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I just had a wisdom tooth pulled and now I get to eat ice cream. I bought four different single serving cups because I didn't know exactly what kind of ice cream I wanted to eat.
Here are the flavors:
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Blue Bunny - "Super Chunky Cookie Dough":
www.bluebunny.com/Products/d/Premium_Ice_Cream_Super_Chun...
Edy's - Slow Churned: "Mint Chocolate Chip"
www.edys.com/SlowChurned/Flavor/1674
Häagen-Dazs - "Caramel Cone"
www.haagendazs.us/Products/Product/2450
Blue Bunny - Sweet Freedom: "Double Strawberry"
www.bluebunny.com/Products/d/Sweet_Freedom_Ice_Cream_Doub...
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So far I have tried three of the four flavors. Häagen-Dazs Caramel Cone flavor was my absolute favorite flavor! It has chunks of caramel and waffle cone mixed in.
Edy's Mint Chocolate Chip is my second choice. They also make ice cream bars in the same flavor.
Next would be a tie between the Blue Bunny Double Strawberry and Super Chunky Cookie Dough.
The serving sizes ranged from 3.6 to 5.5 US fl oz (106 ml to 163 ml ). It was the most expensive of the ice cream. All totaled, the four servings of ice cream cost me $4.32. Not bad for a couple of snacks to sooth a bad tooth.
The Dalí Theatre and Museum Figueres Catalonia Spain
(Catalan: Teatre-Museu Dalí, IPA: [teˈatɾə muˈzɛw ðəˈɫi], Spanish: Teatro Museo Dalí), is a museum of the artist Salvador Dalí in his home town of Figueres, in Catalonia, Spain.
Building
The heart of the museum is the building that housed the town's theater when Dalí was a child, where one of the first public exhibitions of young Dalí's art was shown. The old theater was burned during the Spanish Civil War and remained in a state of ruin for decades. In 1960, Dalí and the mayor of Figueres decided to rebuild it as a museum dedicated to the town's most famous son.
In 1968, the city council approved the plan, and construction began the following year. The architects were Joaquim de Ros i Ramis and Alexandre Bonaterra. The museum opened on September 28, 1974,with continuing expansion through the mid-1980s. The museum now includes buildings and courtyards adjacent to the old theater building.
The museum displays the single largest and most diverse collection of works by Salvador Dalí, the core of which was from the artist's personal collection. In addition to Dalí paintings from all decades of his career, there are Dalí sculptures, 3-dimensional collages, mechanical devices, and other curiosities from Dalí's imagination. A highlight is a 3-dimensional anamorphic living-room installation with custom furniture that looks like the face of Mae West when viewed from a certain spot.
The museum also houses a small selection of works by other artists collected by Dalí, ranging from El Greco and Bougereau to Marcel Duchamp and John de Andrea, In accordance with Dalí's specific request, a second-floor gallery is devoted to the work of his friend and fellow Catalan artist Antoni Pitxot, who also became director of the museum after Dalí's death.
A glass geodesic dome cupola crowns the stage of the old theater, and Dalí himself is buried in a crypt below the stage floor. The space formerly occupied by the audience has been transformed into a courtyard open to the sky, with Dionysian nude figurines standing in the old balcony windows.
A Dalí installation inside a full-sized automobile, inspired by Rainy Taxi (1938), is parked near the center of the space.
Art collection
The Dalí Theatre and Museum holds the largest collection of major works by Dalí in a single location. Some of the most important exhibited works are Port Alguer (1924), The Spectre of Sex-appeal (1932), Soft self-portrait with grilled bacon (1941), Poetry of America—the Cosmic Athletes (1943), Galarina (1944–45), Basket of Bread (1945), Leda Atomica (1949), Galatea of the Spheres (1952) and Crist de la Tramuntana (1968).
There is also a set of works created by the artist expressly for the Theater-Museum, including the Mae West room, the Palace of the Windroom, the Monument to Francesc Pujols, and the Cadillac plujós.
A collection of holographic art by Dalí, and a collection of jewelry he designed are on display. Another room contains a bathtub and a side table with an open drawer and a lamp, all of which Dalí had installed upside-down on the ceiling.
An extension to the museum building contains a room dedicated to optical illusions, stereographs, and anamorphic art created by Dalí. The artist's final works, including his last oil painting, The Swallow's Tail (1983), are on display here.
THE DALINIAN SYMBOLS
A study of the work of Dalí, reveals some systematically present symbols in all his work. It's fetish objects that apparently have little in common: crutches, sea urchins, ants, bread...
