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Shoreham Sculpture Trail
with The London Group
and Friends. A weekend of site specific art by over 70 artists spread around the village of Shoreham, Kent.
One of the largest sculptire trails the UK has ever seen. Featuring 30 London Group members and invited artists, including many prominent UK sculptors. 76 artists will be exhibiting over 200 sculptures in 26 gardens. The astonishing diversity of the exhibits ranges from the monumental to the ephemeral with works in metal and stone, with interactive work and performance and the Trail will be particularly unusual in the number of site-specific works. The idyllic village of Shoreham Kent, a gem just on the edge of London, is a beautiful place to visit just for itself and in June the gardens of all sizes, many on the river, will be at their best - visitors couldn't wish for more perfect surroundings in which to view sculpture. Most artists will be present to meet visitors during the trail and many will be giving talks. The Trail is curated by London Group President Susan Haire.
In specific, Holy Week is the week just before Easter that extends from Palm Sunday until Holy Saturday and marks the last week of Lent. It has earned the name 'Holy', according to the Orthodox Church, due to the significant events that take place for Christianity in regard to the sufferings of Jesus Christ.
Saturday evening is filled with the anticipation of celebrating Easter Sunday. In some areas, people begin to gather in the churches and squares in cities, towns and villages by 11pm for the Easter liturgies. A few minutes before midnight, all the lights are turned off and the priest exits the altar holding candles lit by the Holy Light, which is distributed to everyone inside and outside the church. At midnight, the priest exits the church and announces the resurrection of Jesus. Many people carry large white candles called lambada, and the church bells toll as the priests announce “Christ is Risen!” at midnight. Each person in the crowd replies with a similarly joyous response.
Go to Page 169 in the Internet Archive
Title: A practical treatise on diseases of the urinary and generative organs in both sexes [electronic resource] : Part I.- Non specific diseases. Part II.- Syphilis
Creator: Acton, William, 1813-1875
Creator: St. Thomas's Hospital. Medical School Library former owner
Creator: King's College London
Publisher: London : John Churchill
Sponsor: Jisc and Wellcome Library
Contributor: King's College London, Foyle Special Collections Library
Date: 1851
Language: eng
Description: Spine title: Diseases of the urinary and generative organs
32 p. of publisher's advertisements bound in at end of text
Publisher's advertisements on front pastedown and on front endpaper recto
Published in London, 1841, under title: A complete practical treatise on venereal diseases
Includes bibliographical references and index
Pt. 1. Non specific diseases -- Pt. 2. Syphilis
This material has been provided by King’s College London. The original may be consulted at King’s College London
King’s College London
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Si è svolta dal 24 al 31 marzo, sotto la sapiente guida del docente Umberto Giovannini, la masterclass dal titolo “Sacralità/Sacro – Installazione collaborativa site specific”. Gli studenti che hanno partecipato alla particolare esperienza formativa hanno lavorato alla realizzazione di un progetto collettivo “site specific”.
L’intento è stato quello di indagare il concetto di sacro, nelle due declinazioni di sacralità/sacro e di rileggerlo attraverso l’esperienza del contemporaneo. L’installazione si trova nel RUFA Space.
Temporary site specific install at Bluffs beach park. Made from cardboard, paint, salt, dye, plaster, iodine, and talus. Summer 2012.
A very specific geological process leads to these pyramids in Euseigne (Valais, Switzerland). This one looks scary with the storm approaching.
Mixed Media, Photographic Paper, 2013-2014
1. Unusually Specific—-08.21.13
2. Other ways of connecting—-11.13.13
3. On behalf of the younger residents…—08.07.13
4. Notice what happens—01.15.14
5. Parabola—-01.13.14
6. Contact—10.22.13
7. Rudderlessness—11.20.13
8. Guess it wasn’t that memorable—-10.14.13
9. Looking—-04.23.14
10. Holding hopelessness—-02.03.14
11. Growing together—11.25.13
12. Breaking open the meaning of words—12.25.13
This ongoing collage series encapsulates the artist’s aesthetic responses to experiencing the world every day through the eyes of an expressive arts therapist and a femme-identified woman, including the heightened awareness necessary to live in a culture of sexual violence.
