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Mini quilt. Machine pieced and quilted by me. Roughly 30" x"32. Various Kona Solids, Quilter's Linen and Essex Linen.
Blogged: woollykat.blogspot.com/2011/09/solids-swap-finished.html
Paraphrasing Infernal Overdrive's Facebook page:
Genre
Heavy Rock
Members
• Marc Schleicher- Lead Guitar and Vocals
• Rich Miele- Lead Guitar and Backing Vocals
• Mike Bennett- Lead Drums
• Keith Schleicher- Lead Bass Guitar
On the web
Photos of their shows
• O'Brien's, Allston MA, 16 Jul 2011
• Great Scott, Allston MA, 2 Apr 2011
• O'Brien's, Allston MA, 4 Sept 2010
• O'Brien's, Allston MA, 16 Jan 2010
Hometown
Red Bank, NJ
Record Label
Small Stone Records
About
Infernal Overdrive is a heavy rock and roll band formed in early 2008 when Marc Schleicher (fmr. Quintaine Americana [Wikipedia, MySpace, AllMusic], Cracktorch [MySpace], Antler, Liquor Tricks [MySpace]) of Allston , Mass. started jamming with Mike Bennett (fmr. Loud Earth [Reverb Nation, Facebook]) in Red Bank. Soon they got Rich Miele (fmr. Loud Earth [Reverb Nation, Facebook]) on board playing second lead guitar. During some of their early shows, Jake Metz (Godzero [MySpace]) joined the band on bass, but he was soon replaced by Keith Schleicher.
Their sound is a combination of their classic influences such as Led Zeppelin, Blue Cheer, Free, Grand Funk, Cactus, Deep Purple and Pink Floyd and newer heavy bands like Kyuss, Nebula, Soundgarden, STP, QOTSA and Monster Magnet.
Biography
Rumors abound that somewhere in the depths of New Jersey time stands still and it is always 1977. Trapped in this interstellar time warp, making electric amageddon is Infernal Overdrive. Fronted by the mysterious, oft reckless Marc Schleicher (Cracktorch [MySpace], Quintaine Americana [Wikipedia, MySpace, AllMusic], Antler) - a Boston native transplanted in time and space to this 4th dimension - summoned by the all-powerful duo of Mike Bennett and Rich Miele of Loud Earth [Reverb Nation, Facebook]. After a treacherous search to find his long lost brother, Keith Schleicher was sucked into the vortex to fulfill his destiny on bass guitar. They journey in the last of the V8 interceptors, proving themselves worthy of the Small Stone pedigree. Forces to be reckoned with on their own, as a group their wonder team powers activate to kick into Infernal Overdrive.
Armed with their wits, New Jersey dialect and a passion for surviving the likes of the Tall Man, flying orbs, giant sharks, the Turnbull AC's and an occasional family of albino zombies, Infernal Overdrive will be coming to an area near you soon. Can you dig it?
Current Location
Red Bank, NJ
Artists We Also Like
Cortez, Maegashira, Monster Magnet, Roadsaw, Pigs, The Brought Low
Influences
Delta Blues, Led Zeppelin, Grand Funk Railroad, Soundgarden, Monster Magnet, Cactus, Deep Purple, Nebula, Pink Floyd, Cream, Mountain, Kyuss, James Gang and shit loads of other bands.
Reviews
Review by The Obelisk / Stoner Rock:
Infernal Overdrive Kick into Gear
With production by Andrew Schneider (Throttlerod, The Brought Low, Hackman) and mastering by Nick Zampiello at New Alliance East in Boston, there’s no doubt that New Jersey riff rockers Infernal Overdrive are going for that Small Stone Records sound. The four tracks that comprise their new self-titled EP fall in line with the kind of straightforward guitar-led rock the Detroit label has proffered for well over a decade now, and with a similar southern/classic ‘70s influence to New York’s The Brought Low, Infernal Overdrive seem remarkably conscious of what they’re doing sonically. More so than you might expect for a band just releasing their first EP.
The story goes that when guitarist/vocalist Marc Schleicher (ex-Cracktorch [MySpace], Antler) moved from Massachusetts to central New Jersey, he got hooked up with drummer Mike Bennett and guitarist/backing vocalist Rich Miele (both ex-Loud Earth [Reverb Nation, Facebook]). Keith Schleicher (relation assumed) was added on bass and Infernal Overdrive began rocking out early 2008. The EP was recorded over two days in February and four in April, and though that seems quick, none of the songs feels rushed or underdone. Schneider, who also shows up on extra backing vocals, makes his mark sound-wise in the tone of Schleicher and Miele’s guitars and Bennett’s snare sound, which has the same pop Schneider has become known for – not too bright, but able to cut through the mix and propel the songs forward. Some of Schleicher’s leads, as on EP closer “Motor,” feel a little too thought out, too structured where what I’d like to hear is a little bluesy ‘70s recklessness, but they get the job done nonetheless, and the vocals are never out of place.
