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“Inside my empty bottle I was constructing a lighthouse while all the others were making ships.” ~~ Charles Simic
The Lions Lighthouse for Sight located at Shoreline Village, Long Beach, CA.
3/19/2012, 79/365
After a long Monday at work, I decided to read one of my favorite poems by Charles Simic. I'm not sure how I discovered him but he's a great writer. I had used this poem as a party invite. I took one of my photos and did an overlay with the poem printed on it. It worked for me and my friends since we're night owls.
The Congress of Insomniacs
Mother of God, everyone is invited:
Stargazing Peruvian shepherds,
Old men on sidewalks of New York.
You, too, doll with eyes open
Listening to the rain next to a sleeping child.
A big hotel ballroom with mirrors on every side.
Think about it as you lie in the dark.
Angels on ornate ceilings,
Naked nymphs in what must be paradise.
There's a stage, a lectern,
An usher with a flashlight.
Someone will address this gathering yet
From his bed of nails.
Sleeplessness is like metaphysics.
Be there.
Hotel Insomnia by Charles Simic
ISBN 0-15-642182-8
©1992 Charles Simic
Vignette: standard-torch, Pixlr-o-matic: Sophia-Paint
Sent from my Motorola ATRIX™ 4G on AT&T
Sardegna Villanova Monteleone (Sa Serra) 15 agosto 2016.
Un grazie a Daniele Birtele per la conferma della determinazione.
(up L-R) Croatian defender Josip Simunic, goalkeeper Stipe Pletikosa, forward Dado Prso, midfielder Marko Babic, defender Robert Kovac, defender Igor Tudor; (L-R) Croatian midfielder Darijo Srna, forward Ivan Klasnic, midfielder Niko Kovac, defender Dario Simic, midfielder Niko Kranjcar, defender Igor Tudor pose prior the World Cup 2006 group F football match Japan vs Croatia, 18 June 2006 at Nuremberg stadium. AFP PHOTO HRVOJE POLAN
Bojan Simic, CTO, Hypr Corp
HYPR is a sector agnostic platform enabling secure biometric authentication. From consumers to enterprises and governments, our mission is to seamlessly replace the use of passwords with a unified biometric identity protocol. As an end to end solution, HYPR is the fundamental framework for securing the Internet-of-Things.
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
TAPESTRY
It hangs from heaven to earth.
There are trees in it, cities, rivers,
small pigs and moons. In one corner
the snow falling over a charging cavalry,
in another women are planting rice.
You can also see:
a chicken carried off by a fox,
a naked couple on their wedding night,
a column of smoke,
an evil-eyed woman spitting into a pail of milk.
What is behind it?
- Space, plenty of empty space.
And who is talking now?
- A man asleep under his hat.
What happens when he wakes up?
- He'll go into a barbershop.
They'll shave his beard, nose, eas and hair,
To make him look like everyone else.
Charles Simic
Intoniranjem državne himne te čitanjem imena 51 poginulog i smrtno stradalog hrvatskog branitelja koje je pročitao Krešimir Šimić, sin poginulog hrvatskog branitelja počelo je 1. svibnja 2020. u Okučanima obilježavanje jubilarne 25. obljetnice vojno-redarstvene operacije Bljesak | Foto: MORH / T. Brandt
Lions captain Matija Simic is none to impressed with the challenge of Chom Arop on his team mate Nathan Shepherd.
©Ian Judd - AQUA [PD]/Lions FC
Dejan Stojanovic was born in Pec, Kosovo (the former Yugoslavia), in 1959. Although a lawyer by education, he has never practiced law and instead became a journalist, working as a correspondent in the early nineties. He is a poet, essayist, philosopher, and businessman and published six critically acclaimed books of poetry in Serbia: Circling, The Sun Watches Itself, The Sign and Its Children, The Shape, The Creator, and Dance of Time.
In 1986, as a young writer, he was recognized among 200 writers at the Bor (former Yugoslavia) Literary Festival. He also received the prestigious Rastko Petrovic Award from the Society of Serbian Writers for his book of interviews with major European and American artists and intellectuals.
In addition to poetry and prose, he has worked as a journalist for the Serbian weekly magazine "Pogledi" (Views). His book of interviews from 1990 to1992 in Europe and America, entitled Conversations, included interviews with several major American writers, including Nobel Laureate Saul Bellow, Charles Simic, and Steve Tesic.