In specific, Holy Week is the week just before Easter that extends from Palm Sunday until Holy Saturday and marks the last week of Lent. It has earned the name 'Holy', according to the Orthodox Church, due to the significant events that take place for Christianity in regard to the sufferings of Jesus Christ.
Saturday evening is filled with the anticipation of celebrating Easter Sunday. In some areas, people begin to gather in the churches and squares in cities, towns and villages by 11pm for the Easter liturgies. A few minutes before midnight, all the lights are turned off and the priest exits the altar holding candles lit by the Holy Light, which is distributed to everyone inside and outside the church. At midnight, the priest exits the church and announces the resurrection of Jesus. Many people carry large white candles called lambada, and the church bells toll as the priests announce “Christ is Risen!” at midnight. Each person in the crowd replies with a similarly joyous response.
Sunday Totem is a site specific augmented sculpture constructed in the underground level of a former bank, taking into account the architectural characteristics of this space. The video texture of the sculpture reacts real-time to an ever evolving generative sound, repeatedly building up and breaking off as a ritual mantra. The totem acts as a central axis, a relic trying to generate a bounding energy through a building that's waiting for a new destination.
Aug 2010
vvvv - cardboard - matrox triplehead
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Site specific work exploring the idea of consumerism- if something has a celebrity's face on it someone will buy it ( the product I created was urine scented perfume).I created boxes for the perfume using the name Faire Chier ( means 'piss off' in french) labels created on photoshop.
Repackaged 16 bottles of perfume. Created my own appropriate smelling perfume.
Site specific installation designed and produced by SOFTlab for the Frankfurter Kunstverein.
Group Exhibit:
The Systemized World
Curated by:
Photo: Marius Watz
In every culture, alcohol holds a specific place. Many times it represents simply a banal tool of self-indulgence, but it also holds enormous powerful potential. I am not equipped to dig too deeply into the global social meanings of it, but I can speak from my viewpoint. In the Balkan, at least, homemade rakia holds a special place in the heart of the people. It is very much an alchemical process, to make good rakia and when done well, it is really the cure for wounds of any kind. It is a purifier in many ways and one of the most powerful uses of it, in my opinion, is when drunk in memory of the dead.
The work consists of a wheel of fortune, a book, a tablecloth, two small glasses and a bottle of rakia, all placed on a table. The wheel of fortune has 14 parts, each of them representing a different healing plant that can be easily found in forests, fields or valleys in eastern europe and balkan, and that a lot of our grandmothers have or had circulating in their homes at all times. In the book, old folk recipes mentioning those and many other plants can be found. Next to the table, I am sitting on a chair with my musical instrument. There is only one song played live by me for the duration of the performance, in intervals. The song is mine, and the lyrics speak of endless travels. First, the song is played, then the visitors are called to come and drink one glass of rakia in memory of the dead, following which they are invited to spin the wheel of fortune and get their guardian plant. After that, the glasses are washed in a bowl, wiped, and placed again on the table. this circle of actions is repeated until the bottle is emptied and purification process has managed to make a cycle.
Built at Governor Macquarie's direction on a site selected for that specific purpose, it is one of the most beautiful buildings in Australia. The corner stone was laid by Governor Macquarie in October 1817. The church was consecrated in December 1822 with Samuel Marsden conducting the opening service. It is the masterpiece of Francis Greenway, the convict architect, who was retained by Governor Macquarie to rectify the poor standard of building in the colony. It is one of the few early buildings which is cluttered by its modern surroundings. It can be seen from a great many parts of the Hawkesbury, and is the district's famous landmark. In the 1867 flood it was the chief point of safety for flood victims.
