two days most of the choicest downtown real estate had been sold.

By 1834 all lots had been sold and building was under way along every street: a bank, two hotels, businesses, homes. Steamboats called regularly.

By 1840 Manchester had over 1,000 residents, white and black, and was shipping 25,000 bales of cotton a year.

In 1841, to honor its river, so vital to its economy, Manchester’s citizens voted to change its name to Yazoo City.

Yazooans were fervent supporters of the Mexican War, 1846-1848. When the U.S. Secretary of War requested a 1,000-man regiment of volunteers from Mississippi, Yazoo City and County boys, under Captain John Sharp of Benton, then the county seat, formed the 100-man Yazoo Rifles Company. In a contest among 17,000 volunteers in Vicksburg in June, the Yazoo Rifles were selected as Company A of the regiment to be led by Colonel Jefferson Davis, future president of the Confederacy.

They fought bravely in the key battles of Monterrey and Buena Vista, losing many to deaths, both from wounds, but especially from dysentery, due to the bad sanitation of the period.

In 1848, because of its size and the convenience of more central location in Yazoo County, the Mississippi legislature transferred the county seat to Yazoo City. The town continued to grow, with a beautiful new courthouse designed by the same architect who gave Mississippi the Governor’s Mansion in Jackson and the Lyceum at Ole Miss.

Because of its proximity to still swampy areas near the town, Yazoo City’s worst enemy in its early years was yellow fever. There were several epidemics, most notable that of 1853 when scores of its leading citizens were among those dying.

In the first year of the Civil War, 1861, Yazooans felt little danger. Dozens of her young men were away fighting in far off Virginia, and most expected a short war and for things to stay that way. Then suddenly Northern victories in Arkansas, West Tennessee and Corinth, Mississippi, Memphis, New Orleans and Baton Rouge, brought the war to their doorstep as the Yankee fleet steamed up river toward Vicksburg.

During the Vicksburg campaign which lasted until July 4, 1863, and especially afterwards, as Vicksburg remained a Northern citadel, the Yazoo River was completely controlled by the Union fleet, and Yazoo City was temporarily occupied and sacked for provisions six times. Only the last time was there some wanton destruction, and the beautiful courthouse burned. By wars end the town was all but prostrate, and very difficult period of recovery, under an especially despised carpet-bagger sheriff, lasted for 10 years.

But after the 1870’s Yazoo City was back on its feet; cotton production in the area (before the boll weevil!) was booming; the railroad arrived in 1884. Electricity was introduced in 1888, followed by street lights that burned all night unless the moon was shining.

The census of 1890 gave Yazoo City 3,286 people; by 1900 it had 4,744; by 1910, 7,786. Streets would not be paved until the 1920’s, but by 1900 there were two private telephone systems (for in-town use only), an ice-plant, a yarn mill and a cotton compress.

From 1909 to 1919, a city-owned street car system operated on the principal streets – only the second one in the United States as most systems were run by private companies.

The greatest catastrophe to hit Yazoo City since the Civil War struck on an unusually windy May 25, 1904. A little boy playing with matches under his home set fire to it, only a block from the heart of the business district.

In spite of assistance from the Jackson Fire Department, which sped some of it’s equipment up by special train, the fire raged out of control. It destroyed the entire business district and more than 100 residences on adjacent streets. All churches but one were lost. Only the courthouse built in 1872, the new library and the unfinished school beside it, were spared, as there were open ground area around them for protection.

A small number of antebellum homes, uphill from the rear of the courthouse, escaped as did the new homes in the new suburb of Lintonia, across a canal on the town’s north edge. Fortunately not a single life was lost, but Yazoo City was in ruins.

The town was quickly rebuilt on precisely the same sites, and the handsome, homogeneous new brick stores from 1905-1906 lining Main Street today are listed on the National Register of Historic Places.

A second catastrophe soon hit Yazoo City in April 1927 with the great flood of the Mississippi River, which covered the entire Delta with several feet of muddy water. Already the Yazoo was overflowing its banks as its water could not be forced into the swollen Mississippi. But a disastrous levee break just north of Greenville on April 21, then unleashed the Mississippi’s waters to cover county after county as it rushed southward toward Yazoo City and Vicksburg, where it was stopped by their bluffs.

This time, however, the parts of Yazoo City burned by the great fire were mostly on higher ground and spared. The Lintonia suburbs and areas across the railroad to the west, were the sections that suffered this time.

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There was only one angle where these buildings lined up perfectly imperfectly, warped yet framed at the same time....I just happened to be looking the right direction off the upper level of the tour bus to see it. How I managed to actually get the shot as we bounced and screeched through downtown Chicago traffic on the last leg of the last bus of the day is beyond me. Lucky for the vapid tour guide we were winding down from a very long entertaining girls weekend and didn't have the energy to give him a clue why no one bothered to thank or tip him as they exited. Hindsight says we shoulda given him a clue, but I guess everyone can have an off day right?

Reconstruction of the Terme Boxer, 2018, bronze cast, 128 x 110 x 55 cm, recostruction created by Vinzenz Brinkmann and Ulrike Koch-Brinkmann (Liebieghaus Skulpturensammlung, Frankfurt am Main, Sammlung Stäelisches Kunstinstitut)

Learn more at Smarthistory

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Speculation about the real subject is open to discussion

Like its MiG-25 predecessor, the MiG-31 was surrounded by early speculation and misinformation concerning its design and capabilities. The West learned of the new interceptor from Lieutenant Viktor Belenko, a pilot who defected to Japan in 1976 with his MiG-25P. Belenko described an upcoming "Super Foxbat" with two seats and a capability to intercept cruise missiles, i.e. look-down shoot-down capability. He said the new interceptor was to have air intakes similar to the MiG-23 Flogger, which the MiG-31 in reality does not have, at least not in production variants.

 

Series production of the MiG-31 began in 1979, with operational models entering Soviet Anti-Air Defense (PVO) service in 1982. It was first photographed by a Norwegian pilot over the Barents Sea in 1985. About 500 MiG-31s were produced, and some 370 remain in Russian service, with another 30 or so in Kazakhstan. The MiG-31 is likely to continue serving for years to come, depending on upgrades and the growth of the Russian economy.

 

The main armament is four R-33 AAMs (NATO codename AA-9 Amos) carried under the belly. These are the Russian equivalent of the US Navy's AIM-54 Phoenix and can be guided in semi-active radar homing (SARH) mode, or launched in inertial guidance mode with the option of mid-course updates from the launch aircraft and switching to SARH for terminal guidance. The MiG-31 has an internal cannon, a six-barrel, 23mm GSh-6-23 with 800 rounds of ammunition, mounted above the starboard main landing gear bay. The MiG-31 is the heaviest interceptor in the world, with a maximum takeoff weight reputedly around 56 tonnes making it even heavier than a commercial Tu-134 which has a maximum takeoff weight of 49 tonnes. This particular specimen was seen at the Farnborough Air Show in 1992.

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Strathalbyn.

A Special Survey of 4,000 acres was taken out along the Angas River in 1839 for George Hall (secretary to Governor Gawler) and William Mein and others. Land was surveyed from the mouth of the Angas along the river to about where Macclesfield is now situated. Other contributors to the Mouth of the Angas Special Survey were Strathalbyn settlers including: 806 acres purchased by Dr John Rankine, Blackwood Park; 166 acres purchased by William Rankine, Glenbarr; 410 acres purchased by Donald McLean; 81 acres purchased by Edward and Charles Stirling of Hampton and later the Lodge. William and Nicol Mein kept 728 acres for themselves but George Hall (who kept about 930 acres) was a Colonial Office employee with an eye on speculation. He also paid £4,000 for the Great Bend Special Survey along the River Murray from Morgan to Blanchetown but it was claimed this was taken for Governor Gawler but in Hall’s name to avoid scandal! But the land was not worth £1 per acre! The Meins were graziers and also took out Occupational Licenses for leasehold land in 1843. They were Scots so they donated £600 for the building fund for the Presbyterian Church in Adelaide in 1840. But in 1843 they dissolved a business partnership in Adelaide and they appear to have left the colony perhaps to join their relatives in NSW. Meins did not stay on to become Strathalbyn pioneers unlike the Rankines, McLeans and Stirlings. The other prominent early founder was William Dawson- hence the creek flowing in front of Glen Barr is the Dawson Creek which enters the Angas River in Strathalbyn. Dawson Banks is another of the grand old properties in Strathalbyn.

 

Stirlings chose their land to the north of the town and built Hampden and the Lodge; John Rankine chose his land to the north of the town and built Blackwood Park whilst brother William Rankine chose land to the south on Dawson Creek and built Glenbarr house. The first public building in the fledgling town of Strathalbyn was the Strathalbyn Hotel erected in 1840 and the second was probably St. Andrews Presbyterian Church which opened in 1844 with additions in 1869. As most of the settlers were Scottish the name chosen for the town was Scottish and the first church was Presbyterian. The first farmer to produce a crop was David Gollan. His interest in wheat led him to open the first flour mill in 1850 in the centre of the town. Mill Bridge adjacent to the flourmill bridged the Angas River. As the town progressed quickly a local council was formed in 1854 with the Stirlings, Rankines and Archibald McLean (investor in Langhorne Creek) being among the first councillors. The Stirlings were especially important to Strathalbyn. Edward Stirling (the father) joined into a partnership with (Sir) Thomas Elder and Robert Barr Smith in 1855. Stirling stayed with the company as it funded the Moonta and Wallaroo copper mines in 1861 then he withdrew but remained as an investor in the mines. The company went on to become Elder Smith and Co the most successful SA 19th century company. Edward Stirling had two sons, (Sir) Edward Stirling a famed surgeon who lived at St. Vigeans at Stirling and (Sir) Lancelot Stirling, local Member of Parliament for the Strathalbyn district, sheep and cattle breeder and company director. The Stirlings lived in the family home Hampden until it burnt down around 1870. Then they moved into the Lodge which was extended and remained the family home for Sir Lancelot Stirling after his father Edward died in 1873. Lancelot lived there until he died in 1932. The Stirlings of Strathalbyn also owned and operated Nalpa Station on Lake Albert. The Lodge is now the centre of a new suburban development at Strathalbyn.

 

From the beginning Strathalbyn prospered because of its access to water from the Angas River, its reliable rainfall, its genial climate for cropping and from the patronage of its wealthy founders. The town was laid out in 1840 and blocks sold at that time. The discovery of silver, lead and zinc at nearby Wheal Ellen mine in 1857 further boosted the growing town. The mine closed a short time later but re-opened in 1869 and operated until closure in 1888. It briefly re-opened from 1910-14 for the last phase. Until recently Strathalbyn had another zinc mine conducted by Terramin Mining which started operations in 2007. The zinc from here was sent to Nyrstar refinery at Port Pirie for smelting. The mining occurred 360 metres below the ground surface. The mine had a life of five years and closed in late 2013 ending the jobs of 115 local people. But Strathalbyn has always had a range of local industry. A foundry operated in the town from the mid 1850s as well as the usual businesses of blacksmith, saddlery etc, and the town handled coach services to Wellington via Langhorne Creek from around 1854. It was also one of the first towns in SA to have its own gas works started by David Trenouth in 1868. By 1870 the small urban centre of Strathalbyn had gas street lights! The gas works operated until 1917 when an electrical service took over power provision. From an early date Strathalbyn also had its own newspaper and printing press the Southern Argus housed in Argus House which was built 1867/68. The Southern Argus which is still published, is SA’s oldest country newspaper. In 1912 it established an offshoot - the Victor Harbor Times. In terms of transportation and the transport of goods Strathalbyn prospered as it was the terminus of the horse drawn tram service from Port Elliott and Goolwa in 1869. That is why the Terminus Hotel is so named. In 1884 that line was converted to a broad gauge rail line for steam engines and linked at Mt Barker with the line to Adelaide. Strathalbyn had a flour mill from 1850 as noted above and in the 1860s the town had its own brewery. The heyday of business boom for Strathalbyn was in the 1860s and 1870 when so many of the fine town buildings were erected. Heritage buildings are shown on map above and they include:

Commercial Street/Dawson Street.

•At the northern end of Commercial Street on the corner with North Parade is the Doctor’s Residence. 26 North Parade. Dr Herbert built a grand 8 roomed residence here in 1858. Dr Ferguson purchased it in 1869 and added and altered the verandas. Dr Shone bought it in 1897. Dr Formby took it over in 1907 and kept it until he sold it to Dr Fairley in 1979! Note the double chimneys and the ogee(S shaped) gutters above the bay windows and the 1850s French windows.

•On the northern end of Commercial Street is the Wesleyan Methodist Church which was built in 1874. It replaced the demolished Methodist church built in 1854. Built of random stone, semi rounded windows etc. It became the only Methodist church at the time of Methodist amalgamations in 1900 .It closed around the time of amalgamation with the Presbyterians and Congregationalists in 1977. The Hall was added in 1939.

•Blackwell House, 18 Commercial Street. A two storey bluestone structure from the 1860s. It was much altered in 1912 when the parapet along the roof was removed, the slate replaced with iron and the upper balcony added.

•The former Power House 1917 –when gas works closed. Became Council Chamber 1939 when ETSA arrived.

•Coleman Mill store. Fine stone building with few windows. Built 1864. Coleman bought the mill from Gollan.

•1850 flour mill which was sold to Laucke’s in 1938. Commercial Rd and Mill Street an imposing four storey structure. Note the four storeys, purple sandstone, and little windows.

•Beside the mill is Water Villa house. The earliest part dates from 1849 and the Italianate bay window sections are 1879. David Gollan the owner of the 1850 flour mill built this as his residence. It is a mixture of stones. Note the French doors in the old original part of the house onto the veranda.

•Argus House, 1868. 33 Commercial Street. It was a print works and residence and shop.

•Post Office 1911. 37 Commercial Street.

•Savings Banks of South Australia. A fine two storey structure for the bank and manager’s residence. Built in 1930. It has rough stone, prominent gables, repeating arches, wooden doors, and terra cotta tiles.

•Church of Christ. Opened in 1873.Limestone walls, arched windows.

•Masonic Hall built in 1896 but Lodge established 1866.Additons 1912 and 1957.

 

Rankine Street/Albyn Terrace.

•Strathalbyn Police Station (1855) and Court House (1865) now the National Trust Museum.

•National Bank 2 Albyn Terrace. Squared stone blocks, two storeys and a dominant building. Elaborate porch and balcony and decorative window surrounds etc. Erected in 1869. Nearby Norfolk Island pine was planted in 1895.

•Tucker & Sons solicitors at 8 Albyn Terrace. Have a look at all the shops along Albyn Terrace a great 19th century streetscape still largely intact. It was used in the film “Picnic at Hanging Rock.”

 

High Street.

•London House general store at 7 High Street 1867. Now an antiques shop. Cobb and Co used to use the stables at the rear for the daily coaching service to Adelaide. London House had the first telephone in Strathalbyn in 1883.

•Robin Hood hotel erected in 1855 and still standing. 18 High Street.

•The Strathalbyn library 9 High Street. Opened 1922 with a classical façade with good symmetry.

•The Town Hall at 11 High Street. 1874 opened as a two storey stone structure with fancy parapet as an institute building. The parapet is supported by paired brackets.

 

Other locations- Chapel Street, East Terrace and South Terrace.

