I should point out for safety reasons that no M&M's were swallowed...at least not by bubs.

Pangasinan Solid North Transit Inc.- 1920

Bus No: 1906

Year released: 2013

Capacity: 51; 2x2 seating configuration

Route: Cubao/Kamias-San Carlos via Dau/SCTEX-Concepcion/Capas/Tarlac/Sta. Ignacia/Camiling/Bayambang/Malasiqui

Body: Zhengzhou Yutong Bus Co. Ltd.

Model: 2013 Yutong ZK6107HA Series

Chassis: Yutong ZK6107CRA

Engine: Yuchai YC6A240-20 (G52YA/G52MA)

Fare: Airconditioned

Transmission System: M/T

Suspension: Air Suspension

Taken on: November 27, 2016

Location: Mabalacat City Bus Terminal, Brgy. Dau, Mabalacat City, Pampanga

Situated on Sandbanks in Poole in a residential, two-story apartment, this solid oak staircase with cut strings and half landing is an example of one of our smaller projects.

Distinctive 40mm solid oak cut strings on both sides of the staircase support the oak treads and stainless steel rod risers, whilst toughened and laminated glass panelling with a stainless steel handrail create the balustrade.

Kevala Stairs also installed a glass gallery on the top landing, with glass panels attached to the strings and landing with stainless steel fixings.

Model "US Truck T1 MkII" is build with LEGO® in scale 1:17,5 and motorized using LEGO® Power Functions. It is not build after a specific brand or type of truck. This build represents the more aerodynamic US truck models like for example the Freightliner Cascadia.

The truck features: solid axle suspension on all axles, PF powered driving with power transmitted independently to both rear axles, Ackerman geometry on steering axle, Servo powered steering, fully functional fifth wheel, modeled engine, detailed cabin interior and 3 light units.

Also can you build it yourself. To do so you can buy the building instructions and check the inventory/parts lists!.

The LEGO® Power Functions® Servo is used to enable the steering. Aligned with the trucks chassis the Servo is sitting inside of the cabin right behind the modeled engine in between both seats. With a 90 degrees conversion the motion of the Servo is transferred to the steering axle.

This truck model is powered by a CAT® CT15 which is revealed with the hood opened and its yellow color makes is an eye catcher. This power source is an inline 6 cylinder engine with a displacement of 15.21L. With a horsepower range from 450 up to 550 HP and this engine has a torque range from 1550 to 1850 lb-ft. (1202 - 2508 Nm) at 1200 rpm peak torque.

The modeled engine is a small object that really improves the realism of this model. The engine is very nice to build and to give it those realistic looks a total number of about 120 parts is used. Engine is detailed with for example engine oil dipstick, fan, fan belt, pulleys, hoses, oil filters including by-pass oil filter, turbo, exhaust manifold and so on. Together with much more engine bay details which are added the looks are phenomenal. These include break fluid reservoir, windshield washer container, internal air cleaner system and steering shaft.

A lot of detail is added to the cabin's interior as well in the colors Tan and Dark Bluish Gray. By opening this model’s doors one can access the cabin. Openable doors give the model very realistic looks and makes the detailed interior visible. The interior's colors really standout because of the rather dark color scheme of the truck's body work.

Dark Bluish Gray is used for both the interior and the exterior in order to link both color palettes. For the driver's comfort the interior has gauges, switches, speakers, cup holders, comfortable seats. Other details are a glove compartment, more compartments in both doors, angled dash and gauge panel, a steering wheel and a gear shift.

Painted in the rain today under an over hang in a popular spot of down town Toronto. I was doing it by myself but Smug and Rock rolled through and painted across the way. It was nice to get out some angst by rocking a burner.

P.S. My photo stitching skills aren't the best.

❤NEW RELEASE❤

Available in Solids and Patterns or snag the Fatpack to have them all.

Inworld Store: Little Princess Mainstore

Marketplace: marketplace.secondlife.com/p/Knit-Scarf-Solids/16368086

I've finally got my design wall back and am ready to add to these awesome blocks from the folks in the Falu circle of the Simply Solids Bee!

I'm so in love with this quilt! Thanks to all of my Twitterbee Solid 6 participants for helping me create a kick ass quilt! This will now live in the baby's room, on the spare bed. I think it will be a perfect addition to her room.

Taken @ North Luzon Express Way Access Road, Dau, Mabalacat, Pampanga - October 19, 2011

SOLID NORTH OPERATED BY JAC LINER, INC.

