Production Design by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

at the PODIUM

February 2010

Goodbye New York, Goodbye Heart

By Lally Katz

Directed by Oliver Butler

Scenic Design by Valérie Thérèse Bart

Costume Design by Carolyn Hoffmann

Lighting Design by Carolyn Wong and Emily McGillicuddy

Sound Design by Asa Wember

The Production Company

HERE Arts Center Mainstage

Nicolle Bradford (Caroline)

Rae C. Wright (Mother)

Photo by Rick Ngoc Ho

A Backdrop collaboration with Cassie Teng and 8th Grade Students at Dana Hall School in Wellesley MA. The backdrop was for a Middle School production of Cats in Dana Hall's Waldo Auditorium

Production Design by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

at the PODIUM

February 2010

Cuyahoga Community College

Western Campus

(Fall 2009)

Playwright: Sarah Ruhl

Director: Fred Gloor

Scenic Design: Todd Krispinsky

Photographer: Eleanor Harvey

Stylist: Paulene Thanusutiyaporn

Model: Izabella @ Oxygen

Make Up: Jess Wilson

Hair Stylist: Yusuke Ukai

Head piece by Cordelia.W

blogged at www.cordeliaweston.blogspot.com

La tempestad storyboard Acto I escena 2

fragment of the storyboard for Shakespeare´s Tempest.

directed by: Salvador Garcini, set design: Eloise Kazan, Juan Ruiz de Alarcön Theatre, Mexico City, 2011.

fragmento del "storyboard" para La Tempestad de W. Shakespeare.

dirección: Salvador Garcini, escenografía: Eloise Kazan, Teatro Juan Ruiz de Alarcön, UNAM, Mexico D.F., 2011.

Black Coffee still

Scenography for the play written by Daniel Hoffmann-Gill

via Instagram ift.tt/2f10Wlr

Client: Art of Dance / Bass Events

Director: 250K

Stagedesign: Layhgo

Production: Rene Wiegant

Video-Operator: Eyesupply

Light-Operator: Leon Driessen

Lights: Purple

Video: Pixelscreen

Motion Distribution

Pyro: Grooney

Laser: Mirage

Stagemanager: Dave Cats

Sound: Rentall

Pictures: Eyesupply / Art of Dance / Bass Events

directed by Sarah Rodgers

set design by Lauchlin Johnston

lighting design by Gillian Wolpert

costume design by Sydney Cavanagh

photo: Gillian Wolpert

Figueroa in Highland Park, as Central Avenue in South LA, 1949. (photo by Cris)

"To Gillian on Her 37th Birthday" starring Larry Jack Dotson and Rebekah Kennedy.

Director: Brad Stephens

Set Designer: David Jetre

Images from the performance at Trøndelag Teater autumn 2010. Video and set design by hc gilje

Images from the performance at Trøndelag Teater autumn 2010. Video and set design by hc gilje

Set Design for the project "Expeditionen in Urwälder des Alleinsein", September 2013 at Palais Kabelwerk, Vienna

Gulp, Chapter Arts Centre, July 1997

Writer: Roger Williams

Director: Jeff Teare

Designer: Carolyn Willitts

Theatre Company: Made in Wales

Photographs: Carolyn Willitts

Actors shown: Oliver Ryan

"Gulp is a romantic and realistic story of sex in modern day Wales. A frank, sexy and sometimes shocking portrait of five young people living, working and loving in Cardiff."

"A major and significant cultural event" THE GUARDIAN

"A cultural milestone" THE GUARDIAN

"Urgent, recognisable and very relevant" THE WESTERN MAIL

"A definite unmissable" TEMPLE BAR REVIEW

"To Gillian on Her 37th Birthday" starring Larry Jack Dotson and Rebekah Kennedy.

Director: Brad Stephens

Set Designer: David Jetre

Scenography for the play written by Daniel Hoffmann-Gill

designed and executed by Niki de los Reyes-Torres, PATDAT

for The Podium

Production Design by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

at the PODIUM

February 2010

low res picture of a moodboard for an upcoming commercial production.

PLEASE DO NOT USE THIS IMAGE ON YOUR WEBSITE WITHOUT CONTACTING ME FIRST! THANK YOU.

Feature film. Mark Longo--Production Designer

images-na.ssl-images-amazon.com/images/I/915J1D9eAiL._SL1... -- Poster

Scenography for the play written by Daniel Hoffmann-Gill

EDCOM - Escuela de Diseño + Comunicacion Visual

Seminario Internacional

Guayaquil - Ecuador

19 - 21 de marzo 2010

docente: m10

www.martindiez.com.ar

www.prensamartindiez.blogspot.com

Handling Specialty works with the entertainment industry in set design. Here we have a 20,000 lbs. capacity custom tilt System for stage effect.

Handling Specialty was called upon to supply the tilting actuation system for the "Pride Rock" raked stage effect for both the Toronto, Ontario production and the travelling production of this popular musical. Each system is comprised of two cam style actuators and one HPU that is situated up to 150 feet away from the actuators. The footprint for each actuator is 34" wide x 120" long x 11" high. Rated for 20,000 lbs. capacity, the system lifts both the stage flooring and performers. (The system supplied for the travelling show is rated at 13,000 lbs. capacity.)

Performance considerations played an important role in the design of this unit. In terms of noise, the actuator system was selected to meet the requirements of 75 to 80 maximum decibels at three feet from the unit. A comprehensive test plan was also developed to simulate performance conditions prior to shipment.

Other features include over-sized base plates to help distribute the loading over a larger area of the supporting substructure and quick disconnect fittings for an interface-ready installation.

For more information about Handling Specialty's set design projects please visit: www.handling.com/Entertainment.aspx?rid=14

Learn more about Georg Burwick at www.georgburwick.com. In this episode Phoebe (Lisa Kudrow) considers her options when her brother visits with his new wife and asks her to carry their child. Phoebe visits her mother (Terrie Garr) to ask her advice. Phoebe's Mother is a ceramicist combining her two favorite interests ceramic and erotica, "erotiery!". Ceramicist Karen Sullivan and I where commissioned by Warner Brothers to produce as much "erotiery" in 72 hours as we could and install it on set to make it look "authentic". Good TImes!

Scenography for the play written by Daniel Hoffmann-Gill

Production Design by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

at the PODIUM

February 2010

Production Design by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

at the PODIUM

February 2010

Production Design by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

at the PODIUM

February 2010

Set and Costume Design by

Niki de los Reyes-Torres, PATDAT

for

Filipinescas: Philippine Life, Legend, and Lore in Dance

Cultural Center of the Philippines

Production Design by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

at the PODIUM

February 2010

Images from the performance at Trøndelag Teater autumn 2010. Video and set design by hc gilje

Illustration of a set design by Ludwig Kainer in Das Moderne Bühnenbild by Oskar Fischel PN2091 .S8 F48

Figueroa Street in Highland Park as 1949 Central Avenue in South L.A.

Learn more about Georg Burwick at www.georgburwick.com. In this episode Phoebe (Lisa Kudrow) considers her options when her brother visits with his new wife and asks her to carry their child. Phoebe visits her mother (Terrie Garr) to ask her advice. Phoebe's Mother is a ceramicist combining her two favorite interests ceramic and erotica, "erotiery!". Ceramicist Karen Sullivan and I where commissioned by Warner Brothers to produce as much "erotiery" in 72 hours as we could and install it on set to make it look "authentic". Good TImes!

An example of a production set being assembled at the Royal Opera House's purpose-built Production Workshop in Thurrock.

Production Design by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

at the PODIUM

February 2010