•St. Andrews Uniting Church (formerly Presbyterian) 1844 for main church with transept added 1857. Manse erected 1854. 1869 tower completed, bell donated by Edward Stirling. Clock installed 1895. Church hall on the opposite corner was built in 1911.

•Former Primitive Methodist Church 1861 was sold to the Anglican Church as a church hall in 1901 following the Methodist amalgamation. It was sold to the Foresters Lodge in 1912(when Anglicans purchased the former Catholic Church) and much later it as sold to the Scouts.

•St. Barnabas Catholic Church 2 Chapel Street. This was a late addition to Strathalbyn being erected in 1913. But Catholic services began in 1881 when a Catholic church was consecrated in Rowe St. The first priest arrived in 1906. A presbytery as built 1911 in East Tce and then church two years later. The 1881 church was sold in 1913 as Anglican parish hall called St. Barnabas. It is on the corner of Rowe and Murray street.

•Christ Church Anglican Church 7 East Terrace. The tower on Christ Church was erected from donations on the death of Sir Lancelot Stirling in 1932. The tower opened in 1933 but the church was built in 1871.

•Railway Station on South Terrace erected 1883 in time for opening of broad gauge line to Adelaide and start of branch line trains to Milang from Sandergrove siding.

•Two storey residence attached to Rowe’s foundry in South Terrace. Britannia House as it is known was built in 1855.

 

How Architecture Learned to Speculate

Mona Mahall and Asli Serbest

December 2009

 

For the first time, the speculative in architecture becomes a topic of critical research. It is investigated, not as idealistic but as strategic acting within endless modernity. This modernity implies that speculation, as strategic acting, is not only applied to economic, but also to political, and aesthetic values. The consequences? Values become mobile, valuations become a play with high and low, authors (architects) become winners or losers, and culture becomes fashion.

 

Including projects by Michael Najjar, Matthieu Laurette, NL Architects, PARA-Project, visiondivision, MVRDV, Aristide Antonas, David Schalliol, Kevin Bauman, FAT, David Trautrimas, JODI, Bernard Gigounon, Ralf Schreiber, Gitta Gschwendtner, Pascual Sisto, Darlene Charneco, Seyed Alavi, Helmut Smits, Ant Farm, 100101110101101.ORG, Caspar Stracke, and OMA.

 

ISBN: 978-3-00-029876-9

Number of pages: 246

Measurements: 19 x 12 x 1,1 cm

 

www.igmade.net/order.html

 

Im Appenzeller Hinterland sind am 13. Januar die Sylvesterchläuse unterwegs, und wünschen "Es guets Neus" in der Tradition des Julianischen Kalenders.13 January, «Old New Year's Eve», the «Chläuse» make their way around the Appenzell hinterland. The origin and meaning of this ancient custom are the subject of speculation, because few written documents exist.

.... Artist, Michel de Broin's 'One Thousand Speculations', a 7.9 metre / 25 foot in diameter ball made up of 1,000 mirrors .... the world's largest mirror ball

After months of speculation, British Steel finally closed their Redcar steel works on Friday 19th February 2010

 

I managed to gain access to the shuttered plant a few days later on Tuesday 23rd February

From the Garden of Cosmic Speculation

 

www.mingthein.com

www.mingthein.gallery

 

Varanasi, also known as Benares, or Kashi is an Indian city on the banks of the Ganga in Uttar Pradesh, 320 kilometres south-east of the state capital, Lucknow. It is the holiest of the seven sacred cities (Sapta Puri) in Hinduism, and Jainism, and played an important role in the development of Buddhism. Some Hindus believe that death at Varanasi brings salvation. It is one of the oldest continuously inhabited cities in the world. Varanasi is also known as the favourite city of the Hindu deity Lord Shiva as it has been mentioned in the Rigveda that this city in older times was known as Kashi or "Shiv ki Nagri".

 

The Kashi Naresh (Maharaja of Kashi) is the chief cultural patron of Varanasi, and an essential part of all religious celebrations. The culture of Varanasi is closely associated with the Ganges. The city has been a cultural centre of North India for several thousand years, and has a history that is older than most of the major world religions. The Benares Gharana form of Hindustani classical music was developed in Varanasi, and many prominent Indian philosophers, poets, writers, and musicians live or have lived in Varanasi. Gautama Buddha gave his first sermon at Sarnath, located near Varanasi.

 

Varanasi is the spiritual capital of India. It is often referred to as "the holy city of India", "the religious capital of India", "the city of Shiva", and "the city of learning". Scholarly books have been written in the city, including the Ramcharitmanas of Tulsidas. Today, there is a temple of his namesake in the city, the Tulsi Manas Mandir. The current temples and religious institutions in the city are dated to the 18th century. One of the largest residential universities of Asia, the Banaras Hindu University (BHU), is located here.

 

ETYMOLOGY

The name Varanasi possibly originates from the names of the two rivers: Varuna, still flowing in Varanasi, and Asi, a small stream near Assi Ghat. The old city does lie on the north shores of Ganges River bounded by its two tributaries Varuna and Asi. Another speculation is that the city derives its name from the river Varuna, which was called Varanasi in olden times.[11] This is generally disregarded by historians. Through the ages, Varanasi has been known by many names including Kāśī or Kashi (used by pilgrims dating from Buddha's days), Kāśikā (the shining one), Avimukta ("never forsaken" by Shiva), Ānandavana (the forest of bliss), and Rudravāsa (the place where Rudra/Śiva resides).

 

In the Rigveda, the city is referred to as Kāśī or Kashi, the luminous city as an eminent seat of learning. The name Kāśī is also mentioned in the Skanda Purana. In one verse, Shiva says, "The three worlds form one city of mine, and Kāśī is my royal palace therein." The name Kashi may be translated as "City of Light".

 

HISTORY

According to legend, Varanasi was founded by the God Shiva. The Pandavas, the heroes of the Hindu epic Mahabharata are also stated to have visited the city in search of Shiva to atone for their sins of fratricide and Brāhmanahatya that they had committed during the climactic Kurukshetra war. It is regarded as one of seven holy cities which can provide Moksha:

 

The earliest known archaeological evidence suggests that settlement around Varanasi in the Ganga valley (the seat of Vedic religion and philosophy) began in the 11th or 12th century BC, placing it among the world's oldest continually inhabited cities. These archaeological remains suggest that the Varanasi area was populated by Vedic people. However, the Atharvaveda (the oldest known text referencing the city), which dates to approximately the same period, suggests that the area was populated by indigenous tribes. It is possible that archaeological evidence of these previous inhabitants has yet to be discovered. Recent excavations at Aktha and Ramnagar, two sites very near to Varanasi, show them to be from 1800 BC, suggesting Varanasi started to be inhabited by that time too. Varanasi was also home to Parshva, the 23rd Jain Tirthankara and the earliest Tirthankara accepted as a historical figure in the 8th century BC.

 

Varanasi grew as an important industrial centre, famous for its muslin and silk fabrics, perfumes, ivory works, and sculpture. During the time of Gautama Buddha (born circa 567 BC), Varanasi was the capital of the Kingdom of Kashi. Buddha is believed to have founded Buddhism here around 528 BC when he gave his first sermon, "Turning the Wheel of Law", at nearby Sarnath. The celebrated Chinese traveller Xuanzang, who visited the city around 635 AD, attested that the city was a centre of religious and artistic activities, and that it extended for about 5 kilometres along the western bank of the Ganges. When Xuanzang, also known as Hiuen Tsiang, visited Varanasi in the 7th century, he named it "Polonisse" and wrote that the city had some 30 temples with about 30 monks. The city's religious importance continued to grow in the 8th century, when Adi Shankara established the worship of Shiva as an official sect of Varanasi.

 

In ancient times, Varanasi was connected by a road starting from Taxila and ending at Pataliputra during the Mauryan Empire. In 1194, the city succumbed to Turkish Muslim rule under Qutb-ud-din Aibak, who ordered the destruction of some one thousand temples in the city. The city went into decline over some three centuries of Muslim occupation, although new temples were erected in the 13th century after the Afghan invasion. Feroz Shah ordered further destruction of Hindu temples in the Varanasi area in 1376. The Afghan ruler Sikander Lodi continued the suppression of Hinduism in the city and destroyed most of the remaining older temples in 1496. Despite the Muslim rule, Varanasi remained the centre of activity for intellectuals and theologians during the Middle Ages, which further contributed to its reputation as a cultural centre of religion and education. Several major figures of the Bhakti movement were born in Varanasi, including Kabir who was born here in 1389 and hailed as "the most outstanding of the saint-poets of Bhakti cult (devotion) and mysticism of 15th-Century India"; and Ravidas, a 15th-century socio-religious reformer, mystic, poet, traveller, and spiritual figure, who was born and lived in the city and employed in the tannery industry. Similarly, numerous eminent scholars and preachers visited the city from across India and south Asia. Guru Nanak Dev visited Varanasi for Shivratri in 1507, a trip that played a large role in the founding of Sikhism.

 

In the 16th century, Varanasi experienced a cultural revival under the Muslim Mughal emperor Akbar who invested in the city, and built two large temples dedicated to Shiva and Vishnu. The Raja of Poona established the Annapurnamandir and the 200 metres Akbari Bridge was also completed during this period. The earliest tourists began arriving in the city during the 16th century. In 1665, the French traveller Jean Baptiste Tavernier described the architectural beauty of the Vindu Madhava temple on the side of the Ganges. The road infrastructure was also improved during this period and extended from Kolkata to Peshawar by Emperor Sher Shah Suri; later during the British Raj it came to be known as the famous Grand Trunk Road. In 1656, emperor Aurangzeb ordered the destruction of many temples and the building of mosques, causing the city to experience a temporary setback. However, after Aurangazeb's death, most of India was ruled by a confederacy of pro-Hindu kings. Much of modern Varanasi was built during this time by the Rajput and Maratha kings, especially during the 18th century, and most of the important buildings in the city today date to this period. The kings continued to be important through much of the British rule (1775–1947 AD), including the Maharaja of Benares, or Kashi Naresh. The kingdom of Benares was given official status by the Mughals in 1737, and continued as a dynasty-governed area until Indian independence in 1947, during the reign of Dr. Vibhuti Narayan Singh. In the 18th century, Muhammad Shah ordered the construction of an observatory on the Ganges, attached to Man Mandir Ghat, designed to discover imperfections in the calendar in order to revise existing astronomical tables. Tourism in the city began to flourish in the 18th century. In 1791, under the rule of the British Governor-General Warren Hastings, Jonathan Duncan founded a Sanskrit College in Varanasi. In 1867, the establishment of the Varanasi Municipal Board led to significant improvements in the city.

 

In 1897, Mark Twain, the renowned Indophile, said of Varanasi, "Benares is older than history, older than tradition, older even than legend, and looks twice as old as all of them put together." In 1910, the British made Varanasi a new Indian state, with Ramanagar as its headquarters but with no jurisdiction over the city of Varanasi itself. Kashi Naresh still resides in the Ramnagar Fort which is situated to the east of Varanasi, across the Ganges. Ramnagar Fort and its museum are the repository of the history of the kings of Varanasi. Since the 18th century, the fort has been the home of Kashi Naresh, deeply revered by the local people. He is the religious head and some devout inhabitants consider him to be the incarnation of Shiva. He is also the chief cultural patron and an essential part of all religious celebrations.

 

A massacre by British troops, of the Indian troops stationed here and of the population of the city, took place during the early stages of the Indian Rebellion of 1857. Annie Besant worked in Varanasi to promote theosophy and founded the Central Hindu College which later became a foundation for the creation of Banaras Hindu University as a secular university in 1916. Her purpose in founding the Central Hindu College in Varanasi was that she "wanted to bring men of all religions together under the ideal of brotherhood in order to promote Indian cultural values and to remove ill-will among different sections of the Indian population."

 

Varanasi was ceded to the Union of India on 15 October 1948. After the death of Dr. Vibhuti Narayan Singh in 2000, his son Anant Narayan Singh became the figurehead king, responsible for upholding the traditional duties of a Kashi Naresh.

 

MAIN SIGHTS

Varanasi's "Old City", the quarter near the banks of the Ganga river, has crowded narrow winding lanes flanked by road-side shops and scores of Hindu temples. As atmospheric as it is confusing, Varanasi's labyrinthine Old City has a rich culture, attracting many travellers and tourists. The main residential areas of Varanasi (especially for the middle and upper classes) are situated in regions far from the ghats; they are more spacious and less polluted.

 

Museums in and around Varanasi include Jantar Mantar, Sarnath Museum, Bharat Kala Bhawan and Ramnagar Fort.

 

JANTAR MANTAR

The Jantar Mantar observatory (1737) is located above the ghats on the Ganges, much above the high water level in the Ganges next to the Manmandir Ghat, near to Dasaswamedh Ghat and adjoining the palace of Raja Jai Singh of Jaipur. Compared to the observatories at Jaipur and Delhi, it is less well equipped but has a unique equatorial sundial which is functional and allows measurements to be monitored and recorded by one person.

 

RAMNAGAR FORT

The Ramnagar Fort located near the Ganges River on its eastern bank, opposite to the Tulsi Ghat, was built in the 18th century by Kashi Naresh Raja Balwant Singh with creamy chunar sandstone. It is in a typically Mughal style of architecture with carved balconies, open courtyards, and scenic pavilions. At present the fort is not in good repair. The fort and its museum are the repository of the history of the kings of Benares. It has been the home of the Kashi Naresh since the 18th century. The current king and the resident of the fort is Anant Narayan Singh who is also known as the Maharaja of Varanasi even though this royal title has been abolished since 1971. Labeled "an eccentric museum", it has a rare collection of American vintage cars, sedan chairs (bejeweled), an impressive weaponry hall and a rare astrological clock. In addition, manuscripts, especially religious writings, are housed in the Saraswati Bhawan. Also included is a precious handwritten manuscript by Goswami Tulsidas. Many books illustrated in the Mughal miniature style, with beautifully designed covers are also part of the collections. Because of its scenic location on the banks of the Ganges, it is frequently used as an outdoor shooting location for films. The film titled Banaras is one of the popular movies shot here. However, only a part of the fort is open for public viewing as the rest of the area is the residence of the Kashi Naresh and his family. It is 14 kilometres from Varanasi.

 

GHATS

Ghats are embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. Ghats in Varanasi are an integral complement to the concept of divinity represented in physical, metaphysical and supernatural elements. All the ghats are locations on "the divine cosmic road", indicative of "its manifest transcendental dimension" Varanasi has at least 84 ghats. Steps in the ghats lead to the banks of River Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat and the Harishchandra Ghat (where Hindus cremate their dead). Many ghats are associated with legends and several are now privately owned.

 

Many of the ghats were built when the city was under Maratha control. Marathas, Shindes (Scindias), Holkars, Bhonsles, and Peshwas stand out as patrons of present-day Varanasi. Most of the ghats are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular visitor attraction. The extensive stretches of ghats enhance the river front with a multitude of shrines, temples and palaces built "tier on tier above the water’s edge".

 

The Dashashwamedh Ghat is the main and probably the oldest ghat of Varansi located on the Ganges, close to the Kashi Vishwanath Temple. It is believed that Brahma created it to welcome Shiva and sacrificed ten horses during the Dasa -Ashwamedha yajna performed here. Above the ghat and close to it, there are also temples dedicated to Sulatankesvara, Brahmesvara, Varahesvara, Abhaya Vinayaka, Ganga (the Ganges), and Bandi Devi which are part of important pilgrimage journeys. A group of priests perform "Agni Pooja" (Worship to Fire) daily in the evening at this ghat as a dedication to Shiva, Ganga, Surya (Sun), Agni (Fire), and the whole universe. Special aartis are held on Tuesdays and on religious festivals.