Dalí uses these symbols so as to make it more meaningful to the message of his painting. The contrast of a hard shell and a soft interior is at the heart of his thinking and his art. This contrast outside-(hard/soft) is consistent with psychological design whereby individuals produce (hard) defenses around the vulnerable psyche (flexible). Dalí knew very well the work of Freud and his followers, even if its iconography derives absolutely no psychoanalytic thought.
ANGELS
They have the power to enter the celestial vault, communicating with God and thus achieve mystical union that concerns both the painter. Figures of angels painted by Dalí often borrow traits of Gala, incarnation, for Dali, purity and nobility.
CRUTCHES
It may be the only support of a figure or the necessary support of a form unable to stand alone. Dalí the view child, in the attic of his father's House. It should take and will never part. This subject gave him an assurance and an arrogance which he had never yet been able. In the short dictionary of Surrealism (1938), Dalí gives the following definition: "wooden Support deriving from the Cartesian philosophy. Generally used to serve as a support to the tenderness of the soft structures."
ELEPHANTS
The dalinian elephants are usually represented with the long legs of desire invisible to many bearings, bearing on their Obelisk back symbol of power and domination. The weight supported by the frail legs of the animal evokes weightlessness.
SNAILS
The snail is related to an important milestone in the life of Dalí: his encounter with Sigmund Freud. Dalí believed that nothing happens just by accident, he was captivated by the vision of a snail on a bicycle outside the home of Freud. The link is then made him between a human head and the snail, he associated specifically with the head of Freud. As for the egg, the outer part of the (hard) shell and the inner (soft) body of the snail site and the geometry of its curves it enchantèrent.
ANTS
Symbol of decay and decomposition. Dalí ants first met in his childhood, observing the remains decomposed small animals devoured by them. He observed with fascination and repulsion, and continued to use them in his work, as a symbol of decadence and ephemeral.
SOFT WATCHES
Dalí has often said, "the materialization of the flexibility of time and the indivisibility of space... It is a fluid." The unexpected softness of the watch also represents the psychological aspect by which the speed of time, although accurate in its scientific definition, can greatly vary in its human perception. The idea came to him after a meal while he contemplated the remains of a runny camembert. He decided to paint over the landscape that served as backdrop for two soft watches which one hung miserably to an olive branch.
EGG
Christian symbol of the resurrection of Christ and the emblem of purity and perfection. The egg evokes by its appearance and its minerality dear symbolism to Dali, earlier, intrauterine life and re-birth.
SEA URCHIN
His "exoskeleton" (the shell sits outside), Harris of thorns, can make you very unpleasant a first contact with the animal. The shell on the other hand contains soft body (one of the favorite dishes of Dali, who was known to eat a dozen at each meal). The Sea Urchin shell, stripped of its spines, appears in many of his paintings.
BREAD
Is it fear of Miss, Dalí represents it in his paintings and also begins to make surrealist objects with bread. In his paintings, loaves more often have something 'hard' and phallic, opposed to the "soft" watches. Dali has always been a great admirer of the bread. It tapissera of Catalan round loaves Figueras Museum walls.
LANDSCAPES
Traditional space (based on the perspective and the paintings of the Renaissance). Realistic landscape strewn with strange and unreal objects located in a natural environment. The background and how to use landscapes are one of the strengths of the art of Dali. They contribute to create the atmosphere of unreality of his paintings (landscape of his native Catalonia and vast plain of Ampurdan surrounding Figueras).
DRAWERS
Human bodies that open by drawers are found repeatedly in paintings and objects from Dali. They symbolize the memory and the unconscious and refer to "thought to be drawers", a concept inherited from the reading of Freud. They express the mystery of hidden secrets. Most of the children explore each drawer, cabinet and wardrobe of their home.
VENUS OF MILO
It is part long's personal mythology of the painter. She is the first woman he model child in clay from a reproduction adorning the family dining room. It is also that he discovered on a box of crayons in New York. He finds stupid expression on his face that he nevertheless considered own to perfect but inadequate female beauty in an elegant woman whose gaze should be or seem intelligent. Dalí made several transformations of Venus: the space Venus, Venus with drawers...
The sharp end, Mr John Harper Nottingham MOM keeping the railway running.
These are new hydraulic clamp lock points and are being operated by hand then clipped and scotched as required to facilitate the single line working of the Lincoln and Skegness services into Nottingham station.