Bus number: 1610

Classification: Airconditioned Provincial Operation Bus

Coachbuilder: Zhengzhou Yutong Bus Company, Ltd. (Yutong Bus)

Chassis: Yutong ZK6107CRA (LZYTBTD6)

Model: Yutong ZK6107HA

Engine: Yuchai YC6G270-30

Cylinders: Straight-6

Displacement: 476.061 cu. inches (7,803 cc / 7.8 Liters)

Aspiration: Turbocharged

Power Output: 266 bhp (270 PS - metric hp / 199 kW) @ 2,200 rpm

Torque Output: 796 lb.ft (1,080 N.m) @ 1,400 - 1,600 rpm

Transmission: 6-Speed Forward, 1-Speed Reverse

Layout: Rear-Mounted Engine Rear-Wheel Drive

Airconditioning Unit: Overhead Unit

Suspension: Air-Suspension

Seating Configuration: 2x2

Seating Capacity: 45 Passengers

* Specifications may be subjected for verification and may be changed without prior notice...

Another rendition of my Solid Snake figure as he appears in Metal Gear Solid.

Our Lady of Victories was built 1926 on land purchased with funds raised from the sale of the old presbytery. For many years the old church [St Mary’s] had been found totally inadequate to accommodate the ever-growing congregation.

Included is a special chapel for the Nuns, whose school adjoins.

After very careful consideration the architects, Messrs Garlick and Jackman, adopted the Italian Renaissance as their basis.

The Most Reverend Robert William Spence OP DD, Archbishop of Adelaide, laid the foundation stone 3 October 1926.

The opening ceremony of Our Lady of Victories, Glenelg’s new Roman Catholic Church, in High Street, was performed by Archbishop Spence.

This is an imposing building, based on the Corinthian or Roman architecture. The facade is finished off in white Atlas cement, giving the appearance of solid stone. There are four massive Corinthian pillars, surmounted with Ascanthus feathers, above which rises a canopy and pediment. Above all is a large marble cross, which will be flooded with light at night.

Entrance to the church is gained by a short flight of marble steps, and one then passes through ornate polished blackwood doors, in the centre of which are coloured lead-lights.

The interior of the church is beautifully finished off, the Romanesque style prevailing throughout. The altar and sanctuaries are framed in Corinthian pillars and pilasters on the sides, with fibrous plaster panels, to which are attached symbolical paintings. The ventilation of the church is secured through the agency of a number of panels dropped a few inches from the ceilings, which adds considerably to the general effect.

The choir gallery is spacious, and contains a fine pipe organ installed by Dodd and Son, of Adelaide.

All the windows are of coloured leadlights, with a symbolical emblem in the centre. The floor of the sanctuary is laid down in oak parquetry.

On the wall above the altar is a magnificent painting depicting the nativity of Christ, a Correggio copy valued at some hundreds of pounds.

The lighting effect of the altar is particularly fine, throwing the picture out in glorious relief. The cost of the building was nearly £20,000.

A large crowd assembled to witness the opening, and the local residents were augmented by 300 people who journeyed by boat from Edithburgh on Sunday morning.

At 3 o'clock the procession left the vestry of the old church. The Archbishop then performed the ceremony of blessing and consecration outside and inside the church, after which the doors were thrown open.

Welcome to Visitors

Father J D Murphy was the priest in charge at Glenelg. He paid a glowing tribute to Mr S Jackman (of the firm of Garlick & Jackman) for the splendid work he had given them, and also referred in eulogistic terms to the contractors (Messrs Webb & Williams) and the sub-contractors.

During the afternoon Mr W B Hills AMUA, played the second and third movements from Mendelssohn's first organ sonata, and the "War march of priests" (Mendelssohn's), from "Athalie." The recital was given on the organ, which was not quite completely installed. The collection taken up resulted in the realisation of £3,000. [Ref: Glenelg Guardian (SA) 24-11-1927]

Taken @ North Luzon Express Way Access Road, Dau, Mabalacat, Pampanga - October 19, 2011

SOLID NORTH OPERATED BY JAC LINER, INC.

