View allAll Photos Tagged shadow
Midway through the first partial phase of the Aug 28 2007 lunar eclipse.
Composite photo--sunlit portion exposed 1/160 s; shadowed portion exposed 1 s. Blended in The GIMP to try and approximate what I saw visually. I really don't think I did it justice--it was an awesome sight through the telescope. You could see detail in both regions of the moon, and you could see reddish hues in the shadowed part.
A girl after my own heart, flying along the bike lane, overtaking anyone and everyone in her path. And trying to escape the shadows in the process
i need a better name for this...
thanks Danny for posing for me =)
this is more of the simple work like the last one =)
Shadows cast at the gas barbeque area and covered shelter above the lake off Waterside Drive, Cardinia Lakes, Pakenham, Victoria, Australia.
project: Hanukkah on Tel-Aviv's roofs 2008
a laundry&shadow theater after the book 'a tale of darkness' by Sarah Shiloh.
the show is followed by a workshop for parents and kids where they learn how to build shadow-puppets and manipulate them.
tea and cookies on the house.
artists&designers: Efrat Gonen & Gili Kozin Ulmer
musical accompaniment: Eric (Ernest) Kozin
special thanks:
Maayan Tsameret
Yfat (shemesh?)
Sarah Pali & Arie Sivan
Ronie Nelkin Mosenzon
פרוייקט: חנוכה על גגות תל-אביב 2008
הצגת כביסה וצללליות על פי 'מעשה בחושך' מאת שרה שילה.
לאחר ההצגה- סדנה להורים ולילדים לבניית צלליות ולהפעלתן.
תה ועוגיות על חשבון הבית.
יוצרות ההצגה: אפרת גונן וגילי קוזין אולמר
ליווי מוזיקלי: אריק (ארנסט) קוזין
תודה מיוחדת: למעיין צמרת
ליפעת (שמש?)
לשרה פלי ואריה סיון
לרוני נלקין-מוסנזון
Early morning shadow of a palm frond on the trunk of our Black bean tree (castanospermum australe) .
I love how the shadow of the bed mimics the light pouring in through the skylight... stacked triangles... My corners are very weak which surprised me but I am probably at f/2.8 in this shot and focused on infinity. Still they are so soft it bothers me. I've shot with this 24/2.8 AI'd quite a bit and never noticed the corners like this so I'll have to do some experiments in order to predict when exactly I'll see this again.
Nikon FM2
Nikon 24/2.8 AI'd
Arista Premium 400 @1600
Developed Xtol 1:1
Ben's Really Big Bo Ties is always a draw for pursuers of the odd. Depending on the time of day, the shadow cast by Ben's signature sign made for some unusual sights.
Bakersfield, California 2011
4/52 "Shadows"
52 Weeks of Pix
It was so nice to finally see the sun this week, even if it was only for a day!
Friends and I went up driving up to Los Gatos, for no reason but doing things for no reason is mostly the Fun times of hanging out.
Fact : I hate washing dishes !
No shadow indeed--because it was snowing--which means---an early spring--which will probably arrive in about six weeks. Yes, indeed six more weeks of winter constitutes an early spring for Michigan.
shadows cast a strong dimension over life though
"The true work of art is but a shadow of the divine perfection."
……. Michelangelo
This shot shows a child playing with sand on a projector to produce sand shadows on the wall.
Photography by Marinco Kojdanovski
Zack Simpson's Mariposa Shadow Garden. You stand in front of a projector and hold still. The butterfiles in the field land on your shadow. Check out mine-control.com for more info on his artwork. This installation is at Navy Pier.
bonniehchowphotography.wordpress.com/
Title of photo: Harsh Shadows
Objective 2: Creative Exposure
The camera mode (P, Tv, Av, M) and why I chose it: It was set on Tv mode to allow for control over the shutter speed.
f stop used and why: Since I was using a tripod f/14.0 could be used. A large depth of field allowed for the detail of the flooring to be shown. --changed with the shutter speed
shutter speed used and why: 1/8 was used to capture the detail clearly without much noise
ISO used and why: ISO 200 was used since I was shooting quite close to a bright window with no other light in the room. I also wanted a crisp shot with minimal noise.
Exposure compensation and why it was used: Exposure compensation was at 0 because I wanted the strong contrast between the shadows and the floor and the bike was not too bright.
Focal length and why: 55 mm was sued to get a close zoom without having to remove the camera from the tripod. –I needed the tripod since I had a small aperture and a slow shutter speed.
Objective 3: Elements and Principles of Design
The principles of design demonstrated (describe the use):
Emphasis – The yellow of the bike makes it stand out. The frame of the bike is placed on the top horizontal line of interest. Your eye is drawn there right away.
Movement – Diagonal lines in the flooring moves your eye through the photo. Also bikes are a way of transportation=moving. (Theme shows movement)
Repetition/pattern – The repetition of the diagonal lines in the flooring create a pattern. (A sense of rhythm)
Contrast – There is contrast between the dark shadow of the wheels and the lighter part of the floor. There are different tones of black, white, and brown in the background.
The elements of design demonstrated (describe the use):
Line – Diagonal lines move your eye through the photo.
Form – The 3-D form of the bike is shown by the shadows casted on the frame.
Shape – The shape of the wheels are shown by the shadow casted on the floor. Some common shapes in this photo are easily recognized: the circle of the wheel, and the triangle of the bike frame.
Texture – The lines on the floor have an interesting rough, but uniform texture.
Objective 4: Lighting
Type of lighting and why: I used back lighting to create the shadow of the wheels. It is slightly diffused as you can see that the shadows are dark, but not very defined.
Objective 5: Post Production (ex. dust/spot removal, contrast, white balance, sharpening, borders, etc.)
Corrections/adjustments made:
-Resized to upload to Flickr
-Curves and levels to add more contrast
-Slightly sharpened to define texture
-Adjusted temperature to give it a warmer feel
-Added a small vignette border to soften edges
-Added signature
Objecctive 6: Critiquing
I really like the detailed texture and warm colour scheme of this photo. Next time I would turn the bike the other direction to move the eye into the negative space of the photo instead of towards the edge.
Objective 7: Photographic Styles (ex. portrait, landscape, etc.)
Type/style of photography: Still Life
The camera mode (P, Tv, Av, M): Tv
f stop used: f/14.0
shutter speed used: 1/8
ISO used: 200
Exposure compensation: 0
Focal length: 55 mm
Large depth of field, simple background, shape and form present, and shot at a different perspective to create shadows.
Shadow Box picture frame to frame a paper cut out art from China. The frame is made out of Texas Pecan left over from another job and I've spaced the artwork out from the white background to capture the Shadows.
The Vincent Black Shadow was a hand-built motorcycle produced by Vincent HRD from 1948. The series "C", which was introduced in 1949, had a 998 cc (60.9 cu in) 50 degree OHV V-twin engine running a 7.3:1 compression ratio.
The reason for its name "Black" Shadow was that the entire bike (including the engine) was coloured black including baked enamel on crank-case and covers. The reason for the black on the crankcases is still disputed to this day. Some claim that the black colour was for looks, others claim that it had something to do with heat transfer and dissipation. Whatever the original reason behind the painting of the engine, it was very different from anything else at a time when everything was polished and chromed. There were a small number (about 16) of White Shadows, machines made to Shadow specification but with the plain aluminium finish of the Rapide. Fewer than 1,700 Vincent Black Shadows were made, all hand-assembled.This Vincent was photographed at Rivington Barn Lancashire.