Although the highway for which it’s named runs down through the whole East Coast, there’s no question that when Infernal Overdrive open the EP with “I-95,” they’re talking about Jersey. The song is a southern-hued guitar rocker that sets the tone well for the three tracks that follow with an ear toward rock traditionalism and, once again, like-minded Small Stone heavy-hitters Sasquatch, Dixie Witch, et al. It’s hard to argue with the approach when it works as well as it does on the speedy “The Edge,” which forgoes central Jersey’s reputation for heavy psychedelia in the style of Monster Magnet in favor of Halfway to Gone’s stripped-down take on rock. “Duel” slows down the pace somewhat but still keeps a mid?paced groove that makes use of some well?placed lead lines that start the song reminding me of Iron Maiden filtered through Nebula’s druggy haze. Only “Motor,” which devolves into an extended jam that brings the track to a total of just under 12 minutes, is longer, as the songs on Infernal Overdrive go in order from shortest to longest. Whether or not that’s on purpose on the part of the band, I don’t know – I’d imagine at least putting “Motor” last is – but I suppose it’s as good a method of organization as any.
There’s a short message from the Devil after “Motor” finishes up, and that’s the end of the EP. Infernal Overdrive are out relatively quick when you consider their first release is only 26 minutes and three of the four songs take up about 11 of it. No complaints though, as the four-piece know precisely how to get the most out of their sound and show exactly that on these tracks. It’s a hell of an investment to make with a self-released debut to hook up with the likes of Schneider and Zampiello, but Infernal Overdrive make the most of Schleicher and co.’s collected experience, and come off sounding confident and notably mature for a band who’s been together less than three years. It may not be changing the game, but Infernal Overdrive is definitely worth checking out for anyone who wants to hook into some solid and unpretentious heavy rock.
Review by Cutting Edge Rocks:
A couple years ago we reviewed a strong up-and-coming Jersey band Loud Earth [Reverb Nation, Facebook]. Well, it seems they dissolved and morphed into Infernal Overdrive. The new band is two parts Loud Earth [Reverb Nation, Facebook] (drummer Mike Bennett and guitarist/backing vocalist Rich Miele), one part Cracktorch [MySpace], Antler (guitarist/vocalist Marc Schleicher) and one part brother (bassist Keith Schleicher). Mike contacted me letting me know the band formed after Marc relocated from Boston and set up shop in Jersey. He sent along the EP for my listening pleasure. And a pleasure it is! The songs are baked in southern ‘70s hard rock with catchy riffs and plenty of power rumbling in the pipes. The info is sketchy but according the record’s liner notes, the four-song EP was recorded this year in Brooklyn, NY over five days (Feb 27, 28 & April 17, 18, 24, 25). Production was handled by Andrew Schneider (Throttlerod, The Brought Low, Hackman) with mastering by Nick Zampiello. Fans of our site will immediately make the Small Stone connection and that seems to be where the band are heading as the vibe is defiantly Detroit retro.
Take for instance “I-95” which opens the disc with a solid guitar wail and foot-stomping drum beat. Tambourine is added for flavor but the song bellows like fellow Boston-natives Roadsaw, mixing biker thunder with a Pat Travers/Leslie West riff-fest. Second track, “The Edge” is pure old school Nugent, including the repeat riff and frantic, almost MC5 delivery. Schleicher voice is ragged and ready to rock. The drums hammer and the bass drives laying down a solid bed for some sexy solo leads. “Duel” has more Fu Manchu in the groove. It’s mostly in the chorus, but the build in the verse is still very Scott Hill/Brant Bjork. The track also boasts our favorite solo - frayed, not over played and sparked with cosmic energy. “Motor” is a 13-minute stoner masterpiece. A heavy bottom end brings to mind Sabbath, Sasquatch and Mountain. The riff is clean but thick with a layered solo painting in all the little nuances - perfect for a psychedelic ride. The echo on the vocals adds to the songs dripping mysticism while the guitar is allowed to float, pierce and melt the brain. Yeah, it only four songs, but dude, sometime that’s all you need when they’re this good.
Review by Heavy Planet
I recently had a chance to hear some new material from thee guys and I'll tell you right now, this is a band to be on the look out for. They're going places. Their sound is straight up southern stoner rock. If I had to compare them, I'd say they're a bit harder version of The Brought Low. Checkout the usual social media spots (links below) to hear what I'm talking about and keep up to date with all their happenings because you'll certainly be hearing from them again.
54" Round Harmony Single Pedestal Table- Shown as a solid top- also available with leaves. Shown with Waterfall edge, rustic cherry wood- asbury stain, Available in different woods and stains.
Chairs shown are Delaney side chairs with wood seats- also in Rustic cherry Wood, asbury stain.
Vulcan Raven!
from Metal Gear Solid the First. I think they turned out pretty good. I decided to just make the Face decal along with the Torso.
By far my favorite Video game! I might make Meryl and liquid sometime, but they are too plain.
Free to use! Just give credit where its due. If You do use these also please tag me in the picture so I can see how these look on a minifig!
Comments and Criticism are greatly appreciated!
A Pantone Solid to Process Guide and a set of inkjet cartridges photographed with a flatbed scanner.
Here's some colourful projects I fancy at the moment - all fabrics are not stricktly solids, but you get the idea...