 

The Manikarnika Ghat is the Mahasmasana (meaning: "great cremation ground") and is the primary site for Hindu cremation in the city. Adjoining the ghat, there are raised platforms that are used for death anniversary rituals. It is said that an ear-ring (Manikarnika) of Shiva or his wife Sati fell here. According to a myth related to the Tarakesvara Temple, a Shiva temple at the ghat, Shiva whispers the Taraka mantra ("Prayer of the crossing") in the ear of the dead. Fourth-century Gupta period inscriptions mention this ghat. However, the current ghat as a permanent riverside embankment was built in 1302 and has been renovated at least three times.

 

TEMPLES

Among the estimated 23000 temples in Varanasi, the most worshiped are: the Kashi Vishwanath Temple of Shiva; the Sankat Mochan Hanuman Temple; and the Durga Temple known for the band of monkeys that reside in the large trees nearby.

 

Located on the outskirts of the Ganges, the Kashi Vishwanath Temple – dedicated to Varanasi's presiding deity Shiva (Vishwanath – "Lord of the world") – is an important Hindu temple and one of the 12 Jyotirlinga Shiva temples. It is believed that a single view of Vishwanath Jyotirlinga is worth more than that of other jyotirlingas. The temple has been destroyed and rebuilt a number of times. The Gyanvapi Mosque, which is adjacent to the temple, is the original site of the temple. The temple, as it exists now, also called Golden Temple, was built in 1780 by Queen Ahilyabai Holkar of Indore. The two pinnacles of the temple are covered in gold, donated in 1839 by Ranjit Singh, the ruler of the Punjab and the remaining dome is also planned to be gold plated by the Ministry of Culture & Religious Affairs of Uttar Pradesh. On 28 January 1983, the temple was taken over by the government of Uttar Pradesh and its management was transferred to a trust with then Kashi Naresh, Vibhuti Narayan Singh, as president and an executive committee with a Divisional Commissioner as chairman. Numerous rituals, prayers and aratis are held daily, starting from 2:30 am till 11:00 pm.

 

The Sankat Mochan Hanuman Temple is one of the sacred temples of the Hindu god Hanuman situated by the Assi River, on the way to the Durga and New Vishwanath temples within the Banaras Hindu University campus. The present temple structure was built in early 1900s by the educationist and freedom fighter, Pandit Madan Mohan Malviya, the founder of Banaras Hindu University. It is believed the temple was built on the very spot where the medieval Hindu saint Tulsidas had a vision of Hanuman. Thousands flock to the temple on Tuesdays and Saturdays, weekdays associated with Hanuman. On 7 March 2006, in a terrorist attack one of the three explosions hit the temple while the Aarti was in progress when numerous devotees and people attending a wedding were present and many were injured. However, normal worship was resumed the next day with devotees visiting the temple and reciting hymns of Hanuman Chalisa (authored by Tulidas) and Sundarkand (a booklet of these hymns is provided free of charge in the temple). After the terrorist incident, a permanent police post was set up inside the temple.

 

There are two temples named "Durga" in Varanasi, Durga Mandir (built about 500 years ago), and Durga Kund (built in the 18th century). Thousands of Hindu devotees visit Durga Kund during Navratri to worship the goddess Durga. The temple, built in Nagara architectural style, has multi-tiered spires[96] and is stained red with ochre, representing the red colour of Durga. The building has a rectangular tank of water called the Durga Kund ("Kund" meaning a pond or pool). Every year on the occasion of Nag Panchami, the act of depicting the god Vishnu reclining on the serpent Shesha is recreated in the Kund.

 

While the Annapurna Temple, located close to the Kashi Vishwanath temple, is dedicated to Annapurna, the goddess of food, the Sankatha Temple close to the Sindhia Ghat is dedicated to Sankatha, the goddess of remedy. The Sankatha temple has a large sculpture of a lion and a nine temple cluster dedicated to the nine planets.

 

Kalabhairav Temple, an ancient temple located near the Head Post Office at Visheshar Ganj, is dedicated to Kala-Bhairava, the guardian (Kotwal) of Varanasi. The Mrithyunjay Mahadev Temple, dedicated to Shiva, is situated on the way to Daranagar to Kalbhairav temple. A well near the temple has some religious significance as its water source is believed to be fed from several underground streams, having curative powers.

 

The New Vishwanath Temple located in the campus of Banaras Hindu University is a modern temple which was planned by Pandit Malviya and built by the Birlas. The Tulsi Manas Temple, nearby the Durga Temple, is a modern temple dedicated to the god Rama. It is built at the place where Tulsidas authored the Ramcharitmanas, which narrates the life of Rama. Many verses from this epic are inscribed on the temple walls.

 

The Bharat Mata Temple, dedicated to the national personification of India, was inaugurated by Mahatma Gandhi in 1936. It has relief maps of India carved in marble. Babu Shiv Prasad Gupta and Durga Prasad Khatri, leading numismatists, antiquarians and nationalist leaders, donated funds for its construction.

 

RELIGION

HINDUISM

Varanasi is one of the holiest cities and centres of pilgrimage for Hindus of all denominations. It is one of the seven Hindu holiest cities (Sapta Puri), considered the giver of salvation (moksha). Over 50,000 Brahmins live in Varanasi, providing religious services to the masses. Hindus believe that bathing in the Ganges remits sins and that dying in Kashi ensures release of a person's soul from the cycle of its transmigrations. Thus, many Hindus arrive here for dying.

 

As the home to the Kashi Vishwanath Temple Jyotirlinga, it is very sacred for Shaivism. Varanasi is also a Shakti Peetha, where the temple to goddess Vishalakshi stands, believed to be the spot where the goddess Sati's earrings fell. Hindus of the Shakti sect make a pilgrimage to the city because they regard the River Ganges itself to be the Goddess Shakti. Adi Shankara wrote his commentaries on Hinduism here, leading to the great Hindu revival.

 

In 2001, Hindus made up approximately 84% of the population of Varanasi District.

 

ISLAM

Varanasi is one of the holiest cities and centres of pilgrimage for Hindus of all denominations. It is one of the seven Hindu holiest cities (Sapta Puri), considered the giver of salvation (moksha). Over 50,000 Brahmins live in Varanasi, providing religious services to the masses. Hindus believe that bathing in the Ganges remits sins and that dying in Kashi ensures release of a person's soul from the cycle of its transmigrations. Thus, many Hindus arrive here for dying.

 

As the home to the Kashi Vishwanath Temple Jyotirlinga, it is very sacred for Shaivism. Varanasi is also a Shakti Peetha, where the temple to goddess Vishalakshi stands, believed to be the spot where the goddess Sati's earrings fell. Hindus of the Shakti sect make a pilgrimage to the city because they regard the River Ganges itself to be the Goddess Shakti. Adi Shankara wrote his commentaries on Hinduism here, leading to the great Hindu revival.

 

In 2001, Hindus made up approximately 84% of the population of Varanasi District.

 

OTHERS

At the 2001 census, persons of other religions or no religion made up 0.4% of the population of Varanasi District.

 

Varanasi is a pilgrimage site for Jains along with Hindus and Buddhists. It is believed to be the birthplace of Suparshvanath, Shreyansanath, and Parshva, who are respectively the seventh, eleventh, and twenty-third Jain Tirthankars and as such Varanasi is a holy city for Jains. Shree Parshvanath Digambar Jain Tirth Kshetra (Digambar Jain Temple) is situated in Bhelupur, Varanasi. This temple is of great religious importance to the Jain Religion.

 

Sarnath, a suburb of Varanasi, is a place of Buddhist pilgrimage. It is the site of the deer park where Siddhartha Gautama of Nepal is said to have given his first sermon about the basic principles of Buddhism. The Dhamek Stupa is one of the few pre-Ashokan stupas still in existence, though only its foundation remains. Also remaining is the Chaukhandi Stupa commemorating the spot where Buddha met his first disciples in the 5th century. An octagonal tower was built later there.

 

Guru Nanak Dev visited Varanasi for Shivratri in 1507 and had an encounter which with other events forms the basis for the story of the founding of Sikhism. Varanasi also hosts the Roman Catholic Diocese of Varanasi, and has an insignificant Jewish expatriate community. Varanasi is home to numerous tribal faiths which are not easily classified.

 

Dalits are 13% of population Of Varanasi city. Most dalits are followers of Guru Ravidass. So Shri Guru Ravidass Janam Asthan is important place of pilgrimage for Ravidasis from all around India.

 

RELIGIOUS FESTIVALS

On Mahashivaratri (February) – which is dedicated to Shiva – a procession of Shiva proceeds from the Mahamrityunjaya Temple to the Kashi Vishwanath Temple.

 

Dhrupad Mela is a five-day musical festival devoted to dhrupad style held at Tulsi Ghat in February–March.

 

The Sankat Mochan Hanuman Temple celebrates Hanuman Jayanti (March–April), the birthday of Hanuman with great fervour. A special puja, aarti, and a public procession is organized. Starting in 1923, the temple organizes a five-day classical music and dance concert festival titled Sankat Mochan Sangeet Samaroh in this period, when iconic artists from all parts of India are invited to perform.

 

The Ramlila of Ramnagar is a dramatic enactment of Rama's legend, as told in Ramacharitamanasa. The plays, sponsored by Kashi Naresh, are performed in Ramnagar every evening for 31 days. On the last day, the festivities reach a crescendo as Rama vanquishes the demon king Ravana. Kashi Naresh Udit Narayan Singh started this tradition around 1830.

 

Bharat Milap celebrates the meeting of Rama and his younger brother Bharata after the return of the former after 14 years of exile. It is celebrated during October–November, a day after the festival of Vijayadashami. Kashi Naresh attends this festival in his regal attire resplendent in regal finery. The festival attracts a large number of devotees.

 

Nag Nathaiya, celebrated on the fourth lunar day of the dark fortnight of the Hindu month of Kartik (October–November), that commemorates the victory of the god Krishna over the serpent Kaliya. On this occasion, a large Kadamba tree (Neolamarckia cadamba) branch is planted on the banks of the Ganges so that a boy acting the role of Krishna can jump into the river on to the effigy representing Kaliya. He stands over the effigy in a dancing pose playing the flute; the effigy and the boy standing on it is given a swirl in front of the audience. People watch the display standing on the banks of the river or from boats.

 

Ganga Mahotsav is a five-day music festival organized by the Uttar Pradesh Tourism Department, held in November–December culminating a day before Kartik Poornima (Dev Deepawali). On Kartik Poornima also called the Ganges festival, the Ganges is venerated by arti offered by thousands of pilgrims who release lighted lamps to float in the river from the ghats.

 

Annually Jashne-Eid Miladunnabi is celebrated on the day of Barawafat in huge numbers by Muslims in a huge rally coming from all the parts of the city and meeting up at Beniya Bagh.

  

Call for a appropriate price cap for imports of pipeline gas, measures to tackle speculation

Further steps needed towards introducing a tax on windfall profits

Measures must remain consistent with the EU’s 2050 climate neutrality goal

MEPs call again for immediate and full embargo on oil, coal, nuclear fuel and gas from Russia

 

Read more: www.europarl.europa.eu/news/en/press-room/20220930IPR4193...

 

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1619 Broadway, Theater District, Manhattan

 

Since its construction in 1930-31, the 11-story Brill Building has been synonymous with American music – from the last days of Tin Pan Alley to the emergence of rock and roll. Occupying the northwest corner of Broadway and West 49th Street, it was commissioned by real estate developer Abraham Lefcourt who briefly planned to erect the world’s tallest structure on the site, which was leased from the Brill Brothers, owners of a men’s clothing store. When Lefcourt failed to meet the terms of their agreement, the Brills foreclosed on the property and the name of the nearly-complete structure was changed from the Alan E. Lefcourt Building to the, arguably more melodious sounding, Brill Building. Designed in the Art Deco style by architect Victor A. Bark, Jr., the white brick elevations feature handsome terra-cotta reliefs, as well as two niches that prominently display stone and brass portrait busts that most likely portray the developer’s son, Alan, who died as the building was being planned. A remarkable number of tenants have been music publishers, but the building is also notable for attracting an evolving roster of songwriters, booking agents, vocal coaches, publicity agents, talent agents, and performers. As the popularity of big band music and jazz increased, many performers leased offices in the building, including Tommy Dorsey, Duke Ellington, and Nat King Cole. By the early 1960s, more than 160 tenants were involved in the music industry. While not every artist associated with the so-called “Brill Building sound” actually worked at 1619 Broadway, these creative men and women produced some of early rock and roll’s most beautifully-crafted and memorable songs. Also contributing to the building’s reputation have been various commercial tenants, including such fashionable restaurants as Jack Dempsey’s and the Turf, and a succession of vast second floor nightclubs, including the Hurricane, Club Zanzibar and Bop City, where jazz briefly gained a prominent midtown venue and a wider audience in the 1940s.

 

DESCRIPTION AND ANALYSIS

 

Few office buildings in New York City are as closely associated with a single profession as the Brill Building. Built on speculation at the start of the Great Depression, during 1930-31, for the next half-century this 11-story Art Deco-style structure was synonymous with popular music and entertainment. A succession of tenants, including music publishers, talent agents, songwriters, and nightclubs, have contributed to the building’s legendary status. Not only were more than 160 music-related businesses based here by the early 1960s but music historian Ian Inglis has written that these talented artists brought “a new professionalism and maturity to rock and roll,” leading to the increased presence of women as performers and producers, as well as the development of the “singer-songwriter” – artists who compose and record their own material.

 

And Ken Emerson, author of Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era, observed: “The music publishers and songwriters who worked there routinized the creation and production of rock ‘n’ roll. They smoothed the rough edges . . . Reigning in the unruliness of rock ‘n’ roll made it safe for teenage America and profitable in the mass marketplace.”3 During this period, the Brill Building became the unofficial center of pop music in the United States. While not all of the artists and companies associated with the so-called “Brill Building sound” actually leased space here, such myths demonstrate the structure’s longstanding importance, from its early ties to Tin Pan Alley and the Big Band era to the present day.

 

The Site

 

The Brill Building occupies the northwest corner of Broadway and West 49th Street. It was named for the Brill Brothers – Samuel, Max and Maurice – who operated a Manhattan chain of men’s clothing stores for more than five decades. Founded by Samuel and Maurice Brill in late 1886, their first store was located in lower Manhattan at 45 Cortlandt Street, near Church Street. The Brills began leasing the Broadway site in 1909 and a branch opened here in October 1910. The New York Times reported:

 

The steady growth of Times Square and the adjoining streets as the business centre of Manhattan is proved this morning by the opening of a new clothing store . . . it covers half the block on the Broadway side and 75 feet in Forty-ninth Street.

 

The site was originally owned by Archibald D. and Albertina Russell, who conveyed it to the financiers Moses Taylor and Percy R. Pyne (1857-1929) in 1919. The Ruspyn Corporation was established following Pyne’s death and the lease with the Brill Brothers was extended 85 years. This set the stage for a sublease to the 1619 Realty Corporation, which agreed to erect a building of at least six stories, valued at more than $400,000. In addition, the contract stipulated that any plans be approved by the Brills.

