blog.leonieyue.com

Wickerman Paint Jam 2016. Looks like SOMEbody needs to learn the proper runic alphabet ;)

 

drawings, paint, runes, tapestry.

 

Four Quarters Interfaith Sanctuary, Artemas, Pennsylvania.

 

June 12, 2016.

  

... Read my blog at ClintJCL at wordpress.com

  

BACKSTORY: Well, that was a crazy burn! So much shit I never expected to do, at WickerMan Burn 2016!

 

- Damaged Carolyn's car on the way in so that it permanently squeaks, except it got better by the time we left

 

- Ate a tequila worm (so much more chewing than you would imagine!) when naked-goddess-bartender poured me one, randomly. (I had to check that it wasn't something from the woods)

 

- Watched fireworks so dangerously close that I needed first aid for a burned eyeball (could this be why the vision in that eye went bad this year?)

 

- Learned to weave. On a loom. And wove some. Took video of weaving.

 

- worried about this spleen issue I have that is starting to feel less like a pain, and more like an actual tumor that you can distinctly feel on one side (still hurting as of 2017, CT Scan found nothing)

 

- controlled huge flamethrowers with laserbeams & buttons

 

- fun stuff on top of a 20-ft wooden ziggurat art installation (Carolyn was too scared to go up!)

 

- Watched a firework fireball zoom past Carolyn's head (she didn't even flinch) and catch the ground on fire 1 foot from her feet

 

- Made out with both members of a couple (beards can be soft?)

 

- Bounced in a moon bounce

 

- Saw Carolyn fall off a bounce-house ramp, tumbling in mid air, as onlookers screamed (one massage later, she's fine)

 

- Played with propane bubbles (cover hand, stick in fire, watch self burn) with zero regard for my safety or even knowing what they were ("other people aren't dying when they do this, so i'll do this, whatever this is. no, i won't ask anybody any questions about it or learn anything safety-related")

 

- Treated 2nd degree cooking burn with actual aloe leaves someone bundled up, just in case. Only had to walk 20 feet from my camp! No relation to previous bullet point.

 

- Tried [REDACTED]

 

- Used logical deduction to guide a damsel in distress to her campsite that she could not find, even though I had never been there. (If you want to flatter me, make me feel like Aragorn. I also accept pints of cherry tomatoes & great conversation)

 

- Received tons of compliments about my hair & badass cartoon shirt (and about my brain) (but I get that a lot... it's the others I'm not so used to)

 

- Worried about Andrea in rehab. Did all kinds of crazy things to maintain connectivity to check up on her. A lotta good that did. RIP, Andrea.

 

- Learned to always great one specific person with "Hi, Clint!" (Her name is not Clint. This is how she prefers greetings.)

 

- Wore My Little Pony boxer-briefs around strangers

 

- Sent video from the middle of the woods with a phone that only works when plugged in (tricky)

 

- Met the creator of games I've played for 15 yrs, & found out that the vintage set of game pieces my aunt found me in a thrift store are so rare that he was re-telling people about our set... Even when we weren't even there. So honored! To tell the man who invented Fluxx that you had the original Fluxx back when that was the only Fluxx you could get was awesome, too.

 

- But to make a reference to a specific episode of 2 Stupid Dogs to the creator of Fluxx, and have him know it and repeat it back... Wow.

 

- Chastised by Channy for not knowing how to spell my own name on facebook, becuase she wanted pictoral proof of my story that did not believe -- that the deer shit that came out of the deer when my Bonneville was totalled (while driving back from Dirk's) had splattered onto my car in the shape of Pluto the Dog's face. I totally sent her that picture!

 

- Lost 1 of 2 cameras, resulting in our pictures being quite incomplete (gee, real Burnery of whoever found it to not bother giving it back. If I find someone else's camera, I guess this means I'll have to keep it to break even?)

 

- Learned I can consistently inhale an entire nitrous oxide cartridge in one lungful

 

- Randomly given 2 beers by someone, only to ask to see her face, and, after introductions, us all realizing we already know each other already and are FB friends already (wtf?! what are the odds?!)

 

Saw a truck covered in fire driving down the mountain like nothing was going on. Overheard: "Are you seeing that? Is that real?"

 

Phew? Did I get everything? I don't know! One night, I never saw my camp during the night time, at all.

Specific Perfection ENB www.nexusmods.com/skyrim/mods/62978/?

 

10x better snow----couldn't find the link :/

 

This is a van, this specific van was parked in to lower parts of the art centre Ocean One the Chocolate Factory house of culture, I was a trainee or working there at the end of the 1990´s or was it mid 90´s?

 

...anyhow it was a place an old factory turned in to a house of culture, with Visual arts, Theater and a club-scene...

 

I was working there as a trainee, first we got the old factory´s gigantic rooms ready for art exhibitions and when it opened I was either some sort of guide or a minder of the paintings and art...

 

...some days there would also be live music at the lowest level, after one such gig ( I think it was Cortney pine? and his mixed fusion project)

 

...anyhow, after his gig we ended up in this van drinking and partying then people started pulling joints up, I had never tried any illegal substances at that time and didn´t then either, but I was sitting in this cramped van, full of smoking people, I got really dizzy and had to lie down sleeping for a bit, I had drunken beer so it could have been that but still I felt really weird...

 

I know that you are not suppose to be able to get stone by second hand smoke, but this was such a cramped space and all the other people was smoking cannabis like chimneys...

 

...I can´t remember who´s van it was, could have been one of the artists or musicians?

 

...anyhow this pic is taken either before or after that day, when I had some free time, I would usually wander about in the rest of the abandoned factory, that is the parts not used for art and theater and snap industrial pictures with my systematic camera... I do wonder where all those pictures are now, most of them I haven´t seen in years or decades???

 

Peace and Noise!

 

/ MushrooomBrain "I did inhale, but only the air!"

Specific Perfection ENB www.nexusmods.com/skyrim/mods/62978/?

   

SFO v. 1.91 www.nexusmods.com/skyrim/mods/141/?

   

Unique Grass and ground covers www.nexusmods.com/skyrim/mods/42370/

 

No specific Helmut Newton reference, but just a nod to the days of film photography.

 

The We're Here challenge on January 23 2021 was: Black and white details

 

site specific light-motion installation shown November 2015 at Prosjektrom Carl Berner, a gallery for experimental three-dimensional art inside a metro station in Oslo.

Specific type of Gull has been determined.

 

With the help of those on whatbird.com, this is a Lesser Black-backed Gull.

The red spot on the bill can be seen on Adults during the winter, and the rump and tail feathers seem to indicate it may be in its 3rd winter, using the Stokes Field Guide photographs.

The tiger (Panthera tigris) is the largest living cat species and a member of the genus Panthera. It is most recognisable for its black stripes on orange fur with a white underside. An apex predator, it primarily preys on ungulates, such as deer and wild boar. It is territorial and generally a solitary but social predator, requiring large contiguous areas of habitat to support its requirements for prey and rearing of its offspring. Tiger cubs stay with their mother for about two years and then become independent, leaving their mother's home range to establish their own.

 

The tiger was first scientifically described in 1758. It once ranged widely from the Eastern Anatolia Region in the west to the Amur River basin in the east, and in the south from the foothills of the Himalayas to Bali in the Sunda Islands. Since the early 20th century, tiger populations have lost at least 93% of their historic range and have been extirpated from Western and Central Asia, the islands of Java and Bali, and in large areas of Southeast and South Asia and China. What remains of the range where tigers still roam free is fragmented, stretching in spots from Siberian temperate forests to subtropical and tropical forests on the Indian subcontinent, Indochina and a single Indonesian island, Sumatra.

 

The tiger is listed as Endangered on the IUCN Red List. India hosts the largest tiger population. Major reasons for population decline are habitat destruction, habitat fragmentation and poaching. Tigers are also victims of human–wildlife conflict, due to encroachment in countries with a high human population density.

 

The tiger is among the most recognisable and popular of the world's charismatic megafauna. It featured prominently in the ancient mythology and folklore of cultures throughout its historic range and continues to be depicted in modern films and literature, appearing on many flags, coats of arms and as mascots for sporting teams. The tiger is the national animal of India, Bangladesh, Malaysia and South Korea.

 

Etymology

The Middle English tigre and Old English tigras derive from Old French tigre, from Latin tigris. This was a borrowing of Classical Greek τίγρις 'tigris', a foreign borrowing of unknown origin meaning 'tiger' and the river Tigris. The generic name Panthera is derived from the Latin word panthera and the Ancient Greek word πάνθηρ pánthēr.

 

Taxonomy

In 1758, Carl Linnaeus described the tiger in his work Systema Naturae and gave it the scientific name Felis tigris. In 1929, the British taxonomist Reginald Innes Pocock subordinated the species under the genus Panthera using the scientific name Panthera tigris.

 

Subspecies

Following Linnaeus's first descriptions of the species, several tiger zoological specimens were described and proposed as subspecies. The validity of several tiger subspecies was questioned in 1999. Most putative subspecies described in the 19th and 20th centuries were distinguished on the basis of fur length and colouration, striping patterns and body size, hence characteristics that vary widely within populations. Morphologically, tigers from different regions vary little, and gene flow between populations in those regions is considered to have been possible during the Pleistocene. Therefore, it was proposed to recognize only two tiger subspecies as valid, namely P. t. tigris in mainland Asia, and P. t. sondaica in the Greater Sunda Islands. Mainland tigers are described as being larger in size with generally lighter fur and fewer stripes, while island tigers are smaller due to insular dwarfism, with darker coats and more numerous stripes. The stripes of island tigers may break up into spotted patterns.

 

This two-subspecies proposal was reaffirmed in 2015 by a comprehensive analysis of morphological, ecological and molecular traits of all putative tiger subspecies using a combined approach. The authors proposed recognition of only two subspecies, namely P. t. tigris comprising the Bengal, Malayan, Indochinese, South Chinese, Siberian and Caspian tiger populations of continental Asia, and P. t. sondaica comprising the Javan, Bali and Sumatran tiger populations of the Sunda Islands. The continental nominate subspecies P. t. tigris constitutes two clades: a northern clade composed of the Siberian and Caspian tiger populations, and a southern clade composed of all other mainland populations. The authors noted that this two-subspecies reclassification will impact tiger conservation management. It would make captive breeding programs and future re-wilding of zoo-born tigers easier, as one tiger population could then be used to reinforce another. However, there is the risk that the loss of subspecies uniqueness could lead to less protection efforts for specific populations.

 

In 2017, the Cat Classification Task Force of the IUCN Cat Specialist Group revised felid taxonomy in accordance with the two-subspecies proposal of the comprehensive 2015 study, and recognized the tiger populations in continental Asia as P. t. tigris, and those in the Sunda Islands as P. t. sondaica. This two-subspecies view is still disputed by researchers, since the currently recognized six living subspecies can be distinguished genetically. Results of a 2018 whole-genome sequencing of 32 samples support six monophyletic tiger clades corresponding with the six living subspecies and indicate they descended from a common ancestor around 110,000 years ago.[14] Studies in 2021 and 2023 also affirmed the genetic distinctiveness and separation of these tigers.

 

The tiger's closest living relatives were previously thought to be the Panthera species lion, leopard and jaguar. Results of genetic analysis indicate that about 2.88 million years ago, the tiger and the snow leopard lineages diverged from the other Panthera species, and that both may be more closely related to each other than to the lion, leopard and jaguar.

 

The fossil species Panthera palaeosinensis of early Pleistocene northern China was described as a possible tiger ancestor when it was discovered in 1924, but modern cladistics place it as basal to modern Panthera.Panthera zdanskyi, which lived around the same time and place, was suggested to be a sister taxon of the modern tiger when it was examined in 2014. However, as of 2023, at least two recent studies considered P. zdanskyi likely to be a synonym of P. palaeosinensis, noting that its proposed differences from that species fell within the range of individual variation. The earliest appearance of the modern tiger species in the fossil record are jaw fragments from Lantion in China that are dated to the early Pleistocene. Middle to late Pleistocene tiger fossils were found throughout China, Sumatra and Java. Prehistoric subspecies include Panthera tigris trinilensis and P. t. soloensis of Java and Sumatra, and P. t. acutidens of China; late Pleistocene and early Holocene fossils of tigers were also found in Borneo and Palawan, Philippines.

 

Results of a phylogeographic study indicate that all living tigers had a common ancestor 108,000 to 72,000 years ago.[27] A 2022 paleogenomic study of a Pleistocene tiger basal to living tigers concluded that modern tiger populations spread across Asia no earlier than 94,000 years ago. There is evidence of interbreeding between the lineage of modern mainland tigers and these ancient tigers. The potential tiger range during the late Pleistocene and Holocene was predicted applying ecological niche modelling based on more than 500 tiger locality records combined with bioclimatic data. The resulting model shows a contiguous tiger range at the Last Glacial Maximum, indicating gene flow between tiger populations in mainland Asia. The tiger populations on the Sunda Islands and mainland Asia were possibly separated during interglacial periods.

 

The tiger's full genome sequence was published in 2013. It was found to have repeat compositions much as other cat genomes and "an appreciably conserved synteny".

 

Hybrids

Captive tigers were bred with lions to create hybrids called liger and tigon. The former born to a female tiger and male lion and the latter the result of a male tiger and female lion. They share physical and behavioural qualities of both parent species. Because the lion sire passes on a growth-promoting gene, but the corresponding growth-inhibiting gene from the female tiger is absent, ligers grow far larger than either parent species. By contrast, the male tiger does not pass on a growth-promoting gene and the lioness passes on a growth inhibiting gene, hence tigons are around the same size as either species. Breeding hybrids is now discouraged due to the emphasis on conservation.

 

Characteristics

The tiger has a typical felid morphology. It has a muscular body with strong forelimbs, a large head and a tail that is about half the length of the rest of its body. There are five digits on the front feet and four on the back, all of which have retractable claws which are compact and curved. The ears are rounded, while the eyes have a round pupil. The tiger's skull is large and robust, with a constricted front region, proportionally small, elliptical orbits, long nasal bones, and a lengthened cranium with a large sagittal crest. It is similar to a lion's skull; with the structure of the lower jaw and length of the nasals being the most reliable indicators for species identification. The tiger has fairly robust teeth and its somewhat curved canines are the longest in the cat family at 6.4–7.6 cm (2.5–3.0 in). It has an average bite force at the canine tips of 1234.3 Newton.

 

Size

The tiger is considered to be the largest living felid species. However, there is some debate over averages compared to the lion. Since tiger populations vary greatly in size, the "average" size for a tiger may be less than a lion, while the biggest tigers are bigger than their lion counterparts. The Siberian and Bengal tigers, along with the extinct Caspian are considered to be the largest of the species while the island tigers are the smallest. The Sumatran tiger is the smallest living tiger while the extinct Bali tiger was even smaller. It has been hypothesised that body size of different tiger populations may be correlated with climate and be explained by thermoregulation and Bergmann's rule. Male tigers are larger than females.

 

Tiger fur tends to be short, except in the northern-living Siberian tiger. It has a mane-like heavy growth of fur around the neck and jaws and long whiskers, especially in males. Its colouration is generally orange, but can vary from light yellow to dark red. White fur covers the ventral surface, along with parts of the face. It also has a prominent white spot on the back of their ears which are surrounded by black. The tiger is marked with distinctive black or dark brown stripes; the patterns of which are unique in each individual, The stripes are mostly vertical, but those on the limbs and forehead are horizonal. They are more concentrated towards the posterior and those on the trunk may or may not reach under the belly. The tips of stripes are generally sharp and some have gaps within them. Tail stripes are thick bands and a black tip marks the end.

 

Stripes are likely advantageous for camouflage in vegetation with vertical patterns of light and shade, such as trees and long grass. This is supported by a 1987 Fourier analysis study which concluded that the spatial frequencies of tiger stripes line up with their environment. The tiger is one of only a few striped cat species; it is not known why spotted patterns and rosettes are the more common camouflage pattern among felids. The orange colour may also aid in concealment as the tiger's prey are dichromats, and thus may perceive the cat as green and blended in with the vegetation. The white dots on the ear may play a role in communication.

 

Three colour variants – white, golden and nearly stripeless snow white are now virtually non-existent in the wild due to the reduction of wild tiger populations, but continue in captive populations. The white tiger has a white background colour with sepia-brown stripes. The golden tiger is pale golden with reddish-brown stripes. The snow white tiger is a morph with extremely faint stripes and a pale reddish-brown ringed tail. White and golden morphs are the result of an autosomal recessive trait with a white locus and a wideband locus respectively. The snow white variation is caused by polygenes with both the white and wideband loci. The breeding of white tigers is controversial, as they have no use for conservation. Only 0.001% of wild tigers have the genes for this colour morph, and the overrepresentation of white tigers in captivity is the result of inbreeding. Hence their continued breeding will risk both inbreeding depression and loss of genetic variability in captive tigers.

 

Pseudo-melanistic tigers with thick, merged stripes have been recorded in Simlipal National Park and three Indian zoos; population genetic analysis of Indian tiger samples revealed that this phenotype is caused by a mutation of a transmembrane aminopeptidase gene. Around 37% of the Simlipal tiger population has this feature, which has been linked to genetic isolation.

 

The tiger historically ranged from eastern Pakistan to Indochina, and from southeastern Siberia to Sumatra, Java and Bali. The Caspian tiger lived from eastern Turkey and the South Caucasus to northern Afghanistan and western China. The Tibetan Plateau and the Alborz acted as barriers to the species distribution. As of 2022, it inhabits less than 7% of its historical distribution, and has a scattered range that includes the Indian subcontinent, the Indochinese Peninsula, Sumatra, the Russian Far East and northeastern China.

 

The tiger mainly lives in forest habitats and is highly adaptable. Records in Central Asia indicate that it occurred foremost in Tugay riverine forests and inhabited hilly and lowland forests in the Caucasus. In the Amur-Ussuri region, it inhabits Korean pine and temperate broadleaf and mixed forests, where riparian forests provide food and water, and serve as dispersal corridors for both tiger and ungulates. On the Indian subcontinent, it inhabits mainly tropical and subtropical moist broadleaf forests, moist evergreen forests, tropical dry forests, alluvial plains and the mangrove forests of the Sundarbans. In the Eastern Himalayas, tigers were documented in temperate forest up to an elevation of 4,200 m (13,800 ft) in Bhutan and of 3,630 m (11,910 ft) in the Mishmi Hills. In Thailand, it lives in deciduous and evergreen forests. In Sumatra, tigers range from lowland peat swamp forests to rugged montane forests.

 

Camera trap data show that tigers in Chitwan National Park avoided locations frequented by people and were more active at night than by day. In Sundarbans National Park, six radio-collared tigers were most active in the early morning with a peak around dawn and moved an average distance of 4.6 km (2.9 mi) per day. A three-year long camera trap survey in Shuklaphanta National Park revealed that tigers were most active from dusk until midnight. In northeastern China, tigers were crepuscular and active at night with activity peaking at dawn and at dusk; they exhibited a high temporal overlap with ungulate species.

 

As with other felid species, tigers groom themselves, maintaining their coats by licking them and spreading oil from their sebaceous glands. It will take to water, particularly on hot days. It is a powerful swimmer and easily transverses across rivers as wide as 8 km (5.0 mi). Adults only occasionally climbs trees, but have been recorded climbing 10 m (33 ft) up a smooth pipal tree. In general, tigers are less capable tree climbers than many other cats due to their size, but cubs under 16 months old may routinely do so.

 

Adult tigers lead largely solitary lives. They establish and maintain home ranges, the size of which mainly depends on prey abundance, geographic area and sex of the individual. Males and females defend their home ranges from those of the same sex, and the home range of a male encompasses that of multiple females. Two females in the Sundarbans had home ranges of 10.6 and 14.1 km2 (4.1 and 5.4 sq mi). In Panna Tiger Reserve, the home ranges of five reintroduced females varied from 53–67 km2 (20–26 sq mi) in winter to 55–60 km2 (21–23 sq mi) in summer and to 46–94 km2 (18–36 sq mi) during monsoon; three males had 84–147 km2 (32–57 sq mi) large home ranges in winter, 82–98 km2 (32–38 sq mi) in summer and 81–118 km2 (31–46 sq mi) during monsoon seasons. In Huai Kha Khaeng Wildlife Sanctuary, seven resident females had home ranges of 44.1–122.3 km2 (17.0–47.2 sq mi) and four resident males of 174.8–417.5 km2 (67.5–161.2 sq mi). Four male problem tigers in Sumatra were translocated to national parks and needed 6–17 weeks to establish new home ranges of 37.5–188.1 km2 (14.5–72.6 sq mi). Ten solitary females in Sikhote-Alin Biosphere Reserve had home ranges of 413.5 ± 77.6 km2 (159.7 ± 30.0 sq mi); when they had cubs of up to 4 months of age, their home ranges declined to 177.3 ± 53.5 km2 (68.5 ± 20.7 sq mi) and steadily grew to 403.3 ± 105.1 km2 (155.7 ± 40.6 sq mi) until the cubs were 13–18 months old.

 

The tiger is a long-ranging species, and individuals disperse over distances of up to 650 km (400 mi) to reach tiger populations in other areas. Young tigresses establish their first territories close to their mother's. Males, however, migrate further than their female counterparts and set out at a younger age to mark out their own area. Four radio-collared females in Chitwan dispersed between 0 and 43.2 km (0.0 and 26.8 mi), and 10 males between 9.5 and 65.7 km (5.9 and 40.8 mi). A young male may have to live as a transient in another male's territory until he is older and strong enough to challenge the resident male. Young males thus have an annual mortality rate of up to 35%. By contrast, young female tigers die at a rate of only around 5%. Tigers mark their territories by spraying urine on vegetation and rocks, clawing or scent rubbing trees, and marking trails with feces, anal gland secretions and ground scrapings.Scent markings also allow an individual to pick up information on another's identity. A tigress in oestrus will signal her availability by scent marking more frequently and increasing her vocalisations. Unclaimed territories, particularly those that belonged to a decreased individual, can be taken over in days or weeks.

 

Male tigers are generally less tolerant of other males within their territories than females are of other females. Territory disputes are usually solved by intimidation rather than outright violence. Once dominance has been established, a male may tolerate a subordinate within his range, as long as they do not live in too close quarters. The most serious disputes tend to occur between two males competing for a female in oestrus. Though tigers mostly live alone, relationships between individuals can be complex. Tigers are particularly social at kills, and a male tiger will share a carcass with the females and cubs within this territory and unlike male lions, will allow them to feed on the kill before he is finished with it. Though the female and male act amicably, females are more tense towards each other at a kill.

 

Communication

During friendly encounters and bonding, tigers rub against each others' bodies. Facial expressions include the "defense threat", which involves a wrinkled face, bared teeth, pulled-back ears, and widened pupils. Both males and females show a flehmen response, a characteristic grimace, when sniffing urine markings. Males also use the flehman to detect the markings made by tigresses in oestrus. Tigers also use their tails to signal their mood. To show cordiality, the tail sticks up and sways slowly, while an apprehensive tiger lowers its tail or wags it side-to-side. When calm, the tail hangs low.

 

Tigers are normally silent but can produce numerous vocalisations. They roar to signal their presence to other individuals over long distances. This vocalisation is forced through an open mouth as it closes and can be heard 3 km (1.9 mi) away. A tiger may roar three or four times in a row, and others may respond in kind. Tigers also roar during mating, and a mother will roar to call her cubs to her. When tense, tigers will moan, a sound similar to a roar but softer and made when the mouth is at least partially closed. Moaning can be heard 400 m (1,300 ft) away.

 

Aggressive encounters involve growling, snarling and hissing. An explosive "coughing roar" or "coughing snarl" is emitted through an open mouth and exposed teeth. Chuffing—soft, low-frequency snorting similar to purring in smaller cats—is heard in more friendly situations. Mother tigers communicate with their cubs by grunting, while cubs call back with miaows. A "woof" sound is produced when the animal is startled. It has also been recording emitting a deer-like "pok" sound for unknown reasons, but most often at kills.

 

Hunting and diet

The tiger is a carnivore and an apex predator feeding mainly on ungulates, with a particular preference for sambar deer, Manchurian wapiti, barasingha and wild boar. Tigers kill large prey like gaur, but opportunistically kill much smaller prey like monkeys, peafowl and other ground-based birds, porcupines and fish. Tiger attacks on adult Asian elephants and Indian rhinoceros have also been reported. More often, tigers take the more vulnerable small calves. When in close proximity to humans, tigers sometimes prey on domestic livestock and dogs. Tigers occasionally consume vegetation, fruit and minerals for dietary fibre.

 

Tigers learn to hunt from their mothers, which is important but not necessary for their success. They usually hunt alone, but families hunt together when cubs are old enough. A tiger travels up to 19.3 km (12.0 mi) per day in search of prey, using vision and hearing to find a target. It also waits at a watering hole for prey to come by, particularly during hot summer days. It is an ambush predator and when approaching potential prey, the tiger crouches, with head lowered, and hides in foliage. The tiger switches between creeping forward and staying still. Tigers have been recorded dozing off while in still mode, and can stay in the same spot for as long as a day waiting for prey and launches an attack, when the prey is close enough. It can sprint 56 km/h (35 mph) and leap 10 m (33 ft).

 

Tiger Reserve

The tiger attacks from behind or at the sides and tries to knock the target off balance. It latches onto prey with its forelimbs, twisting and turning during the struggle. The tiger generally applies a bite to the throat until its target dies of strangulation. Holding onto the throat puts the cat out of reach of the horns, antlers, tusks and hooves. Tigers are adaptable killers and may use other methods, including ripping the throat or breaking the neck. Large prey may be disabled by a bite to the back of the hock, severing the tendon. Swipes from the large paws are capable of stunning or breaking to skull of a water buffalo. They kill small prey with a bite to the back of the neck or skull. Estimates of the success rate for hunting tigers ranges from a low 5% to a high of 50%.

 

The tiger typically drags its kill for 183–549 m (600–1,801 ft) to a hidden, usually vegetated spot before eating. The tiger has the strength to drag the carcass of a fully grown buffalo for some distance, a feat three men struggle with. It rests for a while before eating and can consume as much as 50 kg (110 lb) of meat in one session, but feeds on a carcass for several days, leaving very little for scavengers.

 

Enemies and competitors

Tigers may kill and even prey on other predators they coexist with. In much of their range, tigers share habitat with leopards and dholes. They typically dominate both of them, though large packs of dholes can drive away a tiger, or even kill it. Tigers appear to inhabit the deep parts of a forest while these smaller predators are pushed closer to the fringes. The three predators coexist by hunting different prey. In one study, tigers were found to have killed prey that weighed an average of 91.5 kg (202 lb), in contrast to 37.6 kg (83 lb) for the leopard and 43.4 kg (96 lb) for the dhole. Leopards can live successfully in tiger habitat when there is abundant food and vegetation cover, and there is no evidence of competitive exclusion common to the African savanna, where the leopard lives beside the lion. Nevertheless, leopards avoid areas were tigers roam and are less common where tigers are numerous.

 

Tigers tend to be wary of sloth bears, with their sharp claws, quickness and ability to stand on two legs. Tiger do sometimes prey on sloth bears by ambushing them when they are feeding at termite mounds. Siberian tigers may attack, kill and prey on Ussuri brown and Ussuri black bears. In turn, some studies show that brown bears frequently track down tigers to usurp their kills, with occasional fatal outcomes for the tiger.

 

Reproduction and life cycle

The tiger mates all year round, but most cubs are born between March and June, with another peak in September. A tigress is in oestrus for three to six days, inbetween three to nine week intervals. A resident male mates with all the females within his territory, who signal their receptiveness by roaring and marking. Younger, transient males are also attracted, leading to a fight in which the more dominant male drives the usurper off. During courtship, the male is cautious with the female as he waits for her to show signs she is ready to mate. She signals to him by positioning herself in lordosis with their tail to the side. Copulation is generally 20 to 25 seconds long, with the male biting the female by the scruff of her neck. After it is finished, the male quickly pulls away as the female may turn and slap him. Tiger pairs may stay together for up to four days and mate multiple times. Gestation ranges from 93 to 114 days, with an average of 103 to 105 days.

 

A tigress gives birth in a secluded location, be it in dense vegetation, in a cave or under a rocky shelter. Litters consist of as many seven cubs, but two or three are more typical. Newborn cubs weigh 785–1,610 g (27.7–56.8 oz), and are blind and altricial. The mother licks and cleans her cubs, suckles them and viscously defends them from any potential threat. She will only leave them alone to hunt, and even then does not travel far. When a mother suspects an area is no longer safe, she moves her cubs to a new spot, transporting them one by one by grabbing them by the scruff of the neck with her mouth. The mortality rate for tiger cubs can reach 50% during these early months, causes of death include predators like dholes, leopards and pythons. Young are able to see in a week, can leave the denning site in two months and around the same time they start eating meat.

 

After around two months, the cubs are able to follow their mother. They still hide in vegetation when she goes hunting, and she will guide them to the kill. Cubs bond though play fighting and practice stalking. A hierarchy develops in the litter, with the biggest cub, often a male, being the most dominant and the first to eat its fill at a kill. Around the age of six months, cubs are fully weaned and have more freedom to explore their environment. Between eight and ten months, they accompany their mother on hunts. A cub can make a kill as early as 11 months, and reach independence around 18 to 24 months of age, males becoming independent earlier than females. Radio-collared tigers in Chitwan started dispersing from their natal areas earliest at the age of 19 months. Young females are sexual mature at three to four years, whereas males are at four to five years. Tigers may live up to 26 years.