1. color dotty hanging, 2. Single Girl quilt top almost done., 3. Piece o'cake, 4. IMG_2749, 5. Back view, 6. Bunting Mini Quilt, 7. stripe quilt, 8. zip6rainbow, 9. "Groovy" Custom Quilt for my Mom, 10. Sneak Peek, 11. Brit swap - Pillow fight cushion front, 12. Finished rainbow mug rug, 13. PTS4_Pillow Received, 14. Circles mini quilt in red and white, 15. Goodie bag swap - sent to my partner, 16. For the Love of Solids, 17. Olympic rings quilt, 18. London Tube Quilt, 19. My label on Supernova, 20. back
Large filter presses help separate the solid and liquid waste streams. The solid "filter cake" goes to the solid fuel boiler to produce steam. The "filtrate" goes to the anaerobic digester to produce methane.
on the holy cards lots of ESCARCHAS
it happened this morning 7/30/12 affter the 6am rosary
Scientific Study Claimed To Yield No Clue As To Composition Of Mysterious 'Glitter'
[In many parts of the world or at least the West, those involved in devotional and charismatic practices have asserted that at times a strange "glitter" falls, like decorative manna. This is a particularly difficult phenomenon to accept in the way of its strangeness and glitziness, although it was reported during the apparitions at Fatima, Portugal, during 1917 in an ephemeral form which soon vanished, leaving no material.]
The glitter reported in some parts of the world allegedly remains as a physical manifestation. While remaining open we warn that the materialization of any such thing can be occult, and so we place that as input for discernment. At the same time, Christians across denominations have been reporting both the glitter and "gold dust" during especially poignant spiritual moments. The alleged phenomenon is prevalent in South America, particularly Venezuela -- including the approved apparition site of Betania -- as well as the Miami area.
In Latin America it is known as "escarchas." Below we present an article translated by former monk Allan Weilart from a Spanish article entitled, "La Gracia de las Escarchas" or "The Grace of the Escarchas," including scientific tests of the "glitter." The article, from a while back, was translated from the official website of the convent at Carrizal, Venezuela where, along with all the houses of the same community in Venezuela, "escarchas" were said fall from "Heaven" during daily Mass. We submit it unedited for your strict discernment]:
"The Grace of Escarchas"
translated from the Spanish:
The theme of escarchas has become a controversial topic for certain people, some lend absolute credibility to them, believing they are a sign that shows the presence and aid of the Most Holy Virgin, just as she affirmed it that day February 9, 1993, to Sister Mary Carmen. Others reject such a possibility and doubt, laughing it all off.
It is important to precisely touch on this theme with a certain latitude by noting that escarchas from Carrizal have been studied twice in different laboratories of the Central University of Venezuela.
The first study was carried out by the petition of the Sister Mary Clara, superior of the Servants of Jesus in Carrizal and by the Chief Engineer who was the intermediary with the UCV, since was he graduated from that university in the Faculty of Engineering and could help in that sense. The Laboratory of Special Studies of the School of Mechanical Engineering accepted the assignment and proceeded with a thorough a scientific investigation.
This study was carried out September 21 -- October 14, 1993. The samples were taken of escarchas which appeared on different days within the dates mentioned, in the monastery of Carrizal, as well as a sample of the escarchas which appeared the day following the first apparition so that those also could be analyzed.
So once they separated and placed the samples in test tubes. They were sealed airtight, to prevent the possibility of fraud, by order of the Chief Engineer. He was likewise present during the majority of the hours of study dedicated to the investigation. In this manner and under these conditions, were the escarchas delivered to the laboratory of the UCV.
It is interesting here to allude to an event which happened September 22, when at 9:00 AM, a doctor came to the laboratory and related that the previous day having listened on the origin of the escarchas, and having access to the laboratory, had secretly taken two of these escarchas to his two small children who had suffered from chronic asthma for some years.
He related that after having taken the escarchas home, the children unexpectedly suffered a severe asthma attack and expelled phlegm by coughing almost all night. They were cured when they awoke; the asthma had disappeared!
The laboratory continued its scientific examination of the escarchas, submitting them to study and observation, by viewing them in the microscope without processing and in the electron microscope without processing.
Then they were studied again in the microscope and in the electronic one, but this time with processing chemicals.
They were then submitted to different mechanical actions and to other various chemical processing and incinerated in a burning flame. The results were similar to the ones found in the second more comprehensive and exhaustive study.
This second study was carried out, with the consent of the Sister Mary Clara, with a much more extensive sample of escarchas, including industrial glitter, manufactured by man, in order to know the difference between them.
From among the escarchas that appeared from the Virgin were chosen samples from other convents in Venezuela in which this phenomenon had also taken place, including some collected during a conference of the Marian Movement of Priests on March 2, 1992.
The colors of the religious escarchas chosen for this scientific study, so-called to distinguish them from manufactured glitter were silver, gold, green, red, aquamarine, pink, and transparent.
They took the shapes of squares, rectangles, and hexagons. Their size was between 1 and 2 millimeters.
There was also golden dust collected. The circumstances of these appearance of escarchas was related to some of these situations: moments of anguish and pain, dedication to the Virgin, moments of prayer, and even without any particular reason: simply they appeared.
Some escarchas had appeared on the hands, others on the face; there were also taken from various parts of the body, and even some collected off bedspreads, off the cloths of the altar, or off the pews of the church. As for type of people they had been collected from: children, youths and adults, religious sisters, as well as laymen of both sexes.
This second study was initiated in October of 1994 and was finished in May of 1995. The thesis of the experiment had this title: "INVESTIGATION OF THE PRIVATE MATERIAL OF VARIOUS COLORS AND ITS COMPARISON WITH INDUSTRIAL GLITTER"
The religious escarchas taken of the samples chosen of the places already mentioned were submitted to the same experimental processing that the other man-made glitter, in order to compare the physiochemical characteristics of both types and to compare likewise the effects produced by subjugation of both groups to mechanical actions, incinerations by flame, chemical
processing, and other means.