He has been living in Chicago since 1990.
A student team from Fairfield Dolan was one of five to make it to the finals of the CFA Institute Research Challenge. The team was advised by Katya Salavei Bardos, PhD, associate professor of finance and comprised of the following students: Christopher Connolly `20, Luke D’Agostino `20, Gabriella D’Anna `20, and Kevin Tzaka `20, William Simics (MBA –Finance).
Entry in category 1. Object of study; © CC-BY-NC-ND: Branko Simic
An ordinary observer might think this picture shows motile sperm cells caught in a web as they seek their romantic endeavor. And indeed, it is an endeavor, but instead made by neurons and not so romantic, but rather rational, programmed and strictly organized. The brain is uninhabited but sporadically visited by neurons whose trajectories go from the outer cosmos to deep inner niches on their way, colliding with different cells creating a synapse: an unparalleled communication channel. The Cosmic Synapse shows the journey that neurons take conveying concepts that make us who we really are… consciousness, thoughts, emotion… “on the road” to their neuronal call.
This image represents neurons projecting from the cortex to deep thalamic regions, imaged for the expression of a neuronal protein, Thp1, expressed throughout the neuronal body, axons and dendrites (green). It also shows staining of the vascular bed (magenta) next to the neurons projecting towards deeper brain structures.
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Editor de la revista literaria Relations y de la colección Zivi jezici (Lenguas Vivas), una antología de relatos cortos europeos, Simić es también director artístico del Festival Europeo de Historias Cortas y editor de la serie titulada Antología de Historias Cortas Europeas.
© W.Simic/CAPA Pictures - Terra
Titre de l'album : Emmanuelle Cosse accompagne le Samu social de Paris lors d'une maraude
Sky Moderator Marcus Fahn, Ulrike Zeitlinger, Sky Moderatorin Jessica Kastrop, Julia Simic, Wolfgang Fierek
LIEBE IN ZEITEN DER CHAMPIONS LEAGUE Buchvorstellung bei Sky in München Unterföhring am 03.05.2012
Agency People Image (c.) Michael Tinnefeld
Forum Stage
"Geoinformation as an opportunity for more sustainability in municipalities"
Slavko Simic, DB Systel GmbH
Potpredsjednik Vlade i ministar obrane Damir Krstičević i načelnik Glavnog stožera Oružanih snaga RH general zbora Mirko Šundov primili su u ponedjeljak, 17. rujna 2018. godine u Ministarstvu obrane RH vrhunske sportaše, ugovorne pričuvnike Hrvatske vojske, među kojima i svjetske prvake u disciplini dvojac bez kormilara braću Martina i Valenta Sinkovića.
Susretu s vrhunskim sportašima na čelu s braćom Sinković, koji svojim sportskim uspjesima sustavno doprinose promociji Hrvatske vojske i Republik Hrvatske u svijetu, nazočili su i predsjednik Hrvatskog olimpijskog odbora Zlatko Mateša, zamjenik državne tajnice Središnjegdržavnog ureda za šport Krešimir Šamija, posebni savjetnik ministra obrane Božo Kožul te drugi predstavnici Ministarstva obrane i Oružanih snaga RH.
Opširnije na: goo.gl/gfyVDe
TUZLA KASARNA Avgust 11, 1914
Tuzla military camp; Bosnia , August 11, 1914
Serbian Priest hanging , Petar Lazovic & Austria-Hungary Army
Serbian priest is from Kozluк near Zvornik
Petar Lazovic
Link photo :
SRPSKI SVESTENIK VEšANJE & Austro-Ugarska vojska
Sveštenik je iz Kozluк-а kod Zvornika
Serbian ortodox Kozluk parochia
The Old Temple of the Holy Apostles Peter and Paul in Kozluk. In addition to the new temple there is an old temple from 1904. Due to the lack of the Khodzak parish chronicle, there are no reliable data on the temple itself. Most of the information about this temple is based on the statements of the older parishioners. The temple was built by the advocacy of the priest "Peter Lazarevic" on the project documentation prepared by Dr. Jovo Simic. The temple was consecrated by the metropolitan Zvornik-Tuzla's Georgi Zivkovic in 1904. The temple was generally renovated in 2014. On July 27, the same year the bishop Zvornik-Tuzla gospel reconstructed the renovated temple with the act of trembling. Chrysostom. On that occasion, the godfathers of the temple were Jovan and Spomenka Ciger and Milorad Stevanovic.