 

Plan and Construction

 

On October 3, 1929, three weeks before the stock market crash, Lefcourt announced plans to build the world’s tallest structure at the northwest corner of Broadway and 49th Street. Representing an investment of $30 million, the Chicago Tribune reported:

 

An arrangement already settled between the builder and his client, said to be one of

the largest business institutions in the country, is that the building shall not be less

than the height announced.

 

Not only would the 1,050-foot tower be much taller than the 538-foot Lefcourt-Colonial Building – the firm’s tallest project to date – but it would also have surpassed two of the city’s loftiest structures: the 1,046-foot Chrysler Building (completed May 1930, a designated New York City Landmark) and the 927-foot Manhattan Company Building (a designated New York City Landmark). In the weeks that followed, Lefcourt may have become uneasy about such ambitious plans. Though he remained publicly optimistic about the real estate market, a December 1929 article made no mention of the Brill Building’s height.16 This suggests that he had difficulty financing the tower or that the original height was being reconsidered, and subsequently, reduced.

 

Despite a tough economic climate, the project eased forward. Lefcourt and the 1619 Realty Company finalized the purchase of the lease from the Brill Brothers in January 1930 and in March 1930 plans (NB 46-1930) for a much lower structure were submitted to the Department of Buildings. The New York Times commented: “No definite statement could be obtained yesterday regarding the reason for changing the plans.”17 Bark was identified as the architect and the owner was the Ruspyn Corporation, with Percy P. Pyne as president. It was described as ten stories tall, with a penthouse, stores, bank and offices. The estimated cost was modest, $1 million. Initially called the Alan E. Lefcourt Building, construction began in May 1930 and the exterior work was completed in late November 1930.

 

Design

 

The Brill Building is a handsome example of the Art Deco style.

 

Especially popular with New York City real estate developers from the mid-1920s to the early 1930s, it grew out of Beaux Arts classicism and included decorative elements associated with structures erected at the Paris Exposition des Arts Decoratifs & Industriels of 1925, as well as other European styles. Prior to this period, American architects tended to find inspiration in historical forms, borrowing ideas not only from classical sources, but also from medieval and Byzantine models, as illustrated in such designated New York City Landmarks as: the New York Times Building (various architects, begun 1912) on West 43rd Street, the American Radiator Building (Raymond Hood, 1923-24) on West 41st Street, and the Bowery Savings Bank (York & Sawyer, begun 1921-23) on East 42nd Street. In contrast to subsequent architectural trends, particularly following the Second World War, Art Deco buildings are frequently distinguished by low decorative reliefs, vivid colors, and unusual materials.

 

Times Square has relatively few buildings of this style. This can be explained by the fact that most theaters were completed before 1925 when variants of neo-Classicism were at the height of popularity. With few sites open to development, only a small group of neighborhood structures would reflect the new fashion; surviving examples include: the Manufacturer’s Trust Bank (Dennison & Hirons, 1927-28, now a theater and stores) at the northwest corner of Eighth Avenue and 43rd Street; the Film Center Building (Ely Jacques Kahn, 1928-29, a designated Landmark Interior) at 630 Ninth Avenue; the Edison Hotel (Herbert J. Krapp, 1930-31) on West 47th Street; and the McGraw-Hill Building (Raymond Hood, 1930-31, a designated New York City Landmark), at 330 West 42nd Street.

 

In designing the Brill Building, Bark divided the Broadway and 49th Street facades into three distinct sections: a three-story base, a seven-story shaft, and penthouse. These elevations are faced with mainly white brick but the base, the central window bays, and the top story incorporate light-colored terra-cotta reliefs. This cast material was favored by early 20th-century architects as a less costly but attractive substitute for carved ornament. While some architects used it extensively, covering entire facades, as in the Woolworth Building (Cass Gilbert, 1910­13, a designated New York City Landmark), in most instances it was used selectively to enhance specific architectural features and to enrich setbacks on the upper floors. Though the source of this building’s terra cotta has yet to be identified, it may have been produced by the Atlantic Terra Cotta Company (active 1907-43), which supplied similar decorative reliefs to several contemporary buildings in Times Square.

 

This Brill Building has mostly conventional, one-over-one fenestration, but the three-story base is almost entirely glazed with a distinctive combination of gridded and fixed window panes.

 

The main entrance was positioned at the center of the Broadway facade, opening to a small foyer and a deep hallway that leads to an elevator lobby along the west side of the building. Though the width of the entrance is relatively narrow, Bark used eye-catching materials to highlight it. Three gleaming brass-finished doors are flanked by polished black granite piers, topped with brass cruciform details that extend up and slightly cover the base of the second-story windows. The elaborate door surround features a grid of windows that resembles a ziggurat. These windows illuminate the foyer and provide visual support for the niche that contains a bust. Set on a pedestal, flanked by elaborate scrollwork and ascending panels incorporating slim vertical reliefs, the brass sculpture sits in an elaborate faceted niche, crowned by a keystone. The John Hartell Company is likely to have been responsible for executing these dazzling features since it recently had collaborated with Bark on the Lefcourt-Colonial Building.

 

At the corner of each facade, above the storefronts, the outermost window bays are flanked by double-height pilasters. These flat, brown pilasters are crowned by square reliefs that suggest capitals, a device frequently used by contemporary architects. Between the second and third floors is a continuous band of polychrome (bluish gray and pink) terra-cotta reliefs. Aligned with each set of metal-framed windows, these panels are divided into three sections. The distinctive treatment of these floors suggests that the interior spaces were designed for a specific purpose. Not only would these decorative elements attract attention to the lower floors but the continuous fenestration permitted generous views south toward the heart of Times Square.

 

To gently lead the eye up both elevations, Bark used recessed terra-cotta panels above the three center window bays. These white panels contain foliate reliefs, crowned by a wave-like horizontal band that functions as a window sill. To cap the uppermost windows, a narrower panel was used. Less tall than the rest, it has clipped corners that when viewed together with the brick pilasters suggest curtains being pulled open. At this level, the architect also added six raised terra-cotta circles above the three side window bays. The 11th floor penthouse, recessed from 49th Street and disguised by a stepped gable, incorporates a large masonry or terra-cotta bust set into a niche, flanked by round arched windows. This massing is decorative – not only does it hide the penthouse but this feature recalls the developer’s original intent to construct a much taller structure since taller buildings were generally required to have setbacks.

 

Roof-top signs also contribute to the Brill Building’s character and its historic role in Times Square. Since as early as 1934, it has served as a platform for a steel framework that supports colorful illuminated signs. Long-term advertisers have included Camel cigarettes (1934) and Budweiser beer (c. 1958). Set atop the penthouse, at an angle to Broadway, these multi-story billboards face south and enjoy great visibility.

 

The Portrait Busts

 

Above the Broadway entrance, incorporated into the brass window surround, is a small niche displaying a bust. This sculpture, as well as the slightly larger masonry (possibly terra cotta) bust installed at the penthouse level, has frequently been interpreted as a portrait of Alan E. Lefcourt, for whom the building was originally named and who died two months before the architect filed plans with the Department of Buildings. In both busts, the subject is portrayed as dressed in a three-piece suit and tie. Whereas the head in the 11th-floor niche faces directly forward, the brass bust is turned slightly to the left.

 

Figurative sculptures, set into niches and roundels, were an important part of the ecclesiastical tradition in Europe, used on church facades to represent saints and occasionally religious patrons. In the late 19th century, terra-cotta sculptures of historical figures were sometimes used to decorate the exteriors of institutional structures, such as the six large portrait heads on the Brooklyn Historical Society (1878-81, part of the Brooklyn Heights Historic District) by Olin Levi Warner, and a series of portrait busts portraying figures from antiquity and physicians on the Deutsches (German) Dispensary (1883-84, a designated New York City Landmark), 137 Second Avenue, Manhattan.

 

In terms of commercial structures, the print dealer Frederick Keppel embellished the facade of 4 East 39th Street (George B. Post, 1904) with the “first permanent memorial” to the painter James McNeil Whistler,19 as well as a portrait of Rembrandt van Rijn, and above the entrance to the Gainsborough Studios (1907-8, a designated New York City Landmark), 222 Central Park South, is a bust of the 18th-century English portrait and landscape painter. In Times Square, at least two buildings display portraits connected to the performing arts: the elaborate north entrance to the Lyric Theater (Victor Hugo Koehler, 1903, now the Hilton Theater), 214 West 43rd Street, includes portraits of the light opera composer Reginald De Koven, for whom it was built, as well as Gilbert & Sullivan, and the south facade of the I. Miller Shoe Store (1926, a designated New York City Landmark) contains three full-length portraits, set into gilt niches.

 

Chosen by popular vote, these sculptures represent leading actresses in their most famous theatrical roles.

 

The busts on the Brill Building are especially unusual because of their personal nature. When former New York governor Samuel Tilden built his house on Gramercy Park (Vaux & Radford, 1881-84, a designated New York City Landmark), he decorated the lower facade with small brownstone portraits of his favorite authors. While caricatures of individuals are sometimes incorporated as building details, such as the architect, owner, and engineer flanking the elevators in the Woolworth Building, the central and conspicuous placement of the two busts on the Brill Building is notable. Born in 1912, Alan E. Lefcourt gained some notoriety at the age of twelve when his father, Abraham, gave him ownership of a $10 million office building, to be erected at the southwest corner of Madison Avenue and 34th Street. Abraham reportedly said that he wished to “inculcate in his son . . . a sense of thrift and responsibility.”

 

Alan, however, was unable to enjoy the financial returns anticipated by his father – a victim of anemia, he died in February 1930.

 

The only known contemporary account that mentions the brass bust appeared in November 1932, as part of Abraham Lefcourt’s New York Times obituary: “Alan died, he put up an eight-story building with his son’s bust over the entrance.”21 In 1990, David Dunlap speculated that the penthouse niche displays the “bust of the developer, Abraham E. Lefcourt.” More recently, in 1999, New York Times reporter Daniel B. Schneider wrote: “The subject of the two busts is uncertain . . . Evidence suggests that the one on the 11th floor is Abraham E. Lefcourt, the building’s developer, and that the other, is his son.”22 Such interpretations may be based on the fact that both died early, well before average age. While it seems likely that the brass portrait is, in fact, a memorial bust, the other bust was installed by September 1930 – more than two years before Abraham’s untimely death, suggesting that it, too, represents the son, or, perhaps, an idealized male tenant.

 

Music Tenants

 

A rental office opened in September 1930. With “new automatic-stop, high-speed elevators” and plans for a ground floor shopping lobby, early leases were reportedly signed with “public utility companies, law firms, certified public accountants and other professional interests.”23 Despite confident accounts in the press, a great many units remained vacant. Contemporary telephone directories list relatively few tenants and a 1934 photograph shows a two-story-high banner advertising “OFFICES” across windows along the east edge of the 49th Street facade. Furthermore, many windows were without shades or blinds, suggesting that considerable space remained available.24

 

The Brill Building was planned as “executive office space” with floors that could be subdivided.25 When this initial strategy failed, smaller spaces were created and leased – the kinds of offices that appeal to wide variety of businesses. It was under these circumstances that the popular music industry found a new base in New York City, from the last years of Tin Pan Alley to the dawn of rock and roll. Phone directories indicate there were approximately 100 entertainment-related tenants in 1940, and as many as 165 by 1962. These included an evolving roster of songwriters, music publishers, booking agents, vocal coaches, publicity agents, talent managers, and performers.

 

Early tenants tended to be music publishers, some with ties to Tin Pan Alley. They included the T. B. Harms Company,26 one of the earliest American firms to profit from the sale of sheet music to musical stage shows; Mills Music Inc.,27 headed by Jack and Irving Mills (aka Joe Primrose), a major independent publisher of sheet music and jazz recordings; Famous Music, established in 1928 by Famous-Lasky Pictures (later Paramount Pictures) to produce and publish songs from film musicals; Southern Music Company, founded by music scout and engineer Ralph S. Peer in 1928; Crawford Music Corporation (B. G. De Sylva, Lew Brown & Ray Henderson); and lyricist/composer Irving Caesar, one of the building’s longest tenants, who wrote more than 700 songs and continued to lease space until the 1970s.

 

According to the Times Square Alliance, of more than 1200 songs performed on the popular radio and television program Your Hit Parade (1935-58), 404 songs, about a third, originated with Brill Building tenants.29 Other 1930s tenants included numerous attorneys; Hyman Caplan, a boxing promoter; theater producer George Choos; as well as the management offices of the Ben Bernie, Earl J. Carpenter, and George Olsen orchestras.30

 

As the popularity of jazz and big bands grew in the late 1930s, many popular groups, some with ties to music publishers in the building, leased offices in the Brill Building, including Cab Calloway, Tommy Dorsey (aka the Embassy Music Corporation, 11th story penthouse), and Duke Ellington. Ben Barton, a former vaudevillian, founded the Barton Music Corporation in 1943. A close friend of Frank Sinatra, who performed with Dorsey’s orchestra in the early 1940s, Barton’s firm published and controlled much of the singer’s best-known compositions, as did a related tenant, Sinatra Songs, until the mid-1960s.31 Vocalists Nat King Cole and Louis Prima had offices here in the 1950s, as did the influential radio disk jockey Alan Freed, Roost (later Roulette) Records, the music publishing companies Charles K. Harris and Harry von Tilzer, and the celebrated songwriting team of (Johnny) Burke & (Jimmy) Van Heusen.

 

The heyday of the Brill Building was during the late 1950s and early 1960s. Not only were there more music-related tenants here than at any other time, but these tenants helped make rock and roll music part of the American mainstream. Music historian Ian Inglis wrote: “it is one of the few buildings whose name many readily evoke a particular period or circumstance – along with, for example, the Cavern, Graceland, Studio 54, and Harlem’s Apollo Theater” (1913-14, a designated New York City Landmark and Interior). Though not every artist, songwriter, and producer associated with the building, particularly Aldon Music, actually leased offices here, a remarkable number did. In his 2003 essay on the building’s legacy, Inglis summarized:

 

Stylistically, its innovations can be credited with much of the responsibility for the increased presence of women as performers and producers of popular music, and for the development of the singer-songwriter. Industrially, its working practices and policies informed many of the changing emphases – and responses to them – characterizing the organization and implementation of the commercial operations of popular music. Creatively, it has been seen as a major source of inspiration for performers and musicians within a variety of popular music genres.34

 

One of the most significant tenants during this period was Hill & Range Songs, founded by Jean and Julien Aberbach in 1948. Located in the 11th-story penthouse, this publishing company had numerous subsidiaries, including Big Top, Rumbalero and Gladys Music. Among the talented songwriters on their staff were (Jerry) Leiber & (Mike) Stoller, who wrote numerous hit songs for Elvis Presley and other artists, as well as the songwriting team of Doc Pomus and Mort Shuman – all members of the Rock and Roll and Songwriters Hall of Fame.35 Red Bird Records, specializing in “girl groups,” was founded by Leiber & Stoller and was based on the ninth floor during the mid-1960s. Other memorable songwriting tenants included the team of Jeff Barry and Ellie Greenwich, who were associated with Red Bird and other recording labels.

 

Composer Burt Bacharach and lyricist Hal David met at Famous Music in 1957 and together would write more than one hundred songs for films and Broadway productions, as well as the singers Dusty Springfield, Dionne Warwick, and Tom Jones. David recalled:

 

The preponderance of songwriters were in the Brill Building, the energy was in the Brill Building, the publishers were there, and if you had to be someplace else, you always wound up back at the Brill sometime during the day.