Bus number: 1611

Classification: Airconditioned Provincial Operation Bus

Coachbuilder: Zhengzhou Yutong Bus Company, Ltd. (Yutong Bus)

Chassis: Yutong ZK6107CRA (LZYTBTD6)

Model: Yutong ZK6107HA

Engine: Yuchai YC6A260-30

Cylinders: Straight-6

Displacement: 440.797 cu. inches (7,255 cc / 7.3 Liters)

Aspiration: Turbocharged

Power Output: 256 bhp (260 PS - metric hp / 191 kW) @ 2,300 rpm

Torque Output: 708 lb.ft (960 N.m) @ 1,400 - 1,600 rpm

Transmission: 6-Speed Forward, 1-Speed Reverse

Layout: Rear-Mounted Engine Rear-Wheel Drive

Airconditioning Unit: Overhead Unit

Suspension: Air-Suspension

Seating Configuration: 2x2

Seating Capacity: 45 Passengers

* Specifications may be subjected for verification and may be changed without prior notice...

In album

Solid Phase

China, Harbin, St. Sofia Orthodox Church, build in 1907 in a Russian Architectonic Style is a former Russian Orthodox church, since 1997 the Building is hosting an Architectonic Museum, displaying nearly a thousand pictures & a sandbox of Harbin urban planning, reflecting Harbin's past, present & future.

The Neo-Byzantine building of the 53.3 mtr tall Church occupies an area of 721 square mtr & is the largest Orthodox Church building in the Far East, constructed for Russians & other Orthodox people living in & around Harbin. Though the building’s interior was damaged after the revolution, it is still beautiful.

Harbin doesn’t have a long history as a city unlike most other Chinese cities. The Japanese defeated the Russians during a war in 1905 & the Russian 4 Army Division arrived in the region.

A wooden building called St. Sophia Church was built at the site & it was finished in 1907. Then construction on the existing solid structure began in 1923 & finished 9 years later in 1932.

The city owes its origin to the construction of the Chinese Eastern Railway through Northeast China Manchuria by the Russians at the end of the 19th, beginning of the 20th century. Before 1896 it was a small fishing village named "Alejin" meaning Honour; Harbin is derived from it. Thereafter it became the construction centre for the railway, which by 1904 linked the Trans-Siberian Railroad from a point east of Lake Baikal in Siberia with the Russian port of Vladivostok on the East Sea of Japan.

Harbin plays a vital role in communications between South & North Asia as well the regions of Europe & the Pacific Ocean. At the end of the 19th century, more than 160,000 foreigners from 33 countries migrated to Harbin, promoting the development of a capitalist economy in the city. The economy & culture of Harbin achieved unprecedented prosperity at that time, the city gradually grew into a famous international commercial port. Assimilating external culture, Harbin created its unique & exotic cityscape. The majestic St. Sophia Orthodox Church & Zhongyang Dajie each built in a Russian/European style.

Besides these rich cultural heritages, Harbin is favoured with beautiful natural scenery. Based on meandering Song Hua River & subject to severe low temperatures in winter, done to -30° to -40°C below freezing piont, when I took this Pictures the Temperature varied between -20°C & -26°C but dry, Harbin boasts a unique ice and snow culture. So, Harbin is also called the 'Ice City'.

Harbin was the birthplace of Jin, 1115-1234 & Qing,1644-1911 Dynasties, the latter of which had a very considerable influence on modern Chinese history.

👉 One World one Dream,

...Danke, Xièxie 谢谢, Thanks, Gracias, Merci, Grazie, Obrigado, Arigatô, Dhanyavad, Chokrane to you & over

10 million visits in my photostream with countless motivating comments

Jewelry Series Egypt - Bracelet Khepri by Daniel Arrhakis (2023)

A bracelet made of solid gold, black obsidian and lapis lazuli.

Solid North.

Fleet Number: 1615

Route: Kamias - Cubao - Dagupan

Vice versa

REGION:

Body manufacturer: YUTONG BUS

Model: Yutong ZK6107HA

ENGINE: YUCHAI

Shot Taken at Edsa Cubao Metro Manila

Meet the guys who put the Hair in Hair Band.

Our Daily Challenge - Mar 8 2015 - "The 1980's"

Daily Dog Challenge 1226. "Escape from the Everyday"

Today's Post (Solid Gold) : www.bzdogs.com/2015/03/solid-gold.html

Stop on by Zachary and Henry's blog: bzdogs.com

Chevrolet C10 pickup with a 6/71 supercharged 350ci V8.

One SB600 to left of frame in a softbox at full power.

...

Seattle, WA

I was going for a "70's album cover" look for this one...