From Saturday 10th August trains have again returned to the East side of Nottingham station.
Trains are operating under the control of the new EMCC Netherfield workstation up to just before the site of the old Sneinton box, thereafter pilotman working is in use in conjunction with a points operator.
These 6 shots are all taken at the location within Eastcroft depot were Network Rail's MOM's (Mobile operations Managers) are acting as the points operators.
Eastcroft Depot, Nottingham, Tuesday 13th August 2013.
Look what arrived in my mailbox today?! Yes, that's right, the gorgeous single girl pillow that Angela made! And! It's made from vintage sheets that I sent Angela in December in a swap! How cool is that?
On top of that, one of her beautiful crochet stars!
Thank you dear, I seriously love it! And can you believe 2 out of the 3 pillow-forms I have are 24"? Match made in heaven!
This simple video projection window display installation was a collaborative art project between Chairman Ting and Tangible Interaction in Vancouver, Canada.
The installation piece was created for only one night during the popular fireworks event to help maximize impact and generate awareness for Single Bicycles, a quality bicycle brand situated in downtown Vancouver on Robson Street.
From concept to production, this art installation took over a month to prepare, execute and test. The custom music track was composed and produced by Tom Pettapiece.
CREDITS + INFO:
Animation and production: Tangible Interaction
Illustration and artwork: Chairman Ting
Concept: Chairman Ting x Tangible Interaction
Music: Tom Pettapiece
Video edit: Chairman Ting
Client: Single Bicycles
Location: Vancouver, Canada
LINKS:
www.flickr.com/photos/tompettapiece/
FOLLOW:
Promotion item with the logo of the KNVB (Royal Dutch Football Association) on the occasion of UEFA Euro 2000 Football championship .
My first day out- Muskingum River Marietta, Ohio.
This is my beautiful German shell, ELISHA, built in the late '40s or early 1950s. It was rebuilt in Philadelphia in the early 1970s with new stainless steel riggers, oarlocks, decks, foot stretchers, added rib supports and a Stampfli seat. The oars shown here are Stampfli 296s.
I purchased this boat from Ralph Lindamood, longtime coach of Marietta College, in the late 1970s. Ralph's son Norm used this quite a bit and won several medals in it. When Norm 'outgrew' the boat Ralph was lending it to college lightweights but was afraid that it would get damaged and offered it to me.
A single strawberry on a burnt white background...
Check Out My JULY/AUGUST NEW IMAGES!
www.flickr.com/photos/81861182@N03/sets/72157634886132643/
Check out my DOMESTIC LIFE SET!
www.flickr.com/photos/81861182@N03/sets/72157634823511037/
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(Straw1/074)
New to Transdev Blazefield as YK04 JYP, 1800 has been heavily refurbished and recieved the newer Eclipse 2 front, and is seen here in Knaresborough Bus Station working a 1C Service to Carmires.
(22/09/2018)
£42 for the single night in mid summer seems to me a good deal.
Washbasin with hot & cold running water and a plug.
Letter on reverse addressed to the family of Hermann Guhl-Kohler of Grenzach and dated 2.6.15. Postage cancelled by Überwachungsstelle Lörrach XIV Armeekorps.
According to my copy of German Forces in the Field 1918 (Publ. Imperial War Museum / Battery Press), Lörrach was home to Landsturm four Battalions 8, 19, 34 and 35 as well as a company of pioneers (4th).
This NCO wears either a dark blue or black, single breasted Joppe - a non-waisted man's tunic, often made from thick wool, usually single or double breasted with 5 or more visible buttons.
He is armed with an obsolete M1871 Mauser.
These sculpted tents are only a single prim, not including the prim used for the shadow texture
You can't really see it from the screenshot but there's tiny stakes at the four corners of the tent. I'm thinking of adding a second prim for some ropes and additional stakes.
Handmade custom fabric wrapped single invitation. Fits in A9 envelope.
This couple was great to work with. (The groom is in the NBA!)
Half of the invitations were in English, half were in French.
email info @ ericksondesign.com for custom design questions.
by appt. only @ 764 N. Mailwaukee Chicago, IL 773.283.4988
Drop Control SplashArt Water Drop Kit
Strobist info 2 YN560 Through Perspex Red and Yellow Gels Mounted Vertically 1/32 Power 12 inches behind drop.
Drop Control
Strobist info 2 YN560 Mounted Vertically Through Perspex Yellow Gel on bottom flash 1/32 Power 12 inches behind drop.