 

[he and Bacharach] started out in New York and met almost every day in the Brill building for about 17 years . . . It was still filled with music publishers when we were there. We wrote in the same little room with an upright piano. Eventually, we moved back and forth between New York and Los Angeles.39

 

Starting the late 1960s and 1970s, the number of tenants in the entertainment industry began to decline – many moved to Los Angeles – with only a fraction remaining today.40 They include: Charing Cross Music, Paul Simon Music; Sound One, an audio post-production facility; KMA Music, a recording studio; Saint Nicholas Music, founded by songwriter Johnny Marks in 1949 and specializing in popular holiday songs; and Broadway Video, an entertainment company and film distributor founded in 1979 by television/film producer Lorne Michaels.

 

Commercial Tenants

 

The base was planned for retail use, with street level shops and related tenants on the second and third floors. One of the first businesses to sign a lease was Joseph Hilton & Sons, a chain of men’s clothing stores. To be located at the corner of 49th Street, the New York Times reported: “This lease, one of the largest that has been closed for many months in the Times Square district” was valued at almost $1 million.41

 

Hilton & Sons, however, never moved into the building and this space became part of a much larger store operated by Brill Brothers, the property’s lessee. Their clothing store opened in August 1932, with ample display windows, shaded by retractable awnings, extending along both Broadway and 49th Street. On opening day, an advertisement boasted that it was:

 

Distinctively a “man’s store” . . . a shopping place all his own . . . in all New York there are few men’s stores so fine . . . so modern . . . so satisfying. Men who know you, and know what you want will make you feel “at home” as soon as you enter. May we have the pleasure of showing you around? 42

 

During the 1930s, the company had as many as four branches, with stores at 49 Cortlandt Street, Seventh Avenue and 35th Street, and 41st Street, near Madison Avenue. Max D. Brill (1866­1938) retired in 1930 and Samuel Brill (b. 1859) died in 1931, leaving Maurice Brill (1869­1951) as head of the business. Brill Brothers closed in spring 1940 and the corner space was leased to the Turf Restaurant.43

 

Because of the proximity to Times Square and the second location of Madison Square Garden (Eighth Avenue and 50th Street, demolished), many of the new tenants were involved in the entertainment industry. Though the ground floor was planned for stores, the earliest tenant to open was actually a pair of movie theaters operated by the Trans-Lux Movies Corporation. Located to the right of the Broadway entrance, the New York Times said it was:

 

Constructed in modern style, with a silver and black design, the two houses have

turnstiles instead of doormen, daylight projection, and other innovations.

 

The Trans-Lux opened in May 1931, with one screen devoted to short features and the other to sound newsreels. To celebrate the opening, U.S. President Herbert Hoover wired Courtland Smith, the sponsor:

I extend congratulations on the opening of your New York theatres. The showing of new pictures throughout the country cannot but be educational and instructive. The bringing of world events into the lives of great numbers of our people will serve to promote better understanding and closer world relations.45

 

In late 1937 the theaters closed and the space was leased to Jack Dempsey.46 It was one of several businesses owned by the famed prize fighter, who held the world’s heavyweight title from 1919 to 1926. With a streamlined storefront and interior, napkins described the “Broadway Bar and Cocktail Lounge” as “The Meeting Place of the World.”47 Dempsey remained a prominent celebrity and the restaurant attracted both fans and musicians. It stayed at this location until 1974, when it closed following a dispute with the building’s new owner. At this time, the New York Times described it as “one of the last survivors of the Damon Runyon era of Broadway.”48

 

In 1940, the large corner space became the Turf Restaurant, operated by Jack Joseph Amiel and Arnold Ruben. One location in a small chain, it gained particular notoriety in 1951 when Amiel’s horse, Count Turf, won the Kentucky Derby. The restaurant specialized in lobster and steak (often called Surf and Turf), as well as cheesecake. Amiel, who later became a part owner of Jack Dempsey’s, sold his interest in 1957 and the Turf closed in 1963. Popular with songwriters and musicians, Duke Ellington was a frequent customer at the Turf and aspiring actor Sidney Poitier worked as a dishwasher – his first job in New York City – during 1943.

 

Since about 1974 the corner storefront has been leased to Colony Records, also known as the Colony Record Center. Founded by Harold S. (Nappy) Grossbardt and Sidney Turk by 1948, the store was formerly located at Broadway and 52nd Street, where it developed a reputation as a gathering place for musicians. In recent decades, Colony has specialized in vintage records, sheet music, karaoke software, and souvenirs devoted to the theater district.

 

Nightclubs

 

The vast second floor was initially leased to the Paradise, a popular cabaret. Reached by stairs, located directly left of the Broadway entrance, it covered approximately 15,000 square feet and held as many as a thousand people. Planned by the celebrated architect and interior designer Joseph Urban, the cost of construction was estimated at $500,000.49 Large signs, obscuring the second-floor windows and projecting at an angle over the corner, claimed it was “America’s foremost restaurant” with the “world’s most beautiful girls.” Floorshows, sometimes called “Paradise Parades,” were accompanied by such well-known performers as the Paul Whiteman Orchestra and Glenn Miller.50

 

During the 1940s, this space housed a succession of clubs associated with the growing popularity of jazz. Some Harlem nightspots opened midtown locations, offering big band music and later bebop. The Paradise closed in late 1939 or 1940 and became the Hurricane, with “palm trees, tropical flora and fauna” evoking the Pacific Ocean island of Tahiti.51 Operated briefly by lawyer David J. Wolper, who reportedly received ownership as part of a 1942 financial settlement with a gangster, it had a troubled existence, marred by suspicious fires and “stench bombs.”52 Duke Ellington headlined at the Hurricane during 1943 and 1944 and some of these performances were aired nationally on the Mutual and Columbia Broadcasting Systems.

 

Club (Café) Zanzibar occupied the second floor from approximately 1944 to 1948. Ellington frequently performed here, as well, as did the Nat King Cole Trio, Cab Calloway, Ella Fitzgerald, the Ink Spots, and Louis Jordan.53 In 1949 it became Bop City, managed by Ralph Watkins, formerly of the Royal Roost, a legendary jazz venue. He told the United Press that his staff would dress in “bop fashion,” wearing berets and polka-dot ties and that “some will sport goatees, which are popular among bop players.”54 It debuted with Artie Shaw and Ella Fitzgerald on April 14, 1949; subsequent headliners included Louis Armstrong, Nat King Cole, the Dizzy Gillespie Orchestra, and Sarah Vaughan. The club also maintained an enlightened policy of hiring “mixed waiters,” meaning waiters of different races.55 Despite presenting celebrated performers, Bop City struggled to find a consistent audience and closed in 1950 or 1951. In subsequent years, it functioned as the Avalon Ballroom, closing around 1966.

 

Later History

 

The Ruspyn Corporation sold the building to the Inch Corporation, later known as Breecom, in 1966.56 Allan Rose’s AVR Realty Company sold it to Murray Hill Properties and Westbrook Partners in 2007, who sold the property to Stonehenge Partners, Inc. (with INVESCO Real Estate of Dallas, Texas) in November 2007.

 

The Brill Building has been featured in a handful of feature films, including The House on 92nd Street (1945) and the Sweet Smell of Success (1957), in which the gilt lobby appears, as well as in several Woody Allen productions: Broadway Danny Rose (1984), Hollywood Ending (2002), and Anything Else (2003).57

 

Description

 

The 11-story Brill Building, 1619 Broadway, is located at the northwest corner of Broadway and West 49th Street. On Broadway, the facade is divided into three sections: a three-story base, a seven-story shaft, and a single-story penthouse. The main entrance is located at the center of the ground story. Flanked by polished black granite piers, capped with elaborate brass metal work, the entrance features three brass doors with glass panels and handles on the left, surmounted by a sign for the building in capital letters set against a black background, gridded glass windows configured like a ziggurat, and a richly-decorated niche for the bust of the developer’s son set on a pedestal. The stores, located on either side of the Broadway entrance, have non-historic display windows and non-historic illuminated signage. The south storefront has a corner entrance, opening onto both Broadway and 49th Street. Established by 1964, this angled configuration incorporates cast-concrete piers.

 

The second and third stories have large windows flanked by pairs of masonry piers at either end. Each pier, as well as the simple cornice that extends above the third-story windows is tinted brown, suggesting the use of a non-historic coating. The second floor windows are slightly taller than the third story. Between the floors are pink, yellow, and blue terra-cotta reliefs. Each window bay is divided into three sections. The wide center section contains a single fixed panel above a multi-pane sash. The vertical side windows are arranged in six-over-six or nine-over­nine grids. The northernmost window on the second floor has been replaced by a non-historic, tripartite ventilation grille, with horizontal metal louvers. On the third floor, the third window bay from the corner of 49th Street has been altered by the replacement of the center fixed-panel and-sash with horizontal metal louvers.

 

The fourth through the eleventh floors are faced with white brick. There are nine pairs of one-over-one windows across each floor, flanked by continuous piers. The three pairs of windows at the center of the facade are crowned by white foliate terra-cotta reliefs that incorporate a sill on top. Above the tenth floor, these terra-cotta reliefs have no sill and feature concave corners. In contrast, the three pairs of side windows display no ornamentation other than small circular reliefs above the tenth story. The top of the stepped penthouse level is trimmed with thin bands of terra-cotta relief. At center is an elaborate faceted niche, trimmed with terra cotta, that displays a possibly limestone bust on a projecting pedestal. To either side are small arched windows, with stone or terra-cotta sills.

 

The West 49th Street facade faces south. The base and upper floors are similar to the Broadway facade, with identical white brick and terra-cotta embellishments. The west end of the ground story, which incorporates a secondary entrance and loading area, is non-historic. Above the tenth story are small circular reliefs, as well as a raised parapet at center. Near or at the west end of the 2nd, 5th, and 8th floors, the windows have been replaced with metal ventilation grilles.

 

The south end of the west (rear) facade is visible from 49th Street. Here, due to the curved east corner of the tan brick Ambassador Theater (1919-21), two rows of windows can be seen, as well as a blank brick wall that steps up toward the center of the building, and a single metal pipe on the roof. Two windows on the eighth floor contain ventilation grilles.

 

The north facade is simply treated and partly visible from Broadway and 50th Street, where the upper floors can be seen above the adjoining building, as well as part of the west (rear) facade, including an engaged structure with a single window, possibly containing stairs. To the south, at the rear of the 11th story penthouse, are two additional floors. The east and north-facing facades contain simple windows with industrial sash. The rest of the north facade (fifth to tenth floor) incorporates four sets of windows; the outer sets are grouped in pairs, the inner two sets, in groups of three. At the center of this facade is a projecting rectangular chimney shaft. Between the west pair of windows, a single metal pipe extends the full height of the façade. Most are three-over-three industrial sash, except where projecting metal ventilation ducts have been installed. On the lower floors, beside the roof of the adjoining building, the windows have vertical security bars.

 

Air conditioning units have been installed in a small number of windows, as well as some horizontal ventilation grilles. Two electric lights are attached to the center of the facade, below the seventh floor, directed down onto the adjoining roof. On the roof, set at a slight angle to Broadway, is a metal framework that displays two illuminated non-historic signs facing north and south.

 

- From the 2010 NYCLPC Landmark Designation Report

"The Merchant's House Museum, known formerly as the Old Merchant's House and as the Seabury Tredwell House, is the only nineteenth-century family home in New York City preserved intact—both inside and out. Built "on speculation" in 1832 by Joseph Brewster, a hatter by trade, it is located at 29 East Fourth Street, between Lafayette Street and the Bowery in Manhattan. It became a museum in 1936, founded by George Chapman, a cousin of the family who once lived there.

 

The House was among the first 20 buildings designated in 1965 under the City's new landmarks law. It is the only historic house museum in the Greenwich Village/Soho/NoHo neighborhoods.

 

NoHo, short for North of Houston Street (as contrasted with SoHo), is a primarily residential neighborhood in Lower Manhattan in the New York City borough of Manhattan. It is bounded by Mercer Street to the west and the Bowery to the east, and from East 9th Street in the north to East Houston Street in the south.

 

The New York City Landmarks Preservation Commission has declared most of the 125-building area a historic district, divided into the NoHo Historic District and the NoHo East Historic District, created in 2003.

 

New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over 300.46 square miles (778.2 km2), New York City is also the most densely populated major city in the United States. The city is within the southern tip of New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area – the largest metropolitan area in the world by urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous megacities, and over 58 million people live within 250 mi (400 km) of the city. New York City is a global cultural, financial, and media center with a significant influence on commerce, health care and life sciences, entertainment, research, technology, education, politics, tourism, dining, art, fashion, and sports. New York is the most photographed city in the world. Home to the headquarters of the United Nations, New York is an important center for international diplomacy, an established safe haven for global investors, and is sometimes described as the capital of the world." - info from Wikipedia.

 

The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.

 

Now on Instagram.

 

Become a patron to my photography on Patreon or donate.

Reconstruction of the marble funerary stele of Phrasikleia, 2010, marble stucco on PMMA (acrylic), egg tempera, lead tinfoil, gold leaf, garnet, tourmaline, labradorite, gum arabic, 200 cm high, reconstruction by GOM Braunschweig Ursula Buck, Thorsten Schwing with Vinzenz Brinkmann and Ulrike Koch-Brinkmann (Liebieghaus Skulpturensammlung, Polychromy Research Project, Frankfurt am Main; on permanent loan from Ludwig-Maximilian Universität, Munich, Leibnizpreis 2007 O. Primavesi)

Learn more at Smarthistory

With so many speculations about the force awakening, who knows, maybe she turns!!

 

There was speculation over a year ago that now 19 year old Ashley was expecting. The proud daddy to be is JJ. A much younger guy!

 

I'm extremely excited! There are cameras in the barn so the keepers can watch overnight. The giraffe keeper, who is also named JJ, promised to send me pics as soon as Ashley gives birth.

  

Jennifer Aniston plastic surgery speculations may continue but the actress takes the best of her talents and her good looks to great use.

plasticsurgerybrasize.com/jennifer-aniston-plastic-surgery/

Canon 50mm 1.8 II

   

Tulip mania or tulipomania (Dutch names include: tulpenmanie, tulpomanie, tulpenwoede, tulpengekte and bollengekte) was a period in the Dutch Golden Age during which contract prices for bulbs of the recently introduced tulip reached extraordinarily high levels and then suddenly collapsed. At the peak of tulip mania in February 1637, tulip contracts sold for more than 10 times the annual income of a skilled craftsman. It is generally considered the first recorded speculative bubble (or economic bubble), although some researchers have noted that a the Kipper- und Wipperzeit episode in 1619-22, a Europe-wide chain of debasement of the metal content of coins to fund warfare, featured mania-like similarities to a bubble The term "tulip mania" is now often used metaphorically to refer to any large economic bubble (when asset prices deviate from intrinsic values).

People were purchasing bulbs at higher and higher prices, intending to re-sell them for a profit. However, such a scheme could not last unless someone was ultimately willing to pay such high prices and take possession of the bulbs. In February 1637, tulip traders could no longer find new buyers willing to pay increasingly inflated prices for their bulbs. As this realization set in, the demand for tulips collapsed, and prices plummeted—the speculative bubble burst. Some were left holding contracts to purchase tulips at prices now ten times greater than those on the open market, while others found themselves in possession of bulbs now worth a fraction of the price they had paid. Mackay claims the Dutch devolved into distressed accusations and recriminations against others in the trade.