Website - ModelMayhem - Facebook - Twitter

Situated on Sandbanks in Poole in a residential, two-story apartment, this solid oak staircase with cut strings and half landing is an example of one of our smaller projects.

Distinctive 40mm solid oak cut strings on both sides of the staircase support the oak treads and stainless steel rod risers, whilst toughened and laminated glass panelling with a stainless steel handrail create the balustrade.

Kevala Stairs also installed a glass gallery on the top landing, with glass panels attached to the strings and landing with stainless steel fixings.

The Burgtheater at Dr.-Karl -Lueger-Ring (from now on, Universitätsring) in Vienna is an Austrian Federal Theatre. It is one of the most important stages in Europe and after the Comédie-Française, the second oldest European one, as well as the greatest German speaking theater. The original 'old' Burgtheater at Saint Michael's square was utilized from 1748 until the opening of the new building at the ring in October, 1888. The new house in 1945 burnt down completely as a result of bomb attacks, until the re-opening on 14 October 1955 was the Ronacher serving as temporary quarters. The Burgtheater is considered as Austrian National Theatre.

Throughout its history, the theater was bearing different names, first Imperial-Royal Theater next to the Castle, then to 1918 Imperial-Royal Court-Burgtheater and since then Burgtheater (Castle Theater). Especially in Vienna it is often referred to as "The Castle (Die Burg)", the ensemble members are known as Castle actors (Burgschauspieler).

History

St. Michael's Square with the old K.K. Theatre beside the castle (right) and the Winter Riding School of the Hofburg (left)

The interior of the Old Burgtheater, painted by Gustav Klimt. The people are represented in such detail that the identification is possible.

The 'old' Burgtheater at St. Michael's Square

The original castle theater was set up in a ball house that was built in the lower pleasure gardens of the Imperial Palace of the Roman-German King and later Emperor Ferdinand I in 1540, after the old house 1525 fell victim to a fire. Until the beginning of the 18th Century was played there the Jeu de Paume, a precursor of tennis. On 14 March 1741 finally gave the Empress Maria Theresa, ruling after the death of her father, which had ordered a general suspension of the theater, the "Entrepreneur of the Royal Court Opera" and lessees of 1708 built theater at Kärntnertor (Carinthian gate), Joseph Karl Selliers, permission to change the ballroom into a theater. Simultaneously, a new ball house was built in the immediate vicinity, which todays Ballhausplatz is bearing its name.

In 1748, the newly designed "theater next to the castle" was opened. 1756 major renovations were made, inter alia, a new rear wall was built. The Auditorium of the Old Burgtheater was still a solid timber construction and took about 1200 guests. The imperial family could reach her ​​royal box directly from the imperial quarters, the Burgtheater structurally being connected with them. At the old venue at Saint Michael's place were, inter alia, several works of Christoph Willibald Gluck, Ludwig van Beethoven, Wolfgang Amadeus Mozart as well as Franz Grillparzer premiered .

On 17 February 1776, Emperor Joseph II declared the theater to the German National Theatre (Teutsches Nationaltheater). It was he who ordered by decree that the stage plays should not deal with sad events for not bring the Imperial audience in a bad mood. Many theater plays for this reason had to be changed and provided with a Vienna Final (Happy End), such as Romeo and Juliet or Hamlet. From 1794 on, the theater was bearing the name K.K. Court Theatre next to the castle.

1798 the poet August von Kotzebue was appointed as head of the Burgtheater, but after discussions with the actors he left Vienna in 1799. Under German director Joseph Schreyvogel was introduced German instead of French and Italian as a new stage language.

On 12 October 1888 took place the last performance in the old house. The Burgtheater ensemble moved to the new venue at the Ring. The Old Burgtheater had to give way to the completion of Saint Michael's tract of Hofburg. The plans to this end had been drawn almost 200 years before the demolition of the old Burgtheater by Joseph Emanuel Fischer von Erlach.

The "new" K.K. Court Theatre (as the inscription reads today) at the Ring opposite the Town Hall, opened on 14 October 1888 with Grillparzer's Esther and Schiller's Wallenstein's Camp, was designed in neo-Baroque style by Gottfried Semper (plan) and Karl Freiherr von Hasenauer (facade), who had already designed the Imperial Forum in Vienna together. Construction began on 16 December 1874 and followed through 14 years, in which the architects quarreled. Already in 1876 Semper withdrew due to health problems to Rome and had Hasenauer realized his ideas alone, who in the dispute of the architects stood up for a mainly splendid designed grand lodges theater.