 

Tiger fathers play no role in raising the young, but he may encounter and interact with them. Resident males appear to visit the female-cub families within his territory. They have when observed swimming with females and their cubs and even sharing kills with them. One male was recorded looking after cubs whose mother had died. By defending his territory, the male is also protecting the females and cubs from harassment by other males. When a new male takes over a territory, cubs under a year old are at risk of being killed, as the male would want to sire his own young with the females. Older female cubs are tolerated but males may be treated as potential competitors.

 

Threats

Major threats to the tiger include habitat destruction, habitat fragmentation and poaching for fur and body parts, which have simultaneously greatly reduced tiger populations in the wild. In India, only 11% of the historical tiger habitat remains due to habitat fragmentation. Demand for tiger parts for use in traditional Chinese medicine has also been cited as a major threat to tiger populations.

 

In China, tigers became the target of large-scale 'anti-pest' campaigns in the early 1950s, where suitable habitats were fragmented following deforestation and resettlement of people to rural areas, who hunted tigers and prey species. Though tiger hunting was prohibited in 1977, the population continued to decline and is considered extinct in southern China since 2001.

 

In Bangladesh, tiger body parts like skins, bones, teeth and hair are consumed locally by wealthy Bangladeshis and are illegally trafficked to 15 countries including India, China, Malaysia, Korea, Vietnam, Cambodia, Japan and the United Kingdom via land borders, airports and seaports.

 

Conservation

Internationally, the tiger is protected under CITES Appendix I, banning trade of live tigers and their body parts.[1] In India, it has been protected since 1972 under Schedule I of the Wild Life (Protection) Act, 1972. In 1973, Project Tiger was founded to gain public support for tiger conservation, and 53 tiger reserves covering an area of 75,796 km2 (29,265 sq mi) have been established in the country until 2022. In Nepal, it has been protected since 1973 under the National Parks and Wildlife Conservation Act, 1973. In Bhutan, it has been protected since 1969; the first Tiger Action Plan implemented during 2006–2015 revolved around habitat conservation, human–wildlife conflict management, education and awareness; the second Action Plan aimed at increasing the country’s tiger population by 20% until 2023 compared to 2015. In Bangladesh, it has been protected since 1973 under the Wildlife (Preservation) Act and the Wildlife (Conservation and Security) Act, 2012. In 2009, the Bangladesh Tiger Action Plan was initiated to stabilize the country's tiger population, maintain habitat and a sufficient prey base, improve law enforcement and cooperation between governmental agencies responsible for tiger conservation. Myanmar’s national tiger conservation strategy developed in 2003 comprises management tasks such as restoration of degraded habitats, increasing the extent of protected areas and wildlife corridors, protecting tiger prey species, thwarting of tiger killing and illegal trade of its body parts, and promoting public awareness through wildlife education programs.

 

Global wild tiger population

CountryYearEstimate

India India20233682–3925

Russia Russia2020480–540

Indonesia Indonesia2016400–600

Bangladesh Bangladesh2014300–500

Nepal Nepal2022355

Thailand Thailand2023189

Bhutan Bhutan2023131

Malaysia Malaysia2022<150

China China201855

Myanmar Myanmar201822

Total5,764–6,467

 

In the 1990s, a new approach to tiger conservation was developed: Tiger Conservation Units (TCUs), which are blocks of habitat that have the potential to host tiger populations in 15 habitat types within five bioregions. Altogether 143 TCUs were identified and prioritized based on size and integrity of habitat, poaching pressure and population status. They range in size from 33 to 155,829 km2 (13 to 60,166 sq mi).

 

In 2016, an estimate of a global wild tiger population of approximately 3,890 individuals was presented during the Third Asia Ministerial Conference on Tiger Conservation. The WWF subsequently declared that the world's count of wild tigers had risen for the first time in a century.

 

Some estimates suggest that there are fewer than 2,500 mature breeding individuals, with no subpopulation containing more than 250 mature breeding individuals. India is home to the world's largest population of wild tigers. A 2014 census estimated a population of 2,226, a 30% increase since 2011. On International Tiger Day 2019, the 'Tiger Estimation Report 2018' was released by Prime Minister Narendra Modi. The report estimates a population of 2967 tigers in India with 25% increase since 2014. Modi said "India is one of the safest habitats for tigers as it has achieved the target of doubling the tiger population from 1411 in 2011 to 2967 in 2019". As of 2022, India accounts for 75 percent of global tiger population. The Tiger Census of 2023 reports tiger population in India at 3167.

 

In the 1940s, the Siberian tiger was on the brink of extinction with only about 40 animals remaining in the wild in Russia. As a result, anti-poaching controls were put in place by the Soviet Union and a network of protected zones (zapovedniks) were instituted, leading to a rise in the population to several hundred. Poaching again became a problem in the 1990s, when the economy of Russia collapsed. The major obstacle in preserving the species is the enormous territory individual tigers require, up to 450 km (280 mi) needed by a single female and more for a single male. Current conservation efforts are led by local governments and NGO's in concert with international organisations, such as the World Wide Fund for Nature and the Wildlife Conservation Society. The competitive exclusion of wolves by tigers has been used by Russian conservationists to convince hunters to tolerate the big cats. Tigers have less impact on ungulate populations than do wolves, and are effective in controlling the latter's numbers. In 2005, there were thought to be about 360 animals in Russia, though these exhibited little genetic diversity. However, in a decade later, the Siberian tiger census was estimated from 480 to 540 individuals.

 

Having earlier rejected the Western-led environmentalist movement, China changed its stance in the 1980s and became a party to the CITES treaty. By 1993 it had banned the trade in tiger parts, and this diminished the use of tiger bones in traditional Chinese medicine. The Tibetan people's trade in tiger skins has also been a threat to tigers. The pelts were used in clothing, tiger-skin chuba being worn as fashion. In 2006 the 14th Dalai Lama was persuaded to take up the issue. Since then there has been a change of attitude, with some Tibetans publicly burning their chubas.

 

In 1994, the Indonesian Sumatran Tiger Conservation Strategy addressed the potential crisis that tigers faced in Sumatra. The Sumatran Tiger Project (STP) was initiated in June 1995 in and around the Way Kambas National Park to ensure the long-term viability of wild Sumatran tigers and to accumulate data on tiger life-history characteristics vital for the management of wild populations. By August 1999, the teams of the STP had evaluated 52 sites of potential tiger habitat in Lampung Province, of which only 15 these were intact enough to contain tigers. In the framework of the STP a community-based conservation program was initiated to document the tiger-human dimension in the park to enable conservation authorities to resolve tiger-human conflicts based on a comprehensive database rather than anecdotes and opinions.

 

The Wildlife Conservation Society and Panthera Corporation formed the collaboration Tigers Forever, with field sites including the world's largest tiger reserve, the 21,756 km2 (8,400 sq mi) Hukaung Valley in Myanmar. Other reserves were in the Western Ghats in India, Thailand, Laos, Cambodia, the Russian Far East covering in total about 260,000 km2 (100,000 sq mi).

 

Tigers have been studied in the wild using a variety of techniques. Tiger population have been estimated using plaster casts of their pugmarks, although this method was criticized as being inaccurate. More recent techniques include the use of camera traps and studies of DNA from tiger scat, while radio-collaring has been used to track tigers in the wild. Tiger spray has been found to be just as good, or better, as a source of DNA than scat.

 

Relationship with humans

A tiger hunt is painted on the Bhimbetka rock shelters in India and dated to 5,000–6,000 years ago. Thousands of years later, Emperor Samudragupta was depicted slaying tigers on coins. Tiger hunting became an established sport under the Mughal Empire in the 16th century. The cats were chased on horseback and killed with spears. Emperor Akbar participated in such activities and one of his hunts is the subject of a painting from the Akbarnama. Following Akbar, Emperor Jahangir will introduce musket to tiger hunts and eventually, elephant would be ridden. The British East India Company would pay for bounties on tigers as early as 1757 and tiger hunting would continue under British Raj. Tiger killings were particularly high in the 19th and early 20th centuries; as an estimated 80,000 cats were killed between 1875 and 1925. King George V on his visit to Colonial India in 1911 killed 39 tigers in a matter of 10 days.

 

Historically, tigers have been hunted at a large scale so their famous striped skins could be collected. The trade in tiger skins peaked in the 1960s, just before international conservation efforts took effect. By 1977, a tiger skin in an English market was considered to be worth US$4,250.

 

Body part use

Tiger parts are commonly used as amulets in South and Southeast Asia. In the Philippines, the fossils in Palawan were found besides stone tools. This, besides the evidence for cuts on the bones, and the use of fire, suggests that early humans had accumulated the bones. and the condition of the tiger subfossils, dated to approximately 12,000 to 9,000 years ago, differed from other fossils in the assemblage, dated to the Upper Paleolithic. The tiger subfossils showed longitudinal fracture of the cortical bone due to weathering, which suggests that they had post-mortem been exposed to light and air. Tiger canines were found in Ambangan sites dating to the 10th to 12th centuries in Butuan, Mindanao.

 

Many people in China and other parts of Asia have a belief that various tiger parts have medicinal properties, including as pain killers and aphrodisiacs. There is no scientific evidence to support these beliefs. The use of tiger parts in pharmaceutical drugs in China is already banned, and the government has made some offences in connection with tiger poaching punishable by death. Furthermore, all trade in tiger parts is illegal under the Convention on International Trade in Endangered Species of Wild Fauna and Flora and a domestic trade ban has been in place in China since 1993.

 

However, the trading of tiger parts in Asia has become a major black market industry and governmental and conservation attempts to stop it have been ineffective to date. Almost all black marketers engaged in the trade are based in China and have either been shipped and sold within their own country or into Taiwan, South Korea or Japan. The Chinese subspecies was almost completely decimated by killing for commerce due to both the parts and skin trades in the 1950s through the 1970s. Contributing to the illegal trade, there are a number of tiger farms in the country specialising in breeding them for profit. It is estimated that between 5,000 and 10,000 captive-bred, semi-tame animals live in these farms today. However, many tigers for traditional medicine black market are wild ones shot or snared by poachers and may be caught anywhere in the tiger's remaining range (from Siberia to India to the Malay Peninsula to Sumatra). In the Asian black market, a tiger penis can be worth the equivalent of around $300 U.S. dollars. In the years of 1990 through 1992, 27 million products with tiger derivatives were found. In July 2014 at an international convention on endangered species in Geneva, Switzerland, a Chinese representative admitted for the first time his government was aware trading in tiger skins was occurring in China.

 

Attacks

Tigers are said to have directly killed more people than any other wild mammal. In most areas, the big cats typically avoid humans, but attacks are a risk wherever people coexist with them. Dangerous encounters are more likely to occur in edge habitats, between wild and agricultural areas.[196] Most attacks on humans are defensive, including protection of young. However, tiger do sometimes see people as potential prey. Tigers hunt people the same way they hunt other prey, by ambush and with a killing bite to the neck. A tiger inflicted wound also carries the risk of infection. Man-eating tigers tend to be old and disabled. Those they have been driven from their home ranges and territories are also at risk of turning to man-eating.

 

The Champawat Tiger was responsible for an estimated 434 human deaths in Nepal and India before she was shot by famed hunter Jim Corbett. Corbett recorded that the tigress suffered from broken teeth and thus unable to kill normal prey. Modern authors speculate that feeding on meagre human flesh forced the cat to kill more and more. Tiger attacks were particularly high in Singapore during the mid-19th century, when plantations expanded into the animal's habitat. The number of deaths ranged from 200 to 300 annually in the 1840s.

 

Tiger predation on humans is highest in the Sundarbans. An estimated 129 people were killed between 1969 and 1971. In the 10 years prior to that period, about 100 attacks per year in the Sundarbans. Victims of tigers attacks are local villagers who enter the tiger's domain to collect resources like wood and honey. Fishermen have been particularly common targets. Methods to counter tiger attacks have included face-masks (worn backwards), protective clothes, sticks and carefully stationed electric dummies. These tools have been credited with reducing tiger attacks to only 22 per year in the 1980s. Because of rapid habitat loss attributed to climate change, tiger attacks have increased in the Sundarbans in the 21 century.

 

In captivity

Tigers have been kept in captivity since ancient times. In ancient Rome, tigers were displayed in amphitheaters; they were slaughtered in hunts and used for public executions of criminals. Mongol Emperor Kublai Khan is reported to have kept tigers in the 13th century. Starting in the Middle Ages, tigers were being kept in European menageries. In 1830, two tigers and a lion were accidentally put in the same exhibit at the Tower of London. This lead to a fight between them and, after they were separated, the lion died of its wounds. Tigers and other exotic animals were mainly used for the entertainment of elites but from the 19th century onward, they were exhibited more to the public. Tigers were particularly big attractions, and their captive population soared.

 

Tigers have played prominent roles in circuses and other live performances. Ringling Bros included many tiger trainers in the 20th century including Mabel Stark, who became a big draw and had a long career. She was well known for being able to control the big cats despite being a small woman; using "manly" tools like whips and guns. Another trainer was Clyde Beatty, who used chairs, whips and guns to provoke tigers and other beasts into acting fierce and allowed him to appear courageous. He would perform with as many as 40 tigers and lions in one act. From the 1960s onward trainers like Gunther Gebel-Williams would use gentler methods to control their animals. Tiger trainer Sara Houckle was dubbed "the Tiger Whisperer", as she trained the cats to obey her by whispering to them. Siegfried & Roy became famous for performing with white tigers in Las Vegas. The act ended in 2003 when a tiger named Mantacore attacked Roy during a performance. The use of tigers and other animals in shows would eventually decline in many countries due to pressure from animal rights groups and greater desires from the public to see them in more natural settings. Several countries would restrict or ban such acts.

 

Tigers have become popular in the exotic pet trade, particularly in the United States. The World Wide Fund for Nature (WWF) estimated that in the US, 5,000 tigers were kept in captivity in 2020, with only 6% of them being in zoos and other facilities approved by the Association of Zoos and Aquariums. The WWF argues that private collectors are ill-equipped to provide proper care for tigers, which compromises their welfare. They can also threaten public safety by allowing people to interact with them. The keeping of tigers and other big cats by private individuals was banned in the US in 2022 under the Big Cat Public Safety Act. Those who owned big cats at the time of the signing were expected to register with the United States Fish and Wildlife Service before 18 June 2023. The WWF also estimated in 2020 that 7,000–8,000 tigers were held in "tiger farm" facilities in China and Southeast Asia. These tigers are bred to be used for traditional medicine and appear to pose a threat to wild populations by rising demand for tiger parts.

 

Cultural significance

Tiger-shaped bronze from Zhou-era China, (c. 900 bc)

The tiger is among the most famous of charismatic megafauna. It has been labelled as "a rare combination of courage, ferocity and brilliant colour". In a 2004 online poll conducted by cable television channel Animal Planet, involving more than 50,000 viewers from 73 countries, the tiger was voted the world's favourite animal with 21% of the vote, narrowly beating the dog. Likewise, a 2018 study found the tiger to be the most popular wild animal based on surveys, and appearances on websites of major zoos and posters of some animated movies.

 

While the lion represented royalty and power in Western culture, the tiger filled such a role in Asia. In ancient China, the tiger was seen as the "king of the forest" and symbolised the power of the emperor. In Chinese astrology, the tiger is the third out of 12 symbols in the zodiac and controls the period of the day between 3 am and 5 am. The Year of the Tiger is thought to bring "dramatic and extreme events". The White Tiger is one of the Four Symbols of the Chinese constellations, representing the west along with the yin and the season of autumn. It is the counterpart to the Azure Dragon, which conversely symbolises the east, yang and springtime. The tiger is one of the animals displayed on the Pashupati seal of the Indus Valley civilisation. The big cat was depicted on seals and coins during the Chola Dynasty of southern India, as it was the official emblem.

 

Tigers have had religious significance, even being worshiped. In Buddhism, the tiger, monkey and deer are Three Senseless Creatures, the tiger symbolising anger. In Bhutan, the tiger is venerated as one of the four powerful animals called the "four dignities", and a tigress is believed to have carried Padmasambhava from Singye Dzong to the Paro Taktsang monastery in the late 8th century. In Korean mythology, tigers are messengers of the Mountain Gods. In Hinduism, the tiger is the vehicle for the goddess of feminine power and peace, Durga, whom the gods created to fight demons. Similarly, in the Greco-Roman world, the tiger was depicted being ridden by the god Dionysus. The Warli of western India worship the tiger-like god Waghoba. The Warli believe that shrines and sacrifices to the deity will lead to better coexistence with the local big cats, both tigers and leopards, and that Waghoba will protect them when they enter the forests. In both Chinese and Korean culture, tigers are seen as a protectors against evil spirits, and their image was used to decorate homes and tombs.

 

In the folklore of Malaysia and Indonesia, "tiger shamans" heal the sick by evoking the big cat. People turning into tigers and the inverse has also been widespread, in particular weretigers are people who could change into tigers and back again. The Mnong people of Indochina believed that tigers could transform into humans. Among some indigenous peoples of Siberia, it was believed that men could have sex with women after transforming into tigers.

 

The tiger's cultural reputation is generally that of a fierce and powerful animal. William Blake's 1794 poem "The Tyger" portrays the animal as the duality of beauty and ferocity. It is the sister poem to "The Lamb" in Blake's Songs of Innocence and of Experience and he ponders why God would create such different creatures. The tiger is featured in the medieval Chinese novel Water Margin, where the cat battles and is slain by the bandit Wu Song, while the tiger Shere Khan in Rudyard Kipling's 1894 The Jungle Book is the mortal enemy of the human protagonist Mowgli. The image of the friendly tame tiger has also existed in culture, notably Tigger, the Winnie-the-Pooh character and Tony the Tiger, the Kellogg's cereal mascot.

Oppose Breed-Specific Legislation. Oppose Pit Bull bans.

Kick Mayor Denis Coderre out of office in 2017.

Mural by Jean Labourdette, Turf One.

Located behind 6554 rue Saint-Hubert, 27 sept. 2016.

The thing about being a star at Studio 54 is that it requires a very specific kind of amnesia. You have to completely forget that two hours ago you were standing on a subway platform in Corona, Queens, smelling things no human being should ever have to catalog.

Take, for instance, the girl currently vibrating under the strobe lights. She has hair so blonde and so long it functions less as a feature and more as a liability, and she is wearing a sequined mini-dress that is essentially a very expensive cry for help. It is the kind of garment that suggests she has a deep, personal vendetta against the concept of sitting down.

She is perched atop five-inch platform heels. Now, I have always felt that if nature had intended for us to be five inches taller, it would have provided us with longer bones, not precarious blocks of Lucite. Walking in them is not so much a mode of transport as it is a constant, public negotiation with gravity.

But here, under the neon moon, she isn’t from the 7 train. She is a "discovery." She is currently dancing with a "Celebrity"—a term that, in this room, is applied to anyone who has managed to stay awake since Tuesday and owns a blazer with shoulder pads wider than their own sense of self.

I’ve often observed that the problem with being a "star" in a discotheque is the shelf life. It’s a very fleeting sort of fame. By 6:00 AM, the sequins will have lost their luster, the blonde hair will be more of a "suggestion" than a reality, and she will have to navigate those platforms back toward Queens. It is a long journey from the center of the universe to a borough where people still expect you to show up for work on time.

I suppose there is something to be said for the effort, though I personally prefer to do my observing from a comfortable chair, which is the only piece of furniture Studio 54 seems to have successfully banned.

This is not the regular Superleggera, this specific model has been ordered with a special paint job called Oro Elios which is a gold color from the Murcielago line. It originated on the 2001 Lamborghini Diablo 6.0 SE (Special Edition). This Lamborghini was special ordered by Lamborghini Houston who said "We special ordered this Superleggera in this color because we were wanting something different, yet very good looking! ", and I agree such a beautiful combo

Dog meat refers to the flesh and other edible parts derived from dogs. Historically, human consumption of dog meat has been recorded in many parts of the world, including East and Southeast Asia, West Africa, Europe, Oceania and the Americas.

 

In the 21st century, dog meat is consumed in many parts of China, Korea and Vietnam, parts of Switzerland, as well as parts of Europe, Americas, the African continent, such as Cameroon, Ghana and Liberia.

 

Today, a number of cultures view the consumption of dog meat to be a part of their traditional and day-to-day cuisine, while others - such as Western culture - consider consumption of dog to be a taboo, although they have been consumed in times of war and/or other hardships or in rural areas where food is scarce. It was estimated in 2014 that worldwide, 25 million dogs are eaten each year by humans.

 

DOG BREEDS USED FOR MEAT

NUREONGI

The Nureongi is a yellowish landrace from Korea. Similar to other native Korean dog breeds, such as the Jindo, nureongi are medium-sized spitz-type dogs, but are larger, with greater musculature and a distinctive coat pattern. They are quite uniform in appearance, yellow hair and melanistic masks. Nureongi are most often used as a livestock dog, raised for its meat, and not commonly kept as pets.

 

HAWAIIAN POI

The Hawaiian Poi Dog or ʻīlio (ʻīlio mākuʻe for brown-furred Poi dogs) is an extinct breed of pariah dog from Hawaiʻi which was used by Native Hawaiians as a spiritual protector of children and as a source of food.

 

XOLOITZCUINTLE (Mexican Hairless)

The Xoloitzcuintle, or Xolo for short, is a hairless breed of dog, found in toy, miniature and standard sizes. The Xolo also comes in a coated variety and all three sizes can be born to a single litter. It is also known as Mexican hairless dog in English speaking countries, is one of several breeds of hairless dog and has been used as a historical source of food for the Aztec Empire.

 

BY REGION

AFRICA

CAMEROON

The Mandara mountains people like dog meat. The Mayo-Plata (Mayo Sava district) market is well known for its dog meat outlets. Among the Vame people, domestic dogs are only eaten for specific rituals.

 

DEMOCRATIC REPUBLIC OF THE CONGO

Despite tests showing 156 dogs were infected with Ebola, the consumption of dog meat is no longer taboo. Several families may chip in to purchase a whole large dog.

 

GHANA

The Tallensi, the Akyim's, the Kokis, and the Yaakuma, one of many cultures of Ghana, consider dog meat a delicacy. While the Mamprusi generally avoid dog meat, it is eaten in a "courtship stew" provided by a king to his royal lineage. Two Tribes in Ghana, Frafra and Dagaaba are particularly known to be "tribal playmates" and consumption of dog meat is the common bond between the two tribes. Every year around September, games are organised between these two tribes and the Dog Head is the trophy at stake for the winning tribe

 

LIBERIA

Liberians are said to lump the term dog meat and bushmeat together. A local animal welfare group. Anti Pet & Bush Meat Coalition, claimed 75% of Liberians consume dog meat. 75% of Liberians rely on bush and pet meat as a staple diet.

 

MOROCCO

Islamic law bans the eating of dog meat as does the government of Morocco, however the consumption of dog meat still occurs particularly in poorer regions, often being passed off as other meats as was the case in 2013 and 2009 cases

 

NIGERIA

Dogs are eaten by various groups in some states of Nigeria, including Akwa Ibom, Cross River, Plateau, Ondo, Kalaba, Taraba and Gombe of Nigeria. They are believed to have medicinal powers.

 

In late 2014, the fear of contracting the Ebola virus disease from bushmeat led at least one major Nigerian newspaper to imply that eating dog meat was a healthy alternative. That paper documented a thriving trade in dog meat and slow sales of even well smoked bushmeat.

 

AMERICAS

CANADA

It is legal to sell and serve dog meat, providing that it must be killed and gutted in front of federal inspectors. If a dog is killed out of the view of federal inspectors, the killing might involve cruelty, which would be a violation of the Criminal Code, and those convicted may be sentenced to up to 5 years in prison.

 

ANCIENT MEXICO

In the time of the Aztec Empire in what is now central Mexico, Mexican Hairless Dogs were bred, among other purposes, for their meat. Hernán Cortés reported when he arrived in Tenochtitlan in 1519, "small gelded dogs which they breed for eating" were among the goods sold in the city markets. These dogs, Xoloitzcuintles, were often depicted in pre-Columbian Mexican pottery. The breed was almost extinct in the 1940s, but the British Military Attaché in Mexico City, Norman Wright, developed a thriving breed from some of the dogs he found in remote villages.

 

UNITED STATES OF AMERICA

The term "dog" has been used as a synonym for sausage since 1884 and accusations that sausage makers used dog meat date to at least 1845. The belief that sausages contained dog meat was occasionally justified.

 

In the late 19th century, a cure for tuberculosis (then colloquially termed "consumption") using an exclusive diet of dog meat was tried. Reports of families eating dog meat out of choice, rather than necessity, were rare and newsworthy. Stories of families in Ohio and Newark, New Jersey who did so made it into editions of The New York Times in 1876 and 1885.

 

In the early 20th century, dog meat was consumed during times of meat shortage.

 

NATIVE AMERICANS

The traditional culture surrounding the consumption of dog meat varied from tribe to tribe among the original inhabitants of North America, with some tribes relishing it as a delicacy, and others (such as the Comanche) treating it as a forbidden food. Native peoples of the Great Plains, such as the Sioux and Cheyenne, consumed it, but there was a concurrent religious taboo against the meat of wild canines.

 

During their 1803–1806 expedition, Meriwether Lewis and the other members of the Corps of Discovery consumed dog meat, either from their own animals or supplied by Native American tribes, including the Paiutes and Wah-clel-lah Indians, a branch of the Watlatas, the Clatsop, the Teton Sioux (Lakota), the Nez Perce Indians, and the Hidatsas. Lewis and the members of the expedition ate dog meat, except William Clark, who reportedly could not bring himself to eat dogs.

 

The Kickapoo people include puppy meat in many of their traditional festivals. This practice has been well documented in the Works Progress Administration "Indian Pioneer History Project for Oklahoma".

 

AUSTRALIA

It is legal to eat dogs in most States and Territories, except for South Australia. However, it is illegal to sell dog meat in any Australian State or Territory.

 

ARTIC AND ANTARTIC

Dogs have historically been emergency food sources for various peoples in Siberia, northern Canada, and Greenland. Sled dogs are usually maintained for pulling sleds, but occasionally are eaten when no other food is available.

 

British explorer Ernest Shackleton and his Imperial Trans-Antarctic Expedition became trapped, and ultimately killed their sled dogs for food. Norwegian explorer Roald Amundsen was known to have eaten sled dogs during his expedition to the South Pole. By eating some of the sled dogs, he required less human or dog food, thus lightening his load. When comparing sled dogs to ponies as draught animals he also notes:

 

"...there is the obvious advantage that dog can be fed on dog. One can reduce one's pack little by little, slaughtering the feebler ones and feeding the chosen with them. In this way they get fresh meat. Our dogs lived on dog's flesh and pemmican the whole way, and this enabled them to do splendid work. And if we ourselves wanted a piece of fresh meat we could cut off a delicate little fillet; it tasted to us as good as the best beef. The dogs do not object at all; as long as they get their share they do not mind what part of their comrade's carcass it comes from. All that was left after one of these canine meals was the teeth of the victim – and if it had been a really hard day, these also disappeared."

 

Douglas Mawson and Xavier Mertz were part of the Far Eastern Party, a three-man sledging team with Lieutenant B.E.S. Ninnis, to survey King George V Land, Antarctica. On 14 December 1912 Ninnis fell through a snow-covered crevasse along with most of the party's rations, and was never seen again. Mawson and Mertz turned back immediately. They had one and a half weeks' food for themselves and nothing at all for the dogs. Their meagre provisions forced them to eat their remaining sled dogs on their 507 km return journey. Their meat was tough, stringy and without a vestige of fat. Each animal yielded very little, and the major part was fed to the surviving dogs, which ate the meat, skin and bones until nothing remained. The men also ate the dog's brains and livers. Unfortunately eating the liver of sled dogs produces the condition hypervitaminosis A because canines have a much higher tolerance for vitamin A than humans do. Mertz suffered a quick deterioration. He developed stomach pains and became incapacitated and incoherent. On 7 January 1913, Mertz died. Mawson continued alone, eventually making it back to camp alive.

 

ASIA/PACIFIC

CHINA

Selling dog meat for consumption is legal in Mainland China and approximately 10 million dogs each year are slaughtered for consumption. The eating of dog meat in China dates back thousands of years. Dog meat (Chinese: 狗肉; pinyin: gǒu ròu) has been a source of food in some areas from around 500 BC and possibly even earlier. It has been suggested that wolves in southern China may have been domesticated as a source of meat. Mencius, the philosopher, talked about dog meat as being an edible, dietary meat. It is thought to have medicinal properties, and is especially popular in winter months in northern China, as it is believed to raise body temperature after consumption and promote warmth. Historical records have moreover shown how in times of food scarcities (as in war-time situations), dogs could also be eaten as an emergency food source.

 

Dog meat is sometimes called "fragrant meat" (香肉 xiāng ròu) or "mutton of the earth" (地羊 dì yáng) in Mandarin Chinese and "3–6 fragrant meat" (Chinese: 三六香肉; Cantonese Yale: sàam luhk hèung yuhk) in Cantonese (3 plus 6 is 9 and the words "nine" and "dog" have close pronunciation. In Mandarin, "nine" and "dog" are pronounced differently).