Козлучка парохија
Стари храм Светих апостола Петра и Павла у Козлуку. Поред новог храма налази се и стари храм из 1904. године. Усљед недостатка Љетописа козлучке парохије нема поузданих података о самом храму. Већина података о овом храму заснива се на казивањима старијих парохијана. Храм је подигнут залагањем свештеномученика Петра Лазаревића према пројектној документацији коју је израдио др Јово Симић. Храм је освештао митрополит зворничко-тузлански Георгије Живковић 1904. године. Храм је генерално обновљен 2014. године. Обновљени храм чином троносања освештао је 27. јула исте године епископ зворничко-тузлански г. Хризостом. Том приликом кумови храма били су Јован и Споменка Цигер и Милорад Стевановић.
The Andric institute - Visegrad
www.andricevinstitut.org/wp-content/uploads/2014/05/istor...
Entry in category 1. Object of study; © CC-BY-NC-ND: Branko Simic
At first sight the living labyrinth is absurdly chaotic, but details of this magnificent network show how well structured it is, with elaborate details that give a profound meaning of the purposeful path. It represents a beautiful web of blood vessels that traverse the brain bringing all 4 elements: fire (energy), air (oxygen), earth (food) and water. It has no end nor beginning, leading to the center of the universe, our brain, and then back to the outer world, our body. It is complex, but not static: it breaths, palpates, feels and leads, and opposed the ancient one that served to hold Minotaur, this one paves the way of life: the Living Labyrinth.
The image shows vasculature in the mouse brain after staining with a dye that binds to glycoproteins including those in ABO blood groups. Thus, we can visualize blood networks in organs with physiological features intact. This enables the study of processes implicated in circulation, trafficking and drug delivery across tissues.
This was accepted for the People category in the International exhibition of art photography MOMENT 2013 (run by photo club Kozjak from Macedonia): kozjak50.com/photomoment/rules.pdf
The organizing committee counted 3686 photos from 356 authors from 66 countries.The judges Slobodan Simic (Serbia), Hulki Muradi (Turkey) and Mariya Andrichuk (Ukraine), decided to accept 404 photographs in section MOVEMENT, 490 photographs in section PEOPLE and 416 photographs in section NATURE.
Lions captain Matija Simic under close company from Gabriel Hawash.
©Ian Judd - AQUA [PD] / Lions FC
Photographer: Ivana Jurčić
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Photographer: Ivana Jurčić www.ivanajurcic.com
Model: Tamara Nikolić
Make up: Ana Pink
Hair: Vladimir Simić
Assistant: Milan Momčilović
"Wanted: a needle swift enough to sew this poem into a blanket."
– Charles Simic
I don't know how many times I've pricked my fingers on needles laying on tables, before I got one of these.
Artlab Gallery
November 25 - December 9, 2021
I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.
Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.
Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.
*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.
Artlab Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2021; Department of Visual Arts; Western University
Festival de las Letras Europeas Rosa Montero, en la XXX Feria Internacional del libro en Guadalajara, México. Miércoles 30 de Noviembre del 2016. Foto: ©FIL/ EVA BECERRA
From left to right
- Pascal TORRES, Osmose
- Stephan Hamm, UMCG
- Santiago Erice, Philips Iberica
- Elodie Leang, CSTB
- Oskía Leyún, Philips Iberica
- Kristina Sevo-Simic, Philips Lighting
- Regis Decorme, CSTB
- Velimir Congradac, Ion Solution
- Pedro Martin Giral, Acciona
- Antonio Menendez, SERIS
- Ricardo Ramirez, SERIS
- Alejandro Veiga, Acciona
- Henk Schepers, Philips Lighting
- Borja Tellado, Tecnalia
- Victor Sanchez, Tecnalia
- Esa Nykänen, VTT
- Jari Hakala, EPSHP
- Erja Reinikainen, Granlund
- Tiina Yli-Karhu
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- Carmen Ifrim, European Commission (DG ICT for sustainable growth)
- Roger Van Galen, Philips Lighting