Strathalbyn.

A Special Survey of 4,000 acres was taken out along the Angas River in 1839 for George Hall (secretary to Governor Gawler) and William Mein and others. Land was surveyed from the mouth of the Angas along the river to about where Macclesfield is now situated. Other contributors to the Mouth of the Angas Special Survey were Strathalbyn settlers including: 806 acres purchased by Dr John Rankine, Blackwood Park; 166 acres purchased by William Rankine, Glenbarr; 410 acres purchased by Donald McLean; 81 acres purchased by Edward and Charles Stirling of Hampton and later the Lodge. William and Nicol Mein kept 728 acres for themselves but George Hall (who kept about 930 acres) was a Colonial Office employee with an eye on speculation. He also paid £4,000 for the Great Bend Special Survey along the River Murray from Morgan to Blanchetown but it was claimed this was taken for Governor Gawler but in Hall’s name to avoid scandal! But the land was not worth £1 per acre! The Meins were graziers and also took out Occupational Licenses for leasehold land in 1843. They were Scots so they donated £600 for the building fund for the Presbyterian Church in Adelaide in 1840. But in 1843 they dissolved a business partnership in Adelaide and they appear to have left the colony perhaps to join their relatives in NSW. Meins did not stay on to become Strathalbyn pioneers unlike the Rankines, McLeans and Stirlings. The other prominent early founder was William Dawson- hence the creek flowing in front of Glen Barr is the Dawson Creek which enters the Angas River in Strathalbyn. Dawson Banks is another of the grand old properties in Strathalbyn.

 

Stirlings chose their land to the north of the town and built Hampden and the Lodge; John Rankine chose his land to the north of the town and built Blackwood Park whilst brother William Rankine chose land to the south on Dawson Creek and built Glenbarr house. The first public building in the fledgling town of Strathalbyn was the Strathalbyn Hotel erected in 1840 and the second was probably St. Andrews Presbyterian Church which opened in 1844 with additions in 1869. As most of the settlers were Scottish the name chosen for the town was Scottish and the first church was Presbyterian. The first farmer to produce a crop was David Gollan. His interest in wheat led him to open the first flour mill in 1850 in the centre of the town. Mill Bridge adjacent to the flourmill bridged the Angas River. As the town progressed quickly a local council was formed in 1854 with the Stirlings, Rankines and Archibald McLean (investor in Langhorne Creek) being among the first councillors. The Stirlings were especially important to Strathalbyn. Edward Stirling (the father) joined into a partnership with (Sir) Thomas Elder and Robert Barr Smith in 1855. Stirling stayed with the company as it funded the Moonta and Wallaroo copper mines in 1861 then he withdrew but remained as an investor in the mines. The company went on to become Elder Smith and Co the most successful SA 19th century company. Edward Stirling had two sons, (Sir) Edward Stirling a famed surgeon who lived at St. Vigeans at Stirling and (Sir) Lancelot Stirling, local Member of Parliament for the Strathalbyn district, sheep and cattle breeder and company director. The Stirlings lived in the family home Hampden until it burnt down around 1870. Then they moved into the Lodge which was extended and remained the family home for Sir Lancelot Stirling after his father Edward died in 1873. Lancelot lived there until he died in 1932. The Stirlings of Strathalbyn also owned and operated Nalpa Station on Lake Albert. The Lodge is now the centre of a new suburban development at Strathalbyn.

 

From the beginning Strathalbyn prospered because of its access to water from the Angas River, its reliable rainfall, its genial climate for cropping and from the patronage of its wealthy founders. The town was laid out in 1840 and blocks sold at that time. The discovery of silver, lead and zinc at nearby Wheal Ellen mine in 1857 further boosted the growing town. The mine closed a short time later but re-opened in 1869 and operated until closure in 1888. It briefly re-opened from 1910-14 for the last phase. Until recently Strathalbyn had another zinc mine conducted by Terramin Mining which started operations in 2007. The zinc from here was sent to Nyrstar refinery at Port Pirie for smelting. The mining occurred 360 metres below the ground surface. The mine had a life of five years and closed in late 2013 ending the jobs of 115 local people. But Strathalbyn has always had a range of local industry. A foundry operated in the town from the mid 1850s as well as the usual businesses of blacksmith, saddlery etc, and the town handled coach services to Wellington via Langhorne Creek from around 1854. It was also one of the first towns in SA to have its own gas works started by David Trenouth in 1868. By 1870 the small urban centre of Strathalbyn had gas street lights! The gas works operated until 1917 when an electrical service took over power provision. From an early date Strathalbyn also had its own newspaper and printing press the Southern Argus housed in Argus House which was built 1867/68. The Southern Argus which is still published, is SA’s oldest country newspaper. In 1912 it established an offshoot - the Victor Harbor Times. In terms of transportation and the transport of goods Strathalbyn prospered as it was the terminus of the horse drawn tram service from Port Elliott and Goolwa in 1869. That is why the Terminus Hotel is so named. In 1884 that line was converted to a broad gauge rail line for steam engines and linked at Mt Barker with the line to Adelaide. Strathalbyn had a flour mill from 1850 as noted above and in the 1860s the town had its own brewery. The heyday of business boom for Strathalbyn was in the 1860s and 1870 when so many of the fine town buildings were erected. Heritage buildings are shown on map above and they include:

Commercial Street/Dawson Street.

•At the northern end of Commercial Street on the corner with North Parade is the Doctor’s Residence. 26 North Parade. Dr Herbert built a grand 8 roomed residence here in 1858. Dr Ferguson purchased it in 1869 and added and altered the verandas. Dr Shone bought it in 1897. Dr Formby took it over in 1907 and kept it until he sold it to Dr Fairley in 1979! Note the double chimneys and the ogee(S shaped) gutters above the bay windows and the 1850s French windows.

•On the northern end of Commercial Street is the Wesleyan Methodist Church which was built in 1874. It replaced the demolished Methodist church built in 1854. Built of random stone, semi rounded windows etc. It became the only Methodist church at the time of Methodist amalgamations in 1900 .It closed around the time of amalgamation with the Presbyterians and Congregationalists in 1977. The Hall was added in 1939.

•Blackwell House, 18 Commercial Street. A two storey bluestone structure from the 1860s. It was much altered in 1912 when the parapet along the roof was removed, the slate replaced with iron and the upper balcony added.

•The former Power House 1917 –when gas works closed. Became Council Chamber 1939 when ETSA arrived.

•Coleman Mill store. Fine stone building with few windows. Built 1864. Coleman bought the mill from Gollan.

•1850 flour mill which was sold to Laucke’s in 1938. Commercial Rd and Mill Street an imposing four storey structure. Note the four storeys, purple sandstone, and little windows.

•Beside the mill is Water Villa house. The earliest part dates from 1849 and the Italianate bay window sections are 1879. David Gollan the owner of the 1850 flour mill built this as his residence. It is a mixture of stones. Note the French doors in the old original part of the house onto the veranda.

•Argus House, 1868. 33 Commercial Street. It was a print works and residence and shop.

•Post Office 1911. 37 Commercial Street.

•Savings Banks of South Australia. A fine two storey structure for the bank and manager’s residence. Built in 1930. It has rough stone, prominent gables, repeating arches, wooden doors, and terra cotta tiles.

•Church of Christ. Opened in 1873.Limestone walls, arched windows.

•Masonic Hall built in 1896 but Lodge established 1866.Additons 1912 and 1957.

 

Rankine Street/Albyn Terrace.

•Strathalbyn Police Station (1855) and Court House (1865) now the National Trust Museum.

•National Bank 2 Albyn Terrace. Squared stone blocks, two storeys and a dominant building. Elaborate porch and balcony and decorative window surrounds etc. Erected in 1869. Nearby Norfolk Island pine was planted in 1895.

•Tucker & Sons solicitors at 8 Albyn Terrace. Have a look at all the shops along Albyn Terrace a great 19th century streetscape still largely intact. It was used in the film “Picnic at Hanging Rock.”

 

High Street.

•London House general store at 7 High Street 1867. Now an antiques shop. Cobb and Co used to use the stables at the rear for the daily coaching service to Adelaide. London House had the first telephone in Strathalbyn in 1883.

•Robin Hood hotel erected in 1855 and still standing. 18 High Street.

•The Strathalbyn library 9 High Street. Opened 1922 with a classical façade with good symmetry.

•The Town Hall at 11 High Street. 1874 opened as a two storey stone structure with fancy parapet as an institute building. The parapet is supported by paired brackets.

 

Other locations- Chapel Street, East Terrace and South Terrace.

•St. Andrews Uniting Church (formerly Presbyterian) 1844 for main church with transept added 1857. Manse erected 1854. 1869 tower completed, bell donated by Edward Stirling. Clock installed 1895. Church hall on the opposite corner was built in 1911.

•Former Primitive Methodist Church 1861 was sold to the Anglican Church as a church hall in 1901 following the Methodist amalgamation. It was sold to the Foresters Lodge in 1912(when Anglicans purchased the former Catholic Church) and much later it as sold to the Scouts.

•St. Barnabas Catholic Church 2 Chapel Street. This was a late addition to Strathalbyn being erected in 1913. But Catholic services began in 1881 when a Catholic church was consecrated in Rowe St. The first priest arrived in 1906. A presbytery as built 1911 in East Tce and then church two years later. The 1881 church was sold in 1913 as Anglican parish hall called St. Barnabas. It is on the corner of Rowe and Murray street.

•Christ Church Anglican Church 7 East Terrace. The tower on Christ Church was erected from donations on the death of Sir Lancelot Stirling in 1932. The tower opened in 1933 but the church was built in 1871.

•Railway Station on South Terrace erected 1883 in time for opening of broad gauge line to Adelaide and start of branch line trains to Milang from Sandergrove siding.

•Two storey residence attached to Rowe’s foundry in South Terrace. Britannia House as it is known was built in 1855.

 

Varanasi, also known as Benares, or Kashi is an Indian city on the banks of the Ganga in Uttar Pradesh, 320 kilometres south-east of the state capital, Lucknow. It is the holiest of the seven sacred cities (Sapta Puri) in Hinduism, and Jainism, and played an important role in the development of Buddhism. Some Hindus believe that death at Varanasi brings salvation. It is one of the oldest continuously inhabited cities in the world. Varanasi is also known as the favourite city of the Hindu deity Lord Shiva as it has been mentioned in the Rigveda that this city in older times was known as Kashi or "Shiv ki Nagri".

 

The Kashi Naresh (Maharaja of Kashi) is the chief cultural patron of Varanasi, and an essential part of all religious celebrations. The culture of Varanasi is closely associated with the Ganges. The city has been a cultural centre of North India for several thousand years, and has a history that is older than most of the major world religions. The Benares Gharana form of Hindustani classical music was developed in Varanasi, and many prominent Indian philosophers, poets, writers, and musicians live or have lived in Varanasi. Gautama Buddha gave his first sermon at Sarnath, located near Varanasi.

 

Varanasi is the spiritual capital of India. It is often referred to as "the holy city of India", "the religious capital of India", "the city of Shiva", and "the city of learning". Scholarly books have been written in the city, including the Ramcharitmanas of Tulsidas. Today, there is a temple of his namesake in the city, the Tulsi Manas Mandir. The current temples and religious institutions in the city are dated to the 18th century. One of the largest residential universities of Asia, the Banaras Hindu University (BHU), is located here.

 

ETYMOLOGY

The name Varanasi possibly originates from the names of the two rivers: Varuna, still flowing in Varanasi, and Asi, a small stream near Assi Ghat. The old city does lie on the north shores of Ganges River bounded by its two tributaries Varuna and Asi. Another speculation is that the city derives its name from the river Varuna, which was called Varanasi in olden times.[11] This is generally disregarded by historians. Through the ages, Varanasi has been known by many names including Kāśī or Kashi (used by pilgrims dating from Buddha's days), Kāśikā (the shining one), Avimukta ("never forsaken" by Shiva), Ānandavana (the forest of bliss), and Rudravāsa (the place where Rudra/Śiva resides).

 

In the Rigveda, the city is referred to as Kāśī or Kashi, the luminous city as an eminent seat of learning. The name Kāśī is also mentioned in the Skanda Purana. In one verse, Shiva says, "The three worlds form one city of mine, and Kāśī is my royal palace therein." The name Kashi may be translated as "City of Light".

 

HISTORY

According to legend, Varanasi was founded by the God Shiva. The Pandavas, the heroes of the Hindu epic Mahabharata are also stated to have visited the city in search of Shiva to atone for their sins of fratricide and Brāhmanahatya that they had committed during the climactic Kurukshetra war. It is regarded as one of seven holy cities which can provide Moksha:

 

The earliest known archaeological evidence suggests that settlement around Varanasi in the Ganga valley (the seat of Vedic religion and philosophy) began in the 11th or 12th century BC, placing it among the world's oldest continually inhabited cities. These archaeological remains suggest that the Varanasi area was populated by Vedic people. However, the Atharvaveda (the oldest known text referencing the city), which dates to approximately the same period, suggests that the area was populated by indigenous tribes. It is possible that archaeological evidence of these previous inhabitants has yet to be discovered. Recent excavations at Aktha and Ramnagar, two sites very near to Varanasi, show them to be from 1800 BC, suggesting Varanasi started to be inhabited by that time too. Varanasi was also home to Parshva, the 23rd Jain Tirthankara and the earliest Tirthankara accepted as a historical figure in the 8th century BC.

 

Varanasi grew as an important industrial centre, famous for its muslin and silk fabrics, perfumes, ivory works, and sculpture. During the time of Gautama Buddha (born circa 567 BC), Varanasi was the capital of the Kingdom of Kashi. Buddha is believed to have founded Buddhism here around 528 BC when he gave his first sermon, "Turning the Wheel of Law", at nearby Sarnath. The celebrated Chinese traveller Xuanzang, who visited the city around 635 AD, attested that the city was a centre of religious and artistic activities, and that it extended for about 5 kilometres along the western bank of the Ganges. When Xuanzang, also known as Hiuen Tsiang, visited Varanasi in the 7th century, he named it "Polonisse" and wrote that the city had some 30 temples with about 30 monks. The city's religious importance continued to grow in the 8th century, when Adi Shankara established the worship of Shiva as an official sect of Varanasi.

 

In ancient times, Varanasi was connected by a road starting from Taxila and ending at Pataliputra during the Mauryan Empire. In 1194, the city succumbed to Turkish Muslim rule under Qutb-ud-din Aibak, who ordered the destruction of some one thousand temples in the city. The city went into decline over some three centuries of Muslim occupation, although new temples were erected in the 13th century after the Afghan invasion. Feroz Shah ordered further destruction of Hindu temples in the Varanasi area in 1376. The Afghan ruler Sikander Lodi continued the suppression of Hinduism in the city and destroyed most of the remaining older temples in 1496. Despite the Muslim rule, Varanasi remained the centre of activity for intellectuals and theologians during the Middle Ages, which further contributed to its reputation as a cultural centre of religion and education. Several major figures of the Bhakti movement were born in Varanasi, including Kabir who was born here in 1389 and hailed as "the most outstanding of the saint-poets of Bhakti cult (devotion) and mysticism of 15th-Century India"; and Ravidas, a 15th-century socio-religious reformer, mystic, poet, traveller, and spiritual figure, who was born and lived in the city and employed in the tannery industry. Similarly, numerous eminent scholars and preachers visited the city from across India and south Asia. Guru Nanak Dev visited Varanasi for Shivratri in 1507, a trip that played a large role in the founding of Sikhism.