 

In modern times, the extent of dog consumption in China varies by region, most prevalent in Guangdong, Yunnan and Guangxi, as well as the northern provinces of Heilongjiang, Jilin and Liaoning. It is still common to find dog meat served in restaurants in Southern China, where dogs are specially raised on farms. However, there are instances of finding stolen pet meat on menus. Chinese netizens and the Chinese police intercepted trucks transporting caged dogs to be slaughtered in localities such as Chongqing and Kunming. In 2014, 11 people in the Hunan province were sentenced to prison for allegedly poisoning over 1,000 dogs and selling the poisonous meat to restaurants. Since 2009, Yulin, Guangxi has held an annual festival of eating dog meat. This purportedly celebrates the summer solstice, however, in 2014, the municipal government published a statement that the festival is not a cultural tradition, rather, a commercial event held by restaurants and the public. Various dog meat dishes (and more recently, cats) are eaten, washed down by lychees wine. The festival in 2011 spanned 10 days, during which 15,000 dogs were consumed. Estimates of the number of dogs eaten during the festival range between 10 and 15 thousand. Festival organisers say that only dogs bred specifically for consumption are used, however, there are claims that some of the dogs purchased for slaughter and consumption are strays or stolen pets, as evidenced by their wearing collars. Some of the dogs eaten at the festival are burnt or boiled alive and there are reports that the dogs are sometimes clubbed or beaten to death in the belief that the increased adrenalin circulating in the dog's body adds to the flavour of the meat. At the 2015 festival, there were long queues outside large (300-seat) eateries which sold the dog meat for around £4 (€5.60) per kilogram. Prior to the 2014 festival, eight dogs (and their two cages) sold for 1,150 yuan ($185) and six puppies for 1,200 yuan. Prior to the 2015 festival, a protester bought 100 dogs for 7,000 yuan ($1,100; £710). The animal rights NGO Best Volunteer Centre claims the city has more than 100 slaughterhouses, processing between 30 and 100 dogs a day. However, the Yulin Centre for Animal Disease Control and Prevention claims the city has only eight dog slaughterhouses selling approximately 200 dogs, although this increases to about 2,000 dogs during the Yulin festival. There are several campaigns to stop the festival; more than 3,000,000 people have signed petitions against it on Weibo (China’s version of Twitter) and a petition to stop the festival (addressed to the Chinese Minister of Agriculture, Chen Wu) reads "Do the humane thing by saying no to this festival and save the lives of countless dogs that will fall victim to this event - an event that will butcher, skin alive, beat to death etc. thousands of innocent dogs." Prior to the 2014 festival, doctors and nurses staff were ordered not to eat dog meat there, and local restaurants serving dog meat were ordered to cover the word "dog" on their signs and notices.

 

The movement against the consumption of cat and dog meat was given added impetus by the formation of the Chinese Companion Animal Protection Network (CCAPN). Expanded to more than 40 member societies, CCAPN in 2006 began organizing protests against eating dogs and cat, starting in Guangzhou and following up in more than ten other cities with a positive response from the public. Before the 2008 Beijing Olympics, officials ordered dog meat to be taken off the menu at its 112 official Olympic restaurants to avoid offending visitors from various nations who might have been concerned by the offering of dog meat.

 

In 2010, draft legislation was proposed to prohibit the consumption of dog meat. The legislation, however, was not expected to be enforced, making the consumption of dog meat illegal if it passed. In 2010, the first draft proposal of the legislation was introduced, with the rationale to protect animals from maltreatment. The legislation includes a measure to jail people for up to 15 days for eating dog meat. However, certain cultural food festivals continue to promote the meat. For example, in 2014, 10,000 dogs were killed for the Yulin dog eating festival.

 

As of the early 21st century, dog meat consumption is declining or disappearing. In 2014, dog meat sales decreased by a third compared to 2013. It was reported that in 2015, one of the most popular restaurants in Guangzhou serving dog meat was closed after the local government tightened regulations; the restaurant had served dog meat dishes since 1963. Other restaurants that served dog and cat meat dishes in the Yuancun and Panyu districts also stopped serving these in 2015.

 

HONG KONG

In Hong Kong, the Dogs and Cats Ordinance was introduced by the British Hong Kong Government on 6 January 1950. It prohibits the slaughter of any dog or cat for use as food, whether for mankind or otherwise, on pain of fine and imprisonment. In February 1998, a Hong Konger was sentenced to one month imprisonment and a fine of two thousand HK dollars for hunting street dogs for food. Four local men were sentenced to 30 days imprisonment in December 2006 for having slaughtered two dogs.

 

TAIWAN

In 2001, the Taiwanese government imposed a ban on the sale of dog meat, due to both pressure from domestic animal welfare groups and a desire to improve international perceptions, although there were some protests. In 2007, another law was passed, significantly increasing the fines to sellers of dog meat. However, animal rights campaigners have accused the Taiwanese government of not prosecuting those who continue to slaughter and serve dog meat at restaurants. Although the slaughter and consumption of dog meat is illegal in Taiwan, there are reports that suggest the practice continues as of 2011. In Taiwan, dog meat is called "fragrant meat" (Chinese: 香肉; pinyin: xiāngròu). In 2007, legislators passed a law to fine sellers of dog meat NT$250,000 (US$7,730). Dog meat is believed to have health benefits, including improving circulation and raising body temperature.

 

INDIA

In India, dog meat is eaten by certain communities in the Northeast Indian border states of Mizoram, Nagaland, and Manipur where it is considered to be a delicacy. These states border Burma and may have been influenced by Chinese culture and traditions.

 

INDONESIA

Indonesia is predominantly Muslim, a faith which considers dog meat, along with pork to be "haraam" (ritually unclean) and therefore do not eat it. However, dog meat is eaten by several of Indonesia's non-Muslim minorities.

 

The consumption of dog meat is associated with the Minahasa culture of northern Sulawesi, Maluku culture, and the Bataks of northern Sumatra, where dog meat is considered a festive dish usually reserved for occasions such as weddings and Christmas.

 

Popular Indonesian dog-meat dishes are rica-rica, also called rintek wuuk or "RW", rica-rica waung, guk-guk, and "B1". On Java, there are several dishes made from dog meat, such as sengsu (tongseng asu), sate jamu, and kambing balap.

 

Dog consumption in Indonesia gained attention in United States where dog is a taboo food, during 2012 Presidential election when incumbent Barack Obama was pointed by his opponent to have eaten dog meat served by his Indonesian stepfather Lolo Soetoro during his stay in the country.

 

JAPAN

The consumption of dog meat is not a feature of modern Japanese culture because Japanese people believe that certain dogs have special powers in their religion of Shintoism and Buddhism. Dog meat was consumed in Japan until 675 AD, when Emperor Temmu decreed a prohibition on its consumption during the 4th–9th months of the year. Normally a dog accompanied the emperor for battle, so it was believed that eating a dog gave emperors bad luck. In Japanese shrines certain animals are worshipped, such as dogs as it is believed they will give people a good luck charm. Animals are described as good luck in scrolls and Kakemono during the Kofun period, Asuka period and Nara period. According to Meisan Shojiki Ōrai (名産諸色往来) published in 1760, the meat of wild dog was sold along with boar, deer, fox, wolf, bear, raccoon dog, otter, weasel and cat in some regions of Edo. Ōta Nampo recorded witnessing puppies being eaten in Satsuma Province in a dish called Enokoro Meshi (えのころ飯).

 

KOREA

Gaegogi (개고기) literally means "dog meat" in Korean. The term itself, however, is often mistaken as the term for Korean soup made from dog meat, which is actually called bosintang (보신탕; 補身湯, Body nourishing soup) (sometimes spelled "bo-shintang").

 

The consumption of dog meat in Korean culture can be traced through history. Dog bones were excavated in a neolithic settlement in Changnyeong, South Gyeongsang Province. A wall painting in the Goguryeo Tombs complex in South Hwangghae Province, a World Heritage site which dates from the 4th century AD, depicts a slaughtered dog in a storehouse. The Balhae people also enjoyed dog meat, and the modern-day tradition of canine cuisine seems to have come from that era.

 

Although their Mohe ancestors did not respect dogs, the Jurchen people began to respect dogs around the time of the Ming dynasty and passed this tradition on to the Manchu. It was prohibited in Jurchen culture to use dog skin, and forbidden for Jurchens to harm, kill, and eat dogs, as the Jurchens believed the "utmost evil" was the usage of dog skin by Koreans.

 

SOUTH KOREA

Dog meat is often consumed during the summer months and is either roasted or prepared in soups or stews. The most popular of these soups is bosintang and gaejang-guk, a spicy stew meant to balance the body's heat during the summer months. This is thought to ensure good health by balancing one's "Qi", the believed vital energy of the body. A 19th-century version of gaejang-guk explains the preparation of the dish by boiling dog meat with vegetables such as green onions and chili pepper powder. Variations of the dish contain chicken and bamboo shoots.

 

Over 100,000 tons of dog meat, or 2.5 million dogs, are consumed annually in South Korea. Although a fair number of South Koreans (approximately 42% to 60%) have eaten dog meat at least once in their lifetime, only a small percentage of the population is believed to eat it on a regular basis.

 

The Ministry of Food and Drug Safety recognizes any edible product other than drugs as food. South Korean Food Sanitary Law (식품위생법) does not include dog meat as a legal food ingredient. In the capital city of Seoul, the sale of dog meat was outlawed by regulation on February 21, 1984 by classifying dog meat as 'repugnant food' (혐오식품), but the regulation was not rigorously enforced except during the 1988 Seoul Olympics. In 2001, the Mayor of Seoul announced there would be no extra enforcement efforts to control the sale of dog meat during the 2002 FIFA World Cup, which was partially hosted in Seoul. In March 2008, the Seoul Metropolitan Government announced its plan to put forward a policy suggestion to the central government to legally classify slaughter dogs as livestock, reigniting debate on the issue.

 

The primary dog breed raised for meat, the Nureongi (누렁이), or Hwangu (황구); is a non-specific, mixed breed.

 

There is a large and vocal group of Koreans (consisting of a number of animal welfare groups) who are against the practice of eating dogs. Popular television shows like 'I Love Pet' have documented, in 2011 for instance, the continued illegal sale of dog meat and slaughtering of dogs in suburban areas. The program also televised illegal dog farms and slaughterhouses, showing the unsanitary and horrific conditions of caged dogs, several of which were visibly sick with severe eye infections and malnutrition. However, despite this growing awareness, there remain some in Korea that do not eat or enjoy the meat, but do feel that it is the right of others to do so, along with a smaller but still vocal group of pro-dog cuisine people who want to popularize the consumption of dog in Korea and the rest of the world. A group of pro-dog meat individuals attempted to promote and publicize the consumption of dog meat worldwide during the run-up to the 2002 FIFA World Cup, co-hosted by Japan and South Korea, which prompted retaliation from animal rights campaigners and prominent figures such as Brigitte Bardot to denounce the practice. Opponents of dog meat consumption in South Korea are critical of the eating of dog meat, as some dogs are beaten, burnt or hanged to make their meat more tender.

 

The restaurants that sell dog meat, often exclusively, do so at the risk of losing their restaurant licenses. A case of a dog meat wholesaler, charged with selling dog meat, arose in 1997 where an appeals court acquitted the dog meat wholesaler, ruling that dogs were socially accepted as food. According to the National Assembly of South Korea, more than 20,000 restaurants, including the 6,484 registered restaurants, served soups made from dog meat in Korea in 1998. In 1999 the BBC reported that 8,500 tons of dog meat were consumed annually, with another 93,600 tons used to produce a medicinal tonic called gaesoju (개소주).

 

NORTH KOREA

Daily NK reported that the North Korean government included dog meat in its new list of one hundred fixed prices, setting a fixed price of 500 won per kilogram in early 2010.

 

NEW ZEALAND

Dog meat is rarely eaten in New Zealand but has been said to be becoming more popular as it is not illegal as long as the dog is humanely killed.

 

A Tongan man living in New Zealand caused public outrage when he was caught cooking his pet dog in his backyard; this event led to calls for change in the law.

 

PHILIPPINES

The “Malays”, a sea-faring population that is now scattered throughout South-East Asia, introduced the practice of domesticating dogs for meat consumption to the indigenous population of the Philippines.

 

In the capital city of Manila, Metro Manila Commission Ordinance 82-05 specifically prohibits the killing and selling of dogs for food. Generally however, the Philippine Animal Welfare Act 1998 prohibits the killing of any animal other than cattle, pigs, goats, sheep, poultry, rabbits, carabaos, horses, deer and crocodiles, with exemptions for religious, cultural, research, public safety and/or animal health reasons. Nevertheless, the consumption of dog meat is not uncommon in the Philippines, reflected in the occasional coverage in Philippine newspapers,.

 

The Province of Benguet specifically allows cultural use of dog meat by indigenous people and acknowledges this might lead to limited commercial use.

 

Asocena is a dish primarily consisting of dog meat originating from the Philippines.

 

In the early 1980s, there was an international outcry about dog meat consumption in the Philippines after newspapers published photos of Margaret Thatcher, then British Prime Minister, with a dog carcass hanging beside her on a market stall. The British Government discussed withdrawing foreign aid and other countries, such as Australia, considered similar action. To avoid such action, the Filipino government banned the sale of dog meat, despite dog meat being the third most consumed meat, behind pork and goat. The ban eventually became totally disregarded, although it was reinstated by President Ramos in 1998 in the Animal Welfare Act (Republic Act 8485).

 

POLYNESIA

Dogs were historically eaten in Tahiti and other islands of Polynesia, including Hawaii at the time of first European contact. James Cook, when first visiting Tahiti in 1769, recorded in his journal, "few were there of us but what allow'd that a South Sea Dog was next to an English Lamb, one thing in their favour is that they live entirely upon Vegetables". Calwin Schwabe reported in 1979 that dog was widely eaten in Hawaii and considered to be of higher quality than pork or chicken. When Hawaiians first encountered early British and American explorers, they were at a loss to explain the visitors' attitudes about dog meat. The Hawaiians raised both dogs and pigs as pets and for food. They could not understand why their British and American visitors only found the pig suitable for consumption. This practice seems to have died out, along with the native Hawaiian breed of dog, the unique Hawaiian Poi Dog, which was primarily used for this purpose. The consumption of domestic dog meat is still commonplace in the Kingdom of Tonga, and has also been noted in expatriate Tongan communities in New Zealand, Australia, and the United States.

 

THAILAND

Unlike other countries where dog meat consumption has been shown to have historical precedents, Thailand does not have a mainstream culture of dog eating. However, in recent years, the consumption of dog meat in certain areas of the country, especially in certain northeastern provinces like Sakon Nakhon and Nakhon Phanom, notably Sakon Nakhon province's Tha Rae sub-district, which has been identified as the main center for the country's illegal, albeit lucrative, dog meat trade, has attracted widespread attention from the Thai population and local news media. This has led large groups of Thai citizens to become increasingly vocal against the consumption of dog meat and the selling of dogs that are transported through Laos to neighbouring Mekong countries, including Vietnam and China. According to news reports, a considerable number of these dogs continue to be stolen from people's homes by illegal carriers. This was also the case following the 2011 Thailand Floods. Dubbed as the country's 'Trade of Shame', Thai netizens, in particular, have now formed several informal animal welfare and rescue groups in an attempt to stop this illegal trade, with the collective attitude being that 'Dogs are not food'. Established not-for-profit animal charity organizations like the Soi Dog Foundation have also been active in raising awareness and working in conjunction with local Thai authorities to rehabilitate and relocate dogs rescued from trucks attempting to transport live dogs across the border to nearby countries. Significantly, this issue has strengthened the nation's animal rights movement, which continues to call on the Thai government to adopt a stricter and more comprehensive animal rights law to prevent the maltreatment of pets and cruelty against all animals.

 

TIMOR LESTE

Dog meat is a delicacy popular in East Timor.

 

UZBEKISTAN

Although not commonly eaten, dog meat is sometimes used in Uzbekistan in the belief that it has medicinal properties.

 

VIETNAM

Dog meat is consumed more commonly in the northern part of Vietnam than in the south, and can be found in special restaurants which specifically serve dog meat. Dog meat is believed to bring good fortune in Vietnamese culture. It is seen as being comparable in consumption to chicken or pork. In urban areas, there are sections that house a lot of dog meat restaurants. For example, on Nhat Tan Street, Tây Hồ District, Hanoi, many restaurants serve dog meat. Groups of customers, usually male, seated on mats, will spend their evenings sharing plates of dog meat and drinking alcohol. The consumption of dog meat can be part of a ritual usually occurring toward the end of the lunar month for reasons of astrology and luck. Restaurants which mainly exist to serve dog meat may only open for the last half of the lunar month. Dog meat is also believed to raise the libido in men. The Associated Press reported in October 2009 that a soaring economy has led to the booming of dog restaurants in Hanoi, and that this has led to a proliferation of dognappers. Reportedly, a 20 kilograms dog can sell for more than $100 — roughly the monthly salary of an average Vietnamese worker. The Vietnamese Catholic Church is a major consumer of dog meat during the Christmas holiday. There is a large smuggling trade from Thailand to export dogs to Vietnam for human consumption.In 2009, dog meat was found to be a main carrier of the Vibrio cholerae bacterium, which caused the summer epidemic of cholera in northern Vietnam. Prior to 2014, more than 5 million dogs were killed for meat every year in Vietnam according to the Asia Canine Protection Alliance. However, there are indications that the desire to eat dog meat in Vietnam is waning. Part of the decline is thought to be due to an increased number of Vietnamese people keeping dogs as pets, as their incomes have risen in the past few decades. “[People] used to raise dogs to guard the house, and when they needed the meat, they ate it. Now they keep dog as pets, imported from China, Japan, and other countries. One pet dog might cost hundreds of millions of dong [100 million dong is $4,677].”

 

EUROPE

BRITAIN & IRELAND

Eating dog meat is considered entirely taboo, as is common with most European societies, and has been taboo for many centuries outside of times of scarcity such as sieges or famines. However, early Brittonic and Irish texts which date from the early Christian period suggest that dog meat was sometimes consumed but possibly in ritual contexts such as Druidic ritual trance. Sacrificial dog bones are often recovered from archaeological sites however they were typically treated differently, as were horses, from other food animals. One of Ireland's mythological heroes Cuchulainn, had two geasa, or vows, one of which was to avoid the meat of dogs. The breaking of his geasa led to his death in the Irish mythology.

 

BELGIUM

A few meat shops sold dog meat during the German occupation of Belgium in World War I, when food was extremely scarce. According to The New York Times, in the 19th century the Council of the Veterinary School of Belgium occasionally recommended dog meat for human consumption after being properly inspected.

 

FRANCE

Although consumption of dog meat is uncommon in France, and is now considered taboo, dog meat has been consumed in the past by the Gauls. The earliest evidence of dog consumption in France was found at Gaulish archaeological sites, where butchered dog bones were discovered. French news sources from the late 19th century carried stories reporting lines of people buying dog meat, which was described as being "beautiful and light." During the Siege of Paris (1870–1871), there were lines at butcher's shops of people waiting to purchase dog meat. Dog meat was also reported as being sold by some butchers in Paris, 1910.

 

GERMANY

Dog meat has been eaten in every major German crisis since, at least, the time of Frederick the Great, and is commonly referred to as "blockade mutton". In the early 20th century, high meat prices led to widespread consumption of horse and dog meat in Germany.

 

The consumption of dog meat continued in the 1920s. In 1937, a meat inspection law targeted against trichinella was introduced for pigs, dogs, boars, foxes, badgers, and other carnivores. Dog meat has been prohibited in Germany since 1986.

 

SAXONY

In the latter part of World War I, dog meat was being eaten in Saxony by the poorer classes because of famine conditions.

 

THE NETHERLANDS

During severe meat shortages coinciding with the German occupation from 1940 to 1945, sausages found to have been made of dog meat were confiscated by authorities in the Netherlands.

 

POLAND

While dog meat is not eaten, some rural areas of Poland especially Lesser Poland, dog fat can be made into lard, which by tradition is believed to have medicinal properties — being good for the lungs, for instance. Since the 16th century, fat from various animals, including dogs, was used as part of folk medicine, and since the 18th century, dog fat has had a reputation as being beneficial for the lungs. It is worth noting that the consumption of such meat is considered taboo in Polish culture, also making lard out of dogs' fat is illegal. In 2009, a scandal erupted when a farm near Częstochowa was discovered rearing dogs to be rendered down into lard. According to Grazyna Zawada, from Gazeta Wyborcza, there were farms in Czestochowa, Klobuck, and in the Radom area, and in the decade from 2000 to 2010 six people producing dog lard were found guilty of breaching animal welfare laws (found guilty of killing dogs and animal cruelty) and sentenced to jail. As of 2014 there have been new cases prosecuted.

 

SWITZERLAND

Dogs, as well as cats, are eaten regularly by farmers in rural areas for personal consumption. While commercial slaughter and sale of dog meat is illegal, cultural attitudes toward slaughtering of animals for meat is traditionally liberal in Switzerland. The favorite type of meat comes from a dog related to the Rottweiler and consumed as 'mostbrockli' a form of marinated meat. Animals are slaughtered by butchers and either shot or bludgeoned.

 

In his 1979 book Unmentionable Cuisine, Calvin Schwabe described a Swiss dog meat recipe gedörrtes Hundefleisch served as paper-thin slices, as well as smoked dog ham, Hundeschinken, which is prepared by salting and drying raw dog meat.

 

It is illegal in Switzerland to commercially produce food made from dog meat, or to produce such food for commercial purposes.

 

WIKIPEDIA

One of several mission specific posters made for the U.S.

The U.S. Marshals Service has a robust team of black and golden labs trained in explosive detection. They are used to clear event spaces and court rooms prior to events. Beacon, the dog in the center of the group was the first dog deputy in the Marshals Service. Beacon's worked seven years from 2001-2008 for the USMS and remained an active ambassador and pet to the chief of the K9 unit until his death in 2015.

 

Photos and layout by: Shane T. McCoy / US Marshals

The Disconcerting

 

Part 1

Midnight Shadows

 

Maybe is because of the specific role-play games my twin and I grew up playing. Maybe it’s also because of My love of dressing up in elegant attire and the wearing of jewellery. Or just maybe I am one of those mystic magnets of a soul that attracts this sort of thing to happen?

 

I had actually written this one out a year after it happened because someone suggested to me to do so, but wish now I had done so right after it happened so I would have a more descriptive memory of it.

 

It’s brief because the actual incident as it played out, happened so fast that it all was such a blur, there are no real recollections as far as detailed descriptions go.

 

Not even sure if it fits in with this collection of stories based on role play and similar games from youth and young adulthood.

 

For it may have been a game, but it certainly was not one of ours.

 

££££££££££

 

This rather harrowing experience occurred on the evening of a fancy dress Girl’s only party I attended some years ago.

 

My twin brother I were 22 years old at the time, as was my best friend Ginny.

 

The party mentioned was a BAFTA themed get together held in the nearby city.

 

Ginny and I were both attired for the party as though we were attending the real thing, which was the idea. And we were not alone in dressing up like that.

 

For at this annual party held by a university chum’s older sister, everyone attending was mandated to dress up like an actress attending the awards ceremony.

 

Ginny, as always when she does fancy proper, was drop-dead gorgeous.

 

She looked smashing, poured into her shimmering, off one shoulder gown of thin silk, silver with copper threads woven in. The gown really had a nice sexy fluid flow as she moved. Long elbow-length gloves of a dark copper satin, finished the effect.

 

She was wearing her good earrings. A pierced ear style set with real diamonds(1/2 Carat diamond with a dangling a pear-shaped 1 1/2 carat diamond), a diamond rhinestone choker, a matching rhinestone bracelet, and two cocktail rings. The 2 carat earrings and one of her rings were real, the rest good quality antique rhinestones.

 

Her silky hair, a darker natural red than mine, was worn up with an elegant bun held with a long silver clip on one side. Several strands purposely fell alongside her freckled face, adding a rather far too cute effect.

 

Myself, I was wearing a pretty party dress of Mum’s. One that I (and Papa) felt she looked breathtakingly beautiful wearing it on a night out.

 

It was a solid coloured sky blue taffeta dress that shone with a tight sleekness down along my figure. Maybe a bit too tight for it outlined my every curve, making me look sexier than I knew I was. The skirt was higher in front( touching just below my knees) than in the back where it swished a few inches above my ankles and my deep blue silk stiletto heels. The neckline of the dress was of a long open scoop and had wavy ruffles running along with its opening, the sleeves went to my elbows, ending in ruffles. With it, I was also wearing deep blue 3/4 length satin gloves.

 

For jewellery, I wore mum’s full set of enticingly sparkling rhinestones. The pricey imitation diamonds that Papa teased he needed sunglasses to look at her whenever Mum wore them out, which was a lot.

 

The centerpiece of the set was undoubtedly the long glittery necklace that looked like an upside-down,loosely attached, elongated pyramid filled with blazing diamond-like stones.

This eye-catcher hung down low along the open neck of the dress, swaying a few inches up from my (small)cleavage.

 

The set also had a matching bracelet, long earrings, and a ring. I added two more of my real gemstone rings for effect.

 

My own freshly washed long, naturally red hair was pulled back in a plait and I had a thin diamond chip encrusted silver Tiara to hold it all in place.

 

Please get a good mental picture of how Ginny and I were dressed up for the affair before reading on( and I hope you will read on) it should add a little clarity to the story.

  

Part 2

Midnight Ball (Faux)

 

To fit in with the party theme my twin brother actually was able to again borrow papa’s friend’s elegant antique car. An old dark purple Rolls Royce.

 

My brother dressed the part as a chauffeur( at Ginny and my puppy-eyed request), wearing a suit, formal shirt, and bow tie. He refused to wear the white gloves or hat though.

 

He thoroughly was into playing his role, opening the door for each of us as we were helped into the back, with him sitting alone upfront.

 

The party was at a house 30 minutes away in the city, with about 25 guests expected to attend.

 

All of whom had gone wild with their fancy dress ideas.

 

Gowns and formal dresses, many of which were old bridesmaids affairs, flowed, shined, and shimmered along with our fellow guest's youthful female figures.

 

Copious amounts of Gemstones, mostly rhinestone with more than a few real ones, were glittering with amazing brilliance from their mistresses.

 

As you can imagine, I was really into that atmosphere and it was really for me, a quite enjoyable and engaging experience.

 

The party itself was a lot of fun and very enjoyable for all in attendance. This was the pre-cell phone era, so we all were quite focused on the party.

 

On and off we watched the awards show, but the main attraction was the drinking and guessing games we played.

 

We also had a fashion show with a makeshift red carpet that everyone did a catwalk along.

 

My mum’s rhinestone attracted a lot of notice, they sparkled so much.

 

And yes, once when mum was wearing them out a lady actually asked if they were real. We all had a good laugh over that.

 

My brother and even Ginny commented on how they would sparkle in the city street lamps as we drove under them on the way in.

 

By the time the party was winding down we all

were feeling pretty well lit, and very huggy.

 

All too soon it was time to go.

 

After my twin brother had dropped us off, he waiting for us at the riverside pub named Poet and the Peasant.

 

He told us to call at the pub and then wait inside the house for him to arrive. The neighborhood was nice enough, but still, it was the city, so he felt more comfortable if we were to not be out wandering.

 

He would honk the Roll’s horn at the curb to let us know when he was there.

 

We called from the house after midnight when ready and he told us he’d be there in about 15 minutes after leaving the pub where he was playing darts with a few lads.

 

We had told others about the Rolls Royce, and some had asked to see it. So, ignoring my brother’s request, we all gathered outside to wait.

 

Twenty minutes later my brother drove up, spying our group he honked the horn as he pulled up curbside.

 

Playing the part in front of so many well-dressed ladies, my brother was in his glory as helped each of us slip into the back seat of the rolls Royce, closing our doors like a gentleman, before hopping back in the driver's seat to take us home. Honking the horn again to the few remaining jealous admirers who waved us on.

 

We felt like real movie stars at that.

 

And like real movie stars, we soon had a following.

  

Part 3

Midnight Followers

 

It was after my brother turned off the street where the party house was located, that he first noticed the red auto behind us.

 

He was not sure where it had come from, but, something he could never put a finger on, made him think that it was a deliberate appearance

 

The red auto, keeping about two car lengths behind, began to match my brother’s turns as he began to take his usual way home. The car never signaled its turns he noticed.

 

Not saying anything to us chattering away in the back leather seats, he turned off into a side street at random to see what would happen. The auto turned down the same street following, again no turn signal.

 

My brother then turned down another street and pulled the Rolls over midway along it, stopping at the curb directly in front of a house, so the auto could pass if he also turned In behind.

 

It did come around the same corner, but instead of passing the parked Rolls, the red auto ominously pulled to the curb about three houses behind us, leaving its lights on.

 

Ginny and I had been chatting happily in the back seat, my brother stopping the Rolls Royce first drew our attention that something was up.

 

When asked what’s going on, he said that he thinks someone in an automobile is following us.

 

We laughed at him, thinking he was trying to play games with us.

 

On the way to the party, he kept teasing us on how sparkly our jewels were in the rearview mirror when illuminated by street lights.

 

I had snickered saying

“it’s a good thing your here to protect us then Luv.”

 

He had looked back at me with a wicked smile in his eyes. “Ah, true lass, but what if I was a thief in disguise?”

 

So now we both thought he was just trying to put a scare into us playing off on those remarks.

 

Not smiling at our taunts, he sternly told us to just turn around and watch the auto parked down the road with the headlights on.

  

Part 4

Midnight Apprehension

  

We both turned in our seats, surprised to see that he was right.

 

“Who do you think it is?” Ginny asked reasonably.

 

“Really don’t know, Luv?” He answered putting the Rolls in gear.

 

He pulled away, and after a few seconds so did the auto with the headlights on.

 

My brother then took two more random turns down roads and we realized he was really telling the bloody truth.

 

We knew then it wasn’t something my brother had dreamed up as role-play with his lads. He would not stoop this low and besides, to tell the truth, he was not all that good of an actor to pull it off.

 

The auto kept pace, matching

us turn for turn.