Even older than then church is the graveyard. The earliest marked grave in Andrew Thompsons who died in 1810. There are a number of other graves of prominent pioneers, including a number who sailed to Australia with the First Fleet. These graves are identified by a small plaque. William Cox is also buried here, and of particular interest is the Tebbut family vault, with its astrological features on each corner.
Tom Nicholson
"Comparative Monument (Ma'man Allah)"
Site-specific installation
Khalidi Library
Jerusalem Show VII: Fractures, Intervals
curated by Basak Senova
organized by Al Ma'mal
part of Qalandiya International II
Photo by RaneemTurjman
True financial prosperity is rooted in a profound understanding that goes beyond traditional methods and integrates deeper insights into wealth management. In Mind Over Money Mastery, Myron Golden introduces the Six-Can System, a comprehensive approach to money management that allocates income into specific categories. Achieving financial freedom involves not only strategic planning but also fostering a wealthy mindset. This approach emphasizes that financial freedom is achieved through meticulous planning and fostering a wealthy mindset, offering a transformative pathway to not only managing money effectively but also achieving lasting success and personal fulfillment.
Understanding the Mind Over Money Mastery Principle
The Mind Over Money Mastery principle is rooted in the idea that financial success is not solely dependent on how much money you make, but rather on how well you manage the money you have. This concept is essential for anyone who wants to achieve lasting wealth. The principle is simple enough to be taught to children, yet powerful enough to create significant financial growth for adults.
At its core, the principle involves managing your income in a disciplined and strategic way. Wealthy individuals across the globe, regardless of their background or occupation, often share a common trait: they are meticulous about managing their money. This strategy is not just a theory; it has been proven time and again by countless successful people who have used it to build and maintain their wealth.
Why Money Management is Key to Wealth
Wealthy individuals come from all walks of life—different backgrounds, careers, and income levels. But one thing they all have in common is their ability to manage money well. You might think that financial success is all about how much you make, but that’s only part of the equation. The real secret lies in how you manage what you earn.
In his course, Myron Golden emphasizes that effective money management is crucial for building wealth. Whether you’re earning a modest salary or bringing in a substantial income, learning to manage your finances is essential. Surprisingly, most people who struggle financially don’t realize the importance of managing money—they only focus on spending it. However, by adopting sound money management strategies, you can start building and multiplying your wealth, regardless of your current financial situation.
The Six-Can System: A Practical Approach to Money Management
The heart of the Mind Over Money Mastery principle is the Six-Can System. This system involves dividing your income into six separate “cans” or categories, each designated for a specific purpose. By doing so, you ensure that every dollar you earn has a purpose and is being used in a way that contributes to your financial goals.
1. The “I Can Tithe” Can
The first can is the “I Can Tithe” can. This can is dedicated to giving back a portion of your income, whether it’s to a church, charity, or another cause that aligns with your values. The idea is to practice gratitude and generosity, which not only helps others but also fosters a positive relationship with money.
2. The “I Can Finish Free” Can
The second can is the “I Can Finish Free” can. This can is used for investing in assets that generate passive income. The goal here is to create a stream of income that continues to grow, even when you’re not actively working. This can could be used to invest in stocks, real estate, or any other investment that has the potential to generate returns over time.
3. The “I Can Pay My Bills” Can
Next is the “I Can Pay My Bills” can. As the name suggests, this can is for all your essential expenses—mortgage or rent, utilities, groceries, insurance, and other monthly bills. It’s important to manage this can wisely, ensuring that your living expenses are covered without overspending.
4. The “I Can Educate Myself” Can
The fourth can is the “I Can Educate Myself” can. This can is dedicated to personal and professional development. Whether it’s buying books, attending seminars, or hiring a coach, this can is all about investing in yourself. The knowledge and skills you gain from this can will help you increase your income and achieve greater financial success.