The chemical processing both types of escarchas (religious and industrial glitter) were submitted successively to nitric acid, hydrochloric acid, isopropol alcohol, to NITAL (mixture of alcohol and nitric acid), to hydroxide of sodium, to benzol, to benzene, and to flurohydric acid. After being submitted to these chemical substances for periods that oscillated between 60 minutes and several days, they were examined by electron microscope.
Selected for this experiment was the laboratory of Physics of the Faculty of Sciences of the Central University, in which was located one of the better electron microscopes in Venezuela.
The results were carefully scrutinized by three professors and continuously monitored by the Licentiate in Biology, Gillermo Strap, of the Laboratory of Physics of the UCV. The conditions of the experiments and strict measures of scientific character were carefully followed.
These results can be summarized thus:
A.- Simple observation can differentiate the religious escarchas from man-made glitter in the following way: the religious ones have greater quantity of tones in its color. For example in glitter, they came three types of green tone and in the religious to seven types of that tone of
color can be observed. The religious escarchas are thin, light, and shine with apparently their own brightness; they do not reflect light shined on them in the same manner as does glitter. The religious escarchas adhere to any surface and it is difficult to remove them. They present two faces or surfaces, as the plant leaves: a "top" and "bottom" side.
On the other hand, manufactured glitter is rough; it feels sandy, without its own brightness, it dazzles when any light shines on it; it is not as adherent as escarchas, and they present two equal surfaces.
B - Observation with optic microscope, without processing the following differences can be found:
In the religious escarchas is observed the presence of protozoans or of green or various algae and blue or of diverse fungi, bubbles of air, water, and crystals. These elements always remained static, without activity, they seemed like fossils.
In the man-made glitter it is observed that besides having the two equal faces lack protozoans, fungi, algae and they do not contain anything organic in them.
C - Of the observation with electron microscope without processing, can be appreciated the following differences:
The escarchas are not metallic -- it is impossible to see them without first covering them with gold (does not apply with silver escarchas), in order visualize them with the detachment of the necessary secondary electrons to be able to view them through the electron microscope. They show they have a laminated structure. The edges are solid.
Glitter possesses half of the thickness of the religious escarchas; they are of plastic material and the mark of the cut of the machine is observed at the same junction, as if were a fingerprint. The edges are not solid.
D.- Of the observation of the frosts submitted to various chemical processing and then analyzed by optic microscope, can be appreciated these differences:
No differences were found when both groups were submitted to nitric acid, hydrochloric acid and distilled water.
But with isopropyl alcohol, the religious escarchas were not bleached, but the glitter was bleached 75 percent. With NITAL the religious escarchas remained stable while the glitter
suffered total discoloration, they diminished in size and developed pores, tracks, and bubbles of air.
With hydroxide of sodium the religious escarchas did not suffer alterations, while the glitter was reduced of size.
The test of acid fluorohydric acid turns out to be highly significant: the religious escarchas remained stable while the industrial glitter disappeared completely.
This last experiment shows that the religious escarchas are not metallic, neither they are of plastic, nor mica, nor resins. Their composition could not be determined. With the oxide of propylene the same thing was shown, although through this chemical substance, glitter suffered corrosion by its industrial nature, but not the religious escarchas.
E.- Of the observation of the frosts submitted to thermal procedure of flames and combustion is obtained these differences:
The religious frosts are bleached a little, but they increase their shine and do not leave any residual odor. The glitter is bleached completely; they lose the shine and they leave an irritating odor, noxious to the eyes and the throat. This scientific differential analysis is presented in order to present a clear conclusion that the phenomenon of escarchas cannot be so easily dismissed, as some have done, even to the point of laughter and mockery.
One can sin by negligence or omission, not only by action. It is a fact that from 1993 the phenomenon of escarchas has constantly increased and has reached in Venezuela such proportions that it cannot be ignored. This study can help in the comprehension of the reality of this phenomenon connected with the presence of the Virgin, just as she declared on February 9, 1993. Since the escarchas have become a phenomenon of incalculable proportions, the same one, the Most Holy Virgin deigned to deliver to a priest who desires to remain anonymous, the meaning of their colors.
I have here the message of the September 23, 1999:
Revelation About the Meaning of the Escarchas
In these times in which men feel self-satisfied and far away from my Son the
Lord, I want to declare in a humbler way, the message that I want to deliver
to them and to declare to them the meaning of the escarchas. The ones who
live in my heart are those who have been bought by the blood of my Son.
Therefore, prayer, sacrifice, reconciliation, and penitence are the weapons
with which are going to fight in the battle against Satan.
I want to announce to them the meaning of the colors of my frosts:
-- The silver: in them I show you the magnanimity of my heart. Ask me what you
want.
-- The golden: in them I incline toward the weak one; I am going to heal you
spiritually, physically, psychologically, morally.
-- The blue: in them I want to announce you my proximity. I am with you, I
have been present to you.
-- The green: they are a song so that open you to hope. I will act in the
favor of God. Hope in God.
-- The red: in times of trial you offer me a sacrifice; remember that I love
you.
-- The transparent: the road of humility is the path that leads to freedom. I
know those who are humble and simple
-- The aquamarines: is the road that is very treacherous and curved, I want
to tell you on that road, I will be with you.