 

I would think by then whoever was in the red Auto knew that we realized they were tailing us. But they still kept following.

 

I remember as we watched from the back, Ginny and I turning to look at each other, both of us not really knowing what to do if even there was anything we could have done?

 

I can also clearly recollect how Ginny’s diamond earrings were glimmering as I looked into her concerned face. But bit my tongue.

 

I did not want to alarm her with my thoughts. Knowing how expensive her earrings were. That, plus the fact most of the jewellery I was wearing belonged to Mum, really gave me worries. Still, I knew Ginny was also harboring similar unsaid concerns.

 

Neither of us daring to give voice to those worries, lest it became a reality.

 

But two elegantly clad young ladies being driven around inside a Rolls Royce with a chauffeur at the wheel could say the least, easily attract notice. Something we had not given any thought to as we planned out this evening.

 

Inviting attention, both when arriving in the city, and as well as when they were leaving it.

 

Both of us turned back to look out the window.

 

Again watching the bright headlights, I shuddered at another thought that popped into my head.

 

What if the occupants of the red auto had followed us in, and while we were enjoying the party, had been waiting patiently for us to leave it?

 

That really creeped me out and I shivered.

 

My brother, silent with unspoken worries of his own, was keeping to the well lit, residential streets while trying to think of how to get out of this if he needed to.

 

It could be just two joyriders doing this on a lark after all.

 

A second issue was that the big Rolls Royce was a lumbering beast not made to outspeed pursuit.

 

Then there was a third issue: He also did not want to lead our shadowers near to where Ginny or we both lived.

 

We still lived in a rambling country cottage with my parents. Ginny lived a few houses over in the old stone house that had once been a summer home for a large, prewar, estate owner.

 

Not voicing any of these concerns to his passengers, my brother stayed in the city, which he knew quite well.

 

Turning up a boulevard he saw a traffic light ahead.

 

We pulled up to it and the Red Auto stopped about a car length back.

 

We could make out the shadowy figures of two unmistakable males, talking to each other as they were pointing fingers.

 

They were not just pointing at us, but past us. That gave me the creeps as I told my brother what the occupants were doing.

 

The light turned green, and without signaling, he turned the Rolls to the right, entering a Main Street.

 

The red auto did the same, not signaling either.

 

Approaching another light as it was turning red, my brother ran it, cutting off a lurching double-decker just coming into the intersection.

 

As we received a blast of horns for our transgression, my brother shifted into a higher gear and forced the whining old Rolls into its top speed.

 

All I remember at that point, was thinking we were not going fast enough at all.

 

But this maneuver held up the red auto only long enough for us to turn down an alley between two businesses about 3/4 of a block past the red light. I was watching our rear and I knew the red auto, just leaving the intersection, had seen us turn.

 

My brother knew that the alleys on this street all let out onto a road that ran along the grounds of a rugby stadium.

 

There were street lamps on the opposite side of the road from the stadium. There were no lights on at all on the stadium side, making the area darker at night than India ink.

 

We pulled out of the alleyway without seeing any following headlights yet coming in behind us.

 

“There is usually a patrol car parked along the stadium at night, “my brother said.

 

“Keep an eye out”

 

But of course, tonight was the exception, no cars were parked there.

 

I was looking back at the alleyway we had left and I saw headlights casting along the brick walls.

 

I gave warning, but it came out as a girlish shriek.

 

“I see it.” My brother said, he had killed the headlights and was already turning into the exit end of the stadium’s long parking lot

 

My twin pulled the Rolls under the shadows of some trees that lined the inner side of the parking lot, facing the way we had come.

 

We all scrunched down and waited.

  

Part 5

Midnight Escape

 

A few very long seconds later, the red auto, driving slowly, appeared at the end of the alley and stopped.

 

Then, without signal,

it slowly turned off onto the street and started going in the opposite direction, at a crawl.

 

Looking For our Rolls Royce we probably rightly suspected.

 

Our hearts were pounding and I believe we were all holding our breaths with disquieting

trepidation.

 

The red auto went down past that end of the stadium.

 

My heart leaped into my throat as I put a hand to my beating breasts, watching it turn up the next street leading back to the intersection with the red light we had blown through.

 

My brother put in the clutch, keeping the headlamps off, he slowly turned the auto around.

 

Ginny and I sat up and watched behind us.

 

We turned off the parking lot went back the opposite of where our pursuers had gone.

 

Once in the street my brother turned on the headlamps and gave the old engine some gas. We turned up the next street and then some side streets.

 

Nervously we watched the streets behind us. But only saw a few headlights coming on the road, and they were all false alarms.

 

Finally circling around we made it back to the Main Street that led to the highway turnoff.

 

Nervously all three of us scanned the cars parked along both sides of the streets. But no one pulled out behind us that seemingly going on forever stretch of road.

 

Apparently, we had lost our shadower’s in the red auto.

 

We made it to the turnoff without further mischief befalling us and went onto the highway and headed back home.

 

We never saw the red auto again.

 

Ginny and I were spending the rest of the weekend in her basemen bedroom at her house, her parents bring out of town.

 

Neither of us was ashamed to admit we accepted my brother’s offer to spend the night upstairs.

 

When we got to her place, Ginny helped us raid Uncle’s small bar in the basement. We sat up for the rest of the early morning, still fully dressed, talking it over.

 

We all believed was no lark, hoax, or a joke being played on us. The occupants of that red auto seemed all too intent on something.

 

To this very day, none of us have any real idea of what that intent may have been, just only our speculation.

 

I do remember that we had come up with a whole gauntlet of theories before turning in.

 

But we are all quite ok with not finding out which theory was the correct one that night.

 

And Like me, I’m sure we all finally drifted off to sleep considering what may have played out if...?

^^^^^^^^^^^^^^^^^^^^^^^

 

Would love to hear thoughts on this in the comments below. Especially if anyone has ever had a similar experience.

 

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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com

Site-specific interactive installation at Pyramid Atlantic Arts Center in Silver Spring, MD in conjunction with the Pyramid Atlantic Book Arts Fair. 2010.

 

I was given a stack of German lifestyle/design magazines from the mid-60's. On a work table in the middle of the room, I laid out the magazines so that participants could cut out individual pages. After cutting out a page, participants were asked to put the page into one of 8 categories dealing with the traditional physical and narrative structure of the book: protagonist, title page, fiction, conflict, climax, non-fiction, resolution, and appendix.

I attended AllFord at Alford this afternoon Sunday 19th August 2018, its a yearly event attended by Ford car lovers and owners displaying their cherished vehicles within the grounds of Grampian Transport Museum in Alford, Aberdeenshire .

 

I had my Nikon D750 with me, I walked the grounds capturing cars that caught my eye or have a specific interest for me, after the event had ended I stayed around to watch the cars leave etc, climbing over the barrier and up a small hill I noticed a row of Aston Martins all parked together, excitement overtook me and I snapped away capturing each car in detail, finally I whipped out my iphone to capture the scene on video, this file is the result.

 

Aston Martin DB5

 

The Aston Martin DB5 is a British luxury grand tourer that was made by Aston Martin and designed by the Italian coachbuilder Carrozzeria Touring Superleggera. Released in 1963, it was an evolution of the final series of DB4. The DB series was named honouring Sir David Brown (the owner of Aston Martin from 1947 to 1972).

 

Although not the first in the DB series, the DB5 is famous for being the most recognised cinematic James Bond car, first appearing in the James Bond film Goldfinger (1964).

 

Design

The principal differences between the DB4 Series V and the DB5 are the all-aluminium engine, enlarged from 3.7 L to 4.0 L; a new robust ZF five-speed transmission (except for some of the very first DB5s); and three SU carburettors.

 

This engine, producing 282 bhp (210 kW), which propelled the car to 145 mph (233 km/h), available on the Vantage (high powered) version of the DB4 since March 1962, became the standard Aston Martin power unit with the launch in September 1963 of the DB5.

 

Standard equipment on the DB5 included reclining seats, wool pile carpets, electric windows, twin fuel tanks, chrome wire wheels, oil cooler, magnesium-alloy body built to superleggera patent technique, full leather trim in the cabin and even a fire extinguisher. All models have two doors and are of a 2+2 configuration.

Like the DB4, the DB5 used a live rear axle.

 

At the beginning, the original four-speed manual (with optional overdrive) was standard fitment, but it was soon dropped in favour of the ZF five-speed.

 

A three-speed Borg-Warner DG automatic transmission was available as well.

The automatic option was then changed to the Borg-Warner Model 8 shortly before the DB6 replaced the DB5.

 

Standard coupé:

* Engine: 3,995 cc (243.8 cu in) Inline-6

* Power: 282 bhp (210 kW) at 5,500 rpm (210) Net HP

* Torque: 288 lb·ft (390 N·m) at 3,850 rpm

* Weight: 1,502 kg (3,311 lb)

* Top Speed: 143 mph (230 km/h)[8]

* 0–60 mph (97 km/h) Acceleration: 8 s

 

James Bond's DB5

 

Two Aston Martin DB5s were built for production, one of which had no gadgets.

The Aston Martin DB5 is one of the most famous cars in the world thanks to Oscar-winning special effects expert John Stears, who created the deadly silver-birch DB5 for use by James Bond in Goldfinger (1964). Although Ian Fleming had placed Bond in a DB Mark III in the novel, the DB5 was the company's latest model when the film was being made.

 

The car used in the film was the original DB5 prototype, with another standard car used for stunts. To promote the film, the two DB5s were showcased at the 1964 New York World's Fair, and it was dubbed "the most famous car in the world",and subsequently sales of the car rose.[12] In January 2006, one of these was auctioned in Arizona; the same car was originally bought in 1970 from the owner, Sir Anthony Bamford, by a Tennessee museum owner.[13] A car, mainly used for promoting the movie, is now located in the Louwman Museum, Netherlands.

 

The first DB5 prototype used in Goldfinger with the chassis number DP/216/1 was later stripped of its weaponry and gadgetry by Aston Martin and then resold. It was then retrofitted by subsequent owners with nonoriginal weaponry. The Chassis DP/216/1 DB5 was stolen in 1997 from its last owner in Florida and is currently still missing.

Within the universe of James Bond, the same car (registration BMT 216A) was used again in the following film, Thunderball, a year later.

 

A different Aston Martin DB5 (registration BMT 214A) was used in the 1995 Bond film, GoldenEye, in the which the car is Bond's personal vehicle. Three different DB5s were used for filming. A variation of the registration number (BMT2144) was used on the BMW 750IL in Tomorrow Never Dies (1997) and was set to make a cameo appearance in the Scotland-set scenes in The World Is Not Enough (1999), but these were cut in the final edit. Yet another DB5 appeared in Casino Royale (2006), this one with Bahamian number plates and left-hand drive (where the previous British versions had been right-hand drive).

 

Another silver-birch DB5 with the original registration BMT 216A is used in the 23rd James Bond film, Skyfall, during the 50th anniversary of the release of the first James Bond film Dr. No.

 

In the film "M" (Judi Dench) describes the car as "not very comfortable". The DB5 is destroyed in the film's climactic finale. It is seen again in Spectre, firstly in Q's underground workshop in various stages of rebuild, and at the film's ending, fully rebuilt, with Bond driving away with it.

 

On 1 June 2010, RM Auctions announced the upcoming auction of a DB5 used in both Goldfinger and Thunderball. The owner (Jerry Lee, president/owner of WBEB Radio in Philadelphia, Pennsylvania) originally bought the car from the Aston Martin company in 1969. At the auction, the DB5 was sold for £2.6 million.

 

In popular culture

 

Although the DB5 is often credited as being the first car James Bond drives in the movies, it is in fact not. The first "Bond car" was a 1962 Sunbeam Alpine Series II used in the very first movie Dr. No. The DB5 is however unquestionably the most recognised cinematic James Bond car.

 

It was also used by actor Roger Moore, as he played a James Bond parody character in the film The Cannonball Run. Moore plays Seymour Goldfarb, Jr., a man who believes himself to be both Roger Moore and James Bond, who participates in a madcap, cross-country road race. The registration number BMT 216A, and the original bond car in its original dark red paintjob also appear in "The Noble Sportsman", a 1964 episode of "The Saint" TV series starring Roger Moore.

 

The 1983 reunion telefilm The Return of the Man from U.N.C.L.E.: The Fifteen Years Later Affair includes a brief cameo by George Lazenby as "JB", a white-tuxedoed British man shown driving an Aston Martin DB5, who assists Napoleon Soloduring a car chase. "It's just like On Her Majesty's Secret Service," enthuses a female character at the conclusion of the cameo. This special came out in 1983, the same year as Octopussy and Never Say Never Again.

 

It appears in several video games such as 007 Racing, Driver San Francisco (Deluxe Edition), James Bond 007: Agent Under Fire, From Russia with Love, and James Bond 007: Blood Stone. The From Russia with Love movie was released in 1963, one year before Goldfinger (in which the DB5 used the first time), but the video game used the car.

 

It appeared in animated form in James Bond Jr. in the very first episode "The Beginning". In the episode it was able to transform into a plane and could be driven by remote control. The car was destroyed in a plane crash and its remains recycled into a red sports car, which the PAL VHS cover identifies as the "Aston Martin Super".

A version of the car appeared in Grand Theft Auto: London 1969, being called a "James Bomb".

 

Leonardo DiCaprio was seen driving one in Catch Me If You Can, imitating Bond (even down to the suit) in Goldfinger.

In 2003, it appears in the action comedy film Charlie's Angels: Full Throttle, driven by Bernie Mac's character, Jimmy Bosley. It is only seen once in which Bosley is driving a witness, Max Petroni (portrayed by Shia LaBeouf) to his mother's house, to be safe from the O'Grady Crime Syndicate.

 

The 2004 French spy comedy film, called Double Zéro (directed by Gérard Pirès) also showed a DB5. It can be seen once in the film, when the two main characters go to meet the parody of Q.

 

In 2011, an Aston Martin DB5 appeared in heavily stylized form as "Finn McMissile", a British secret agent voiced by Michael Caine in the 2011 Pixar film Cars 2. The car character was a homage to the Bond DB5 although has also been known to bear resemblance to the Volvo P1800, as used by the fictional British secret agent Simon Templar in The Saint.

 

In 2013, Grand Theft Auto V featured a car called the "JB 700" that heavily alluded to being a DB5, or was based on the DB5; specifically the one used by James Bond. Need for Speed: Most Wanted released a DLC named "Movie Legends" that featured the car.

 

The music video for the Usher song Burn, features a DB5. The exact same car with the same registration number appears a number of times in the short lived TV series Fastlane, it later turned out to be fake.

 

In the 2015 TV series Thunderbirds Are Go a DB5 can be seen as Lady Penelope gets into Fab 1 in the first episode Ring Of Fire.

The First Specific Reference That Has Been Found To Bear-Baiting On Bankside Is In An Order Of Henry VIII Dated 13th April, 1546, To The Mayor And Sheriffs Of London, To Proclaim The Abolition Of The Stews On Bankside And Of Bear-Baiting "In That Row Or In Any Place On That Side London bridge...Wow And Now Its Even Wider...

There is something special about this specific place, something mysterious that it calls the traveller back to take another yet entierly different view. Zar abad is one place just like that.

 

On the other side of the river, it seems like there is another world. World which has been carved for million of years to give the impression of nature's forces at play to shape the dimension of this world.

 

Two years ago, it was totally a differnt view. The clouds were shedding rain and there were no peaks that can be viewed. But this time it was an exception, I was blessed with the complete view of Other Universe.

 

A Larger Look

Taken: Zar Abad, Hussaini, Gojal, Upper Hunza Valley, Pakistan

Mercedes-Benz Unimog

Specific Operations Vehicle

1968

 

An ex-Wildland Pumper during an exposition in Leiria, a few years ago.

DEFENESTRATION

1997-present

 

(Site-specific installation on the corner of 6th and Howard St. in San Francisco)

 

This multi-disciplinary sculptural mural involves seemingly animated furniture; tables, chairs, lamps, grandfather clocks, a refrigerator, and couches, their bodies bent like centipedes, fastened to the walls and window-sills, their insect-like legs seeming to grasp the surfaces. Against society's expectations, these everyday objects flood out of windows like escapees, out onto available ledges, up and down the walls, onto the fire escapes and off the roof. "DEFENESTRATION" was created with the help of over 100 volunteers.

 

The concept of "DEFENESTRATION", a word literally meaning "to throw out of a window," is embodied by the both the site and staging of this installation. Located at the corner of Sixth and Howard Streets in San Francisco in an abandoned four-story tenement building, the site is part of a neighborhood that historically has faced economic challenge and has often endured the stigma of skid row status. Reflecting the harsh experience of many members of the community, the furniture is also of the streets, cast-off and unappreciated. The simple, unpretentious beauty and humanity of these downtrodden objects is reawakened through the action of the piece. The act of "throwing out" becomes an uplifting gesture of release, inviting reflection on the spirit of the people we live with, the objects we encounter, and the places in which we live.

 

Model "US Truck T1 MkII" is build with LEGO® in scale 1:17,5 and motorized using LEGO® Power Functions. It is not build after a specific brand or type of truck. This build represents the more aerodynamic US truck models like for example the Freightliner Cascadia.

The truck features: solid axle suspension on all axles, PF powered driving with power transmitted independently to both rear axles, Ackerman geometry on steering axle, Servo powered steering, fully functional fifth wheel, modeled engine, detailed cabin interior and 3 light units.

Also can you build it yourself. To do so you can buy the building instructions and check the inventory/parts lists!.

 

The LEGO® Power Functions® Servo is used to enable the steering. Aligned with the trucks chassis the Servo is sitting inside of the cabin right behind the modeled engine in between both seats. With a 90 degrees conversion the motion of the Servo is transferred to the steering axle.

 

This truck model is powered by a CAT® CT15 which is revealed with the hood opened and its yellow color makes is an eye catcher. This power source is an inline 6 cylinder engine with a displacement of 15.21L. With a horsepower range from 450 up to 550 HP and this engine has a torque range from 1550 to 1850 lb-ft. (1202 - 2508 Nm) at 1200 rpm peak torque.

The modeled engine is a small object that really improves the realism of this model. The engine is very nice to build and to give it those realistic looks a total number of about 120 parts is used. Engine is detailed with for example engine oil dipstick, fan, fan belt, pulleys, hoses, oil filters including by-pass oil filter, turbo, exhaust manifold and so on. Together with much more engine bay details which are added the looks are phenomenal. These include break fluid reservoir, windshield washer container, internal air cleaner system and steering shaft.

 

A lot of detail is added to the cabin's interior as well in the colors Tan and Dark Bluish Gray. By opening this model’s doors one can access the cabin. Openable doors give the model very realistic looks and makes the detailed interior visible. The interior's colors really standout because of the rather dark color scheme of the truck's body work.

Dark Bluish Gray is used for both the interior and the exterior in order to link both color palettes. For the driver's comfort the interior has gauges, switches, speakers, cup holders, comfortable seats. Other details are a glove compartment, more compartments in both doors, angled dash and gauge panel, a steering wheel and a gear shift.

 

This build was a simple one: an original PA-58N "Halk" from Gunze Sangyo from 1983 (not an Aoshima re-release from 2008), built out of the box and in its original livery from the TV series. In fact, this blue PA-58N is not a specific armor, but rather the "bread and butter" infantry piece of Earth's Defence Forces, much like the Stormtrooper in Star Wars.

 

As such, it is the lightest and smallest Powered Armor model from the Dorvack series, and these compact PA models normally only carry light hand weapons, not the integrated and much heavier armament of the bigger models that are uses by artillery units and commanding staff.

 

I had this kit stashed away for this purpose for a long while, and I was just in the mood to eventually tackle it.

Nothing was changed, and the build is pretty simple and straightforward - I'd recommend the PA-58 for anyone who wants to try one of the PA models, because the fit is quite good and there are no real big surprises. The only thing to watch out for are the arms, because the halves that make up each upper and lower arm are specific to each side. They are easy to confuse!

Furthermore, the typical "Matryoshka" construction of the legs (finish the feet first, then you add the lower legs like a clamshell, and finally the upper legs in a similar manner) takes time, patience and care - at least when you want to paint the interior and hide the seams through PSR.

 

This standard PA-58N comes with a hand weapon, apparently some kind of automatic weapon, that the model holds with both hands. If you want this configuration for your model, too, you HAVE to search for the original Gunze Sangyo kit. Even though the Aoshima re-release double combo contains this blue PA-58N variant, it comes with a clumsy, two-handed rocket launcher which I personally do not find very attractive. Thankfully, the kit contains beyond the sprue for the weapon with hands that hold it another pair of open/empty extra hands if you want to display it without the weapon.

Furthermore, the kit offers as an option the weird lens radome that commanders frequently carry on top of their PAs, also on bigger PA models like the PA-36.

As a side note, there's also another PA-58N kit in a desert camo (called "Halk Sovat") with a similar configuration, just carrying a kind of Bazooka (which also comes in the Aoshima re-release, but again with a different, two-handed weapon, not the original one).

 

The paint scheme on this PA-58N is 100% authentic, I stayed close to the rather simple appearance of this mecha in the TV series. I have seen models of the "Halk" (I wonder if this name is a Japanese malaproprism of the English "Hulk"?) with more sophistication, e.g. with fine yellow trim lines along the legs - but these do not appear in the TV series. There's also a lot room for interpretation concerning the color of the ball joints, which are silver or just grey like the upper arms and legs?

 

The helmet section was painted pure black (Humbrol 21), the light grey is Humbrol 127 (FS 36375). For the blue I originally wanted to use Humbrol 109, but the paint turned out to be a turd from the horrible Belgian production batch a couple of years ago - it did not dry at all!!! So, I scrapped any initial enamel paint off and replaced it with French Blue from Testors, which is much brighter and a bit darker, but I think that it was in the end even the better color.

A white box (Humbrol 22) was added to the front as well as some red (Humbrol 19) highlights around the visor and the helmet. The ball joints were painted with Humbrol's Polished Aluminum Metallizer. The handgun was painted in orange (Humbrol 82).

 

The only thing that is not original are the decals, though: the OOB sheet (from 1983!) has become blind over the years, so that I had to replace the set from a 2008 Aoshima re-release of this kit.

 

The whole kit received a black ink wash and some post-shading treatment, as well as light dry-brushing with medium grey. Some soot stains were added to the gun nozzle and under the exhaust of the jump booster on the back.

 

In a final step, the whole model received a matt acrylic varnish coat and the visor elements were laid out in silver and painted with clear paint in blue and pink.

  

A colorful model, and another PA for the "authentic" department of my growing model collection.

no specific order... cause WE ALL ARE OF A SPECIAL ODER!!!

 

www.youtube.com/watch?v=juBRHjqx9jc&feature=player_em...

Danish Army Specific: The Mercedes 240GD/24 superseded the M151A1 (Ford Mutt), the VW 181 ("Jagdwagen"), and the Land Rover 88 in the Danish Army.

First deliverance took place in 1985 and more than 1.300 has been put in service.

 

Historical: Production of the GD started in 1980 by Gelaendewagen Gesellschaft (GFG), a joint-venture between Mercedes-Benz and Steyr-Daimler-Puch. 1981 Steyr-Daimler-Puch bought out Mercedes-Benz of the GFG company.

The main components of the vehicle, except the transfer case, are from Mercedes-Benz car and light truck series production.

The Austrian group continues to to manufacture the vehicle on contract for Mercedes-Benz at it´s works at Graz.

It´s offered with 2.4 m wheelbase (GD/24), 2.85 m wheelbase (GD/28) or, as a late introduction, 3.40 m wheelbase (GD/34).

License-produced in Greece by Hellenic Vehicle Industry SA (formerly Steyr-Hellas) and produced as P4 by Peugeot from 1982 for the French Army to replace the Hotchkiss M201.

In widespread service with armed forces world-wide.

 

Length: 4.01 m (156 inches).

Width: 1.70 m (66 inches).

Height: 2.10 m (82 inches).

Weight: 2.700 kg (5.940 lb.).

Engine: Own 4-cylinder, type OM 616.9, 2.399 cm3 (146 cubic inches) displacement, liquid cooled.

Horsepower: 72 at 4.400 rpm.

Transmission: 4-speed G1/17-4 (711.2) gearbox.

Transfer case: 2-speed VG 080 (750.6).

Electrical system: 24 volt, negative ground.

Brakes: Hydraulic, dual circuit with vacuum booster.

Tyres: 7.50 - 16.

Fording depth:

without preparation: 0.6 m (23 inches).

with deep water fording kit: N/A.

Fuel type: Diesel.

Fuel capacity: 70 liter (15 gallons).

Range: 350 km (218 miles).

Crew: 1 + 2.

Additional: Differential-locks in front- and rear-axle.

    

Rather than narrativize history and culture, the rhizome presents history and culture as a map or wide array of attractions and influences with no specific origin or genesis, for a "rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo." The planar movement of the rhizome resists chronology and organization, instead favoring a nomadic system of growth and propagation.

 

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To be more specific, this is Upper Yosemite Falls because it actually falls into a lower Falls. (Like how I used falls for 2 meanings) The timing was fortunate because it looks better in the shade of the surrounding mountain when taken from the valley below. Like most, I could not resist standing at the very bottom of the Falls and getting drentched from the water. It was like standing in pooring rain that was coming at you straight on while the sound was deafening, like standing by a passing locomotive.

 

My camera bag is water proof, so in went all my gear. The closer I got, the more moisture there was in the air till I could feel the droplets. At the base, people were milling about and children running. Some tried to photograph what they saw as they continuously cleaned their glasses to see. There is a short bridge over the river created from the falling water that is the epicentre and there I stood feeling the cold water and the wind generated by the sheer force. It was a very cool moment and one I still recall with excitement.

 

I arrived on the Sunday and had one hell of a frustrating time. I sat in my car for 45 minutes going a distance the next day took me 4 minutes to walk. It was a very touristy day. I returned the nest day, Monday and the parking lot that was so full Sunday sat completely empty except for me. One word of advise, stay away on weekends.

 

Explore #325, thank you.

Hand embelished and quilted silk screened dead birds. In memorial to little dead bird on the Addison Stop on the L.

Duisburg 2015 - I don't know whether this specific car has anything to do with the movie or not, but at least it's a look-a-like. I tried the movie-poster POV and think the angle is quite ok (crypticrock.com/wp-content/uploads/2014/12/christine-movi...), but I'm too lazy for photoshopping. If someone here isn't, well, download the pic, go ahead and show your efforts! :-)

My cycle-specific long rain coat, merino wool cap, leather motorcycle boots and nylon gloves have me covered head to toe, and protect my purple sweater dress from the ravages of the elements. Related post: ladyfleur.wordpress.com/2012/11/30/fashion-friday-a-rain-...

Provenance:

Recipient: Lionel Aucoin (1903–1983) of Spencer, Massachusetts.

 

Sender: Office of H.M. King Leopold III of Belgium (via Viscount Gatien du Parc Locmaria).

 

Location of Origin: The Ritz-Carlton, Boston, MA.

 

Date: October 15–18, 1957.

 

Overview:

This collection documents a specific moment in 20th-century royal and medical history. In October 1957, King Leopold III was in residence at the Ritz-Carlton Boston while Prince Alexandre underwent heart surgery at Boston Children's Hospital. During this private visit, the King’s household fulfilled a philatelic request from Lionel Aucoin.

 

Included Artifacts:

 

1. The Autograph: A hand-signed Belgian 1.75 FR blue postage stamp mounted on a collector's card.

 

2. The Transmittal Letter: A formal note on Ritz-Carlton stationery from Viscount Gatien du Parc Locmaria, the King’s Chamberlain.

 

3. The Cover (Envelope): Featuring a 1957 postmark from the period of the visit.

 

4. The Collector's Note: Hand-written annotations by Lionel Aucoin confirming the date of receipt as October 18, 1957.

 

Historical Significance:

Items signed by King Leopold III during his years following his abdication are distinct from official state documents. This specific interaction during a medical visit in the United States serves as an association piece connecting Belgian royalty to Massachusetts regional history. The correspondence from Viscount du Parc provides authentication and places the King at the Ritz-Carlton during the week of the medical procedure.

 

Why Lionel Aucoin Matters:

Lionel Aucoin was a documented "super-collector." Items from known, organized collections often carry a provenance premium. The fact that he was a local figure in Spencer, MA, adds a "regional interest" element that might appeal to Massachusetts historical societies or local collectors. Lionel Aucoin clearly knew how to time his requests. By reaching out while the King was "accessible" at a local hotel rather than a palace in Belgium, he secured a piece that most European collectors would have found impossible to get. A Letter of Transmittal is the "holy grail" for provenance—it proves that the autograph wasn't just clipped from a random document, but was personally sent to Mr. Aucoin by the King’s household. Authentic "Letter of Transmittal" documents on Ritz-Carlton Boston stationery from a visiting monarch are highly sought after by hotel and royal historians alike.

 

In collecting, a "Letter of Transmittal" is the formal cover letter sent by an office (in this case, the King’s office at the Ritz-Carlton) to "transmit" or deliver the requested autograph to the collector.

 

Viscount Gatien du Parc was with the King in Boston during this medical crisis. Despite the stress of the surgery, the fact that they took the time to fulfill a local collector's request for an autographed stamp is a testament to the Viscount's efficiency and the King's courtesy.

 

That note is an authentic artifact related to Viscount Gatien du Parc Locmaria (1899–1974), a high-ranking Belgian courtier who served as the Chamberlain and Comptroller of the Household for King Leopold III.

 

King Leopold III of Belgium died on September 25, 1983, at the age of 81.

 

Details of His Death:

Circumstances: He passed away following emergency heart surgery at Louvain University Hospital.