5. The “I Can Have Fun” Can
The “I Can Have Fun” can is all about enjoying life. This can is meant for non-essential spending—things like vacations, hobbies, and entertainment. The key to this can is that the money in it should be spent each month. It’s important to reward yourself for your hard work and to enjoy the fruits of your labor.
6. The “I Can Save For What I Want” Can
The final can is the “I Can Save For What I Want” can. This can is for saving up for larger purchases or for unexpected expenses. Whether it’s a new car, a home down payment, or an emergency fund, this can ensures that you’re prepared for life’s bigger financial moments without going into debt.
Implementing the Six-Can System: Step-by-Step
Now that you understand what each can is for, let’s talk about how to implement this system in your life. The first step is to literally get six cans or jars—whatever you prefer—and label them according to the categories mentioned above. If you’re using a digital system, you can set up separate accounts or budget categories for each can.
Once you have your cans ready, the next step is to allocate your income. A good rule of thumb is to split your income in half. One half goes into the “I Can Pay My Bills” can, and the other half is divided equally among the remaining five cans. For example, if you bring home $1,000 a week, $500 would go into your “I Can Pay My Bills” can, and $100 would go into each of the other cans.
Adjusting Your Income and Expenses
If you find that it’s difficult to live on half of your income, you have two options: simplify your life or increase your income. Simplifying your life might mean cutting out unnecessary expenses or downsizing your lifestyle. On the other hand, increasing your income could involve asking for a raise, taking on a side job, or starting a business.
The key is to find a balance that allows you to live comfortably while still adhering to the Six-Can System. This system is designed to work no matter how much money you make, so don’t be discouraged if it takes some time to get the hang of it.
Why the Mind Over Money Mastery Principle Works
The Mind Over Money Mastery principle works because it shifts your mindset from simply earning money to managing it effectively. By following this system, you’re not just spending your money—you’re directing it towards your goals. This proactive approach to money management helps you build wealth over time, rather than just getting by from one paycheck to the next.
Moreover, the discipline required to stick to this system teaches you valuable financial habits. Over time, these habits become second nature, and you’ll find yourself making smarter financial decisions without even thinking about it.
Frequently Asked Questions (FAQs)
What if I don’t have enough money to fill all six cans?
Start with what you have. Even if you can only put a small amount in each can, the important thing is to get into the habit of dividing your income and managing it according to the Six-Can System. As your income grows, you can increase the amounts in each can.
Can I adjust the percentages for each can?
Absolutely! The percentages provided are just guidelines. You can adjust them based on your personal financial situation. The key is to ensure that you’re covering all the essential areas—giving, investing, saving, and spending wisely.
How often should I review my cans?
It’s a good idea to review your cans at least once a month. This will help you stay on track with your financial goals and make any necessary adjustments to your budget.
What if I have leftover money in a can at the end of the month?
If you have leftover money in any of your cans (except the “I Can Have Fun” can), you can either roll it over to the next month or transfer it to another can that might need a boost. The choice is yours!
Taking Control of Your Financial Future
The Mind Over Money Mastery principle is more than just a money management strategy—it’s a mindset shift that can transform your financial life. By following the Six-Can System, you’ll not only manage your money more effectively, but you’ll also start to see your wealth grow over time. Remember, the key to financial freedom isn’t just in how much you earn, but in how well you manage what you have.
Ready to transform your financial future? Join Mind Over Money Mastery today and watch your financial situation improve.
Learn more about Mind Over Money Mastery and the six-can system for financial freedom: myrongoldenlive.com/six-can-system/
1973-1974
Preparatory Study for VATICAN CORRIDOR, A Non-Specific Autobiography
Number 122 of 200, signed and numbered
17¾" x 15½"
Collection:
Crocker Art Museum
Sacramento, California
1973-1974
Preparatory Study for VATICAN CORRIDOR, A Non-Specific Autobiography
Number 122 of 200, signed and numbered
17¾" x 15½"
Collection:
Crocker Art Museum
Sacramento, California
For my site specific project, I made a stamp based on the architect of the museum Henry Hare. In all his buildings he used to incoperate a hare into the architecture, all except southend museum. For my stamp I drew on the missing hare element and used the taxidermy hare as reference for my design.