To my children, who have been graced with my gifts, sprouted from the love
of my Son, and who are the sweetest fragrance of the Father, to all who
find shelter in His breast, I give my blessing in the name of the Father, of
the Son and of the Holy Spirit.
For your discernment only!
Extendable solid wood dining table. 152 x 91 x 77cm. Seats 6, extends to seat 8. Made in Italy, purchased at World Market in US. Table is a bit worn and has been repaired on one side with two screws. Does not include chairs or bench. The legs are easily removed for transport. 50.000
Le score de 0 à 4 est conforme à la valeur des équipes, même si l'US Saint-Malo n'a pas à rougir de son match de 16e de coupe de France contre une solide équipe de D1.
Avec trois buts inscrits dans la première mi-temps, les filles d'En Avant Guingamp s'imposaient logiquement devant une équipe malouine courageuse, mais moins efficace dans la récupération des ballons au milieu de terrain, face à des visiteuses plus percutantes en attaque.
Dans la seconde mi-temps, le quatrième but marqué par les Guingampaises ne changeait rien à la détermination de l'USSM, qui malgré un rythme supérieur et quelques occasions, ne parvenait pas décrocher le moindre but de consolation.
Le public a salué la qualité du match joué par les deux équipes.
L'incertitude du terrain synthétique enneigé a plané jusqu'au jour du match mais les 22 actrices ont bien débuté la rencontre entre l'ETG-Ambilly et Nancy. Une rencontre qui a abouti au seul exploit du week-end avec la qualification des Savoyardes 1-0 grâce à une réalisation de Colleen Dinn en fin de rencontre (81e). Pour le reste, les formations de DH se sont bien comportées comme ESAP Metz et l'AG Caen défaits 2 à 3 par Templemars et Orvault même si ces deux premières équipes avaient la différence à la pause (0-2). Lorient n'a pas eu le temps d'exister car Blanquefort a infligé un 3-0 dans le premier quart d'heure. Montauban y a par contre cru face à La Véore Montoison jusqu'à l'ouverture du score d'Estelle Lagier. Gonfreville a pour sa part perdu le derby face à Rouen (0-4).
Pour les formations de D1, pas de mauvaise surprise. Saint-Etienne s'est imposé aussi 4-0 sur le terrain de Clermont Foot (4-0). Un score que l'on retrouve aussi lors de Saint-Malo - Guingamp, Le Mans - Metz avant l'avantage aux pensionnaires de D1. Des formations de l'élite qui seront à minima sept en huitième de finale avec les qualifications de Rodez, PSG, Lyon, Montpellier en sus. Le dernier qualifié sera connu mercredi après le match en retard Hénin-Beaumont - Juvisy. La D2 aura aussi sept représentants au minimum outre ceux cités précédemment Vendenheim et l'OM ont disposé de Bischheim (3-1) et Nivolas-Vermelle (2-1).
Tirage au sort demain, lundi soir en direct dans l'émission Femmes 2 Foot. Un tirage qui sera effectué par Corinne Diacre.
L'Union sportive de Saint-Malo est un club de football français basé à Saint-Malo, créé en 1902. L'équipe première, entraînée par Pierre-Yves David depuis 2011, évolue en CFA.
Une section féminine de l'US Saint-Malo est entraînée par Fabrice Garin. Composée de trois formations, la première équipe évolue en Division 2 depuis sa promotion au printemps 2014.
L'En Avant de Guingamp (ou simplement EA Guingamp) est un club de football français qui évolue en Ligue 1 pour la saison 2014-2015, fondé en 1912 par Pierre Deschamps à Guingamp, en Bretagne.
Resté longtemps un club amateur à portée régionale, le club grimpe la hiérarchie du football français sous la présidence de Noël Le Graët, arrivé aux commandes en 1972. En 1976, Guingamp découvre la troisième division du championnat de France, puis la D2 dès la saison suivante et s'y maintient sans discontinuer jusqu'en 1993. En 1984, le club adopte le statut professionnel et en 1990, inaugure le stade de Roudourou, qui peut accueillir aujourd'hui 18 256 spectateurs alors que la commune ne compte que 7 300 habitants.
En 1994 et 1995, l'EAG réussit l'exploit d'obtenir deux promotions d'affilée, s'ouvrant ainsi les portes de l'élite. Vainqueurs de la Coupe Intertoto l'été suivant, les Bretons participent pour la première fois à une Coupe d'Europe, la Coupe UEFA 1996-1997, dont ils sont éliminés par l'Inter Milan. Relégués en 1998, ils retrouvent la première division en 2000, dont ils terminent au 7e rang en 2003, grâce à l'explosion au plus haut niveau de Didier Drogba et Florent Malouda. Finaliste malheureux de la Coupe de France en 1997, l'En Avant de Guingamp remporte la compétition, son premier trophée national, en 2009, alors qu'il évolue en Ligue 2, et s'offre ainsi une deuxième participation à une Coupe d'Europe.
Le club est présidé depuis 2011 par Bertrand Desplat et entraîné depuis 2010 par Jocelyn Gourvennec qui est sous contrat avec le club costarmoricain jusqu'en 2017.
Le 17 mai 2013, grâce à sa victoire, à Gueugnon, sur le Gazélec Ajaccio, le club remonte en Ligue 1, neuf ans après l'avoir quittée.
Un an plus tard, le 3 mai 2014, Guingamp remporte la finale de la Coupe de France 2014, de nouveau face au Stade rennais FC.