 

Location: He died in Woluwe-Saint-Lambert (Sint-Lambrechts-Woluwe), a municipality in Brussels, Belgium.

 

Burial: He was interred in the Royal Crypt at the Church of Our Lady of Laeken in Brussels, alongside his first wife, Queen Astrid.

 

Key Facts of His Reign:

Reign: 1934–1951.

Abdication: He abdicated on July 16, 1951, in favour of his son, Baudouin, following the "Royal Question" controversy regarding his conduct during World War II.

 

Post-Abdication: In retirement, he pursued interests in anthropology and entomology, travelling extensively to regions like the Amazon and Senegal.

 

LINK to video - Leopold III Becomes King of Belgium - 1934 | Today In History | 23 Feb 17 - www.youtube.com/watch?v=4wACPFJziLw

 

LINK to video - He Was Meant to Be Belgium’s Hero – But Everything Went Wrong! The Tragic Rise of Leopold III - www.youtube.com/watch?v=Z9_WJKq6sTA

en.wikipedia.org/wiki/Beamish_Museum

 

Beamish Museum is the first regional open-air museum, in England, located at Beamish, near the town of Stanley, in County Durham, England. Beamish pioneered the concept of a living museum. By displaying duplicates or replaceable items, it was also an early example of the now commonplace practice of museums allowing visitors to touch objects.

 

The museum's guiding principle is to preserve an example of everyday life in urban and rural North East England at the climax of industrialisation in the early 20th century. Much of the restoration and interpretation is specific to the late Victorian and Edwardian eras, together with portions of countryside under the influence of industrial revolution from 1825. On its 350 acres (140 ha) estate it uses a mixture of translocated, original and replica buildings, a large collection of artefacts, working vehicles and equipment, as well as livestock and costumed interpreters.

 

The museum has received a number of awards since it opened to visitors in 1972 and has influenced other living museums. It is an educational resource, and also helps to preserve some traditional and rare north-country livestock breeds.

 

History

Genesis

In 1958, days after starting as director of the Bowes Museum, inspired by Scandinavian folk museums, and realising the North East's traditional industries and communities were disappearing, Frank Atkinson presented a report to Durham County Council urging that a collection of items of everyday history on a large scale should begin as soon as possible, so that eventually an open air museum could be established. As well as objects, Atkinson was also aiming to preserve the region's customs and dialect. He stated the new museum should "attempt to make the history of the region live" and illustrate the way of life of ordinary people. He hoped the museum would be run by, be about and exist for the local populace, desiring them to see the museum as theirs, featuring items collected from them.

 

Fearing it was now almost too late, Atkinson adopted a policy of "unselective collecting" — "you offer it to us and we will collect it." Donations ranged in size from small items to locomotives and shops, and Atkinson initially took advantage of a surplus of space available in the 19th-century French chateau-style building housing the Bowes Museum to store items donated for the open air museum. With this space soon filled, a former British Army tank depot at Brancepeth was taken over, although in just a short time its entire complement of 22 huts and hangars had been filled, too.

 

In 1966, a working party was established to set up a museum "for the purpose of studying, collecting, preserving and exhibiting buildings, machinery, objects and information illustrating the development of industry and the way of life of the north of England", and it selected Beamish Hall, having been vacated by the National Coal Board, as a suitable location.

 

Establishment and expansion

In August 1970, with Atkinson appointed as its first full-time director together with three staff members, the museum was first established by moving some of the collections into the hall. In 1971, an introductory exhibition, "Museum in the Making" opened at the hall.

 

The museum was opened to visitors on its current site for the first time in 1972, with the first translocated buildings (the railway station and colliery winding engine) being erected the following year. The first trams began operating on a short demonstration line in 1973. The Town station was formally opened in 1976, the same year the reconstruction of the colliery winding engine house was completed, and the miners' cottages were relocated. Opening of the drift mine as an exhibit followed in 1979.

 

In 1975 the museum was visited by the Queen Elizabeth The Queen Mother, and by Anne, Princess Royal, in 2002. In 2006, as the Grand Master of the United Grand Lodge of England, The Duke of Kent visited, to open the town masonic lodge.

 

With the Co-op having opened in 1984, the town area was officially opened in 1985. The pub had opened in the same year, with Ravensworth Terrace having been reconstructed from 1980 to 1985. The newspaper branch office had also been built in the mid-1980s. Elsewhere, the farm on the west side of the site (which became Home Farm) opened in 1983. The present arrangement of visitors entering from the south was introduced in 1986.

 

At the beginning of the 1990s, further developments in the Pit Village were opened, the chapel in 1990, and the board school in 1992. The whole tram circle was in operation by 1993.[8] Further additions to the Town came in 1994 with the opening of the sweet shop and motor garage, followed by the bank in 1999. The first Georgian component of the museum arrived when Pockerley Old Hall opened in 1995, followed by the Pockerley Waggonway in 2001.

 

In the early 2000s two large modern buildings were added, to augment the museum's operations and storage capacity - the Regional Resource Centre on the west side opened in 2001, followed by the Regional Museums Store next to the railway station in 2002. Due to its proximity, the latter has been cosmetically presented as Beamish Waggon and Iron Works. Additions to display areas came in the form of the Masonic lodge (2006) and the Lamp Cabin in the Colliery (2009). In 2010, the entrance building and tea rooms were refurbished.

 

Into the 2010s, further buildings were added - the fish and chip shop (opened 2011)[28] band hall (opened 2013) and pit pony stables (built 2013/14) in the Pit Village, plus a bakery (opened 2013) and chemist and photographers (opened 2016) being added to the town. St Helen's Church, in the Georgian landscape, opened in November 2015.

 

Remaking Beamish

A major development, named 'Remaking Beamish', was approved by Durham County Council in April 2016, with £10.7m having been raised from the Heritage Lottery Fund and £3.3m from other sources.

 

As of September 2022, new exhibits as part of this project have included a quilter's cottage, a welfare hall, 1950s terrace, recreation park, bus depot, and 1950s farm (all discussed in the relevant sections of this article). The coming years will see replicas of aged miners' homes from South Shields, a cinema from Ryhope, and social housing will feature a block of four relocated Airey houses, prefabricated concrete homes originally designed by Sir Edwin Airey, which previously stood in Kibblesworth. Then-recently vacated and due for demolition, they were instead offered to the museum by The Gateshead Housing Company and accepted in 2012.

 

Museum site

The approximately 350-acre (1.4 km2) current site, once belonging to the Eden and Shafto families, is a basin-shaped steep-sided valley with woodland areas, a river, some level ground and a south-facing aspect.

 

Visitors enter the site through an entrance arch formed by a steam hammer, across a former opencast mining site and through a converted stable block (from Greencroft, near Lanchester, County Durham).

 

Visitors can navigate the site via assorted marked footpaths, including adjacent (or near to) the entire tramway oval. According to the museum, it takes 20 minutes to walk at a relaxed pace from the entrance to the town. The tramway oval serves as both an exhibit and as a free means of transport around the site for visitors, with stops at the entrance (south), Home Farm (west), Pockerley (east) and the Town (north). Visitors can also use the museum's buses as a free form of transport between various parts of the museum. Although visitors can also ride on the Town railway and Pockerley Waggonway, these do not form part of the site's transport system (as they start and finish from the same platforms).

 

Governance

Beamish was the first English museum to be financed and administered by a consortium of county councils (Cleveland, Durham, Northumberland and Tyne and Wear) The museum is now operated as a registered charity, but continues to receive support from local authorities - Durham County Council, Sunderland City Council, Gateshead Council, South Tyneside Council and North Tyneside Council. The supporting Friends of Beamish organisation was established in 1968. Frank Atkinson retired as director in 1987. The museum has been 96% self-funding for some years (mainly from admission charges).

 

Sections of the museum

1913

The town area, officially opened in 1985, depicts chiefly Victorian buildings in an evolved urban setting of 1913.

 

Tramway

The Beamish Tramway is 1.5 miles (2.4 km) long, with four passing loops. The line makes a circuit of the museum site forming an important element of the visitor transportation system.

 

The first trams began operating on a short demonstration line in 1973, with the whole circle in operation by 1993.[8] It represents the era of electric powered trams, which were being introduced to meet the needs of growing towns and cities across the North East from the late 1890s, replacing earlier horse drawn systems.

 

Bakery

Presented as Joseph Herron, Baker & Confectioner, the bakery was opened in 2013 and features working ovens which produce food for sale to visitors. A two-storey curved building, only the ground floor is used as the exhibit. A bakery has been included to represent the new businesses which sprang up to cater for the growing middle classes - the ovens being of the modern electric type which were growing in use. The building was sourced from Anfield Plain (which had a bakery trading as Joseph Herron), and was moved to Beamish in the late 1970s and early 1980s. The frontage features a stained glass from a baker's shop in South Shields. It also uses fittings from Stockton-on-Tees.

 

Motor garage

Presented as Beamish Motor & Cycle Works, the motor garage opened in 1994. Reflecting the custom nature of the early motor trade, where only one in 232 people owned a car in 1913, the shop features a showroom to the front (not accessible to visitors), with a garage area to the rear, accessed via the adjacent archway. The works is a replica of a typical garage of the era. Much of the museum's car, motorcycle and bicycle collection, both working and static, is stored in the garage. The frontage has two storeys, but the upper floor is only a small mezzanine and is not used as part of the display.

 

Department Store

Presented as the Annfield Plain Industrial Co-operative Society Ltd, (but more commonly referred to as the Anfield Plain Co-op Store) this department store opened in 1984, and was relocated to Beamish from Annfield Plain in County Durham. The Annfield Plain co-operative society was originally established in 1870, with the museum store stocking various products from the Co-operative Wholesale Society (CWS), established 1863. A two-storey building, the ground floor comprises the three departments - grocery, drapery and hardware; the upper floor is taken up by the tea rooms (accessed from Redman Park via a ramp to the rear). Most of the items are for display only, but a small amount of goods are sold to visitors. The store features an operational cash carrier system, of the Lamson Cash Ball design - common in many large stores of the era, but especially essential to Co-ops, where customer's dividends had to be logged.

 

Ravensworth Terrace

Ravensworth Terrace is a row of terraced houses, presented as the premises and living areas of various professionals. Representing the expanding housing stock of the era, it was relocated from its original site on Bensham Bank, having been built for professionals and tradesmen between 1830 and 1845. Original former residents included painter John Wilson Carmichael and Gateshead mayor Alexander Gillies. Originally featuring 25 homes, the terrace was to be demolished when the museum saved it in the 1970s, reconstructing six of them on the Town site between 1980 and 1985. They are two storey buildings, with most featuring display rooms on both floors - originally the houses would have also housed a servant in the attic. The front gardens are presented in a mix of the formal style, and the natural style that was becoming increasingly popular.

 

No. 2 is presented as the home of Miss Florence Smith, a music teacher, with old fashioned mid-Victorian furnishings as if inherited from her parents. No. 3 & 4 is presented as the practice and home respectively (with a knocked through door) of dentist J. Jones - the exterior nameplate having come from the surgery of Mr. J. Jones in Hartlepool. Representing the state of dental health at the time, it features both a check-up room and surgery for extraction, and a technicians room for creating dentures - a common practice at the time being the giving to daughters a set on their 21st birthday, to save any future husband the cost at a later date. His home is presented as more modern than No.2, furnished in the Edwardian style the modern day utilities of an enamelled bathroom with flushing toilet, a controllable heat kitchen range and gas cooker. No. 5 is presented as a solicitor's office, based on that of Robert Spence Watson, a Quaker from Newcastle. Reflecting the trade of the era, downstairs is laid out as the partner's or principal office, and the general or clerk's office in the rear. Included is a set of books sourced from ER Hanby Holmes, who practised in Barnard Castle.

 

Pub

Presented as The Sun Inn, the pub opened in the town in 1985. It had originally stood in Bondgate in Bishop Auckland, and was donated to the museum by its final owners, the Scottish and Newcastle Breweries. Originally a "one-up one down" cottage, the earliest ownership has been traced to James Thompson, on 21 January 1806. Known as The Tiger Inn until the 1850s, from 1857 to 1899 under the ownership of the Leng family, it flourished under the patronage of miners from Newton Cap and other collieries. Latterly run by Elsie Edes, it came under brewery ownership in the 20th Century when bought by S&N antecedent, James Deuchar Ltd. The pub is fully operational, and features both a front and back bar, the two stories above not being part of the exhibit. The interior decoration features the stuffed racing greyhound Jake's Bonny Mary, which won nine trophies before being put on display in The Gerry in White le Head near Tantobie.

 

Town stables

Reflecting the reliance on horses for a variety of transport needs in the era, the town features a centrally located stables, situated behind the sweet shop, with its courtyard being accessed from the archway next to the pub. It is presented as a typical jobmaster's yard, with stables and a tack room in the building on its north side. A small, brick built open air, carriage shed is sited on the back of the printworks building. On the east side of the courtyard is a much larger metal shed (utilising iron roof trusses from Fleetwood), arranged mainly as carriage storage, but with a blacksmith's shop in the corner. The building on the west side of the yard is not part of any display. The interior fittings for the harness room came from Callaly Caste. Many of the horses and horse-drawn vehicles used by the museum are housed in the stables and sheds.

 

Printer, stationer and newspaper branch office

Presented as the Beamish Branch Office of the Northern Daily Mail and the Sunderland Daily Echo, the two storey replica building was built in the mid-1980s and represents the trade practices of the era. Downstairs, on the right, is the branch office, where newspapers would be sold directly and distributed to local newsagents and street vendors, and where orders for advertising copy would be taken. Supplementing it is a stationer's shop on the left hand side, with both display items and a small number of gift items on public sale. Upstairs is a jobbing printers workshop, which would not produce the newspapers, but would instead print leaflets, posters and office stationery. Split into a composing area and a print shop, the shop itself has a number of presses - a Columbian built in 1837 by Clymer and Dixon, an Albion dating back to 1863, an Arab Platen of c. 1900, and a Wharfedale flat bed press, built by Dawson & Son in around 1870. Much of the machinery was sourced from the print works of Jack Ascough's of Barnard Castle. Many of the posters seen around the museum are printed in the works, with the operation of the machinery being part of the display.

 

Sweet shop

Presented as Jubilee Confectioners, the two storey sweet shop opened in 1994 and is meant to represent the typical family run shops of the era, with living quarters above the shop (the second storey not being part of the display). To the front of the ground floor is a shop, where traditional sweets and chocolate (which was still relatively expensive at the time) are sold to visitors, while in the rear of the ground floor is a manufacturing area where visitors can view the techniques of the time (accessed via the arched walkway on the side of the building). The sweet rollers were sourced from a variety of shops and factories.

 

Bank

Presented as a branch of Barclays Bank (Barclay & Company Ltd) using period currency, the bank opened in 1999. It represents the trend of the era when regional banks were being acquired and merged into national banks such as Barclays, formed in 1896. Built to a three-storey design typical of the era, and featuring bricks in the upper storeys sourced from Park House, Gateshead, the Swedish imperial red shade used on the ground floor frontage is intended to represent stability and security. On the ground floor are windows for bank tellers, plus the bank manager's office. Included in a basement level are two vaults. The upper two storeys are not part of the display. It features components sourced from Southport and Gateshead

 

Masonic Hall

The Masonic Hall opened in 2006, and features the frontage from a former masonic hall sited in Park Terrace, Sunderland. Reflecting the popularity of the masons in North East England, as well as the main hall, which takes up the full height of the structure, in a small two story arrangement to the front of the hall is also a Robing Room and the Tyler's Room on the ground floor, and a Museum Room upstairs, featuring display cabinets of masonic regalia donated from various lodges. Upstairs is also a class room, with large stained glass window.

 

Chemist and photographer

Presented as W Smith's Chemist and JR & D Edis Photographers, a two-storey building housing both a chemist and photographers shops under one roof opened on 7 May 2016 and represents the growing popularity of photography in the era, with shops often growing out of or alongside chemists, who had the necessary supplies for developing photographs. The chemist features a dispensary, and equipment from various shops including John Walker, inventor of the friction match. The photographers features a studio, where visitors can dress in period costume and have a photograph taken. The corner building is based on a real building on Elvet Bridge in Durham City, opposite the Durham Marriot Hotel (the Royal County), although the second storey is not part of the display. The chemist also sells aerated water (an early form of carbonated soft drinks) to visitors, sold in marble-stopper sealed Codd bottles (although made to a modern design to prevent the safety issue that saw the original bottles banned). Aerated waters grew in popularity in the era, due to the need for a safe alternative to water, and the temperance movement - being sold in chemists due to the perception they were healthy in the same way mineral waters were.

 

Costing around £600,000 and begun on 18 August 2014, the building's brickwork and timber was built by the museum's own staff and apprentices, using Georgian bricks salvaged from demolition works to widen the A1. Unlike previous buildings built on the site, the museum had to replicate rather than relocate this one due to the fact that fewer buildings are being demolished compared to the 1970s, and in any case it was deemed unlikely one could be found to fit the curved shape of the plot. The studio is named after a real business run by John Reed Edis and his daughter Daisy. Mr Edis, originally at 27 Sherburn Road, Durham, in 1895, then 52 Saddler Street from 1897. The museum collection features several photographs, signs and equipment from the Edis studio. The name for the chemist is a reference to the business run by William Smith, who relocated to Silver Street, near the original building, in 1902. According to records, the original Edis company had been supplied by chemicals from the original (and still extant) Smith business.

 

Redman Park

Redman Park is a small lawned space with flower borders, opposite Ravensworth Terrace. Its centrepiece is a Victorian bandstand sourced from Saltwell Park, where it stood on an island in the middle of a lake. It represents the recognised need of the time for areas where people could relax away from the growing industrial landscape.

 

Other

Included in the Town are drinking fountains and other period examples of street furniture. In between the bank and the sweet shop is a combined tram and bus waiting room and public convenience.

 

Unbuilt

When construction of the Town began, the projected town plan incorporated a market square and buildings including a gas works, fire station, ice cream parlour (originally the Central Cafe at Consett), a cast iron bus station from Durham City, school, public baths and a fish and chip shop.

 

Railway station

East of the Town is the Railway Station, depicting a typical small passenger and goods facility operated by the main railway company in the region at the time, the North Eastern Railway (NER). A short running line extends west in a cutting around the north side of the Town itself, with trains visible from the windows of the stables. It runs for a distance of 1⁄4 mile - the line used to connect to the colliery sidings until 1993 when it was lifted between the town and the colliery so that the tram line could be extended. During 2009 the running line was relaid so that passenger rides could recommence from the station during 2010.

 

Rowley station

Representing passenger services is Rowley Station, a station building on a single platform, opened in 1976, having been relocated to the museum from the village of Rowley near Consett, just a few miles from Beamish.

 

The original Rowley railway station was opened in 1845 (as Cold Rowley, renamed Rowley in 1868) by the NER antecedent, the Stockton and Darlington Railway, consisting of just a platform. Under NER ownership, as a result of increasing use, in 1873 the station building was added. As demand declined, passenger service was withdrawn in 1939, followed by the goods service in 1966. Trains continued to use the line for another three years before it closed, the track being lifted in 1970. Although in a state of disrepair, the museum acquired the building, dismantling it in 1972, being officially unveiled in its new location by railway campaigner and poet, Sir John Betjeman.

 

The station building is presented as an Edwardian station, lit by oil lamp, having never been connected to gas or electricity supplies in its lifetime. It features both an open waiting area and a visitor accessible waiting room (western half), and a booking and ticket office (eastern half), with the latter only visible from a small viewing entrance. Adorning the waiting room is a large tiled NER route map.

 

Signal box

The signal box dates from 1896, and was relocated from Carr House East near Consett. It features assorted signalling equipment, basic furnishings for the signaller, and a lever frame, controlling the stations numerous points, interlocks and semaphore signals. The frame is not an operational part of the railway, the points being hand operated using track side levers. Visitors can only view the interior from a small area inside the door.

 

Goods shed

The goods shed is originally from Alnwick. The goods area represents how general cargo would have been moved on the railway, and for onward transport. The goods shed features a covered platform where road vehicles (wagons and carriages) can be loaded with the items unloaded from railway vans. The shed sits on a triangular platform serving two sidings, with a platform mounted hand-crane, which would have been used for transhipment activity (transfer of goods from one wagon to another, only being stored for a short time on the platform, if at all).

 

Coal yard

The coal yard represents how coal would have been distributed from incoming trains to local merchants - it features a coal drop which unloads railway wagons into road going wagons below. At the road entrance to the yard is a weighbridge (with office) and coal merchant's office - both being appropriately furnished with display items, but only viewable from outside.

 

The coal drop was sourced from West Boldon, and would have been a common sight on smaller stations. The weighbridge came from Glanton, while the coal office is from Hexham.

 

Bridges and level crossing

The station is equipped with two footbridges, a wrought iron example to the east having come from Howden-le-Wear, and a cast iron example to the west sourced from Dunston. Next to the western bridge, a roadway from the coal yard is presented as crossing the tracks via a gated level crossing (although in reality the road goes nowhere on the north side).

 

Waggon and Iron Works

Dominating the station is the large building externally presented as Beamish Waggon and Iron Works, estd 1857. In reality this is the Regional Museums Store (see below), although attached to the north side of the store are two covered sidings (not accessible to visitors), used to service and store the locomotives and stock used on the railway.

 

Other

A corrugated iron hut adjacent to the 'iron works' is presented as belonging to the local council, and houses associated road vehicles, wagons and other items.

 

Fairground

Adjacent to the station is an events field and fairground with a set of Frederick Savage built steam powered Gallopers dating from 1893.

 

Colliery

Presented as Beamish Colliery (owned by James Joicey & Co., and managed by William Severs), the colliery represents the coal mining industry which dominated the North East for generations - the museum site is in the former Durham coalfield, where 165,246 men and boys worked in 304 mines in 1913. By the time period represented by Beamish's 1900s era, the industry was booming - production in the Great Northern Coalfield had peaked in 1913, and miners were relatively well paid (double that of agriculture, the next largest employer), but the work was dangerous. Children could be employed from age 12 (the school leaving age), but could not go underground until 14.

 

Deep mine

Reconstructed pitworks buildings showing winding gear

Dominating the colliery site are the above ground structures of a deep (i.e. vertical shaft) mine - the brick built Winding Engine House, and the red painted wooden Heapstead. These were relocated to the museum (which never had its own vertical shaft), the winding house coming from Beamish Chophill Colliery, and the Heapstead from Ravensworth Park Mine in Gateshead. The winding engine and its enclosing house are both listed.

 

The winding engine was the source of power for hauling miners, equipment and coal up and down the shaft in a cage, the top of the shaft being in the adjacent heapstead, which encloses the frame holding the wheel around which the hoist cable travels. Inside the Heapstead, tubs of coal from the shaft were weighed on a weighbridge, then tipped onto jigging screens, which sifted the solid lumps from small particles and dust - these were then sent along the picking belt, where pickers, often women, elderly or disabled people or young boys (i.e. workers incapable of mining), would separate out unwanted stone, wood and rubbish. Finally, the coal was tipped onto waiting railway wagons below, while the unwanted waste sent to the adjacent heap by an external conveyor.

 

Chophill Colliery was closed by the National Coal Board in 1962, but the winding engine and tower were left in place. When the site was later leased, Beamish founder Frank Atkinson intervened to have both spot listed to prevent their demolition. After a protracted and difficult process to gain the necessary permissions to move a listed structure, the tower and engine were eventually relocated to the museum, work being completed in 1976. The winding engine itself is the only surviving example of the type which was once common, and was still in use at Chophill upon its closure. It was built in 1855 by J&G Joicey of Newcastle, to an 1800 design by Phineas Crowther.

 

Inside the winding engine house, supplementing the winding engine is a smaller jack engine, housed in the rear. These were used to lift heavy equipment, and in deep mines, act as a relief winding engine.

 

Outdoors, next to the Heapstead, is a sinking engine, mounted on red bricks. Brought to the museum from Silksworth Colliery in 1971, it was built by Burlington's of Sunderland in 1868 and is the sole surviving example of its kind. Sinking engines were used for the construction of shafts, after which the winding engine would become the source of hoist power. It is believed the Silksworth engine was retained because it was powerful enough to serve as a backup winding engine, and could be used to lift heavy equipment (i.e. the same role as the jack engine inside the winding house).

 

Drift mine

The Mahogany Drift Mine is original to Beamish, having opened in 1855 and after closing, was brought back into use in 1921 to transport coal from Beamish Park Drift to Beamish Cophill Colliery. It opened as a museum display in 1979. Included in the display is the winding engine and a short section of trackway used to transport tubs of coal to the surface, and a mine office. Visitor access into the mine shaft is by guided tour.

 

Lamp cabin

The Lamp Cabin opened in 2009, and is a recreation of a typical design used in collieries to house safety lamps, a necessary piece of equipment for miners although were not required in the Mahogany Drift Mine, due to it being gas-free. The building is split into two main rooms; in one half, the lamp cabin interior is recreated, with a collection of lamps on shelves, and the system of safety tokens used to track which miners were underground. Included in the display is a 1927 Hailwood and Ackroyd lamp-cleaning machine sourced from Morrison Busty Colliery in Annfield Plain. In the second room is an educational display, i.e., not a period interior.

 

Colliery railways

The colliery features both a standard gauge railway, representing how coal was transported to its onward destination, and narrow-gauge typically used by Edwardian collieries for internal purposes. The standard gauge railway is laid out to serve the deep mine - wagons being loaded by dropping coal from the heapstead - and runs out of the yard to sidings laid out along the northern-edge of the Pit Village.

 

The standard gauge railway has two engine sheds in the colliery yard, the smaller brick, wood and metal structure being an operational building; the larger brick-built structure is presented as Beamish Engine Works, a reconstruction of an engine shed formerly at Beamish 2nd Pit. Used for locomotive and stock storage, it is a long, single track shed featuring a servicing pit for part of its length. Visitors can walk along the full length in a segregated corridor. A third engine shed in brick (lower half) and corrugated iron has been constructed at the southern end of the yard, on the other side of the heapstead to the other two sheds, and is used for both narrow and standard gauge vehicles (on one road), although it is not connected to either system - instead being fed by low-loaders and used for long-term storage only.

 

The narrow gauge railway is serviced by a corrugate iron engine shed, and is being expanded to eventually encompass several sidings.

 

There are a number of industrial steam locomotives (including rare examples by Stephen Lewin from Seaham and Black, Hawthorn & Co) and many chaldron wagons, the region's traditional type of colliery railway rolling stock, which became a symbol of Beamish Museum. The locomotive Coffee Pot No 1 is often in steam during the summer.

 

Other

On the south eastern corner of the colliery site is the Power House, brought to the museum from Houghton Colliery. These were used to store explosives.

 

Pit Village

Alongside the colliery is the pit village, representing life in the mining communities that grew alongside coal production sites in the North East, many having come into existence solely because of the industry, such as Seaham Harbour, West Hartlepool, Esh Winning and Bedlington.

 

Miner's Cottages

The row of six miner's cottages in Francis Street represent the tied-housing provided by colliery owners to mine workers. Relocated to the museum in 1976, they were originally built in the 1860s in Hetton-le-Hole by Hetton Coal Company. They feature the common layout of a single-storey with a kitchen to the rear, the main room of the house, and parlour to the front, rarely used (although it was common for both rooms to be used for sleeping, with disguised folding "dess" beds common), and with children sleeping in attic spaces upstairs. In front are long gardens, used for food production, with associated sheds. An outdoor toilet and coal bunker were in the rear yards, and beyond the cobbled back lane to their rear are assorted sheds used for cultivation, repairs and hobbies. Chalkboard slates attached to the rear wall were used by the occupier to tell the mine's "knocker up" when they wished to be woken for their next shift.

 

No.2 is presented as a Methodist family's home, featuring good quality "Pitman's mahogany" furniture; No.3 is presented as occupied by a second generation well off Irish Catholic immigrant family featuring many items of value (so they could be readily sold off in times of need) and an early 1890s range; No.3 is presented as more impoverished than the others with just a simple convector style Newcastle oven, being inhabited by a miner's widow allowed to remain as her son is also a miner, and supplementing her income doing laundry and making/mending for other families. All the cottages feature examples of the folk art objects typical of mining communities. Also included in the row is an office for the miner's paymaster.[11] In the rear alleyway of the cottages is a communal bread oven, which were commonplace until miner's cottages gradually obtained their own kitchen ranges. They were used to bake traditional breads such as the Stottie, as well as sweet items, such as tea cakes. With no extant examples, the museum's oven had to be created from photographs and oral history.

 

School

The school opened in 1992, and represents the typical board school in the educational system of the era (the stone built single storey structure being inscribed with the foundation date of 1891, Beamish School Board), by which time attendance at a state approved school was compulsory, but the leaving age was 12, and lessons featured learning by rote and corporal punishment. The building originally stood in East Stanley, having been set up by the local school board, and would have numbered around 150 pupils. Having been donated by Durham County Council, the museum now has a special relationship with the primary school that replaced it. With separate entrances and cloakrooms for boys and girls at either end, the main building is split into three class rooms (all accessible to visitors), connected by a corridor along the rear. To the rear is a red brick bike shed, and in the playground visitors can play traditional games of the era.

 

Chapel

Pit Hill Chapel opened in 1990, and represents the Wesleyan Methodist tradition which was growing in North East England, with the chapels used for both religious worship and as community venues, which continue in its role in the museum display. Opened in the 1850s, it originally stood not far from its present site, having been built in what would eventually become Beamish village, near the museum entrance. A stained glass window of The Light of The World by William Holman Hunt came from a chapel in Bedlington. A two handled Love Feast Mug dates from 1868, and came from a chapel in Shildon Colliery. On the eastern wall, above the elevated altar area, is an angled plain white surface used for magic lantern shows, generated using a replica of the double-lensed acetylene gas powered lanterns of the period, mounted in the aisle of the main seating area. Off the western end of the hall is the vestry, featuring a small library and communion sets from Trimdon Colliery and Catchgate.