Once I made the stamps, I included them in a traditional postcard 'the language of stamps' c1900 that my gradnparents used to use in correspondance to eachother during the first world war.
My final stamps and postcard were put on display in southend museum, in a WW1 exhibition cabinet, and they fitted in well.
Installation sculpture by artist Merle Temkin, Backfire, CUNY Mall, NYC (installation shot); plexi-mirror strips, fluorescent paint, galvanized steel; 6' x 32" x 5', 1984
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Mayor Eric Adams and New York City Deputy Mayor for Public Safety Chauncey Parker announce the launch of a comprehensive new pilot program to address historically high rates of violent crime and disorder on specific blocks all across New York City. Bean Morris Garden, Bronx. Monday, December 9, 2024. Credit: Ed Reed/Mayoral Photography Office.
My photo walk of Saturday, September 14, 2024 in Lyon, France by a clear refreshed weather.
I used my Hasselblad 500 C/M camera loaded with an Ilford FP4+ film. The Carl Zeiss normal lens Planar CF 1:2.8 f=80mm was equipped with a 67mm screw-on filter Dark Yellow x3 B+W 023 adapted to the Hasselblad bayonet filter mount with a specific adaptor. The Zenza Bronica metal shade hood designed for the 75mm Nikkor-P lens was mounted additionally to the filter to its 67mm thread.
The film was exposed for 50 ISO in compensation of the filter light absorptionusing a Minolta Autometer III and its 10° viewer for selective measurement privileging the shadow area's or by measuring the incident light with the opalescent dome.
View Nr. 10: 1/125s f/8 focusing @ 50m
Place des Tapis, September 14, 2024
69004 Lyon
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 70mm large film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 15min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm film.
The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
About my Hasselblad 500C/M:
I remember that somewhere around 2002, I considered to buy a Hasselblad camera. I gave up because I had no more access to a darkroom and I found too complicated to recreate one or to delegate the processing to a service lab. Afterward, I started digital photography that distracted me to operate again with films until more recently. It is only when I could manage in 2022 a reliable and quality way to exploit my negatives in a reasonable time, that I really could enjoy again of analog photography.
On July 17, 2024, I decided to buy "my" Hasselblad in a very traditional way, almost as I could in the 90’s, in a local real photographic store, Lyon, France. The store « Carré Couleur » of Jacques Larger, rue Servient, Lyon, France, is a long-time specialist of professional medium-format camera’s including Hasselblad ones. They had on display several revised and 6-month guaranteed camera’s and a large choice of lenses and accessories.`
I choose a 500 C/M year 1978 and a Carl Zeiss lens Planar T* 1:2.8 f=80mm of the CF series year 1986, plus a small set of little Hasselblad goodies. The 500 C/M is totally mechanical without any electrical nor electronic circuitry. The 500 C/M's were produced in Göteborg, Sweden, from year 1970 to 1994. They followed the production of the 500C camera’s (1957-1970). The latest V-series camera (503 CX, CW, CWI etc) ceased in 2006 and Hasselblad then produced only digital camera’s but also digital camera backs that could fit to the V-series includingbthis 500 C/M (www.hasselbladhistorical.eu/HS/HSTable.aspx)
This CF lens series has central shutter Prontor (Synchro-Compur for the earlier Zeiss series). They are more cylindrical than earlier series and equipped of the proprietary bayonet filter mount B60. The delayed shutter realease was also abandoned. The focusing screen is the « Bright » series with the Dodin stigmometer in the screen centrer and the squared cross-ruling lines. Later 501 and 503 were basically equipped with an even more brighter screen called « Acute-mat ». The camera back could dated from year 1977 is an « A-12 » back « A » standing for « Automatic ». The film advance automatically stops at view 1 with view counter on the right camera side.