However, created the famous Viennese painter Gustav Klimt and his brother Ernst Klimt and Franz Matsch 1886-1888 the ceiling paintings in the two stairwells of the new theater. The three took over this task after similar commissioned work in the city theaters of Fiume and Karlovy Vary and in the Bucharest National Theatre. In the grand staircase on the side facing the café Landtmann of the Burgtheater (Archduke stairs) reproduced ​​Gustav Klimt the artists of the ancient theater in Taormina on Sicily, in the stairwell on the "People's Garden"-side (Kaiserstiege, because it was reserved for the emperor) the London Globe Theatre and the final scene from William Shakespeare's "Romeo and Juliet". Above the entrance to the auditorium is Molière's The Imaginary Invalid to discover. In the background the painter immortalized himself in the company of his two colleagues. Emperor Franz Joseph I liked the ceiling paintings so much that he gave the members of the company of artists of Klimt the Golden Cross of Merit.

The new building resembles externally the Dresden Semper Opera, but even more, due to the for the two theaters absolutely atypical cross wing with the ceremonial stairs, Semper's Munich project from the years 1865/1866 for a Richard Wagner Festspielhaus above the Isar. Above the middle section there is a loggia, which is framed by two side wings, and is divided from a stage house with a gable roof and auditorium with a tent roof. Above the center house there decorates a statue of Apollo the facade, throning between the Muses of drama and tragedy. Above the main entrances are located friezes with Bacchus and Ariadne. At the exterior facade round about, portrait busts of the poets Calderon, Shakespeare, Moliere, Schiller, Goethe, Lessing, Halm, Grillparzer, and Hebbel can be seen. The masks which also can be seen here are indicating the ancient theater, furthermore adorn allegorical representations the side wings: love, hate, humility, lust, selfishness, and heroism. Although the theater since 1919 is bearing the name of Burgtheater, the old inscription KK Hofburgtheater over the main entrance still exists. Some pictures of the old gallery of portraits have been hung up in the new building and can be seen still today - but these images were originally smaller, they had to be "extended" to make them work better in high space. The points of these "supplements" are visible as fine lines on the canvas.

The Burgtheater was initially well received by Viennese people due to its magnificent appearance and technical innovations such as electric lighting, but soon criticism because of the poor acoustics was increasing. Finally, in 1897 the auditorium was rebuilt to reduce the acoustic problems. The new theater was an important meeting place of social life and soon it was situated among the "sanctuaries" of Viennese people. In November 1918, the supervision over the theater was transferred from the High Steward of the emperor to the new state of German Austria.

1922/1923 the Academy Theatre was opened as a chamber play stage of the Burgtheater. On 8th May 1925, the Burgtheater went into Austria's criminal history, as here Mentscha Karnitschewa perpetrated a revolver assassination on Todor Panitza.

The Burgtheater in time of National Socialism

The National Socialist ideas also left traces in the history of the Burgtheater. In 1939 appeared in Adolf Luser Verlag the strongly anti-Semitic characterized book of theater scientist Heinz Kindermann "The Burgtheater. Heritage and mission of a national theater", in which he, among other things, analyzed the "Jewish influence "on the Burgtheater. On 14 October 1938 was on the occasion of the 50th anniversary of the opening of the Burgtheater a Don Carlos production of Karl-Heinz Stroux shown that served Hitler's ideology. The role of the Marquis of Posa played the same Ewald Balser, who in a different Don Carlos production a year earlier (by Heinz Hilpert) at the Deutsches Theater in the same role with the sentence in direction of Joseph Goebbels box vociferated: "just give freedom of thought". The actor and director Lothar Müthel, who was director of the Burgtheater between 1939 and 1945, staged 1943 the Merchant of Venice, in which Werner Kraus the Jew Shylock clearly anti-Semitic represented. The same director staged after the war Lessing's parable Nathan the Wise. Adolf Hitler himself visited during the Nazi regime the Burgtheater only once (1938), and later he refused in pure fear of an assassination.

For actors and theater staff who were classified according to the Reich Citizenship Law of 1935 as "Jews ", were quickly imposed stage bans, within a few days, they were on leave, fired or arrested. The Burgtheater ensemble ​​between 1938 and 1945 did not put up significant resistance against the Nazi ideology, the repertoire was heavily censored, only a few joined the Resistance, as Judith Holzmeister (then also at the People's Theatre engaged) or the actor Fritz Lehmann. Although Jewish members of the ensemble indeed have been helped to emigrate, was still an actor, Fritz Strassny, taken to a concentration camp and murdered there.