 

Fish bar

Presented as Davey's Fried Fish & Chip Potato Restaurant, the fish and chip shop opened in 2011, and represents the typical style of shop found in the era as they were becoming rapidly popular in the region - the brick built Victorian style fryery would most often have previously been used for another trade, and the attached corrugated iron hut serves as a saloon with tables and benches, where customers would eat and socialise. Featuring coal fired ranges using beef-dripping, the shop is named in honour of the last coal fired shop in Tyneside, in Winlaton Mill, and which closed in 2007. Latterly run by brothers Brian and Ramsay Davy, it had been established by their grandfather in 1937. The serving counter and one of the shop's three fryers, a 1934 Nuttal, came from the original Davy shop. The other two fryers are a 1920s Mabbott used near Chester until the 1960s, and a GW Atkinson New Castle Range, donated from a shop in Prudhoe in 1973. The latter is one of only two known late Victorian examples to survive. The decorative wall tiles in the fryery came to the museum in 1979 from Cowes Fish and Game Shop in Berwick upon Tweed. The shop also features both an early electric and hand-powered potato rumblers (cleaners), and a gas powered chip chopper built around 1900. Built behind the chapel, the fryery is arranged so the counter faces the rear, stretching the full length of the building. Outside is a brick built row of outdoor toilets. Supplementing the fish bar is the restored Berriman's mobile chip van, used in Spennymoor until the early 1970s.

 

Band hall

The Hetton Silver Band Hall opened in 2013, and features displays reflecting the role colliery bands played in mining life. Built in 1912, it was relocated from its original location in South Market Street, Hetton-le-Hole, where it was used by the Hetton Silver Band, founded in 1887. They built the hall using prize money from a music competition, and the band decided to donate the hall to the museum after they merged with Broughtons Brass Band of South Hetton (to form the Durham Miners' Association Brass Band). It is believed to be the only purpose built band hall in the region. The structure consists of the main hall, plus a small kitchen to the rear; as part of the museum it is still used for performances.

 

Pit pony stables

The Pit Pony Stables were built in 2013/14, and house the museum's pit ponies. They replace a wooden stable a few metres away in the field opposite the school (the wooden structure remaining). It represents the sort of stables that were used in drift mines (ponies in deep mines living their whole lives underground), pit ponies having been in use in the north east as late as 1994, in Ellington Colliery. The structure is a recreation of an original building that stood at Rickless Drift Mine, between High Spen and Greenside; it was built using a yellow brick that was common across the Durham coalfield.

 

Other

Doubling as one of the museum's refreshment buildings, Sinker's Bait Cabin represents the temporary structures that would have served as living quarters, canteens and drying areas for sinkers, the itinerant workforce that would dig new vertical mine shafts.

 

Representing other traditional past-times, the village fields include a quoits pitch, with another refreshment hut alongside it, resembling a wooden clubhouse.

 

In one of the fields in the village stands the Cupola, a small round flat topped brick built tower; such structures were commonly placed on top of disused or ventilation shafts, also used as an emergency exit from the upper seams.

 

The Georgian North (1825)

A late Georgian landscape based around the original Pockerley farm represents the period of change in the region as transport links were improved and as agriculture changed as machinery and field management developed, and breeding stock was improved. It became part of the museum in 1990, having latterly been occupied by a tenant farmer, and was opened as an exhibit in 1995. The hill top position suggests the site was the location of an Iron Age fort - the first recorded mention of a dwelling is in the 1183 Buke of Boldon (the region's equivalent of the Domesday Book). The name Pockerley has Saxon origins - "Pock" or "Pokor" meaning "pimple of bag-like" hill, and "Ley" meaning woodland clearing.

 

The surrounding farmlands have been returned to a post-enclosure landscape with ridge and furrow topography, divided into smaller fields by traditional riven oak fencing. The land is worked and grazed by traditional methods and breeds.

 

Pockerley Old Hall

The estate of Pockerley Old Hall is presented as that of a well off tenant farmer, in a position to take advantage of the agricultural advances of the era. The hall itself consists of the Old House, which is adjoined (but not connected to) the New House, both south facing two storey sandstone built buildings, the Old House also having a small north–south aligned extension. Roof timbers in the sandstone built Old House have been dated to the 1440s, but the lower storey (the undercroft) may be from even earlier. The New House dates to the late 1700s, and replaced a medieval manor house to the east of the Old House as the main farm house - once replaced itself, the Old House is believed to have been let to the farm manager. Visitors can access all rooms in the New and Old House, except the north–south extension which is now a toilet block. Displays include traditional cooking, such as the drying of oatcakes over a wooden rack (flake) over the fireplace in the Old House.

 

Inside the New House the downstairs consists of a main kitchen and a secondary kitchen (scullery) with pantry. It also includes a living room, although as the main room of the house, most meals would have been eaten in the main kitchen, equipped with an early range, boiler and hot air oven. Upstairs is a main bedroom and a second bedroom for children; to the rear (i.e. the colder, north side), are bedrooms for a servant and the servant lad respectively. Above the kitchen (for transferred warmth) is a grain and fleece store, with attached bacon loft, a narrow space behind the wall where bacon or hams, usually salted first, would be hung to be smoked by the kitchen fire (entering through a small door in the chimney).

 

Presented as having sparse and more old fashioned furnishings, the Old House is presented as being occupied in the upper story only, consisting of a main room used as the kitchen, bedroom and for washing, with the only other rooms being an adjoining second bedroom and an overhanging toilet. The main bed is an oak box bed dating to 1712, obtained from Star House in Baldersdale in 1962. Originally a defensive house in its own right, the lower level of the Old House is an undercroft, or vaulted basement chamber, with 1.5 metre thick walls - in times of attack the original tenant family would have retreated here with their valuables, although in its later use as the farm managers house, it is now presented as a storage and work room, housing a large wooden cheese press.[68] More children would have slept in the attic of the Old House (not accessible as a display).

 

To the front of the hall is a terraced garden featuring an ornamental garden with herbs and flowers, a vegetable garden, and an orchard, all laid out and planted according to the designs of William Falla of Gateshead, who had the largest nursery in Britain from 1804 to 1830.

 

The buildings to the east of the hall, across a north–south track, are the original farmstead buildings dating from around 1800. These include stables and a cart shed arranged around a fold yard. The horses and carts on display are typical of North Eastern farms of the era, Fells or Dales ponies and Cleveland Bay horses, and two wheeled long carts for hilly terrain (as opposed to four wheel carts).

 

Pockerley Waggonway

The Pockerley Waggonway opened in 2001, and represents the year 1825, as the year the Stockton and Darlington Railway opened. Waggonways had appeared around 1600, and by the 1800s were common in mining areas - prior to 1800 they had been either horse or gravity powered, before the invention of steam engines (initially used as static winding engines), and later mobile steam locomotives.

 

Housing the locomotives and rolling stock is the Great Shed, which opened in 2001 and is based on Timothy Hackworth's erecting shop, Shildon railway works, and incorporating some material from Robert Stephenson and Company's Newcastle works. Visitors can walk around the locomotives in the shed, and when in steam, can take rides to the end of the track and back in the line's assorted rolling stock - situated next to the Great Shed is a single platform for passenger use. In the corner of the main shed is a corner office, presented as a locomotive designer's office (only visible to visitors through windows). Off the pedestrian entrance in the southern side is a room presented as the engine crew's break room. Atop the Great Shed is a weather vane depicting a waggonway train approaching a cow, a reference to a famous quote by George Stephenson when asked by parliament in 1825 what would happen in such an eventuality - "very awkward indeed - for the coo!".

 

At the far end of the waggonway is the (fictional) coal mine Pockerley Gin Pit, which the waggonway notionally exists to serve. The pit head features a horse powered wooden whim gin, which was the method used before steam engines for hauling men and material up and down mineshafts - coal was carried in corves (wicker baskets), while miners held onto the rope with their foot in an attached loop.

 

Wooden waggonway

Following creation of the Pockerley Waggonway, the museum went back a chapter in railway history to create a horse-worked wooden waggonway.

 

St Helen's Church

St Helen's Church represents a typical type of country church found in North Yorkshire, and was relocated from its original site in Eston, North Yorkshire. It is the oldest and most complex building moved to the museum. It opened in November 2015, but will not be consecrated as this would place restrictions on what could be done with the building under church law.

 

The church had existed on its original site since around 1100. As the congregation grew, it was replaced by two nearby churches, and latterly became a cemetery chapel. After closing in 1985, it fell into disrepair and by 1996 was burnt out and vandalised leading to the decision by the local authority in 1998 to demolish it. Working to a deadline of a threatened demolition within six months, the building was deconstructed and moved to Beamish, reconstruction being authorised in 2011, with the exterior build completed by 2012.

 

While the structure was found to contain some stones from the 1100 era, the building itself however dates from three distinct building phases - the chancel on the east end dates from around 1450, while the nave, which was built at the same time, was modernised in 1822 in the Churchwarden style, adding a vestry. The bell tower dates from the late 1600s - one of the two bells is a rare dated Tudor example. Gargoyles, originally hidden in the walls and believed to have been pranks by the original builders, have been made visible in the reconstruction.

 

Restored to its 1822 condition, the interior has been furnished with Georgian box pews sourced from a church in Somerset. Visitors can access all parts except the bell tower. The nave includes a small gallery level, at the tower end, while the chancel includes a church office.

 

Joe the Quilter's Cottage

The most recent addition to the area opened to the public in 2018 is a recreation of a heather-thatched cottage which features stones from the Georgian quilter Joseph Hedley's original home in Northumberland. It was uncovered during an archaeological dig by Beamish. His original cottage was demolished in 1872 and has been carefully recreated with the help of a drawing on a postcard. The exhibit tells the story of quilting and the growth of cottage industries in the early 1800s. Within there is often a volunteer or member of staff not only telling the story of how Joe was murdered in 1826, a crime that remains unsolved to this day, but also giving visitors the opportunity to learn more and even have a go at quilting.

 

Other

A pack pony track passes through the scene - pack horses having been the mode of transport for all manner of heavy goods where no waggonway exists, being also able to reach places where carriages and wagons could not access. Beside the waggonway is a gibbet.

 

Farm (1940s)

Presented as Home Farm, this represents the role of North East farms as part of the British Home Front during World War II, depicting life indoors, and outside on the land. Much of the farmstead is original, and opened as a museum display in 1983. The farm is laid out across a north–south public road; to the west is the farmhouse and most of the farm buildings, while on the east side are a pair of cottages, the British Kitchen, an outdoor toilet ("netty"), a bull field, duck pond and large shed.

 

The farm complex was rebuilt in the mid-19th century as a model farm incorporating a horse mill and a steam-powered threshing mill. It was not presented as a 1940s farm until early 2014.

 

The farmhouse is presented as having been modernised, following the installation of electric power and an Aga cooker in the scullery, although the main kitchen still has the typical coal-fired black range. Lino flooring allowed quicker cleaning times, while a radio set allowed the family to keep up to date with wartime news. An office next to the kitchen would have served both as the administration centre for the wartime farm, and as a local Home Guard office. Outside the farmhouse is an improvised Home Guard pillbox fashioned from half an egg-ended steam boiler, relocated from its original position near Durham.

 

The farm is equipped with three tractors which would have all seen service during the war: a Case, a Fordson N and a 1924 Fordson F. The farm also features horse-drawn traps, reflecting the effect wartime rationing of petrol would have had on car use. The farming equipment in the cart and machinery sheds reflects the transition of the time from horse-drawn to tractor-pulled implements, with some older equipment put back into use due to the war, as well as a large Foster thresher, vital for cereal crops, and built specifically for the war effort, sold at the Newcastle Show. Although the wartime focus was on crops, the farm also features breeds of sheep, cattle, pigs and poultry that would have been typical for the time. The farm also has a portable steam engine, not in use, but presented as having been left out for collection as part of a wartime scrap metal drive.

 

The cottages would have housed farm labourers, but are presented as having new uses for the war: Orchard Cottage housing a family of evacuees, and Garden Cottage serving as a billet for members of the Women's Land Army (Land Girls). Orchard Cottage is named for an orchard next to it, which also contains an Anderson shelter, reconstructed from partial pieces of ones recovered from around the region. Orchard Cottage, which has both front and back kitchens, is presented as having an up to date blue enameled kitchen range, with hot water supplied from a coke stove, as well as a modern accessible bathroom. Orchard Cottage is also used to stage recreations of wartime activities for schools, elderly groups and those living with dementia. Garden Cottage is sparsely furnished with a mix of items, reflecting the few possessions Land Girls were able to take with them, although unusually the cottage is depicted with a bathroom, and electricity (due to proximity to a colliery).

 

The British Kitchen is both a display and one of the museum's catering facilities; it represents an installation of one of the wartime British Restaurants, complete with propaganda posters and a suitably patriotic menu.

 

Town (1950s)

As part of the Remaking Beamish project, with significant funding from the National Lottery Heritage Fund, the museum is creating a 1950s town. Opened in July 2019, the Welfare Hall is an exact replica of the Leasingthorne Colliery Welfare Hall and Community Centre which was built in 1957 near Bishop Auckland. Visitors can 'take part in activities including dancing, crafts, Meccano, beetle drive, keep fit and amateur dramatics' while also taking a look at the National Health Service exhibition on display, recreating the environment of an NHS clinic. A recreation and play park, named Coronation Park was opened in May 2022 to coincide with the celebrations around the Platinum Jubilee of Elizabeth II.

 

The museum's first 1950s terrace opened in February 2022. This included a fish and chip shop from Middleton St George, a cafe, a replica of Norman Cornish's home, and a hairdressers. Future developments opposite the existing 1950s terrace will see a recreation of The Grand Cinema, from Ryhope, in Sunderland, and toy and electricians shops. Also underdevelopment are a 1950s bowling green and pavilion, police houses and aged miner's cottages. Also under construction are semi-detached houses; for this exhibit, a competition was held to recreate a particular home at Beamish, which was won by a family from Sunderland.

 

As well as the town, a 1950s Northern bus depot has been opened on the western side of the museum – the purpose of this is to provide additional capacity for bus, trolleybus and tram storage once the planned trolleybus extension and the new area are completed, providing extra capacity and meeting the need for modified routing.

 

Spain's Field Farm

In March 2022, the museum opened Spain's Field Farm. It had stood for centuries at Eastgate in Weardale, and was moved to Beamish stone-by-stone. It is exhibited as it would have been in the 1950s.

 

1820s Expansion

In the area surrounding the current Pockerley Old Hall and Steam Wagon Way more development is on the way. The first of these was planned to be a Georgian Coaching Inn that would be the museum's first venture into overnight accommodation. However following the COVID-19 pandemic this was abandoned, in favour of self-catering accommodation in existing cottages.

 

There are also plans for 1820s industries including a blacksmith's forge and a pottery.

 

Museum stores

There are two stores on the museum site, used to house donated objects. In contrast to the traditional rotation practice used in museums where items are exchanged regularly between store and display, it is Beamish policy that most of their exhibits are to be in use and on display - those items that must be stored are to be used in the museum's future developments.

 

Open Store

Housed in the Regional Resource Centre, the Open Store is accessible to visitors. Objects are housed on racks along one wall, while the bulk of items are in a rolling archive, with one set of shelves opened, with perspex across their fronts to permit viewing without touching.

 

Regional Museums Store

The real purposes of the building presented as Beamish Waggon and Iron Works next to Rowley Station is as the Regional Museums Store, completed in 2002, which Beamish shares with Tyne and Wear Museums. This houses, amongst other things, a large marine diesel engine by William Doxford & Sons of Pallion, Sunderland (1977); and several boats including the Tyne wherry (a traditional local type of lighter) Elswick No. 2 (1930). The store is only open at selected times, and for special tours which can be arranged through the museum; however, a number of viewing windows have been provided for use at other times.

 

Transport collection

Main article: Beamish Museum transport collection

The museum contains much of transport interest, and the size of its site makes good internal transportation for visitors and staff purposes a necessity.

 

The collection contains a variety of historical vehicles for road, rail and tramways. In addition there are some modern working replicas to enhance the various scenes in the museum.

 

Agriculture

The museum's two farms help to preserve traditional northcountry and in some cases rare livestock breeds such as Durham Shorthorn Cattle; Clydesdale and Cleveland Bay working horses; Dales ponies; Teeswater sheep; Saddleback pigs; and poultry.

 

Regional heritage

Other large exhibits collected by the museum include a tracked steam shovel, and a coal drop from Seaham Harbour.

 

In 2001 a new-build Regional Resource Centre (accessible to visitors by appointment) opened on the site to provide accommodation for the museum's core collections of smaller items. These include over 300,000 historic photographs, printed books and ephemera, and oral history recordings. The object collections cover the museum's specialities. These include quilts; "clippy mats" (rag rugs); Trade union banners; floor cloth; advertising (including archives from United Biscuits and Rowntree's); locally made pottery; folk art; and occupational costume. Much of the collection is viewable online and the arts of quilting, rug making and cookery in the local traditions are demonstrated at the museum.

 

Filming location

The site has been used as the backdrop for many film and television productions, particularly Catherine Cookson dramas, produced by Tyne Tees Television, and the final episode and the feature film version of Downton Abbey. Some of the children's television series Supergran was shot here.

 

Visitor numbers

On its opening day the museum set a record by attracting a two-hour queue. Visitor numbers rose rapidly to around 450,000 p.a. during the first decade of opening to the public, with the millionth visitor arriving in 1978.

 

Awards

Museum of the Year1986

European Museum of the Year Award1987

Living Museum of the Year2002

Large Visitor Attraction of the YearNorth East England Tourism awards2014 & 2015

Large Visitor Attraction of the Year (bronze)VisitEngland awards2016

It was designated by the Museums, Libraries and Archives Council in 1997 as a museum with outstanding collections.

 

Critical responses

In responding to criticism that it trades on nostalgia the museum is unapologetic. A former director has written: "As individuals and communities we have a deep need and desire to understand ourselves in time."

 

According to the BBC writing in its 40th anniversary year, Beamish was a mould-breaking museum that became a great success due to its collection policy, and what sets it apart from other museums is the use of costumed people to impart knowledge to visitors, rather than labels or interpretive panels (although some such panels do exist on the site), which means it "engages the visitor with history in a unique way".

 

Legacy

Beamish was influential on the Black Country Living Museum, Blists Hill Victorian Town and, in the view of museologist Kenneth Hudson, more widely in the museum community and is a significant educational resource locally. It can also demonstrate its benefit to the contemporary local economy.

 

The unselective collecting policy has created a lasting bond between museum and community.

Site-specific pieces made of building materials by Amir Harrari after visiting the Wave Hill site and researching its history and architecture.

www.wavehill.org/arts/artists/amir-hariri/

 

Sunroom Space at Glyndor Gallery, Wave Hill, Riverdale, the Bronx, NYC -- July 13, 2019

Glasz : Specific color to Britain without French translation, the glasz is a color of nature with a subtle luminosity, between blue, green and gray with a dominant change with time, environment and even the mood ...

I'm pretty sure the pelmet (if that's what it is) was the starting point for this piece and for the whole room. It's always fun to work with whatever objects are already on a wall and to try and incorporate them into the piece to produce something that is site specific.

 

Anyway when you have a pelmet-like device on the wall what do you do? Well, you add a rather frosty looking lady smoking a cigarette who seems to be wearing the pelmet-thing as some kind ethereal crown or halo that seems to float serenely above her shock of jet black hair. It would also appear that she's been smoking that much that clouds are now beginning to form in the air around her. She seems to be something of a contradiction in terms. I do wonder what a girl like that would be capable of. You'll have to stay tuned to 'The House of Pain(t)' to find out...

 

Cheers

 

id-iom

The wasp stings a specific part of the cockroach's nervous system and temporarily disables its front legs and escape reflexes. It then chews off half of the each antennae on the cockroach, and leads it back to its nest since it would be too heavy to carry and fly around with.

 

In the nest, it lays an egg or two into the live but immobile cockroach. They would hatch in a few days to chew the cockroach from inside out.

 

Thank you wasp.

 

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Shot on Samsung Galaxy S9+

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The word werewolf is thought to derive from Old English wer (or were)— pronounced variously as /ˈwɛər, ˈwɪər, ˈwɜr/— and wulf. The first part, wer, translates as "man" (in the specific sense of male human, not the race of humanity generally). It has cognates in several Germanic languages including Gothic wair, Old High German wer, and Old Norse verr, as well as in other Indo-European languages, such as Sanskrit 'vira', Latin vir, Irish fear, Lithuanian vyras, and Welsh gŵr, which have the same meaning. The second half, wulf, is the ancestor of modern English "wolf"; in some cases it also had the general meaning "beast."

 

An alternative etymology derives the first part from Old English weri (to wear); the full form in this case would be glossed as wearer of wolf skin. Related to this interpretation is Old Norse ulfhednar, which denoted lupine equivalents of the berserker, said to wear a bearskin in battle.

  

Facsimile of the first seven lines of the 14th century English translation of the 12th century French manuscript The Romance of William of PalerneYet other sources derive the word from warg-wolf, where warg (or later werg and wero) is cognate with Old Norse vargr, meaning "rogue," "outlaw," or, euphemistically, "wolf".[1] A Vargulf was the kind of wolf that slaughtered many members of a flock or herd but ate little of the kill. This was a serious problem for herders, who had to somehow destroy the rogue wolf before it destroyed the entire flock or herd. The term Warg was used in Old English for this kind of wolf. Possibly related is the fact that, in Norse society, an outlaw (who could be murdered with no legal repercussions and was forbidden to receive aid) was typically called vargr, or "wolf."

 

Other terms

The term lycanthropy, a synonym, comes from Ancient Greek lykánthropos (λυκάνθρωπος): λύκος, lýkos ("wolf") + άνθρωπος, ánthrōpos ("human").[2] A compound of which "lyc-" derives from the Proto-Indo-European root *wlkwo-, meaning "wolf", formally denotes the "wolf - man" transformation. Lycanthropy is but one form of therianthropy, the ability to metamorphose into animals in general. The term therianthrope literally means "beast-man." The word has also been linked to the original werewolf of classical mythology, Lycaon, a king of Arcadia who, according to Ovid's Metamorphoses, was turned into a ravenous wolf in retribution for attempting to serve his own son to visiting Zeus in an attempt to disprove the god's divinity.

 

There is also a mental illness called lycanthropy in which a patient believes he or she is, or has transformed into, an animal and behaves accordingly. This is sometimes referred to as clinical lycanthropy to distinguish it from its use in legends. Despite its origin as a term for man-wolf transformations only, lycanthropy is used in this sense for animals of any type. This broader meaning is often used in modern fictional references, such as in roleplaying game culture.

 

Another ancient term for shapeshifting between any animal forms is versipellis, from which the English words turnskin and turncoat are derived.[3] This Latin word is similar in meaning as words used for werewolves and other shapeshifters in Russian (oboroten) and Old Norse (hamrammr).

 

The French name for a werewolf, sometimes used in English, is loup-garou (pronounced /lugaˈru/), from the Latin noun lupus meaning wolf.[4] The second element is thought to be from Old French garoul meaning "werewolf." This in turn is most likely from Frankish *wer-wulf meaning "man-wolf."[5]

 

Folk beliefs

Description and common attributes

Werewolves were said to bear physical tell-tale traits in European folklore. These included the meeting of both eyebrows at the bridge of the nose, curved fingernails, low set ears and a swinging stride. One method of identifying a werewolf in its human form was to cut the flesh of the accused, under the pretense that fur would be seen within the wound. A Russian superstition recalls a werewolf can be recognised by bristles under the tongue.[6] The appearance of a werewolf in its animal form varies from culture to culture, though they are most commonly portrayed as being indistinguishable from ordinary wolves save for the fact that they have no tail (a trait thought characteristic of witches in animal form), and that they retain human eyes and voice. After returning to their human forms, werewolves are usually documented as becoming weak, debilitated and undergoing painful nervous depression.[6] Many historical werewolves were written to have suffered severe melancholia and manic depression, being bitterly conscious of their crimes.[6] One universally reviled trait in medieval Europe was the werewolf's habit of devouring recently buried corpses, a trait which is documented extensively, particularly in the Annales Medico-psychologiques in the 19th century.[6] Fennoscandian werewolves were usually old women who possessed poison coated claws and had the ability to paralyse cattle and children with their gaze.[6] Serbian vulkodlaks traditionally had the habit of congregating annually in the winter months, where they would strip off their wolf skins and hang them from trees. They would then get a hold of another vulkodlaks skin and burn it, releasing the vulkodlak from whom the skin came from its curse.[6] The Haitian jé-rouges typically try to trick mothers into giving away their children voluntarily by waking them at night and asking their permission to take their child, to which the disoriented mother may either reply yes or no.[6]

 

Becoming a werewolf

Various methods for becoming a werewolf have been reported, one of the simplest being the removal of clothing and putting on a belt made of wolfskin, probably as a substitute for the assumption of an entire animal skin (which also is frequently described).[7] In other cases, the body is rubbed with a magic salve.[7] To drink rainwater out of the footprint of the animal in question or to drink from certain enchanted streams were also considered effectual modes of accomplishing metamorphosis.[8] The 16th century Swedish writer Olaus Magnus says that the Livonian werewolves were initiated by draining a cup of specially prepared beer and repeating a set formula. Ralston in his Songs of the Russian People gives the form of incantation still familiar in Russia.

 

In Italy, France and Germany, it was said that a man could turn into a werewolf if he, on a certain Wednesday or Friday, slept outside on a summer night with the full moon shining directly on his face.[6]

 

In other cases, the transformation was supposedly accomplished by Satanic allegiance for the most loathsome ends, often for the sake of sating a craving for human flesh. "The werewolves", writes Richard Verstegan (Restitution of Decayed Intelligence, 1628),

 

are certayne sorcerers, who having annoynted their bodies with an ointment which they make by the instinct of the devil, and putting on a certayne inchaunted girdle, does not only unto the view of others seem as wolves, but to their own thinking have both the shape and nature of wolves, so long as they wear the said girdle. And they do dispose themselves as very wolves, in worrying and killing, and most of humane creatures.

 

Such were the views about lycanthropy current throughout the continent of Europe when Verstegan wrote.

 

The phenomenon of repercussion, the power of animal metamorphosis, or of sending out a familiar, real or spiritual, as a messenger, and the supernormal powers conferred by association with such a familiar, are also attributed to the magician, male and female, all the world over; and witch superstitions are closely parallel to, if not identical with, lycanthropic beliefs, the occasional involuntary character of lycanthropy being almost the sole distinguishing feature. In another direction the phenomenon of repercussion is asserted to manifest itself in connection with the bush-soul of the West African and the nagual of Central America; but though there is no line of demarcation to be drawn on logical grounds, the assumed power of the magician and the intimate association of the bush-soul or the nagual with a human being are not termed lycanthropy. Nevertheless it will be well to touch on both these beliefs here.

 

The curse of lycanthropy was also considered by some scholars as being a divine punishment. Werewolf literature shows many examples of God or saints allegedly cursing those who invoked their wrath with werewolfism. Those who were excommunicated by the Roman Catholic Church were also said to become werewolves.[6]

 

The power of transforming others into wild beasts was attributed not only to malignant sorcerers, but to Christian saints as well. Omnes angeli, boni et Mali, ex virtute naturali habent potestatem transmutandi corpora nostra ("All angels, good and bad have the power of transmutating our bodies") was the dictum of St. Thomas Aquinas. St. Patrick was said to have transformed the Welsh king Vereticus into a wolf; Natalis supposedly cursed an illustrious Irish family whose members were each doomed to be a wolf for seven years. In other tales the divine agency is even more direct, while in Russia, again, men supposedly became werewolves when incurring the wrath of the Devil.

 

A notable exception to the association of Lycanthropy and the Devil, comes from a rare and lesser known account of an 80-year-old man named Thiess. In 1692, in Jurgenburg, Livonia, Thiess testified under oath that he and other werewolves were the Hounds of God.[9] He claimed they were warriors who went down into hell to do battle with witches and demons. Their efforts ensured that the Devil and his minions did not carry off the grain from local failed crops down to hell. Thiess was steadfast in his assertions, claiming that werewolves in Germany and Russia also did battle with the devil's minions in their own versions of hell, and insisted that when werewolves died, their souls were welcomed into heaven as reward for their service. Thiess was ultimately sentenced to ten lashes for Idolatry and superstitious belief.

 

A distinction is often made between voluntary and involuntary werewolves. The former are generally thought to have made a pact, usually with the Devil, and morph into werewolves at night to indulge in nefarious acts. Involuntary werewolves, on the other hand, are werewolves by an accident of birth or health. In some cultures, individuals born during a new moon or suffering from epilepsy were considered likely to be werewolves.

 

Becoming a werewolf simply by being bitten by another werewolf as a form of contagion is common in modern horror fiction, but this kind of transmission is rare in legend, unlike the case in vampirism.[6]

 

Even if the denotation of lycanthropy is limited to the wolf-metamorphosis of living human beings, the beliefs classed together under this head are far from uniform, and the term is somewhat capriciously applied. The transformation may be temporary or permanent; the were-animal may be the man himself metamorphosed; may be his double whose activity leaves the real man to all appearance unchanged; may be his soul, which goes forth seeking whom it may devour, leaving its body in a state of trance; or it may be no more than the messenger of the human being, a real animal or a familiar spirit, whose intimate connection with its owner is shown by the fact that any injury to it is believed, by a phenomenon known as repercussion, to cause a corresponding injury to the human being.