Le 11 décembre 2014 Guingamp se qualifie pour la première fois de son histoire en 16e de finale de la Ligue Europa.
La section féminine de l'En Avant de Guingamp est un club de football féminin français basé à Guingamp et Saint-Brieuc. L'intitulé complet est : EA Guingamp Ville de Saint-Brieuc Côtes-d'Armor. Le club fut créé en 1973 sous le nom de Saint-Brieuc Sports Chaffoteaux, en tant qu'association sportive au sein de l'entreprise Chaffoteaux et Maury à Ploufragan.
L'équipe évolue dans le Championnat français de 1re Division depuis la fin des années 80, quasiment sans discontinuité, ne visitant la division inférieure que lors de la saison 2005-2006 ; le club a connu une période faste à la fin des années 80, empochant à son apogée en 1989 le titre de Champion de France. Il a subi depuis sa création de nombreux bouleversements institutionnels : il prit le nom Saint-Brieuc FF en quittant l'entreprise Chaffoteaux (1999-2003), puis Stade briochin lors de l'absorption de la section par le club de Saint-Brieuc (2003-2011), et enfin En Avant de Guingamp - section féminine en intégrant le club professionnel guingampais.
L'équipe fanion du club, entraînée par Sarah M'Barek, participe au championnat de première division pour la 9e saison consécutive et évolue la plupart du temps au stade Fred-Aubert à Saint-Brieuc, mais se déplace au Stade de Roudourou à Guingamp pour les matchs importants.
Le club s'installe pour les 3 saisons suivantes dans le ventre mou du Championnat, changeant deux fois d'entraîneur (Adolphe Ogouyon8, puis Olivier Moullac9), et ne connait guère de succès sportif durant cette période hormis un quart de finale de Coupe de France perdu à domicile, 3 buts à 1, face au Montpellier HSC. Le point d'orgue de cette période sera extra-sportif : la section féminine du stade briochin est incorporée au club professionnel voisin d'En Avant de Guingamp qui souhaite se doter d'une section féminine et bénéficie de moyens intéressants10. Le club continuera de disputer la plupart de ses matchs au Stade Fred-Aubert à Saint-Brieuc, mais se rendra à Guingamp pour les matchs importants. Cela se traduira par une augmentation notable du nombre de spectateurs, et notamment une affluence record en 2011 pour un match de Championnat : le stade de Roudourou accueillant pour la rencontre face à l'Olympique Lyonnais plus de 12000 personnes.
En 2013, Sarah M'Barek, en provenance du Montpellier HSC, rejoint le club comme entraîneur, et Gilbert Castel obtient la présidence du pôle féminin de l'En Avant de Guingamp afin d'en développer la section féminine11. Malgré une décevante élimination en Coupe de France face à l'équipe du Mans FC aux tirs-au-but, la première saison du duo est encourageante avec le gain d'une 5e place en Championnat, derrière les 4 immuables premiers : l'Olympique lyonnais, dont c'est le 8e titre d'affilée, l'ambitieux Paris Saint-Germain, et les toujours redoutables FCF Juvisy et Montpellier HSC.
Le club continue d'être réputé pour sa formation (Camille Abily, Eugénie Le Sommer...), dont l'un des symboles les plus récents est la jeune Brestoise Griedge Mbock Bathy Nka, au club depuis 5 ans12, défenseure en Équipe de France, ballon d'or de la Coupe du Monde U17 remportée par la France en 201213 et ballon d'argent de la Coupe du Monde U20 en 201414.
Plusieurs des jeunes joueuses de l'Équipe de France des moins de 20 ans ayant terminé sur la 3e marche de la Coupe du Monde U20 au Canada font d'ailleurs partie de l'effectif guingampais pour la saison 2014-2015 : Griedge Mbock Bathy Nka, Clarisse Le Bihan, Faustine Robert, Margaux Bueno, Marine Dafeur et Aminata Diallo.
Team Chicago was massive.
There were like 2000 Chicago athletes who poured into the stadium, giving the ever-massive San Francisco and California delegations (which were separate, as Chicago was from the embarassingly-tiny Illinois delegation), a run for its money. Major standing ovation (although you're catching the tail end of that--many sat back down because it was taking FOREVER to get them all out there!).
Several hundred more came in after this photo was taken. You can only see probably about 3/4 of Chicago's delegation so far here.
1. Geese Around the World, 2. Project Modern Quilt Back, 3. Doll Quilts, 4. DSCF4111, 5. grandmother's flower garden, 6. Solid Stars - TwitterBee Solid 6, 7. Back view, 8. Finished quilt, 9. MUG RUG MADNESS, 10. img_2027, 11. simplified rainbow quilt, 12. Illusions Block Quilt, 13. Flock in the box!, 14. Mini Quilt Swap for Pam (Uberstitch), 15. Rainbow Windows 2 - Finished front, 16. NOVA Modern Quilt Guild - Preemie Challenge 1, 17. RKChallengeQuilt, 18. NOVA Modern Quilt Guild - Preemie Challenge 1, 19. RK Challenge - Side 1, 20. Kona Challenge, 21. kaufman color, 22. Kona Challenge Quilt, 23. NOVA Modern Quilt Guild - Preemie Challenge 1, 24. Kona hourglas quilt front, 25. Wonky Star Quilt
Created with fd's Flickr Toys
« Solid Bank » vinyl album by female band Solid Bank to be released on august 14, 2011.