The Burgtheater at the end of the war and after the Second World War

In summer 1944, the Burgtheater had to be closed because of the decreed general theater suspension. From 1 April 1945, as the Red Army approached Vienna, camped a military unit in the house, a portion was used as an arsenal. In a bomb attack the house at the Ring was damaged and burned down on 12th April 1945 completely. Auditorium and stage were useless, only the steel structure remained. The ceiling paintings and part of the lobby were almost undamaged.

The Soviet occupying power expected from Viennese City Councillor Viktor Matejka to launch Vienna's cultural life as soon as possible again. The council summoned on 23 April (a state government did not yet exist) a meeting of all Viennese cultural workers into the Town Hall. Result of the discussions was that in late April 1945 eight cinemas and four theaters took up the operation again, including the Burgtheater. The house took over the Ronacher Theater, which was understood by many castle actors as "exile" as a temporary home (and remained there to 1955). This venue chose the newly appointed director Raoul Aslan, who championed particularly active.

The first performance after the Second World War was on 30 April 1945 Sappho by Franz Grillparzer directed by Adolf Rott from 1943 with Maria Eis in the title role. Also other productions from the Nazi era were resumed. With Paul Hoerbiger, a few days ago as Nazi prisoner still in mortal danger, was shown the play of Nestroy Mädl (Girlie) from the suburbs. The Academy Theatre could be played (the first performance was on 19 April 1945 Hedda Gabler, a production of Rott from the year 1941) and also in the ball room (Redoutensaal) at the Imperial Palace took place performances. Aslan the Ronacher in the summer had rebuilt because the stage was too small for classical performances. On 25 September 1945, Schiller's Maid of Orleans could be played on the enlarged stage.

The first new productions are associated with the name of Lothar Müthel: Everyone and Nathan the Wise, in both Raoul Aslan played the main role. The staging of The Merchant of Venice by Müthel in Nazi times seemed to have been fallen into oblivion.

Great pleasure gave the public the return of the in 1938 from the ensemble expelled Else Wohlgemuth on stage. She performaed after seven years in exile in December 1945 in Clare Biharys The other mother in the Academy Theater. 1951 opened the Burgtheater its doors for the first time, but only the left wing, where the celebrations on the 175th anniversary of the theater took place.

1948, a competition for the reconstruction was tendered: Josef Gielen, who was then director, first tended to support the design of ex aequo-ranked Otto Niedermoser, according to which the house was to be rebuilt into a modern gallery theater. Finally, he agreed but then for the project by Michael Engelhardt, whose plan was conservative but also cost effective. The character of the lodges theater was largely taken into account and maintained, the central royal box but has been replaced by two balconies, and with a new slanted ceiling construction in the audience was the acoustics, the shortcoming of the house, improved significantly.

On 14 October 1955 was happening under Adolf Rott the reopening of the restored house at the Ring. For this occasion Mozart's A Little Night Music was played. On 15 and on 16 October it was followed by the first performance (for reasons of space as a double premiere) in the restored theater: King Ottokar's Fortune and End of Franz Grillparzer, staged by Adolf Rott. A few months after the signing of the Austrian State Treaty was the choice of this play, which the beginning of Habsburg rule in Austria makes a subject of discussion and Ottokar of Horneck's eulogy on Austria (... it's a good country / Well worth that a prince bow to it! / where have you yet seen the same?... ) contains highly symbolic. Rott and under his successors Ernst Haeusserman and Gerhard Klingenberg the classic Burgtheater style and the Burgtheater German for German theaters were finally pointing the way .

In the 1950s and 1960s, the Burgtheater participated (with other well-known theaters in Vienna) on the so-called Brecht boycott.

Gerhard Klingenberg internationalized the Burgtheater, he invited renowned stage directors such as Dieter Dorn, Peter Hall, Luca Ronconi, Giorgio Strehler, Roberto Guicciardini and Otomar Krejča. Klingenberg also enabled the castle debuts of Claus Peymann and Thomas Bernhard (1974 world premiere of The Hunting Party). Bernhard was as a successor of Klingenberg mentioned, but eventually was appointed Achim Benning, whereupon the writer with the text "The theatrical shack on the ring (how I should become the director of the Burgtheater)" answered.