 

Vulnerabilities

Most modern fiction describes werewolves as vulnerable to silver weapons and highly resistant to other attacks. This feature does not appear in stories about werewolves before the 19th century. (The claim that the Beast of Gévaudan, an 18th century wolf or wolf-like creature, was shot by a silver bullet appears to have been introduced by novelists retelling the story from 1935 onwards and not in earlier versions.[10])

 

Unlike vampires, they are not generally thought to be harmed by religious artifacts such as crucifixes and holy water. In many countries, rye and mistletoe were considered effective safeguards against werewolf attacks.[citation needed] Mountain ash is also considered effective, with one Belgian superstition stating that no house was safe unless under the shade of a mountain ash.[6] In some legends, werewolves have an aversion to wolfsbane.[citation needed]

 

Remedies

Various methods have existed for removing the werewolf form. In antiquity, the Ancient Greeks and Romans believed in the power of exhaustion in curing people of lycanthropy. The victim would be subjected to long periods of physical activity in the hope of being purged of the malady. This practice stemmed from the fact that many alleged werewolves would be left feeling weak and debilitated after committing depredations.[6]

 

In medieval Europe, traditionally, there are three methods one can use to cure a victim of werewolfism; medicinally (usually via the use of wolfsbane), surgically or by exorcism. However, many of the cures advocated by medieval medical practitioners proved fatal to the patients. A Sicilian belief of Arabic origin holds that a werewolf can be cured of its ailment by striking it on the forehead or scalp with a knife. Another belief from the same culture involves the piercing of the werewolf's hands with nails. Sometimes, less extreme methods were used. In the German lowland of Schleswig-Holstein, a werewolf could be cured if one were to simply address it three times by its Christian name, while one Danish belief holds that simply scolding a werewolf will cure it.[6] Conversion to Christianity is also a common method of removing werewolfism in the medieval period. A devotion to St. Hubert has also been cited as both cure for and protection from lycanthropes.

 

Classical literature

 

Zeus turning Lycaon into a wolf, engraving by Hendrik Goltzius.Herodotus in his Histories[11] wrote that the Neuri, a tribe he places to the north-east of Scythia, were transformed into wolves once every nine years. These rituals were apparently meant to symbolise earthly regeneration and rebirth. Virgil was also familiar with human beings transforming into wolves.[12]

 

In Greek mythology, the story of Lycaon provides one of the earliest examples of a werewolf legend. According to one version, Lycaon was transformed into a wolf as a result of eating human flesh; one of those who were present at periodical sacrifice on Mount Lycæon was said to suffer a similar fate.

 

In Metamorphoses, the Roman poet Ovid vividly described stories of men who roamed the woods of Arcadia in the form of wolves.[13]

 

The Roman scholar Pliny the Elder, relates two tales of lycanthropy. Quoting Euanthes,[14] he mentions a man who hung his clothes on an ash tree and swam across an Arcadian lake, transforming him into a wolf. On the condition that he attacked no human being for nine years, he would be free to swim back across the lake to resume human form. Pliny also quotes Agriopas regarding a tale of a man who was turned into a wolf after tasting the entrails of a human child.

 

In the Latin work of prose, the Satyricon, written about 60 C.E. by Gaius Petronius Arbiter, one of the characters, Niceros, tells a story at a banquet about a friend who turned into a wolf (chs. 61-62). He describes the incident as follows, "When I look for my buddy I see he'd stripped and piled his clothes by the roadside...He pees in a circle round his clothes and then, just like that, turns into a wolf!...after he turned into a wolf he started howling and then ran off into the woods."[15]

 

European cultures

Many European countries and cultures influenced by them have stories of werewolves, including Albania (oik), Armenia (mardagayl) France (loup-garou), Greece (lycanthropos), Spain (hombre lobo), Argentina (lobizón), Mexico (hombre lobo and nahual), Bulgaria (върколак - varkolak), Turkey (kurtadam), Czech Republic/Slovakia (vlkodlak), Serbia/Montenegro/Bosnia (vukodlak, вукодлак), Belarus (vaukalak, ваўкалак), Russia (vourdalak, оборотень), Ukraine (vovkulak(a), vurdalak(a), vovkun, перевертень), Croatia (vukodlak), Poland (wilkołak), Romania (vârcolac, priculici), Macedonia (vrkolak), Slovenia (volkodlak), Scotland (werewolf, wulver), England (werewolf), Ireland (faoladh or conriocht), Wales (bleidd-ddyn), Germany (Werwolf), the Netherlands (weerwolf), Denmark/Sweden/Norway (Varulv), Norway/Iceland (kveld-ulf, varúlfur), Galicia (lobishome), Portugal/Brazil (lobisomem), Lithuania (vilkolakis and vilkatlakis), Latvia (vilkatis and vilkacis), Andorra/Catalonia (home llop), Hungary (Vérfarkas and Farkasember), Estonia (libahunt), Finland (ihmissusi and vironsusi), and Italy (lupo mannaro). In northern Europe, there are also tales about people changing into animals including bears, as well as wolves.

  

A German woodcut from 1722Werewolves in European tradition were mostly evil men who terrorized people in the form of wolves on command of the Devil, though there were rare narratives of people being transformed involuntarily. In the 10 century, they were given the binomial name of melancholia canina and in the 14th century, daemonium lupum.[6] In Marie de France's poem Bisclavret (c. 1200), the nobleman Bizuneh, for reasons not described in the lai, had to transform into a wolf every week. When his treacherous wife stole his clothing needed to restore his human form, he escaped the king's wolf hunt by imploring the king for mercy and accompanied the king thereafter. His behaviour at court was so much gentler than when his wife and her new husband appeared at court, that his hateful attack on the couple was deemed justly motivated, and the truth was revealed. Other tales of this sort include German fairy tales, Märchen, in which several aristocrats temporarily transform into beasts. See Snow White and Rose Red, where the tame bear is really a bewitched prince, and The Golden Bird where the talking fox is also a man.

 

Werewolf folklore is rare in England, possibly because wolves had been eradicated by authorities in the Anglo-Saxon period.[16]

 

Harald I of Norway is known to have had a body of Úlfhednar (wolf coated), which are mentioned in Vatnsdœla saga, Haraldskvæði, and the Völsunga saga resemble some werewolf legends. The Úlfhednar were fighters similar to the berserkers, though they dressed in wolf hides rather than those of bears and were reputed to channel the spirits of these animals to enhance effectiveness in battle.[6] These warriors were resistant to pain and killed viciously in battle, much like wild animals. Ulfhednar and berserkers are closely associated with the Norse god Odin.

 

In Latvian folklore, a vilkacis was someone who transformed into a wolf-like monster, which could be benevolent at times.[citation needed] Another collection of stories concern the skin-walkers. The vilkacis and skin-walkers probably have a common origin in Proto-Indo-European society, where a class of young unwed warriors were apparently associated with wolves[citation needed].

 

In other hand, in the Hungarian folklore, the concept of werewolf goes back to the Middle Ages. The werewolves used to live specially in the region of Transdanubia, and it was thought that the ability to change into a wolf it was obtained in the infant age, after the suffering of abuse by the parents or by a curse. At the age of seven the boy leaves the house and goes hunting by night and can change to person or wolf whenever he wants. The curse can also be obtained when in the adulthood the person passed three times through an arch made of a Birch with the help of a wild rose's spine.

 

The werewolves were known to exterminate all kind of farm animals, especially sheep. The transformation usually occurred in the Winter solstice, Easter and full moon. Later in the XVII and XVIII century, the trials in Hungary not only were conduced against witches, but against werewolves too, and many records exist creating connections between both kinds. Also the vampires and werewolves are closely related in Hungary, being both feared in the antiquity.[17]

 

According to the first dictionary of modern Serbian language (published by Vuk Stefanović-Karadžić in 1818) vukodlak / вукодлак (werewolf) and vampir / вампир (vampire) are synonyms, meaning a man who returns from his grave for purposes of fornicating with his widow. The dictionary states this to be a common folk tale.

 

Common amongst the Kashubs of what is now northern Poland, and the Serbs and Slovenes, was the belief that if a child was born with hair, a birthmark or a caul on their head, they were supposed to possess shape-shifting abilities. Though capable of turning into any animal they wished, it was commonly believed that such people preferred to turn into a wolf.[18]

 

According to Armenian lore, there are women who, in consequence of deadly sins, are condemned to spend seven years in wolf form.[19] In a typical account, a condemned woman is visited by a wolfskin-toting spirit, who orders her to wear the skin, which causes her to acquire frightful cravings for human flesh soon after. With her better nature overcome, the she-wolf devours each of her own children, then her relatives' children in order of relationship, and finally the children of strangers. She wanders only at night, with doors and locks springing open at her approach. When morning arrives, she reverts to human form and removes her wolfskin. The transformation is generally said to be involuntary, but there are alternate versions involving voluntary metamorphosis, where the women can transform at will.

 

The 11th Century Belarusian Prince Usiaslau of Polatsk was considered to have been a Werewolf, capable of moving at superhuman speeds, as recounted in The Tale of Igor's Campaign: "Vseslav the prince judged men; as prince, he ruled towns; but at night he prowled in the guise of a wolf. From Kiev, prowling, he reached, before the cocks crew, Tmutorokan. The path of Great Sun, as a wolf, prowling, he crossed. For him in Polotsk they rang for matins early at St. Sophia the bells; but he heard the ringing in Kiev."

 

There were numerous reports of werewolf attacks – and consequent court trials – in sixteenth century France. In some of the cases there was clear evidence against the accused of murder and cannibalism, but none of association with wolves; in other cases people have been terrified by such creatures, such as that of Gilles Garnier in Dole in 1573, there was clear evidence against some wolf but none against the accused[citation needed]. The loup-garou eventually ceased to be regarded as a dangerous heretic and reverted to the pre-Christian notion of a "man-wolf-fiend." The lubins or lupins were usually female and shy in contrast to the aggressive loups-garous.[citation needed]

 

Some French werewolf lore is associated with documented events. The Beast of Gévaudan terrorized the general area of the former province of Gévaudan, now called Lozère, in south-central France. From the years 1764 to 1767, an unknown entity killed upwards of 80 men, women, and children.[citation needed] The creature was described as a giant wolf by the sole survivor of the attacks, which ceased after several wolves were killed in the area.

 

At the beginning of the seventeenth century witchcraft was prosecuted by James I of England, who regarded "warwoolfes" as victims of delusion induced by "a natural superabundance of melancholic."[20]

 

American cultures

Main article: Skin-walker

During the Norse colonization of the Americas, it is thought by Woodward that the Vikings brought with them their beliefs in werewolves, which would manifest themselves in the folklore of some Native American tribes.[6]

 

The Naskapis believed that the caribou afterlife is guarded by giant wolves which kill careless hunters venturing too near. The Navajo people feared witches in wolf's clothing called "Mai-cob".[21]

 

When the European colonization of the Americas occurred, the pioneers brought their own werewolf folklore with them and were later influenced by the lore of their neighbouring colonies and those of the Natives. Belief in the loup-garou present in Canada, the Upper and Lower Peninsulas of Michigan[22] and upstate New York, originates from French folklore influenced by Native American stories on the Wendigo. In Mexico, there is a belief in a creature called the nahual, which traditionally limits itself to stealing cheese and raping women rather than murder. In Haiti, there is a superstition that werewolf spirits known locally as Jé-rouge (red eyes) can possess the bodies of unwitting persons and nightly transform them into cannibalistic lupine creatures.[6]

 

Origins of werewolf beliefs

Many authors have speculated that werewolf and vampire legends may have been used to explain serial killings in less rational ages. This theory is given credence by the tendency of some modern serial killers to indulge in practices commonly associated with werewolves, such as cannibalism, mutilation, and cyclic attacks. The idea is well explored in Sabine Baring-Gould's work The Book of Werewolves.

 

Until the 20th century, wolf attacks on humans were an occasional, but widespread feature of life in Europe.[23] Some scholars have suggested that it was inevitable that wolves, being the most feared predators in Europe, were projected into the folklore of evil shapeshifters. This is said to be corroborated by the fact that areas devoid of wolves typically use different kinds of predator to fill the niche; werehyenas in Africa, weretigers in India,[6] as well as werepumas ("runa uturunco")[24][25] and werejaguars ("yaguaraté-abá" or "tigre-capiango")[26][27] of southern South America.

 

In his Man into Wolf (1948), anthropologist Robert Eisler drew attention to the fact that many Indo-European tribal names and some modern European surnames mean "wolf" or "wolf-men". This is argued by Eisler to indicate that the European transition from fruit gathering to predatory hunting was a conscious process, simultaneously accompanied by an emotional upheaval still remembered in humanity's subconscious, which in turn became reflected in the later medieval superstition of werewolves.[28]

  

Werewolf, by Lucas Cranach der Ältere, 1512Some modern researchers have tried to explain the reports of werewolf behaviour with recognised medical conditions. Dr Lee Illis of Guy's Hospital in London wrote a paper in 1963 entitled On Porphyria and the Aetiology of Werewolves, in which he argues that historical accounts on werewolves could have in fact been referring to victims of congenital porphyria, stating how the symptoms of photosensitivity, reddish teeth and psychosis could have been grounds for accusing a sufferer of being a werewolf[29]. This is however argued against by Woodward, who points out how mythological werewolves were almost invariably portrayed as resembling true wolves, and that their human forms were rarely physically conspicuous as porphyria victims.[6] Others have pointed out the possibility of historical werewolves having been sufferers of hypertrichosis, a hereditary condition manifesting itself in excessive hair growth. However, Woodward dismissed the possibility, as the rarity of the disease ruled it out from happening on a large scale, as werewolf cases were in medieval Europe.[6] People suffering from Downs Syndrome have been suggested by some scholars to have been possible originators of werewolf myths.[21] Woodward suggested rabies as the origin of werewolf beliefs, claiming remarkable similarities between the symptoms of that disease and some of the legends. Woodward focused on the idea that being bitten by a werewolf could result in the victim turning into one, which suggested the idea of a transmittable disease like rabies.[6] However, the idea that lycanthropy could be transmitted in this way is not part of the original myths and legends and only appears in relatively recent beliefs.

 

Vampiric connections

In Medieval Europe, the corpses of some people executed as werewolves were cremated rather than buried in order to prevent them from being resurrected as vampires.[6] Before the end of the 19th century, the Greeks believed that the corpses of werewolves, if not destroyed, would return to life as vampires in the form of wolves or hyenas which prowled battlefields, drinking the blood of dying soldiers. In the same vein, in some rural areas of Germany, Poland and Northern France, it was once believed that people who died in mortal sin came back to life as blood-drinking wolves. This differs from conventional werewolfery, where the creature is a living being rather than an undead apparition. These vampiric werewolves would return to their human corpse form at daylight. They were dealt with by decapitation with a spade and exorcism by the parish priest. The head would then be thrown into a stream, where the weight of its sins were thought to weigh it down. Sometimes, the same methods used to dispose of ordinary vampires would be used.[6] The vampire was also linked to the werewolf in East European countries, particularly Bulgaria, Serbia and Slovakia. In Serbia, the werewolf and vampire are known collectively as one creature; Vulkodlak.[6] In Hungarian and Balkan mythology, many werewolves were said to be vampiric witches who became wolves in order to suck the blood of men born under the full moon in order to preserve their health. In their human form, these werewolves were said to have pale, sunken faces, hollow eyes, swollen lips and flabby arms.[6] The Haitian jé-rouges differ from traditional European werewolves by their habit of actively trying to spread their lycanthropic condition to others, much like vampires.[6]

 

In fiction

Main article: Werewolf fiction

The first feature film to use an anthropomorphic werewolf was Werewolf of London in 1935. The main werewolf of this film is a dapper London scientist who retains some of his style and most of his human features after his transformation,[30] as lead actor Henry Hull was unwilling to spend long hours being made up by makeup artist Jack Pierce.[31] Universal Studios drew on a Balkan tale of a plant associated with lycanthropy as there was no literary work to draw upon, unlike the case with vampires. There is no reference to silver nor other aspects of werewolf lore such as cannibalism.[32]

 

However, he lacks warmth, and it is left to the tragic character Talbot played by Lon Chaney, Jr. in 1941's The Wolf Man to capture the public imagination. With Pierce's makeup more elaborate this time,[33] this catapulted the werewolf into public consciousness.[30] Sympathetic portrayals are few but notable; the comedic but tortured protagonist David Naughton in An American Werewolf In London,[34] and a less anguished and more confident and charismatic Jack Nicholson in the 1994 film Wolf.[35] Rachel Hawthorne's Dark Guardian novels examine a secret society of werewolves who live peacefully alongside normal humans, are able to initiate the change at will to protect their kind, and generally retain control of themselves when transformed.[36] Other werewolves are decidedly more willful and malevolent, such as those in the novel The Howling and its subsequent sequels and film adaptations.

 

The form a werewolf assumes was generally anthropomorphic in early films such as The Wolf Man and Werewolf of London, but larger and powerful wolf in many later films.[37]

 

The transmogrification process is often portrayed as painful in film and literature within the horror genre. The resulting wolf is typically cunning but merciless and prone to killing and eating people without compunction, regardless of the moral character of its human counterpart.

 

Werewolves are often depicted as immune to damage caused by ordinary weapons, being vulnerable only to silver objects, such as a silver-tipped cane, bullet or blade; this attribute was first adopted cinematically in The Wolf Man.[33] This negative reaction to silver is sometimes so strong that the mere touch of the metal on a werewolf's skin will cause burns. Current-day werewolf fiction almost exclusively involves lycanthropy being either a hereditary condition or being transmitted like an infectious disease by the bite of another werewolf. In some fiction, the power of the werewolf extends to human form, such as invulnerability, super-human speed and strength and falling on their feet from high falls. Also aggressiveness and animalistic urges may be harder to control (hunger, sexual harassment). Usually in these cases the abilities are diminished in human form. In other fictions it can even be cured by medicine men or even antidotes.

 

Fantastic literature sometimes includes the painful element to the change, but often does not. For example, J. K. Rowling maintains the painful transition between forms while Charles de Lint, Terry Pratchett, Fritz Leiber, and myriad others reach back to the non-painful medieval literary sources. Poul Anderson in Operation Chaos presents a modernised American werewolf, in complete control of himself and free of the traditional taints, while in Three Hearts and Three Lions appears a far more traditional (though not unsympathetic) female werewolf.

 

The 1961 Hammer film The Curse of the Werewolf, adapted from the 1933 novel The Werewolf of Paris by American author Guy Endore, in 1961 draws on traditional legends of a child born on Christmas Eve being cursed.[38]

 

Anselm Kiefer

I Sette Palazzi Celesti

 

L’installazione site-specific I Sette Palazzi Celesti, realizzata per HangarBicocca in occasione della sua prima apertura nel 2004, deve il suo nome ai Palazzi descritti nell’antico trattato ebraico Sefer Hechalot – il “Libro dei Palazzi/Santuari” risalente al IV-V sec. d.C. – dove si narra il simbolico cammino d’iniziazione spirituale di colui che vuole arrivare al cospetto di Dio.

 

L’opera rappresenta il punto d’arrivo dell’intero lavoro dell’artista e sintetizza i suoi temi principali proiettandoli in una nuova dimensione fuori dal tempo: essi contengono infatti in sé l’interpretazione di un’antica religione (quella ebraica); la rappresentazione delle macerie dell’Occidente dopo la Seconda Guerra Mondiale; la proiezione in un futuro possibile da cui l’artista ci invita a guardare le rovine del nostro presente.

 

Le sette torri, del peso di 90 tonnellate ciascuna, hanno altezze variabili tra i 14 e i 18 metri e sono realizzate in cemento armato utilizzando come elementi costruttivi moduli angolari ottenuti dai container utilizzati per il trasporto delle merci. Il loro antecedente è il progetto de La Ribotte a Barjac nel sud della Francia, residenza dell’artista tra il 1993 e il 2007, composto di edifici, cunicoli e gallerie che si snodano su una vasta superficie nella campagna francese.

  

Anselm Kiefer

The Seven Heavenly Palaces

 

The site-specific The Seven Heavenly Palaces installation, created for HangarBicocca in 2004, is one of the most important works by the German artist Anselm Kiefer. It takes its name from the palaces described in an ancient Hebrew tract, the Sefer Hechalot or "Book of Palaces", which describes the symbolic path of spiritual initiation of those who wish to enter into the presence of God.

 

The work represents the culmination of Kiefer's entire artistic career, summing up his main themes and projecting them into a new, timeless dimension. This can be seen in the way it interprets an ancient religion (Judaism) and represents the ruins of the West after the Second World War. It also shows us a projection into a possible future, from which the artist invites us to look back at the ruins of our own present.

 

The seven towers, which weigh 90 tonnes each and vary in height between 14 and 18 metres – are made of reinforced concrete, using the corner units from goods containers as construction modules. Their forerunner is the La Ribotte project in Barjac, in the South of France, where the artist lived from 1993 to 2007. This consists of buildings, passageways and tunnels that wind their way across a vast area of the French countryside.

prolly should have been more specific when I asked for a room with a view.

 

6 Likes on Instagram

 

3 Comments on Instagram:

 

jennyvierra: @eatatjoes2 wait are you staying at the new hard rock?

 

eatatjoes2: @jennyvierra no, we're in Reno for the night, near the airport.

 

jennyvierra: @eatatjoes2 ahhh I enjoy Reno...it's dirty but fun

  

This specific KCS local, or as they call them dodgers, starts their day off in Heavener, OK in the early morning. The job makes it to Fort Smith around 07:00 and switches about 2 1/2 - 3 hours then calls to return from Fort Smith. On average timing, from what locals and our findings, they make it back to the main KCS line at about 12:30-13:00. They ask for promotion to open the switch to the main line and proceed. They make it back to Heavener about an hour later.

Specific Perfection ENB www.nexusmods.com/skyrim/mods/62978/?

 

SFO v. 1.91 www.nexusmods.com/skyrim/mods/141/?

 

Unique Grass and ground covers www.nexusmods.com/skyrim/mods/42370/

One of several mission specific posters made for the U.S. Marshals Service.

 

The USMS has a long history of providing assistance and expertise to other federal, state, and local law enforcement agencies in support of their fugitive investigations. The USMS is the lead agency for 60 interagency fugitive task forces located throughout the United States, as well as seven Congressionally-funded regional fugitive task forces. These task forces, staffed by federal, state, and local law enforcement agencies, target the most dangerous fugitives.

  

More about fugitive operations www.usmarshals.gov/investigations/index.html

  

Photos and layout by: Shane T. McCoy / US Marshals

 

Bali is an island and province of Indonesia. The province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan. It is located at the westernmost end of the Lesser Sunda Islands, between Java to the west and Lombok to the east. Its capital of Denpasar is located at the southern part of the island.

 

With a population of 3,890,757 in the 2010 census, and 4,225,000 as of January 2014, the island is home to most of Indonesia's Hindu minority. According to the 2010 Census, 83.5% of Bali's population adhered to Balinese Hinduism, followed by 13.4% Muslim, Christianity at 2.5%, and Buddhism 0.5%.

 

Bali is a popular tourist destination, which has seen a significant rise in numbers since the 1980s. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bali.

 

Bali is part of the Coral Triangle, the area with the highest biodiversity of marine species. In this area alone over 500 reef building coral species can be found. For comparison, this is about 7 times as many as in the entire Caribbean. There is a wide range of dive sites with high quality reefs, all with their own specific attractions. Many sites can have strong currents and swell, so diving without a knowledgeable guide is inadvisable. Most recently, Bali was the host of the 2011 ASEAN Summit, 2013 APEC and Miss World 2013.

 

HISTORY

ANCIENT

Bali was inhabited around 2000 BC by Austronesian people who migrated originally from Southeast Asia and Oceania through Maritime Southeast Asia. Culturally and linguistically, the Balinese are closely related to the people of the Indonesian archipelago, Malaysia, the Philippines, and Oceania. Stone tools dating from this time have been found near the village of Cekik in the island's west.

 

In ancient Bali, nine Hindu sects existed, namely Pasupata, Bhairawa, Siwa Shidanta, Waisnawa, Bodha, Brahma, Resi, Sora and Ganapatya. Each sect revered a specific deity as its personal Godhead.

 

Inscriptions from 896 and 911 don't mention a king, until 914, when Sri Kesarivarma is mentioned. They also reveal an independent Bali, with a distinct dialect, where Buddhism and Sivaism were practiced simultaneously. Mpu Sindok's great granddaughter, Mahendradatta (Gunapriyadharmapatni), married the Bali king Udayana Warmadewa (Dharmodayanavarmadeva) around 989, giving birth to Airlangga around 1001. This marriage also brought more Hinduism and Javanese culture to Bali. Princess Sakalendukirana appeared in 1098. Suradhipa reigned from 1115 to 1119, and Jayasakti from 1146 until 1150. Jayapangus appears on inscriptions between 1178 and 1181, while Adikuntiketana and his son Paramesvara in 1204.

 

Balinese culture was strongly influenced by Indian, Chinese, and particularly Hindu culture, beginning around the 1st century AD. The name Bali dwipa ("Bali island") has been discovered from various inscriptions, including the Blanjong pillar inscription written by Sri Kesari Warmadewa in 914 AD and mentioning "Walidwipa". It was during this time that the people developed their complex irrigation system subak to grow rice in wet-field cultivation. Some religious and cultural traditions still practised today can be traced to this period.

 

The Hindu Majapahit Empire (1293–1520 AD) on eastern Java founded a Balinese colony in 1343. The uncle of Hayam Wuruk is mentioned in the charters of 1384-86. A mass Javanese emigration occurred in the next century.

 

PORTUGUESE CONTACTS

The first known European contact with Bali is thought to have been made in 1512, when a Portuguese expedition led by Antonio Abreu and Francisco Serrão sighted its northern shores. It was the first expedition of a series of bi-annual fleets to the Moluccas, that throughout the 16th century usually traveled along the coasts of the Sunda Islands. Bali was also mapped in 1512, in the chart of Francisco Rodrigues, aboard the expedition. In 1585, a ship foundered off the Bukit Peninsula and left a few Portuguese in the service of Dewa Agung.

 

DUTCH EAST INDIA

In 1597 the Dutch explorer Cornelis de Houtman arrived at Bali, and the Dutch East India Company was established in 1602. The Dutch government expanded its control across the Indonesian archipelago during the second half of the 19th century (see Dutch East Indies). Dutch political and economic control over Bali began in the 1840s on the island's north coast, when the Dutch pitted various competing Balinese realms against each other. In the late 1890s, struggles between Balinese kingdoms in the island's south were exploited by the Dutch to increase their control.

 

In June 1860 the famous Welsh naturalist, Alfred Russel Wallace, travelled to Bali from Singapore, landing at Buleleng on the northcoast of the island. Wallace's trip to Bali was instrumental in helping him devise his Wallace Line theory. The Wallace Line is a faunal boundary that runs through the strait between Bali and Lombok. It has been found to be a boundary between species of Asiatic origin in the east and a mixture of Australian and Asian species to the west. In his travel memoir The Malay Archipelago, Wallace wrote of his experience in Bali:

 

I was both astonished and delighted; for as my visit to Java was some years later, I had never beheld so beautiful and well-cultivated a district out of Europe. A slightly undulating plain extends from the seacoast about ten or twelve miles inland, where it is bounded by a fine range of wooded and cultivated hills. Houses and villages, marked out by dense clumps of coconut palms, tamarind and other fruit trees, are dotted about in every direction; while between them extend luxurious rice-grounds, watered by an elaborate system of irrigation that would be the pride of the best cultivated parts of Europe.

 

The Dutch mounted large naval and ground assaults at the Sanur region in 1906 and were met by the thousands of members of the royal family and their followers who fought against the superior Dutch force in a suicidal puputan defensive assault rather than face the humiliation of surrender. Despite Dutch demands for surrender, an estimated 200 Balinese marched to their death against the invaders. In the Dutch intervention in Bali, a similar massacre occurred in the face of a Dutch assault in Klungkung.

 

AFTERWARD THE DUTCH GOVERNORS

exercised administrative control over the island, but local control over religion and culture generally remained intact. Dutch rule over Bali came later and was never as well established as in other parts of Indonesia such as Java and Maluku.

 

n the 1930s, anthropologists Margaret Mead and Gregory Bateson, artists Miguel Covarrubias and Walter Spies, and musicologist Colin McPhee all spent time here. Their accounts of the island and its peoples created a western image of Bali as "an enchanted land of aesthetes at peace with themselves and nature." Western tourists began to visit the island.

 

Imperial Japan occupied Bali during World War II. It was not originally a target in their Netherlands East Indies Campaign, but as the airfields on Borneo were inoperative due to heavy rains, the Imperial Japanese Army decided to occupy Bali, which did not suffer from comparable weather. The island had no regular Royal Netherlands East Indies Army (KNIL) troops. There was only a Native Auxiliary Corps Prajoda (Korps Prajoda) consisting of about 600 native soldiers and several Dutch KNIL officers under command of KNIL Lieutenant Colonel W.P. Roodenburg. On 19 February 1942 the Japanese forces landed near the town of Senoer [Senur]. The island was quickly captured.