 

In the 16th century, Varanasi experienced a cultural revival under the Muslim Mughal emperor Akbar who invested in the city, and built two large temples dedicated to Shiva and Vishnu. The Raja of Poona established the Annapurnamandir and the 200 metres Akbari Bridge was also completed during this period. The earliest tourists began arriving in the city during the 16th century. In 1665, the French traveller Jean Baptiste Tavernier described the architectural beauty of the Vindu Madhava temple on the side of the Ganges. The road infrastructure was also improved during this period and extended from Kolkata to Peshawar by Emperor Sher Shah Suri; later during the British Raj it came to be known as the famous Grand Trunk Road. In 1656, emperor Aurangzeb ordered the destruction of many temples and the building of mosques, causing the city to experience a temporary setback. However, after Aurangazeb's death, most of India was ruled by a confederacy of pro-Hindu kings. Much of modern Varanasi was built during this time by the Rajput and Maratha kings, especially during the 18th century, and most of the important buildings in the city today date to this period. The kings continued to be important through much of the British rule (1775–1947 AD), including the Maharaja of Benares, or Kashi Naresh. The kingdom of Benares was given official status by the Mughals in 1737, and continued as a dynasty-governed area until Indian independence in 1947, during the reign of Dr. Vibhuti Narayan Singh. In the 18th century, Muhammad Shah ordered the construction of an observatory on the Ganges, attached to Man Mandir Ghat, designed to discover imperfections in the calendar in order to revise existing astronomical tables. Tourism in the city began to flourish in the 18th century. In 1791, under the rule of the British Governor-General Warren Hastings, Jonathan Duncan founded a Sanskrit College in Varanasi. In 1867, the establishment of the Varanasi Municipal Board led to significant improvements in the city.

 

In 1897, Mark Twain, the renowned Indophile, said of Varanasi, "Benares is older than history, older than tradition, older even than legend, and looks twice as old as all of them put together." In 1910, the British made Varanasi a new Indian state, with Ramanagar as its headquarters but with no jurisdiction over the city of Varanasi itself. Kashi Naresh still resides in the Ramnagar Fort which is situated to the east of Varanasi, across the Ganges. Ramnagar Fort and its museum are the repository of the history of the kings of Varanasi. Since the 18th century, the fort has been the home of Kashi Naresh, deeply revered by the local people. He is the religious head and some devout inhabitants consider him to be the incarnation of Shiva. He is also the chief cultural patron and an essential part of all religious celebrations.

 

A massacre by British troops, of the Indian troops stationed here and of the population of the city, took place during the early stages of the Indian Rebellion of 1857. Annie Besant worked in Varanasi to promote theosophy and founded the Central Hindu College which later became a foundation for the creation of Banaras Hindu University as a secular university in 1916. Her purpose in founding the Central Hindu College in Varanasi was that she "wanted to bring men of all religions together under the ideal of brotherhood in order to promote Indian cultural values and to remove ill-will among different sections of the Indian population."

 

Varanasi was ceded to the Union of India on 15 October 1948. After the death of Dr. Vibhuti Narayan Singh in 2000, his son Anant Narayan Singh became the figurehead king, responsible for upholding the traditional duties of a Kashi Naresh.

 

MAIN SIGHTS

Varanasi's "Old City", the quarter near the banks of the Ganga river, has crowded narrow winding lanes flanked by road-side shops and scores of Hindu temples. As atmospheric as it is confusing, Varanasi's labyrinthine Old City has a rich culture, attracting many travellers and tourists. The main residential areas of Varanasi (especially for the middle and upper classes) are situated in regions far from the ghats; they are more spacious and less polluted.

 

Museums in and around Varanasi include Jantar Mantar, Sarnath Museum, Bharat Kala Bhawan and Ramnagar Fort.

 

JANTAR MANTAR

The Jantar Mantar observatory (1737) is located above the ghats on the Ganges, much above the high water level in the Ganges next to the Manmandir Ghat, near to Dasaswamedh Ghat and adjoining the palace of Raja Jai Singh of Jaipur. Compared to the observatories at Jaipur and Delhi, it is less well equipped but has a unique equatorial sundial which is functional and allows measurements to be monitored and recorded by one person.

 

RAMNAGAR FORT

The Ramnagar Fort located near the Ganges River on its eastern bank, opposite to the Tulsi Ghat, was built in the 18th century by Kashi Naresh Raja Balwant Singh with creamy chunar sandstone. It is in a typically Mughal style of architecture with carved balconies, open courtyards, and scenic pavilions. At present the fort is not in good repair. The fort and its museum are the repository of the history of the kings of Benares. It has been the home of the Kashi Naresh since the 18th century. The current king and the resident of the fort is Anant Narayan Singh who is also known as the Maharaja of Varanasi even though this royal title has been abolished since 1971. Labeled "an eccentric museum", it has a rare collection of American vintage cars, sedan chairs (bejeweled), an impressive weaponry hall and a rare astrological clock. In addition, manuscripts, especially religious writings, are housed in the Saraswati Bhawan. Also included is a precious handwritten manuscript by Goswami Tulsidas. Many books illustrated in the Mughal miniature style, with beautifully designed covers are also part of the collections. Because of its scenic location on the banks of the Ganges, it is frequently used as an outdoor shooting location for films. The film titled Banaras is one of the popular movies shot here. However, only a part of the fort is open for public viewing as the rest of the area is the residence of the Kashi Naresh and his family. It is 14 kilometres from Varanasi.

 

GHATS

Ghats are embankments made in steps of stone slabs along the river bank where pilgrims perform ritual ablutions. Ghats in Varanasi are an integral complement to the concept of divinity represented in physical, metaphysical and supernatural elements. All the ghats are locations on "the divine cosmic road", indicative of "its manifest transcendental dimension" Varanasi has at least 84 ghats. Steps in the ghats lead to the banks of River Ganges, including the Dashashwamedh Ghat, the Manikarnika Ghat, the Panchganga Ghat and the Harishchandra Ghat (where Hindus cremate their dead). Many ghats are associated with legends and several are now privately owned.

 

Many of the ghats were built when the city was under Maratha control. Marathas, Shindes (Scindias), Holkars, Bhonsles, and Peshwas stand out as patrons of present-day Varanasi. Most of the ghats are bathing ghats, while others are used as cremation sites. A morning boat ride on the Ganges across the ghats is a popular visitor attraction. The extensive stretches of ghats enhance the river front with a multitude of shrines, temples and palaces built "tier on tier above the water’s edge".

 

The Dashashwamedh Ghat is the main and probably the oldest ghat of Varansi located on the Ganges, close to the Kashi Vishwanath Temple. It is believed that Brahma created it to welcome Shiva and sacrificed ten horses during the Dasa -Ashwamedha yajna performed here. Above the ghat and close to it, there are also temples dedicated to Sulatankesvara, Brahmesvara, Varahesvara, Abhaya Vinayaka, Ganga (the Ganges), and Bandi Devi which are part of important pilgrimage journeys. A group of priests perform "Agni Pooja" (Worship to Fire) daily in the evening at this ghat as a dedication to Shiva, Ganga, Surya (Sun), Agni (Fire), and the whole universe. Special aartis are held on Tuesdays and on religious festivals.

 

The Manikarnika Ghat is the Mahasmasana (meaning: "great cremation ground") and is the primary site for Hindu cremation in the city. Adjoining the ghat, there are raised platforms that are used for death anniversary rituals. It is said that an ear-ring (Manikarnika) of Shiva or his wife Sati fell here. According to a myth related to the Tarakesvara Temple, a Shiva temple at the ghat, Shiva whispers the Taraka mantra ("Prayer of the crossing") in the ear of the dead. Fourth-century Gupta period inscriptions mention this ghat. However, the current ghat as a permanent riverside embankment was built in 1302 and has been renovated at least three times.

 

TEMPLES

Among the estimated 23000 temples in Varanasi, the most worshiped are: the Kashi Vishwanath Temple of Shiva; the Sankat Mochan Hanuman Temple; and the Durga Temple known for the band of monkeys that reside in the large trees nearby.

 

Located on the outskirts of the Ganges, the Kashi Vishwanath Temple – dedicated to Varanasi's presiding deity Shiva (Vishwanath – "Lord of the world") – is an important Hindu temple and one of the 12 Jyotirlinga Shiva temples. It is believed that a single view of Vishwanath Jyotirlinga is worth more than that of other jyotirlingas. The temple has been destroyed and rebuilt a number of times. The Gyanvapi Mosque, which is adjacent to the temple, is the original site of the temple. The temple, as it exists now, also called Golden Temple, was built in 1780 by Queen Ahilyabai Holkar of Indore. The two pinnacles of the temple are covered in gold, donated in 1839 by Ranjit Singh, the ruler of the Punjab and the remaining dome is also planned to be gold plated by the Ministry of Culture & Religious Affairs of Uttar Pradesh. On 28 January 1983, the temple was taken over by the government of Uttar Pradesh and its management was transferred to a trust with then Kashi Naresh, Vibhuti Narayan Singh, as president and an executive committee with a Divisional Commissioner as chairman. Numerous rituals, prayers and aratis are held daily, starting from 2:30 am till 11:00 pm.

 

The Sankat Mochan Hanuman Temple is one of the sacred temples of the Hindu god Hanuman situated by the Assi River, on the way to the Durga and New Vishwanath temples within the Banaras Hindu University campus. The present temple structure was built in early 1900s by the educationist and freedom fighter, Pandit Madan Mohan Malviya, the founder of Banaras Hindu University. It is believed the temple was built on the very spot where the medieval Hindu saint Tulsidas had a vision of Hanuman. Thousands flock to the temple on Tuesdays and Saturdays, weekdays associated with Hanuman. On 7 March 2006, in a terrorist attack one of the three explosions hit the temple while the Aarti was in progress when numerous devotees and people attending a wedding were present and many were injured. However, normal worship was resumed the next day with devotees visiting the temple and reciting hymns of Hanuman Chalisa (authored by Tulidas) and Sundarkand (a booklet of these hymns is provided free of charge in the temple). After the terrorist incident, a permanent police post was set up inside the temple.

 

There are two temples named "Durga" in Varanasi, Durga Mandir (built about 500 years ago), and Durga Kund (built in the 18th century). Thousands of Hindu devotees visit Durga Kund during Navratri to worship the goddess Durga. The temple, built in Nagara architectural style, has multi-tiered spires[96] and is stained red with ochre, representing the red colour of Durga. The building has a rectangular tank of water called the Durga Kund ("Kund" meaning a pond or pool). Every year on the occasion of Nag Panchami, the act of depicting the god Vishnu reclining on the serpent Shesha is recreated in the Kund.

 

While the Annapurna Temple, located close to the Kashi Vishwanath temple, is dedicated to Annapurna, the goddess of food, the Sankatha Temple close to the Sindhia Ghat is dedicated to Sankatha, the goddess of remedy. The Sankatha temple has a large sculpture of a lion and a nine temple cluster dedicated to the nine planets.

 

Kalabhairav Temple, an ancient temple located near the Head Post Office at Visheshar Ganj, is dedicated to Kala-Bhairava, the guardian (Kotwal) of Varanasi. The Mrithyunjay Mahadev Temple, dedicated to Shiva, is situated on the way to Daranagar to Kalbhairav temple. A well near the temple has some religious significance as its water source is believed to be fed from several underground streams, having curative powers.

 

The New Vishwanath Temple located in the campus of Banaras Hindu University is a modern temple which was planned by Pandit Malviya and built by the Birlas. The Tulsi Manas Temple, nearby the Durga Temple, is a modern temple dedicated to the god Rama. It is built at the place where Tulsidas authored the Ramcharitmanas, which narrates the life of Rama. Many verses from this epic are inscribed on the temple walls.

 

The Bharat Mata Temple, dedicated to the national personification of India, was inaugurated by Mahatma Gandhi in 1936. It has relief maps of India carved in marble. Babu Shiv Prasad Gupta and Durga Prasad Khatri, leading numismatists, antiquarians and nationalist leaders, donated funds for its construction.

 

RELIGION

HINDUISM

Varanasi is one of the holiest cities and centres of pilgrimage for Hindus of all denominations. It is one of the seven Hindu holiest cities (Sapta Puri), considered the giver of salvation (moksha). Over 50,000 Brahmins live in Varanasi, providing religious services to the masses. Hindus believe that bathing in the Ganges remits sins and that dying in Kashi ensures release of a person's soul from the cycle of its transmigrations. Thus, many Hindus arrive here for dying.

 

As the home to the Kashi Vishwanath Temple Jyotirlinga, it is very sacred for Shaivism. Varanasi is also a Shakti Peetha, where the temple to goddess Vishalakshi stands, believed to be the spot where the goddess Sati's earrings fell. Hindus of the Shakti sect make a pilgrimage to the city because they regard the River Ganges itself to be the Goddess Shakti. Adi Shankara wrote his commentaries on Hinduism here, leading to the great Hindu revival.

 

In 2001, Hindus made up approximately 84% of the population of Varanasi District.

 

ISLAM

Varanasi is one of the holiest cities and centres of pilgrimage for Hindus of all denominations. It is one of the seven Hindu holiest cities (Sapta Puri), considered the giver of salvation (moksha). Over 50,000 Brahmins live in Varanasi, providing religious services to the masses. Hindus believe that bathing in the Ganges remits sins and that dying in Kashi ensures release of a person's soul from the cycle of its transmigrations. Thus, many Hindus arrive here for dying.

 

As the home to the Kashi Vishwanath Temple Jyotirlinga, it is very sacred for Shaivism. Varanasi is also a Shakti Peetha, where the temple to goddess Vishalakshi stands, believed to be the spot where the goddess Sati's earrings fell. Hindus of the Shakti sect make a pilgrimage to the city because they regard the River Ganges itself to be the Goddess Shakti. Adi Shankara wrote his commentaries on Hinduism here, leading to the great Hindu revival.

 

In 2001, Hindus made up approximately 84% of the population of Varanasi District.

 

OTHERS

At the 2001 census, persons of other religions or no religion made up 0.4% of the population of Varanasi District.

 

Varanasi is a pilgrimage site for Jains along with Hindus and Buddhists. It is believed to be the birthplace of Suparshvanath, Shreyansanath, and Parshva, who are respectively the seventh, eleventh, and twenty-third Jain Tirthankars and as such Varanasi is a holy city for Jains. Shree Parshvanath Digambar Jain Tirth Kshetra (Digambar Jain Temple) is situated in Bhelupur, Varanasi. This temple is of great religious importance to the Jain Religion.

 

Sarnath, a suburb of Varanasi, is a place of Buddhist pilgrimage. It is the site of the deer park where Siddhartha Gautama of Nepal is said to have given his first sermon about the basic principles of Buddhism. The Dhamek Stupa is one of the few pre-Ashokan stupas still in existence, though only its foundation remains. Also remaining is the Chaukhandi Stupa commemorating the spot where Buddha met his first disciples in the 5th century. An octagonal tower was built later there.