Benning, the first ensemble representative of the Burgtheater which was appointed director, continued Klingenberg's way of Europeanization by other means, brought directors such as Adolf Dresen, Manfred Wekwerth or Thomas Langhoff to Vienna, looked with performances of plays of Vaclav Havel to the then politically separated East and took the the public taste more into consideration.

Directorate Claus Peymann 1986-1999

Under the by short-term Minister of Education Helmut Zilk brought to Vienna Claus Peymann, director from 1986 to 1999, there was further modernization of the programme and staging styles. Moreover Peymann was never at a loss for critical contributions in the public, a hitherto unusual attitude for Burgtheater directors. Therefore, he and his program within sections of the audience met with rejection. The greatest theater scandal in Vienna since 1945 occurred in 1988 concerning the premiere of Thomas Bernhard's Heldenplatz (Place of the Heroes) drama which was fiercly fought by conservative politicians and zealots. The play deals with the Vergangenheitsbewältigung (process of coming to terms with the past) and illuminates the present management in Austria - with attacks on the then ruling Social Democratic Party - critically. Together with Claus Peymann Bernhard after the premiere dared to face on the stage applause and boos.

Bernard, to his home country bound in love-hate relationship, prohibited the performance of his plays in Austria before his death in 1989 by will. Peymann, to Bernhard bound in a difficult friendship (see Bernhard's play Claus Peymann buys a pair of pants and goes eating with me) feared harm for the author's work, should his plays precisely in his homeland not being shown. First, it was through permission of the executor Peter Fabjan - Bernhard's half-brother - after all, possible the already in the schedule of the Burgtheater included productions to continue. Finally, shortly before the tenth anniversary of the death of Bernard it came to the revival of the Bernhard play Before retirement by the first performance director Peymann. The plays by Bernhard are since then continued on the programme of the Burgtheater and they are regularly newly produced.

In 1993, the rehearsal stage of the Castle theater was opened in the arsenal (architect Gustav Peichl). Since 1999, the Burgtheater has the operation form of a limited corporation.

Directorate Klaus Bachler 1999-2009

Peymann was followed in 1999 by Klaus Bachler as director. He is a trained actor, but was mostly as a cultural manager (director of the Vienna Festival) active. Bachler moved the theater as a cultural event in the foreground and he engaged for this purpose directors such as Luc Bondy, Andrea Breth, Peter Zadek and Martin Kušej.

Were among the unusual "events" of the directorate Bachler

* The Theatre of Orgies and Mysteries by Hermann Nitsch with the performance of 122 Action (2005 )

* The recording of the MTV Unplugged concert with Die Toten Hosen for the music channel MTV (2005, under the title available)

* John Irving's reading from his book at the Burgtheater Until I find you (2006)

* The 431 animatographische (animatographical) Expedition by Christoph Schlingensief and a big event of him under the title of Area 7 - Matthew Sadochrist - An expedition by Christoph Schlingensief (2006).

* Daniel Hoevels cut in Schiller's Mary Stuart accidentally his throat (December 2008). Outpatient care is enough.

Jubilee Year 2005

In October 2005, the Burgtheater celebrated the 50th Anniversary of its reopening with a gala evening and the performance of Grillparzer's King Ottokar's Fortune and End, directed by Martin Kušej that had been performed in August 2005 at the Salzburg Festival as a great success. Michael Maertens (in the role of Rudolf of Habsburg) received the Nestroy Theatre Award for Best Actor for his role in this play. Actor Tobias Moretti was awarded in 2006 for this role with the Gertrude Eysoldt Ring.

Furthermore, there were on 16th October 2005 the open day on which the 82-minute film "burg/private. 82 miniatures" of Sepp Dreissinger was shown for the first time. The film contains one-minute film "Stand portraits" of Castle actors and guest actors who, without saying a word, try to present themselves with a as natural as possible facial expression. Klaus Dermutz wrote a work on the history of the Burgtheater. As a motto of this season served a quotation from Lessing's Minna von Barnhelm: "It's so sad to be happy alone."

The Burgtheater on the Mozart Year 2006

Also the Mozart Year 2006 was at the Burgtheater was remembered. As Mozart's Singspiel Die Entführung aus dem Serail in 1782 in the courtyard of Castle Theatre was premiered came in cooperation with the Vienna State Opera on the occasion of the Vienna Festival in May 2006 a new production (directed by Karin Beier) of this opera on stage.