 

During the Japanese occupation, a Balinese military officer, Gusti Ngurah Rai, formed a Balinese 'freedom army'. The harshness of war requisitions made Japanese rule more resented than Dutch rule. Following Japan's Pacific surrender in August 1945, the Dutch returned to Indonesia, including Bali, to reinstate their pre-war colonial administration. This was resisted by the Balinese rebels, who now used recovered Japanese weapons. On 20 November 1946, the Battle of Marga was fought in Tabanan in central Bali. Colonel I Gusti Ngurah Rai, by then 29 years old, finally rallied his forces in east Bali at Marga Rana, where they made a suicide attack on the heavily armed Dutch. The Balinese battalion was entirely wiped out, breaking the last thread of Balinese military resistance.

 

INDIPENDENCE FROM THE DUTCH

In 1946, the Dutch constituted Bali as one of the 13 administrative districts of the newly proclaimed State of East Indonesia, a rival state to the Republic of Indonesia, which was proclaimed and headed by Sukarno and Hatta. Bali was included in the "Republic of the United States of Indonesia" when the Netherlands recognised Indonesian independence on 29 December 1949.

 

CONTEMPORARY

The 1963 eruption of Mount Agung killed thousands, created economic havoc and forced many displaced Balinese to be transmigrated to other parts of Indonesia. Mirroring the widening of social divisions across Indonesia in the 1950s and early 1960s, Bali saw conflict between supporters of the traditional caste system, and those rejecting this system. Politically, the opposition was represented by supporters of the Indonesian Communist Party (PKI) and the Indonesian Nationalist Party (PNI), with tensions and ill-feeling further increased by the PKI's land reform programs. An attempted coup in Jakarta was put down by forces led by General Suharto.

 

The army became the dominant power as it instigated a violent anti-communist purge, in which the army blamed the PKI for the coup. Most estimates suggest that at least 500,000 people were killed across Indonesia, with an estimated 80,000 killed in Bali, equivalent to 5% of the island's population. With no Islamic forces involved as in Java and Sumatra, upper-caste PNI landlords led the extermination of PKI members.

 

As a result of the 1965/66 upheavals, Suharto was able to manoeuvre Sukarno out of the presidency. His "New Order" government reestablished relations with western countries. The pre-War Bali as "paradise" was revived in a modern form. The resulting large growth in tourism has led to a dramatic increase in Balinese standards of living and significant foreign exchange earned for the country. A bombing in 2002 by militant Islamists in the tourist area of Kuta killed 202 people, mostly foreigners. This attack, and another in 2005, severely reduced tourism, producing much economic hardship to the island.

 

GEOGRAPHY

The island of Bali lies 3.2 km east of Java, and is approximately 8 degrees south of the equator. Bali and Java are separated by the Bali Strait. East to west, the island is approximately 153 km wide and spans approximately 112 km north to south; administratively it covers 5,780 km2, or 5,577 km2 without Nusa Penida District, its population density is roughly 750 people/km2.

 

Bali's central mountains include several peaks over 3,000 metres in elevation. The highest is Mount Agung (3,031 m), known as the "mother mountain" which is an active volcano rated as one of the world's most likely sites for a massive eruption within the next 100 years. Mountains range from centre to the eastern side, with Mount Agung the easternmost peak. Bali's volcanic nature has contributed to its exceptional fertility and its tall mountain ranges provide the high rainfall that supports the highly productive agriculture sector. South of the mountains is a broad, steadily descending area where most of Bali's large rice crop is grown. The northern side of the mountains slopes more steeply to the sea and is the main coffee producing area of the island, along with rice, vegetables and cattle. The longest river, Ayung River, flows approximately 75 km.

 

The island is surrounded by coral reefs. Beaches in the south tend to have white sand while those in the north and west have black sand. Bali has no major waterways, although the Ho River is navigable by small sampan boats. Black sand beaches between Pasut and Klatingdukuh are being developed for tourism, but apart from the seaside temple of Tanah Lot, they are not yet used for significant tourism.

 

The largest city is the provincial capital, Denpasar, near the southern coast. Its population is around 491,500 (2002). Bali's second-largest city is the old colonial capital, Singaraja, which is located on the north coast and is home to around 100,000 people. Other important cities include the beach resort, Kuta, which is practically part of Denpasar's urban area, and Ubud, situated at the north of Denpasar, is the island's cultural centre.

 

Three small islands lie to the immediate south east and all are administratively part of the Klungkung regency of Bali: Nusa Penida, Nusa Lembongan and Nusa Ceningan. These islands are separated from Bali by the Badung Strait.

 

To the east, the Lombok Strait separates Bali from Lombok and marks the biogeographical division between the fauna of the Indomalayan ecozone and the distinctly different fauna of Australasia. The transition is known as the Wallace Line, named after Alfred Russel Wallace, who first proposed a transition zone between these two major biomes. When sea levels dropped during the Pleistocene ice age, Bali was connected to Java and Sumatra and to the mainland of Asia and shared the Asian fauna, but the deep water of the Lombok Strait continued to keep Lombok Island and the Lesser Sunda archipelago isolated.

 

CLIMATE

Being just 8 degrees south of the equator, Bali has a fairly even climate year round.

 

Day time temperatures at low elevations vary between 20-33⁰ C although it can be much cooler than that in the mountains. The west monsoon is in place from approximately October to April and this can bring significant rain, particularly from December to March. Outside of the monsoon period, humidity is relatively low and any rain unlikely in lowland areas.

 

ECOLOGY

Bali lies just to the west of the Wallace Line, and thus has a fauna that is Asian in character, with very little Australasian influence, and has more in common with Java than with Lombok. An exception is the yellow-crested cockatoo, a member of a primarily Australasian family. There are around 280 species of birds, including the critically endangered Bali myna, which is endemic. Others Include barn swallow, black-naped oriole, black racket-tailed treepie, crested serpent-eagle, crested treeswift, dollarbird, Java sparrow, lesser adjutant, long-tailed shrike, milky stork, Pacific swallow, red-rumped swallow, sacred kingfisher, sea eagle, woodswallow, savanna nightjar, stork-billed kingfisher, yellow-vented bulbul and great egret.

 

Until the early 20th century, Bali was home to several large mammals: the wild banteng, leopard and the endemic Bali tiger. The banteng still occurs in its domestic form, whereas leopards are found only in neighbouring Java, and the Bali tiger is extinct. The last definite record of a tiger on Bali dates from 1937, when one was shot, though the subspecies may have survived until the 1940s or 1950s. The relatively small size of the island, conflict with humans, poaching and habitat reduction drove the Bali tiger to extinction. This was the smallest and rarest of all tiger subspecies and was never caught on film or displayed in zoos, whereas few skins or bones remain in museums around the world. Today, the largest mammals are the Javan rusa deer and the wild boar. A second, smaller species of deer, the Indian muntjac, also occurs. Saltwater crocodiles were once present on the island, but became locally extinct sometime during the last century.

 

Squirrels are quite commonly encountered, less often is the Asian palm civet, which is also kept in coffee farms to produce Kopi Luwak. Bats are well represented, perhaps the most famous place to encounter them remaining the Goa Lawah (Temple of the Bats) where they are worshipped by the locals and also constitute a tourist attraction. They also occur in other cave temples, for instance at Gangga Beach. Two species of monkey occur. The crab-eating macaque, known locally as "kera", is quite common around human settlements and temples, where it becomes accustomed to being fed by humans, particularly in any of the three "monkey forest" temples, such as the popular one in the Ubud area. They are also quite often kept as pets by locals. The second monkey, endemic to Java and some surrounding islands such as Bali, is far rarer and more elusive is the Javan langur, locally known as "lutung". They occur in few places apart from the Bali Barat National Park. They are born an orange colour, though by their first year they would have already changed to a more blackish colouration. In Java however, there is more of a tendency for this species to retain its juvenile orange colour into adulthood, and so you can see a mixture of black and orange monkeys together as a family. Other rarer mammals include the leopard cat, Sunda pangolin and black giant squirrel.

 

Snakes include the king cobra and reticulated python. The water monitor can grow to at least 1.5 m in length and 50 kg and can move quickly.

 

The rich coral reefs around the coast, particularly around popular diving spots such as Tulamben, Amed, Menjangan or neighbouring Nusa Penida, host a wide range of marine life, for instance hawksbill turtle, giant sunfish, giant manta ray, giant moray eel, bumphead parrotfish, hammerhead shark, reef shark, barracuda, and sea snakes. Dolphins are commonly encountered on the north coast near Singaraja and Lovina.

 

A team of scientists conducted a survey from 29 April 2011 to 11 May 2011 at 33 sea sites around Bali. They discovered 952 species of reef fish of which 8 were new discoveries at Pemuteran, Gilimanuk, Nusa Dua, Tulamben and Candidasa, and 393 coral species, including two new ones at Padangbai and between Padangbai and Amed. The average coverage level of healthy coral was 36% (better than in Raja Ampat and Halmahera by 29% or in Fakfak and Kaimana by 25%) with the highest coverage found in Gili Selang and Gili Mimpang in Candidasa, Karangasem regency.

 

Many plants have been introduced by humans within the last centuries, particularly since the 20th century, making it sometimes hard to distinguish what plants are really native.[citation needed] Among the larger trees the most common are: banyan trees, jackfruit, coconuts, bamboo species, acacia trees and also endless rows of coconuts and banana species. Numerous flowers can be seen: hibiscus, frangipani, bougainvillea, poinsettia, oleander, jasmine, water lily, lotus, roses, begonias, orchids and hydrangeas exist. On higher grounds that receive more moisture, for instance around Kintamani, certain species of fern trees, mushrooms and even pine trees thrive well. Rice comes in many varieties. Other plants with agricultural value include: salak, mangosteen, corn, kintamani orange, coffee and water spinach.

 

ENVIRONMENT

Some of the worst erosion has occurred in Lebih Beach, where up to 7 metres of land is lost every year. Decades ago, this beach was used for holy pilgrimages with more than 10,000 people, but they have now moved to Masceti Beach.

 

From ranked third in previous review, in 2010 Bali got score 99.65 of Indonesia's environmental quality index and the highest of all the 33 provinces. The score measured 3 water quality parameters: the level of total suspended solids (TSS), dissolved oxygen (DO) and chemical oxygen demand (COD).

 

Because of over-exploitation by the tourist industry which covers a massive land area, 200 out of 400 rivers on the island have dried up and based on research, the southern part of Bali would face a water shortage up to 2,500 litres of clean water per second by 2015. To ease the shortage, the central government plans to build a water catchment and processing facility at Petanu River in Gianyar. The 300 litres capacity of water per second will be channelled to Denpasar, Badung and Gianyar in 2013.

 

ECONOMY

Three decades ago, the Balinese economy was largely agriculture-based in terms of both output and employment. Tourism is now the largest single industry in terms of income, and as a result, Bali is one of Indonesia's wealthiest regions. In 2003, around 80% of Bali's economy was tourism related. By end of June 2011, non-performing loan of all banks in Bali were 2.23%, lower than the average of Indonesian banking industry non-performing loan (about 5%). The economy, however, suffered significantly as a result of the terrorist bombings 2002 and 2005. The tourism industry has since recovered from these events.

 

AGRICULTURE

Although tourism produces the GDP's largest output, agriculture is still the island's biggest employer; most notably rice cultivation. Crops grown in smaller amounts include fruit, vegetables, Coffea arabica and other cash and subsistence crops. Fishing also provides a significant number of jobs. Bali is also famous for its artisans who produce a vast array of handicrafts, including batik and ikat cloth and clothing, wooden carvings, stone carvings, painted art and silverware. Notably, individual villages typically adopt a single product, such as wind chimes or wooden furniture.

 

The Arabica coffee production region is the highland region of Kintamani near Mount Batur. Generally, Balinese coffee is processed using the wet method. This results in a sweet, soft coffee with good consistency. Typical flavours include lemon and other citrus notes. Many coffee farmers in Kintamani are members of a traditional farming system called Subak Abian, which is based on the Hindu philosophy of "Tri Hita Karana". According to this philosophy, the three causes of happiness are good relations with God, other people and the environment. The Subak Abian system is ideally suited to the production of fair trade and organic coffee production. Arabica coffee from Kintamani is the first product in Indonesia to request a Geographical Indication.

 

TOURISM

The tourism industry is primarily focused in the south, while significant in the other parts of the island as well. The main tourist locations are the town of Kuta (with its beach), and its outer suburbs of Legian and Seminyak (which were once independent townships), the east coast town of Sanur (once the only tourist hub), in the center of the island Ubud, to the south of the Ngurah Rai International Airport, Jimbaran, and the newer development of Nusa Dua and Pecatu.

 

The American government lifted its travel warnings in 2008. The Australian government issued an advice on Friday, 4 May 2012. The overall level of the advice was lowered to 'Exercise a high degree of caution'. The Swedish government issued a new warning on Sunday, 10 June 2012 because of one more tourist who was killed by methanol poisoning. Australia last issued an advice on Monday, 5 January 2015 due to new terrorist threats.

 

An offshoot of tourism is the growing real estate industry. Bali real estate has been rapidly developing in the main tourist areas of Kuta, Legian, Seminyak and Oberoi. Most recently, high-end 5 star projects are under development on the Bukit peninsula, on the south side of the island. Million dollar villas are being developed along the cliff sides of south Bali, commanding panoramic ocean views. Foreign and domestic (many Jakarta individuals and companies are fairly active) investment into other areas of the island also continues to grow. Land prices, despite the worldwide economic crisis, have remained stable.

 

In the last half of 2008, Indonesia's currency had dropped approximately 30% against the US dollar, providing many overseas visitors value for their currencies. Visitor arrivals for 2009 were forecast to drop 8% (which would be higher than 2007 levels), due to the worldwide economic crisis which has also affected the global tourist industry, but not due to any travel warnings.

 

Bali's tourism economy survived the terrorist bombings of 2002 and 2005, and the tourism industry has in fact slowly recovered and surpassed its pre-terrorist bombing levels; the longterm trend has been a steady increase of visitor arrivals. In 2010, Bali received 2.57 million foreign tourists, which surpassed the target of 2.0–2.3 million tourists. The average occupancy of starred hotels achieved 65%, so the island is still able to accommodate tourists for some years without any addition of new rooms/hotels, although at the peak season some of them are fully booked.

 

Bali received the Best Island award from Travel and Leisure in 2010. The island of Bali won because of its attractive surroundings (both mountain and coastal areas), diverse tourist attractions, excellent international and local restaurants, and the friendliness of the local people. According to BBC Travel released in 2011, Bali is one of the World's Best Islands, ranking second after Santorini, Greece.

 

In August 2010, the film Eat Pray Love was released in theatres. The movie was based on Elizabeth Gilbert's best-selling memoir Eat, Pray, Love. It took place at Ubud and Padang-Padang Beach at Bali. The 2006 book, which spent 57 weeks at the No. 1 spot on the New York Times paperback nonfiction best-seller list, had already fuelled a boom in Eat, Pray, Love-related tourism in Ubud, the hill town and cultural and tourist center that was the focus of Gilbert's quest for balance through traditional spirituality and healing that leads to love.

 

In January 2016, after music icon David Bowie died, it was revealed that in his will, Bowie asked for his ashes to be scattered in Bali, conforming to Buddhist rituals. He had visited and performed in a number of Southest Asian cities early in his career, including Bangkok and Singapore.

 

Since 2011, China has displaced Japan as the second-largest supplier of tourists to Bali, while Australia still tops the list. Chinese tourists increased by 17% from last year due to the impact of ACFTA and new direct flights to Bali. In January 2012, Chinese tourists year on year (yoy) increased by 222.18% compared to January 2011, while Japanese tourists declined by 23.54% yoy.

 

Bali reported that it has 2.88 million foreign tourists and 5 million domestic tourists in 2012, marginally surpassing the expectations of 2.8 million foreign tourists. Forecasts for 2013 are at 3.1 million.

 

Based on Bank Indonesia survey in May 2013, 34.39 percent of tourists are upper-middle class with spending between $1,286 to $5,592 and dominated by Australia, France, China, Germany and the US with some China tourists move from low spending before to higher spending currently. While 30.26 percent are middle class with spending between $662 to $1,285.

 

SEX TOURISM

In the twentieth century the incidence of tourism specifically for sex was regularly observed in the era of mass tourism in Indonesia In Bali, prostitution is conducted by both men and women. Bali in particular is notorious for its 'Kuta Cowboys', local gigolos targeting foreign female tourists.

 

Tens of thousands of single women throng the beaches of Bali in Indonesia every year. For decades, young Balinese men have taken advantage of the louche and laid-back atmosphere to find love and lucre from female tourists—Japanese, European and Australian for the most part—who by all accounts seem perfectly happy with the arrangement.

 

By 2013, Indonesia was reportedly the number one destination for Australian child sex tourists, mostly starting in Bali but also travelling to other parts of the country. The problem in Bali was highlighted by Luh Ketut Suryani, head of Psychiatry at Udayana University, as early as 2003. Surayani warned that a low level of awareness of paedophilia in Bali had made it the target of international paedophile organisations. On 19 February 2013, government officials announced measures to combat paedophilia in Bali.

 

TRANSPORTATION

The Ngurah Rai International Airport is located near Jimbaran, on the isthmus at the southernmost part of the island. Lt.Col. Wisnu Airfield is found in north-west Bali.

 

A coastal road circles the island, and three major two-lane arteries cross the central mountains at passes reaching to 1,750m in height (at Penelokan). The Ngurah Rai Bypass is a four-lane expressway that partly encircles Denpasar. Bali has no railway lines.

 

In December 2010 the Government of Indonesia invited investors to build a new Tanah Ampo Cruise Terminal at Karangasem, Bali with a projected worth of $30 million. On 17 July 2011 the first cruise ship (Sun Princess) anchored about 400 meters away from the wharf of Tanah Ampo harbour. The current pier is only 154 meters but will eventually be extended to 300–350 meters to accommodate international cruise ships. The harbour here is safer than the existing facility at Benoa and has a scenic backdrop of east Bali mountains and green rice fields. The tender for improvement was subject to delays, and as of July 2013 the situation remained unclear with cruise line operators complaining and even refusing to use the existing facility at Tanah Ampo.

 

A Memorandum of Understanding has been signed by two ministers, Bali's Governor and Indonesian Train Company to build 565 kilometres of railway along the coast around the island. As of July 2015, no details of this proposed railways have been released.

 

On 16 March 2011 (Tanjung) Benoa port received the "Best Port Welcome 2010" award from London's "Dream World Cruise Destination" magazine. Government plans to expand the role of Benoa port as export-import port to boost Bali's trade and industry sector. The Tourism and Creative Economy Ministry has confirmed that 306 cruise liners are heading for Indonesia in 2013 – an increase of 43 percent compared to the previous year.

 

In May 2011, an integrated Areal Traffic Control System (ATCS) was implemented to reduce traffic jams at four crossing points: Ngurah Rai statue, Dewa Ruci Kuta crossing, Jimbaran crossing and Sanur crossing. ATCS is an integrated system connecting all traffic lights, CCTVs and other traffic signals with a monitoring office at the police headquarters. It has successfully been implemented in other ASEAN countries and will be implemented at other crossings in Bali.

 

On 21 December 2011 construction started on the Nusa Dua-Benoa-Ngurah Rai International Airport toll road which will also provide a special lane for motorcycles. This has been done by seven state-owned enterprises led by PT Jasa Marga with 60% of shares. PT Jasa Marga Bali Tol will construct the 9.91 kilometres toll road (totally 12.7 kilometres with access road). The construction is estimated to cost Rp.2.49 trillion ($273.9 million). The project goes through 2 kilometres of mangrove forest and through 2.3 kilometres of beach, both within 5.4 hectares area. The elevated toll road is built over the mangrove forest on 18,000 concrete pillars which occupied 2 hectares of mangroves forest. It compensated by new planting of 300,000 mangrove trees along the road. On 21 December 2011 the Dewa Ruci 450 meters underpass has also started on the busy Dewa Ruci junction near Bali Kuta Galeria with an estimated cost of Rp136 billion ($14.9 million) from the state budget. On 23 September 2013, the Bali Mandara Toll Road is opened and the Dewa Ruci Junction (Simpang Siur) underpass is opened before. Both are ease the heavy traffic congestion.

 

To solve chronic traffic problems, the province will also build a toll road connecting Serangan with Tohpati, a toll road connecting Kuta, Denpasar and Tohpati and a flyover connecting Kuta and Ngurah Rai Airport.

 

DEMOGRAPHICS

The population of Bali was 3,890,757 as of the 2010 Census; the latest estimate (for January 2014) is 4,225,384. There are an estimated 30,000 expatriates living in Bali.

 

ETHNIC ORIGINS

A DNA study in 2005 by Karafet et al. found that 12% of Balinese Y-chromosomes are of likely Indian origin, while 84% are of likely Austronesian origin, and 2% of likely Melanesian origin. The study does not correlate the DNA samples to the Balinese caste system.

 

CASTE SYSTEM

Bali has a caste system based on the Indian Hindu model, with four castes:

 

- Sudra (Shudra) – peasants constituting close to 93% of Bali's population.

- Wesia (Vaishyas) – the caste of merchants and administrative officials

- Ksatrias (Kshatriyas) – the kingly and warrior caste

- Brahmana (Bramhin) – holy men and priests

 

RELIGION

Unlike most of Muslim-majority Indonesia, about 83.5% of Bali's population adheres to Balinese Hinduism, formed as a combination of existing local beliefs and Hindu influences from mainland Southeast Asia and South Asia. Minority religions include Islam (13.3%), Christianity (1.7%), and Buddhism (0.5%). These figures do not include immigrants from other parts of Indonesia.

 

Balinese Hinduism is an amalgam in which gods and demigods are worshipped together with Buddhist heroes, the spirits of ancestors, indigenous agricultural deities and sacred places. Religion as it is practised in Bali is a composite belief system that embraces not only theology, philosophy, and mythology, but ancestor worship, animism and magic. It pervades nearly every aspect of traditional life. Caste is observed, though less strictly than in India. With an estimated 20,000 puras (temples) and shrines, Bali is known as the "Island of a Thousand Puras", or "Island of the Gods". This is refer to Mahabarata story that behind Bali became island of god or "pulau dewata" in Indonesian language.

 

Balinese Hinduism has roots in Indian Hinduism and Buddhism, and adopted the animistic traditions of the indigenous people. This influence strengthened the belief that the gods and goddesses are present in all things. Every element of nature, therefore, possesses its own power, which reflects the power of the gods. A rock, tree, dagger, or woven cloth is a potential home for spirits whose energy can be directed for good or evil. Balinese Hinduism is deeply interwoven with art and ritual. Ritualizing states of self-control are a notable feature of religious expression among the people, who for this reason have become famous for their graceful and decorous behaviour.

 

Apart from the majority of Balinese Hindus, there also exist Chinese immigrants whose traditions have melded with that of the locals. As a result, these Sino-Balinese not only embrace their original religion, which is a mixture of Buddhism, Christianity, Taoism and Confucianism, but also find a way to harmonise it with the local traditions. Hence, it is not uncommon to find local Sino-Balinese during the local temple's odalan. Moreover, Balinese Hindu priests are invited to perform rites alongside a Chinese priest in the event of the death of a Sino-Balinese. Nevertheless, the Sino-Balinese claim to embrace Buddhism for administrative purposes, such as their Identity Cards.

 

LANGUAGE

Balinese and Indonesian are the most widely spoken languages in Bali, and the vast majority of Balinese people are bilingual or trilingual. The most common spoken language around the tourist areas is Indonesian, as many people in the tourist sector are not solely Balinese, but migrants from Java, Lombok, Sumatra, and other parts of Indonesia. There are several indigenous Balinese languages, but most Balinese can also use the most widely spoken option: modern common Balinese. The usage of different Balinese languages was traditionally determined by the Balinese caste system and by clan membership, but this tradition is diminishing. Kawi and Sanskrit are also commonly used by some Hindu priests in Bali, for Hinduism literature was mostly written in Sanskrit.

 

English and Chinese are the next most common languages (and the primary foreign languages) of many Balinese, owing to the requirements of the tourism industry, as well as the English-speaking community and huge Chinese-Indonesian population. Other foreign languages, such as Japanese, Korean, French, Russian or German are often used in multilingual signs for foreign tourists.

 

CULTURE

Bali is renowned for its diverse and sophisticated art forms, such as painting, sculpture, woodcarving, handcrafts, and performing arts. Balinese cuisine is also distinctive. Balinese percussion orchestra music, known as gamelan, is highly developed and varied. Balinese performing arts often portray stories from Hindu epics such as the Ramayana but with heavy Balinese influence. Famous Balinese dances include pendet, legong, baris, topeng, barong, gong keybar, and kecak (the monkey dance). Bali boasts one of the most diverse and innovative performing arts cultures in the world, with paid performances at thousands of temple festivals, private ceremonies, or public shows.

 

The Hindu New Year, Nyepi, is celebrated in the spring by a day of silence. On this day everyone stays at home and tourists are encouraged to remain in their hotels. On the day before New Year, large and colourful sculptures of ogoh-ogoh monsters are paraded and finally burned in the evening to drive away evil spirits. Other festivals throughout the year are specified by the Balinese pawukon calendrical system.

 

Celebrations are held for many occasions such as a tooth-filing (coming-of-age ritual), cremation or odalan (temple festival). One of the most important concepts that Balinese ceremonies have in common is that of désa kala patra, which refers to how ritual performances must be appropriate in both the specific and general social context. Many of the ceremonial art forms such as wayang kulit and topeng are highly improvisatory, providing flexibility for the performer to adapt the performance to the current situation. Many celebrations call for a loud, boisterous atmosphere with lots of activity and the resulting aesthetic, ramé, is distinctively Balinese. Often two or more gamelan ensembles will be performing well within earshot, and sometimes compete with each other to be heard. Likewise, the audience members talk amongst themselves, get up and walk around, or even cheer on the performance, which adds to the many layers of activity and the liveliness typical of ramé.

 

Kaja and kelod are the Balinese equivalents of North and South, which refer to ones orientation between the island's largest mountain Gunung Agung (kaja), and the sea (kelod). In addition to spatial orientation, kaja and kelod have the connotation of good and evil; gods and ancestors are believed to live on the mountain whereas demons live in the sea. Buildings such as temples and residential homes are spatially oriented by having the most sacred spaces closest to the mountain and the unclean places nearest to the sea.

 

Most temples have an inner courtyard and an outer courtyard which are arranged with the inner courtyard furthest kaja. These spaces serve as performance venues since most Balinese rituals are accompanied by any combination of music, dance and drama. The performances that take place in the inner courtyard are classified as wali, the most sacred rituals which are offerings exclusively for the gods, while the outer courtyard is where bebali ceremonies are held, which are intended for gods and people. Lastly, performances meant solely for the entertainment of humans take place outside the walls of the temple and are called bali-balihan. This three-tiered system of classification was standardised in 1971 by a committee of Balinese officials and artists to better protect the sanctity of the oldest and most sacred Balinese rituals from being performed for a paying audience.

 

Tourism, Bali's chief industry, has provided the island with a foreign audience that is eager to pay for entertainment, thus creating new performance opportunities and more demand for performers. The impact of tourism is controversial since before it became integrated into the economy, the Balinese performing arts did not exist as a capitalist venture, and were not performed for entertainment outside of their respective ritual context. Since the 1930s sacred rituals such as the barong dance have been performed both in their original contexts, as well as exclusively for paying tourists. This has led to new versions of many of these performances which have developed according to the preferences of foreign audiences; some villages have a barong mask specifically for non-ritual performances as well as an older mask which is only used for sacred performances.

 

Balinese society continues to revolve around each family's ancestral village, to which the cycle of life and religion is closely tied. Coercive aspects of traditional society, such as customary law sanctions imposed by traditional authorities such as village councils (including "kasepekang", or shunning) have risen in importance as a consequence of the democratisation and decentralisation of Indonesia since 1998.

 

WIKIPEDIA

Specific period

Proportional swing force

Amplitude declivity

When it comes to unique, iconic examples of midcentury modern homes, it’s hard to find one quirkier than John Lautner’s “Rawlins House” on Balboa Island in Newport Beach, CA.

 

Built in 1979 as a retirement home for physicist Bob Rawlins and his wife Marjorie, a musician, who both loved the midcentury style, but were looking for something a bit more interesting when they moved out West, the one-of-a-kind Rawlins House is now referred to fondly as the “treasure of Balboa Island”.

 

Due to its whimsical design, often described as looking like an open-mouthed shark or whale, it’s also called “Jaws” by neighbors.

 

John Lautner was their architect of choice for many reasons. He had studied with the renowned world-famous midcentury modern visionary architect Frank Lloyd Wright in the 1930s, but more importantly, the Rawlins liked his specific architectural style, especially his Googie designs.

 

Googie style is kind of a mash-up of classical midcentury modern style and futurism inspired by the Atomic Age and the Space Age. The Rawlins house meshes both design styles with its bold use of glass and wood, its curvaceous exterior aesthetic, the spare, sleek minimalistic lines, the open concept, and its celebration of indoor/outdoor living.

 

The Rawlins House is considered one of Lautner’s most memorable urban designs by architectural critics. Located on South Bay Front in Newport Beach Harbor, the modernistic domed residence, sporting notable architectural features like a stunning copper balcony and roof, is the perfect retreat for entertaining friends and celebrating the sunset beach-side over dinner and drinks or welcoming overnight guests.

 

John Lautner’s House was privately owned by the original owners until 2010. Since 2014 it has been listed for sale by real estate agents in the Beverly Hills and Orange County areas. Originally listed at $5,395 million, the water’s edge residence has been reduced multiple times over the years.

 

It was eventually purchased in 2017 for $3.772. New homeowner, Michael LaFetra, had been eyeing the property for years. LaFetra is a preservationist and architecture restorer as well as a movie producer of horror films such as Stag Night and Night train.