Solid Bank is a band including Charlotte Beaudry, Aline Bouvy, Claude, Delphine Deguislage, Virginie Devillez, Céline Gillain, Aurélie Gravas and Claudia Radulescu. Recorded at a moment’s notice, this eponymous LP, only available in vinyl, presents some cuts of an experimental and improvised sound session. Described by the band as « figurative music », this album contains 10 tracks, ranging from noisy performance to post-punk songs.
The official release will take place on august 14, at Charlotte Beaudry’s « Get drunk » solo show ending party, WIELS art center, 354, Avenue Van Volxem, 1190 Brussels. More info : www.wiels.org/site2/event.php?event_id=508
Solid Bank : “Solid Bank”, 33 rpm 12′’ vinyl, 10 tracks, 300 copies, After Lucy, 2011.
Tracklisting.
A1. Cache ta tête dans le son (02:35)
A2. Liquid comme liquide (04:14)
A3. Squeeze ? (02:08)
A4. The march of the uncertain victory (07:06)
A5. Quickie (00:34)
B1. Soft breakdown (00:55)
B2. Carpat twinings «Ceva in limba romana» (01:04)
B3. Little girl intro (00:36)
B4. Little girl remix (01:38)
B5. Something regular (01:08)
Credits.
Composed and performed by Solid Bank.
All instruments by Solid Bank, except drums by Marc Morgan on A1.
Photography by Selma Houissa.
Sleeve by Solid Bank.
Recorded by Marc Wathieu at X.Y.Zèbres studio, Huy (B), march 30, 2011.
Mastering by Maxime Wathieu at X.Y.Zèbres studio.
Produced by Solid Bank and Marc Wathieu.
(P) Ailleurs Records & (C) After Lucy 2011.
Web.
Top pieced with Kona Solids by Kim Lapacek per the Modern Solid's Quilt Along from Ryan Walsh Quilts.
Machine Quilted by Barb Raisbeck of Quilts by Barb.
SOLID MTB Maraton - Owińska (15/05/2022)
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Zdjęcie dostępne do pobrania za darmo i udostępnienia ze wskazaniem autora/źródła.
Podoba Ci się to zdjęcie?
Możesz odwdzięczyć się kupując mi wirtualną kawę ;)
You can tell how old a sheep (or goat) is by examining its teeth. This is called a full or solid mouth. It is the mouth of a 7 year old wether.
A 1930's solid narra office desk in Art Deco style. For sale by an antique dealer in the Philippines.
You can now enrich their wardrobes with a plush label of stunning solid black mens jacket at affordable prices made available by Running Clothing. This company has been globally recognized as one of the leading Retailers of various types of running clothing. Know more bit.ly/2ixh0uH
Solid maple Planner Group dining chair by Paul McCobb, with legs mortised through tapered saddle seat. In excellent condition.
Measures 31" tall, seat is 17 x 17 1/2".
Honduras Mahogany Neck
Karin Fingerboard
25 inch Scale Length
Maple top/ Honduras Mahogany Back Body
2 Original Humbucker
ID : 20121125
about the bracelet...
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~Adonis~
This is a substantial, weighty and masculine piece of jewelry for everyday apparel or a special occasion. It creates a statement yet it is more flexible than a solid metal bangle. Each hefty, 18 gauge sterling silver ring is hand coiled, hand cut, and polished smooth before weaving the bracelet, heavily oxidizing and again polishing to a high shine. It’s finished with a simple lobster clasp for easy, secure fastening.
SOLID MTB Maraton - Dolsk (16/05/2021)
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Zdjęcie dostępne do pobrania za darmo i udostępnienia ze wskazaniem autora/źródła.
Podoba Ci się to zdjęcie? Może postawisz mi kawę? ;)
47590 ' THOMAS TELFORD' undergoes accident damage repairs at Crewe Works.
Class 47s had a very solid buffer beam but the cabs tended to crumble like an egg shell.
Situated on Sandbanks in Poole in a residential, two-story apartment, this solid oak staircase with cut strings and half landing is an example of one of our smaller projects.
Distinctive 40mm solid oak cut strings on both sides of the staircase support the oak treads and stainless steel rod risers, whilst toughened and laminated glass panelling with a stainless steel handrail create the balustrade.
Kevala Stairs also installed a glass gallery on the top landing, with glass panels attached to the strings and landing with stainless steel fixings.
SOlid grey two piece suit a classic you cant go wrong with. every man needs at least one suit. For the weddings funerals graduation whatever the case may be get them at
garmentmerchant.com
Calcite (botryoidal aggregates) from Illinois, USA.
A mineral is a naturally-occurring, solid, inorganic, crystalline substance having a fairly definite chemical composition and having fairly definite physical properties. At its simplest, a mineral is a naturally-occurring solid chemical. Currently, there are over 5400 named and described minerals - about 200 of them are common and about 20 of them are very common. Mineral classification is based on anion chemistry. Major categories of minerals are: elements, sulfides, oxides, halides, carbonates, sulfates, phosphates, and silicates.
The carbonate minerals all contain one or more carbonate (CO3-2) anions.