Directorate Matthias Hartmann since 2009

From September 2009 to 2014, Matthias Hartmann was Artistic Director of the Burgtheater. A native of Osnabrück, he directed the stage houses of Bochum and Zurich. With his directors like Alvis Hermanis, Roland Schimmelpfennig, David Bösch, Stefan Bachmann, Stefan Pucher, Michael Thalheimer, came actresses like Dorte Lyssweski, Katharina Lorenz, Sarah Viktoria Frick, Mavie Hoerbiger, Lucas Gregorowicz and Martin Wuttke came permanently to the Burg. Matthias Hartmann himself staged around three premieres per season, about once a year, he staged at the major opera houses. For more internationality and "cross-over", he won the Belgian artist Jan Lauwers and his Need Company as "Artists in Residence" for the Castle, the New York group Nature Theater of Oklahoma show their great episode drama Live and Times of an annual continuation. For the new look - the Burgtheater presents itself without a solid logo with word games around the BURG - the Burgtheater in 2011 was awarded the Cultural Brand of the Year .

Since 2014, Karin Bergmann is the commander in chief.

Female, about 5 months old

3 Haines Terrace.

The house has a dilapidated front exterior, but otherwise appears to be solid and well maintained, and not abandoned.

This photo is taken from Raroa Road. Haines Tce has pedestrian only access from Holloway Road. The house also appears to have access from Carey Street that winds up the hill from Holloway Road.

These are the solid rocket boosters which took the space shuttles to orbit and further!

Commissioned wood cut out!

Solid! South Pacific

The Bobby Hammack Quintette

Liberty Records/USA

at crossing...

Bus No: 1618

Year released: 2011

Capacity: 45; 2x2 seating configuration

Route: Dagupan-Cubao/Kamias via Dau/SCTEX-Concepcion/Capas/Tarlac/Gerona/Paniqui/Moncada/San Manuel/Carmen/Urdaneta

Body: Yutong Bus Ltd.

Model: 2010 Yutong ZK6107H Series

Engine: Yuchai

Fare: Airconditioned

Aircon System: Yutong overhead a/c

Transmission System: M/T

Plate No.: CWL-338

Taken on: July 18, 2011

Location: McArthur Highway, Brgy. San Nicolas, Tarlac City, Tarlac

SOLID MTB Maraton - Wschowa (11/06/2023)

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Decided to post this one up after a 2nd look. Was trying to create a more scattered bokeh using the black fibre optics. but I like the floor light in this one .

20191206-_PDS1850

Pangasinan Solid North

Kona Cotton Solids from Robert Kaufman. I'm so sorry I don't know who made this. It is such a gorgeous quilt. I am pretty sure it is in the new book We Love Color compiled by Susanne Woods.

My grandaughter got a pretty solid hit while she was playing in a U14 all girls tournament

Brick Solid - Historic preservation district, Chase Creek in Clifton, Arizona.

Bus No: 1644

Body: Yutong Bus Co. Ltd.

Engine: Yuchai YC6A260-30

Chassis: Yutong ZK6107CRA

Suspension: Air Suspension

Transmission: M/T

Route: Cubao-Dagupan

Location: Denver St. Cubao, Quezon City

wala pa din akong ticket nila hanggang ngayon

solid fest 2010

background image

www.pixiv.net/member_illust.php?mode=medium&illust_id...

This Brick has seen many years of turmoil, battle, and survival. Yet, aged and broken, this Brick still leads and the Wall stands solid against the forces of nature.

We're Here! finding that One Brick.

I was thinking to myself how good Slade from Arrow would be as Solid Snake, so i photoshopped what i was seeing in my head

Solid Slade

I'v done too much Photoshop today, bout to OD (Over Design)

The statue is 3 metres (9.8 ft) tall and weighs 5.5 tonnes (5.4 long tons; 6.1 short tons). (According to another account, the statue measures 3.91 meters from base to top, and 3.10 meters across the lap from knee to knee.) It can be disassembled into nine pieces. The statue was housed in a wat in Ayutthaya until the mid 19th century, and its provenance from Ayutthaya excludes the possibility of it having been made after about 1750.

At US$2,700 per troy ounce, the gold in the statue (18 karat) is estimated to be worth 482 million dollars. The body of the statue is 40% pure, the volume from the chin to the forehead is 80% pure, and the hair and the topknot, weighing 45 kg, are 99% pure gold.

Wikipedia

Wat Trimit

Bangkok