After a complete demo by Jacques Larger, I studied the camera manipulation at home with the user manual in hand (an original edition of 1980) before doing the decisive « film d’essai » (test film) on a sunny morning of July 20, 2024.
The results show very high-quality, highly-contrasted negative views, perfectly exposed and spaced proving the good technical state of the camera, film magazine, and the lens/shutter.
On sept. 2, 2024, I received from a French specialist of collection camera's, a second film magazine Hasselblad "A12". This back is in a pristine condition and matches the production year 1978 (Hasselblad letter coding "UR") of the 500 C/M body.
The camera back is like a new with almost no signs of use. It arrived in its original Hasselblad box including the original user manual too. The film insert has latest 3 digits matching the film magazine serial number, that is not the case of the other magazine. Unmatched magazines and inserts, are very common and assumed not to be a technical problem, but Hasselblad maintained the pairing of the insert magazine to ensure to the customers of the best attention to the precision of the film plane.
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
Site specific temporary install at Mentor Marina park in the summer 0f 2011. This install was part of the Mimesis Art Project which is a collaborative project between me and other artists. The goal of M.A.P. is to use nature as a backdrop for art, or to use natural processes in our art, or lastly, to use natural materials as building blocks for installs.
The materials used to make the individual pieces above are: cardboard, paint, dye, salt, oatmeal, fabric, and cotton swabs.
For more art please check out my blog at:
Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
My intention for this photo (of 3) was to capture this talented individual on the rings. When I set out for my motion specific photos I knew the best place to go was muscle beach in Santa Monica. With hundreds of subjects to choose from I saw him and knew to make him my subject. Surprisingly every time I adjusted the settings to increase shutter speed the photo would not come out as planned so I relied on the Auto setting to give me suggested levels. All three of these photos were really wide shots that I cropped to use the framing element of photography. I used the two palm trees as framing for the subject swinging from the bars. I edited this photo by cropping and adjusting shadows and highlights. I am really proud of this series in particular.
1973-1974
Preparatory Study for VATICAN CORRIDOR, A Non-Specific Autobiography
Number 122 of 200, signed and numbered
17¾" x 15½"
Collection:
Crocker Art Museum
dSatellite is a site-specific architectural structure that extends the mission of DFLUX (www.dflux.org), a Detroit-based research studio and residency program, further into its community. DFLUX engages its local neighborhood and the general public with creative actions, research, and workshops. In so doing, they hope to reveal and create emergent and sustainable cottage industries. dSatellite was created with the intention of providing future DFLUX participants and local residents with an outpost to engage in various field research. Constructed with foraged building materials, dSatellite merges both the physical and conceptual characteristics of the DFLUX Residency site and a typical nature blind used by naturalists, scientists, photographers and hunters. dSatellite is currently deployed in a completely razed residential neighborhood of Detroit currently referred to as the "field" by local residents and "Renaissance Zone" by real estate developers. A dense urban forest, rich with wildlife, has grown there, only crumbling roads and alleys, debris piles, and public utilities remain as signs of past use.
dSatellite was created during a research residency at DFLUX in Detroit, MI in collaboration with Joseph G. Cruz (http://josephgcruz.com)
Si è svolta dal 24 al 31 marzo, sotto la sapiente guida del docente Umberto Giovannini, la masterclass dal titolo “Sacralità/Sacro – Installazione collaborativa site specific”. Gli studenti che hanno partecipato alla particolare esperienza formativa hanno lavorato alla realizzazione di un progetto collettivo “site specific”.
L’intento è stato quello di indagare il concetto di sacro, nelle due declinazioni di sacralità/sacro e di rileggerlo attraverso l’esperienza del contemporaneo. L’installazione si trova nel RUFA Space.