 

Guru Nanak Dev visited Varanasi for Shivratri in 1507 and had an encounter which with other events forms the basis for the story of the founding of Sikhism. Varanasi also hosts the Roman Catholic Diocese of Varanasi, and has an insignificant Jewish expatriate community. Varanasi is home to numerous tribal faiths which are not easily classified.

 

Dalits are 13% of population Of Varanasi city. Most dalits are followers of Guru Ravidass. So Shri Guru Ravidass Janam Asthan is important place of pilgrimage for Ravidasis from all around India.

 

RELIGIOUS FESTIVALS

On Mahashivaratri (February) – which is dedicated to Shiva – a procession of Shiva proceeds from the Mahamrityunjaya Temple to the Kashi Vishwanath Temple.

 

Dhrupad Mela is a five-day musical festival devoted to dhrupad style held at Tulsi Ghat in February–March.

 

The Sankat Mochan Hanuman Temple celebrates Hanuman Jayanti (March–April), the birthday of Hanuman with great fervour. A special puja, aarti, and a public procession is organized. Starting in 1923, the temple organizes a five-day classical music and dance concert festival titled Sankat Mochan Sangeet Samaroh in this period, when iconic artists from all parts of India are invited to perform.

 

The Ramlila of Ramnagar is a dramatic enactment of Rama's legend, as told in Ramacharitamanasa. The plays, sponsored by Kashi Naresh, are performed in Ramnagar every evening for 31 days. On the last day, the festivities reach a crescendo as Rama vanquishes the demon king Ravana. Kashi Naresh Udit Narayan Singh started this tradition around 1830.

 

Bharat Milap celebrates the meeting of Rama and his younger brother Bharata after the return of the former after 14 years of exile. It is celebrated during October–November, a day after the festival of Vijayadashami. Kashi Naresh attends this festival in his regal attire resplendent in regal finery. The festival attracts a large number of devotees.

 

Nag Nathaiya, celebrated on the fourth lunar day of the dark fortnight of the Hindu month of Kartik (October–November), that commemorates the victory of the god Krishna over the serpent Kaliya. On this occasion, a large Kadamba tree (Neolamarckia cadamba) branch is planted on the banks of the Ganges so that a boy acting the role of Krishna can jump into the river on to the effigy representing Kaliya. He stands over the effigy in a dancing pose playing the flute; the effigy and the boy standing on it is given a swirl in front of the audience. People watch the display standing on the banks of the river or from boats.

 

Ganga Mahotsav is a five-day music festival organized by the Uttar Pradesh Tourism Department, held in November–December culminating a day before Kartik Poornima (Dev Deepawali). On Kartik Poornima also called the Ganges festival, the Ganges is venerated by arti offered by thousands of pilgrims who release lighted lamps to float in the river from the ghats.

 

Annually Jashne-Eid Miladunnabi is celebrated on the day of Barawafat in huge numbers by Muslims in a huge rally coming from all the parts of the city and meeting up at Beniya Bagh.

  

SHUSHARTIE is a ghost town on the east shore of Shushartie Bay near the northeastern extremity of Vancouver Island, British Columbia. The settlement adopted the name of the bay, which the Hudson's Bay Company conferred in 1838, while trading with First Nations. The name is an adaptation of a Kwakwaka'wakw word meaning "place possessing cockles". Shellfish abound on the extensive tidal flat at the head of the bay. The community population was 25 in 1918, 50 in 1927, 65 in 1930, 48 in 1939, 31 in 1940 and 62 in 1943. When the Post Office closed in 1952, the general store likely closed at the same time. Over recent decades, the abandoned buildings within the community have collapsed among the tangle of blackberry vines.

 

The SHUSHARTIE Post Office was established - 1 July 1910 and closed - 2 September 1952.

 

LINK to a list of the Postmasters who served at the SHUSHARTIE Post Office - recherche-collection-search.bac-lac.gc.ca/eng/home/record...

 

When this postcard entered the postal system at the SHUSHARTIE Post Office the Postmaster was Jepther James Skinner - he served as Postmaster from - 1 July 1910 until his death - 26 May 1934.

 

Jephther J. Skinner, the inaugural postmaster, a role commonly performed by a storeowner in such places. Among other enterprises, he ran a hotel, which opened in the early 1910s, and operated at least until 1930. The facility included longer term boarders. In 1914, Skinner took over the Shushartie–Fisherman's Bay mail run, his series of boats manufactured by the local joinery. Before relocating his shipping route to the west coast, Captain Peterson performed the contract. Skinner named few of his boats, because he was often shipwrecked in the rough seas while completing the monthly route. He once said: "We are on the right Island, but on the wrong end and 50 years too soon." He died ashore in 1934, but had specified a burial at sea, because he had evaded the ocean's attempts to take him many times.

 

Jephther / Jepther James Skinner

(b. 27 March 1868 in Ontario, Canada - d. 26 May 1934 at age 66 in Shushartie Bay, British Columbia) - LINK to his newspaper obituary - www.newspapers.com/article/the-province-obituary-for-jept...

 

Pioneer Island Settler Dies ALERT BAY, May 28, 1934. J. T. Skinner, 66, one of the first settlers on the northern end of Vancouver Island, died in his home at Shushartie Bay Saturday morning, following a long illness. Mr. Skinner was born in Ontario and came to British Columbia in 1892. In 1898 he travelled north with three companions and camped near Shushartie. His three friends were killed in a landslide. Some time later he commenced logging operations In the district and still later established a store and trading post. He is survived by his wife and one daughter, living at Shushartie, and his mother, two sisters and three brothers, all residing in Detroit. LINK - www.newspapers.com/article/the-vancouver-sun-obituary-for...

 

- sent from - / SHUSHARTIE / MY 30 / 13 / B.C. / - split ring cancel - this split ring hammer (A1-1) was proofed - 4 January 1910 - (RF C).

 

Message on postcard reads: May 29th, 1913 - All well lots of rain up here - that's pretty good for up here. Yours truly - F. C. John (Frederick Clifford John)

 

Frederick Clifford John

(b. 9 December 1891 in Saanich, British Columbia - d. 25 September 1915 at age 23 in France) - he was killed in action during WWI - LINK to his newspaper obituary - www.newspapers.com/article/the-victoria-daily-times-obitu... - LINK to his WWI records - recherche-collection-search.bac-lac.gc.ca/eng/home/record...

 

In Memory Of - Private FREDERICK CLIFFORD JOHN

Service Number: 77042 - 7th Bn., Canadian Infantry who died on - 25 September 1915 Age 23 - Son of Edwin R. and E. C. John, of Turgoose, British Columbia. BORN AT SAANICHTON VANCOUVER ISLAND BRITISH COLUMBIA CANADA - LINK - file:///C:/Users/DH/Downloads/Private%20Frederick%20Clifford%20John%20-%20CWGC%20Certificate.pdf

 

Addressed to his grandmother: Mrs. Jacob Simpson / Turgoose P.O. / Saanich, B.C.

 

Jacob Simpson

(b. 4 March 1850 in England - d. 10 April 1932 at age 82 in Saanich, British Columbia) - LINK to a logging accident - www.newspapers.com/article/the-victoria-daily-times-jacob... - LINK to his newspaper obituary - www.newspapers.com/article/times-colonist-obituary-for-ja...

 

His wife - Maria Christina (nee ?) Kirkpatrick / Simpson

(b. 1850 in Bermuda, British West Indies - d. 29 March 1917 at age 67 in Saanichton, British Columbia) - LINK to her newspaper obituary - www.newspapers.com/article/the-victoria-daily-times-obitu...

 

Her daughter from her first marriage - Edith Carrile (nee Kirkpatrick) John

(b. 12 January 1870 in Bermuda, British West Indies - d. 15 May 1963 at age 93 in Victoria, British Columbia) - Here Since 1888 Mrs. Edith John Dies in 93rd Year One of the early members of the Saanichton Pioneer Society- LINK to her newspaper obituary - www.newspapers.com/article/times-colonist-obituary-for-ed...

 

Her son-in-law / husband of Edith Carrile Kirkpatrick - Edwin Richard John

(b. 23 November 1866 in Barkerville, British Columbia - d. 26 February 1930 at age 63 in Saanich, British Columbia) - well-known Saanichton pioneer farmer and first white child to be born in Barkerville, B.C.

 

Their son - Frederick Clifford JOHN - TWO VICTORIA MEN DIE FOR EMPIRE Pte. F. C. John and Pte. Robert Wylie Inscribed on Roll of Honor News of three Victoria soldiers, whose welfare was a matter of anxious speculation among their friends here, has come to hand within the past few days. In two case the information means that the soldiers in question have met heroes deaths: Pte. P. C. John, of the 7th Battalion, was killed In action; Pte. R. Wylie, of the 7th Battalion, died while a prisoner of war In Germany. Pte. Frederick Clifford John was the son of Mr. and Mrs. Edwin R. John, and was born twenty-four years ago at Saanich, being one of the first native sons of the district to volunteer for active service overseas. He enlisted with the 88th Regiment, Victoria Fusiliers, was transferred to the 30th Battalion, and went with the 30th Battalion last February. He was drafted to the 7th Battalion as a member of the machine-gun section in charge of Lieut. John Hirsch, and was for several months in active service before meeting his death on September 27 while serving the gun. He was educated on the Island, Pte. John had many friends with whom he was deservedly popular, and news of his death has caused very general regret. LINK - www.newspapers.com/article/the-victoria-daily-times-obitu...

Jack "Not The Pirate" Sparrow prefers to sit in this bush instead of the fence. He figures if something really big comes after him, it's probably going to be from the non fence side and that might give him enough time to escape while the something big gets tangled in the fence. There were no something bigs around at the time of the photo so I don't know if his strategy worked or not.

 

Rancheria Road, Kern County, California 2010

My Odyssey of the Western Isles continues visiting the Flannan Isles

where I discovered a unsolved mystery with a more detailed account below.

I've edited from Wikipedia

 

Flannan Isles Lighthouse is a lighthouse near the highest point on Eilean Mòr, one of the Flannan Isles in the Outer Hebrides off the west coast of mainland Scotland. It is best known for the mysterious disappearance of its keepers in 1900.

No bodies were ever found, resulting in "fascinated national speculation" in newspapers and periodicals of the period.[14] Implausible stories ensued, such as a sea serpent (or giant seabird) had carried the men away; they had arranged for a ship to take them away and start new lives, they had been abducted by foreign spies; or they had met their fate through the malevolent presence of a boat filled with ghosts (the baleful influence of the "Phantom of the Seven Hunters" was widely suspected locally). More than ten years later, the events were still being commemorated and elaborated on. The 1912 ballad Flannan Isle by Wilfrid Wilson Gibson refers erroneously to an overturned chair and uneaten meal laid out on the table, indicating that the keepers had been suddenly disturbed.

Yet, as we crowded through the door,

We only saw a table spread

For dinner, meat, and cheese and bread;

But, all untouch'd; and no-one there,

As though, when they sat down to eat,

Ere they could even taste,

Alarm had come, and they in haste

Had risen and left the bread and meat,

For at the table head a chair

Lay tumbled on the floor.

However, in a first-hand account made by Moore, the relief keeper, he stated that: "The kitchen utensils were all very clean, which is a sign that it must be after dinner some time they left.

Northern Lighthouse Board investigation

On 29 December 1900, Robert Muirhead, a Northern Lighthouse Board (NLB) superintendent, arrived to conduct the official investigation into the incident. Muirhead had originally recruited all three of the missing men and knew them personally.[17][18]

Muirhead's examination of the lighthouse log book revealed some highly unusual entries. On December 12, Thomas Marshall wrote of "severe winds the likes of which I have never seen before in twenty years". He also reported that James Ducat had been ‘very quiet’ and Donald McArthur had been crying. McArthur was a veteran mariner with a reputation for brawling, and thus it would be strange for him to be crying in response to a storm. Log entries on the 13th of December stated that the storm was still raging, and that all three men had been praying. This was also puzzling, as all three men were experienced lighthouse keepers who knew they were in a secure structure 150 feet above sea level and should have known they were safe inside. Furthermore, there had been no reported storms in the area on the 12th, 13th and 14th of December, meaning that either the entries documenting the storm were made up or the storm was highly localized. The final log entry was made on the 15th of December, stating ‘Storm ended, sea calm. God is over all’.

He examined the clothing left behind in the lighthouse and concluded that James Ducat and Thomas Marshall had gone down to the western landing stage, and that Donald McArthur (the 'Occasional') had left the lighthouse during heavy rain in his shirt sleeves. He noted that whoever left the light last and unattended was in breach of NLB rules. He also noted that some of the damage to the west landing was "difficult to believe unless actually seen".[

From evidence which I was able to procure I was satisfied that the men had been on duty up till dinner time on Saturday the 15th of December, that they had gone down to secure a box in which the mooring ropes, landing ropes etc. were kept, and which was secured in a crevice in the rock about 110 ft (34 m) above sea level, and that an extra large sea had rushed up the face of the rock, had gone above them, and coming down with immense force, had swept them completely away.[20]

Whether this explanation brought any comfort to the families of the lost keepers is unknown. The deaths of Thomas Marshall, James Ducat (who left a widow and four children), and Donald MacArthur (who left a widow and two children) cast a shadow over the lighthouse service for many years.

Later theories and interpretations

Subsequent researchers have taken into account the geography of the islands. The coastline of Eilean Mòr is deeply indented with narrow gullies called geos. The west landing, which is situated in such a geo, terminates in a cave. In high seas or storms, water would rush into the cave and then explode out again with considerable force. It was possible MacArthur may have seen a series of large waves approaching the island, and knowing the likely danger to his colleagues, ran down to warn them only to be washed away as well in the violent swell. Recent research by James Love discovered that Marshall was previously fined five shillings when his equipment was washed away during a huge gale. It is likely, in seeking to avoid another fine, that he and Ducat tried to secure their equipment during a storm and were swept away as a result. The fate of MacArthur, although required to stay behind to man the lighthouse, can be guessed to be the same. Love speculates that MacArthur probably tried to warn or help his colleagues and was swept away too. This theory also has the advantages of explaining the set of oilskins remaining indoors and MacArthur's coat remaining on its peg, although perhaps not the closed door and gate. Another theory is based on the first-hand experiences of Walter Aldebert, a keeper on the Flannans from 1953 to 1957. He believed one man may have been washed into the sea but then his companions, who were trying to rescue him, were washed away by more freak waves.

A further proposal is based on the psychology of the keepers. Allegedly MacArthur was a volatile character; this may have led to a fight breaking out near the cliff edge by the West Landing that caused all three men to fall to their deaths. Another theory is that one of the men went insane (perhaps MacArthur, as evidenced by him leaving the lighthouse without his rain gear and his strange behaviour documented in the log book), murdered the other two, threw their bodies into the sea, and then jumped in to his own death.

Among modern theories are those connected to paranormal activity, such as abduction by aliens. Fictional use of this premise was featured in the Doctor Who serial Horror of Fang Rock. The mystery also was the inspiration for the composer Peter Maxwell Davies's modern chamber opera The Lighthouse (1979). The British rock group Genesis wrote and recorded "The Mystery of Flannan Isle Lighthouse" in 1968 while working on their first album, but it was not released until 1998 in Genesis Archive 1967–75. The 2018 film The Vanishing is also based on the same story.

 

en.wikipedia.org/wiki/Flannan_Isles_Lighthouse

 

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