Calcite is a common mineral. It is calcium carbonate (CaCO3). It has a nonmetallic luster, commonly clearish to whitish to yellowish to grayish in color, is moderately soft (H≡3), moderately light-weight, has hexagonal crystals, and rhombohedral cleavage (three cleavage planes at 75º & 105º angles - cleavage pieces look like lopsided boxes). The easiest way to identify calcite is to drop acid on it - it easily bubbles (effervesces) in acid. The bubbles are carbon dioxide gas. If the acid is dilute hydrochloric acid, the chemical reaction is:
2HCl(aq) + CaCO3(s) -->> CO2(g)↑ + H2O(l) + CaCl2(aq)
The most important & voluminous calcitic rocks in the world are limestone (sedimentary), marble (metamorphic), carbonatite (igneous), and travertine (speleothem, or "cave formations", and many hotspring deposits). Quite a few hydrothermal veins in the world are calcitic or have calcite as a principal component.
This specimen is from a Mississippi Valley-type deposit in southern Illinois. Commonly abbreviated "MVT", Mississippi Valley-type deposits are named for a series of mineral deposits that occur in non-deformed platform sedimentary rocks along the Upper Mississippi River Valley, USA. Many specific minerals occur in MVT deposits, but are dominated by galena, sphalerite, barite, and fluorite. These minerals occur in caves and karst, paleokarst structures, in collapse fabrics, in pull-apart structures, etc. MVT deposits in America are mined as important, large sources of lead ore and zinc ore. The classic areas for MVT deposits are southern Illinois, the tristate area of Oklahoma-Missouri-Kansas, northern Kentucky, southwestern Wisconsin, and southeastern Missouri. The minerals are hydrothermal in origin and were precipitated from basinal brines that were flushed out to the edges of large sedimentary basins (e.g., the Illinois Basin and the Black Warrior Basin). In basin edge areas, the brines came into contact with Mississippian-aged carbonate rocks (limestone and dolostone), which caused mineralization. The brines were 15% to 25% salinity with temperatures of 50 to 200 degrees Celsius (commonly 100 to 150 degrees C). MVT mineralization usually occurs in limestone and dolostone but can also be hosted in shales, siltstones, sandstones, and conglomerates. Gangue minerals include pyrite, marcasite, calcite, aragonite, dolomite, siderite, and quartz. Up to 40 or 50 pulses of brine fluids are recorded in banding of mineral suites in MVT deposits (for example, sphalerite coatings in veins have a stratigraphy - each layer represents a pulse event). Each pulse of water was probably expelled rapidly - overpressurization and friction likely caused the water to heat up. Some bitumen (crystallized organic matter) can occur, which is an indication of the basinal origin of the brines. The presence of asphalt-bitumen indicates some hydrocarbon migration occurred. Some petroleum inclusions are found within fluorite crystals and petroleum scum occurs on fluorite crystals. MVT deposits are associated with oil fields and the temperature of mineral precipitation matches the petroleum window. The brines may simply have accompanied hydrocarbon fluids as they migrated updip.
The high temperatures of these basin periphery deposits wasn't necessarily influenced by igneous hydrothermal activity. Hot fluids can occur in basins that are deep enough for the geothermal gradient to be ~100 to 150 degrees Celsius. If a permeable conduit horizon is present in a succession of interbedded siliciclastic sedimentary rocks, migration of hot, deep basinal brines may be quick enough to get MVT deposit conditions at basin margins.
MVT deposits occur in the Upper Mississippi Valley of America as well as in northern Africa, Scandinavia, northwestern Canada, at scattered sites in Europe, and at some sites in the American Cordillera. Some of these occurrences are in deformed host rocks. MVT deposits have little to no precious metals - maybe a little copper (Cu). Mineralization is usually associated with limestone or dolostone in fracture fillings and vugs. Little host rock alteration has occurred - usually only dolomitization of limestones.
The age of the host rocks in the Mississippi Valley area varies - it ranges from Cambrian to Mississippian. Dating of mineralization has been difficult, but published ages indicate a near-latest Paleozoic to Mesozoic timing.
MVT deposits in the Upper Mississippi River area are often divided into three subtypes based on the dominant mineral: 1) lead-rich (galena dominated); 2) zinc-rich (sphalerite dominated); and 3) fluorite-rich.
The crystalline calcite specimen shown here is from the Illinois-Kentucky Fluorspar District ("fluorspar" is a very old name for fluorite), which is an MVT fluoritic subtype. Fluorite and fluorite-rich rocks are mined for the fluorine, which is principally used by the chemical industry to make HF - hydrofluoric acid. Fluorite mineralization in this district occurred at about 277 Ma, during the Early Permian, according to one published study (Chesley et al., 1994). Another study concluded that fluorite mineralization was much later, during the Late Jurassic (see Symons, 1994).
Locality: unrecorded/undisclosed mine in the Cave-in-Rock Mining District, southern Illinois, USA
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Photo gallery of calcite:
www.mindat.org/gallery.php?min=859
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Some info. on Mississippi Valley-type deposits was synthesized from:
Chesley et al. (1994) - Direct dating of Mississippi Valley-type mineralization: use of Sm-Nd in fluorite. Economic Geology 89: 1192-1199.
Symons (1994) - Paleomagnetism and the Late Jurassic genesis of the Illinois-Kentucky fluorspar deposits. Economic Geology 89: 438-449.
Rakovan (2006) - Mississippi Valley-type deposits. Rocks & Minerals 81(January/February 2006): 69-71.
Fisher et al. (2013) - Fluorite in Mississippi Valley-type deposits. Rocks & Minerals 88(January/February 2013): 20-47.