vintage cinema projector

www.cinemeccanica.eu/

part of my work at Uranya movie www.tind.gr/projects/uranya-set-design/

Figueroa Street in Highland Park as 1949 Central Avenue in South L.A.

Set Design for The Great Gatsby

Performed at Oregon Theater Company

Set Design by Steen Mitchell

Scenic Artist Sarah Refvem

February 2014

Perspective, Chapter Arts Centre, Cardiff, New Vic Studio, Bristol Old Vic, February 2000

Writer: Mark Ryan

Director: Jeff Teare

Designer: Carolyn Willitts

Theatre Company: Made in Wales

Photographs: Carolyn Willitts

Set in a bar in the Weimar Republic in Germany 1993, the backcloth was a painted montage of the characters from the play in the style of George Grosz. This play formed a double bill with Venus, and was designed to incorporate a quick set change in the interval.

Direção:Marcos Mazzaro

Assist. Direção: Erika Bernardo

Cenografia:Carlos Augusto Campos e

Léo Jesus

Assist. Cenografia:Juliane trancoso e Mariana Feijó

Figurino: Luciana Moura e Tâmi Borges

Elenco: André de Luca, Eduardo Gomes, Emilie Andrade,Gabrielly vasconcellos, Luciano DeSilva e Tetsuo Takita.

Figueroa in Highland Park, as Central Avenue in South LA, 1949. (photo by Cris)

Painters perpare a production set at the Royal Opera House's purpose-built Production Workshop in Thurrock.

John Reed Forsman Photography;

Lisa b. Hammond, set design and styling

If only they could just leave it like this when they leave...

Set and Costume Design by

Niki de los Reyes-Torres, PATDAT

for

Filipinescas: Philippine Life, Legend, and Lore in Dance

Cultural Center of the Philippines

Figueroa Street in Highland Park as 1949 Central Avenue in South L.A.

Sandy Yalkin's AMAZING set for The Temple, by Nat Cassidy. Produced at The Brick Theatre in February, 2014. I only wish I had been available to take their production photos, too!

Want Isaiah to take pictures of YOUR production?

isaiaht@gmail.com

917-692-5737

www.isaiahtpd.info

www.facebook.com/theatricalphotography

set and costume design by

Niki de los Reyes-Torres, PATDAT

for Andrew Lloyd Webber and Time Rice's

Jesus Christ Superstar

De LaSalle Santiago Zobel

March 2011

photographs courtesy of Alejandro Rivera

Associate artistic director of Mind Adventures, Ruvin De Silva is seen here reading from notes on character while shamelessly attired in the ensemble of the hungover; sunglasses, dinosaur t-shirt and pyjamas bottoms.

Dominant Submissive Project

Lo chiamavano Jeeg Robot - Il regista Gabriele Mainetti incontra gli studenti RUFA.

the set for ¿Are You There?

directed by Daniel Giménez Cacho,

set and costume design: Eloise Kazan,

Teatro El Galeon, Mexico City 2005

looks like it might have been for Test the Nation

Production Design by Niki de los Reyes-Torres, PATDAT

Location: Genabe Ancestral House, Pola, Mindoro Oriental

please check out www.bigboylovesyou.com for more details

Production Design by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

at the PODIUM

February 2010

Production Design and Execution by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

2010

set and costume design by

Niki de los Reyes-Torres, PATDAT

for Andrew Lloyd Webber and Time Rice's

Jesus Christ Superstar

De LaSalle Santiago Zobel

March 2011

photographs courtesy of Alejandro Rivera

Saturday Night Forever, Chapter Arts Centre, Cardiff. Sherman Studio, Cardiff. Venue 13, The Edinburgh International Fringe Festival, June 1998

Writer: Roger Williams

Director: Steve O’Reilly

Designer: Carolyn Willitts

Theatre Company: CF1 Theatre Company

Photographs: Carolyn Willitts

“Saturday Night Forever adds to the new cool Wales phenomenon.” The Scotsman

"As a political event, Saturday Night Forever, is important" Western Mail

"An eye opening and captivating piece of tragicomedy" Theatre in Wales

"Saturday Night Forever is a roller-coaster ride through Cardiff's night life. It follows Lee, a 20-something living in the heart of the city as he finds the love of his life, and then loses him again. A fast, real, and touching story about what it means to be young and gay in urban Wales."

The minimal set was designed on a low budget to tour in the boot of a car, and was created using some of the off cuts of the opal polycarbonate left over from My Piece Of Happiness. The square panels were painted with thick bright paint from which graphics were scratched out referencing some of Derek Jarman’s last paintings.

The hanging panels could be back lit with white light, which made the scratch marks glow, or front lit using gels the same colour as the paint which made them glow vividly in the surrounding blackness. The sound and lighting designer and technician took his place on the stage throughout the performance and took the part of the dj for the nightclub scene. I'm now married to him.

set and costume design by

Niki de los Reyes-Torres, PATDAT

for Andrew Lloyd Webber and Time Rice's

Jesus Christ Superstar

De LaSalle Santiago Zobel

March 2011

photographs courtesy of Alejandro Rivera

Client: Art of Dance / Bass Events

Director: 250K

Stagedesign: Layhgo

Production: Rene Wiegant

Video-Operator: Eyesupply

Light-Operator: Leon Driessen

Lights: Purple

Video: Pixelscreen

Motion Distribution

Pyro: Grooney

Laser: Mirage

Stagemanager: Dave Cats

Sound: Rentall

Pictures: Eyesupply / Art of Dance / Bass Events

Seeing The Lights, June 2014, Theatre By The Lake, Keswick, Set and Costume Design - Anna Pilcher Dunn, Director - Stefan Escreet,

Production Design by Niki de los Reyes-Torres, PATDAT

Location: Genabe Ancestral House, Pola, Mindoro Oriental

please check out www.bigboylovesyou.com for more details

Production Design and Execution by

Niki de los Reyes-Torres, PATDAT

for Gingerbread Man's Easter

Easter 2010

Set Design: Lauren Madden

Lit By: Derek Heckler

Scenography for the play written by Daniel Hoffmann-Gill

Production Design and Execution by

Niki de los Reyes-Torres, PATDAT

for Theater Down South's

The Princess and the Red Carp

2010

Tellcars Target Range for training Actors in Weapons Handling

Client: Art of Dance / Bass Events

Director: 250K

Stagedesign: Layhgo

Production: Rene Wiegant

Video-Operator: Eyesupply

Light-Operator: Leon Driessen

Lights: Purple

Video: Pixelscreen

Motion Distribution

Pyro: Grooney

Laser: Mirage

Stagemanager: Dave Cats

Sound: Rentall

Pictures: Eyesupply / Art of Dance / Bass Events

Production Design by Niki de los Reyes-Torres, PATDAT

Location: Genabe Ancestral House, Pola, Mindoro Oriental

please check out www.bigboylovesyou.com for more details

red pieces above; broke glass into shards, superglued together, attached fishing line suspended. white bulbs with red paint, rubberbands. gels. 1999. shot nikon fm10 manual E6-slide film.|

MaxShuster.com | tumblr

Paint, Fabric, Cardboard, Paper Mache

4th-8th grade, Set Design After School Club, Oakland Hebrew Day School, Oakland, 2008

Students designed and created the set pieces and props for the school production of The Music Man.

Figueroa in Highland Park, as Central Avenue in South LA, 1949. (photo by Cris)

Client: Art of Dance / Bass Events

Director: 250K

Stagedesign: Layhgo

Production: Rene Wiegant

Video-Operator: Eyesupply

Light-Operator: Leon Driessen

Lights: Purple

Video: Pixelscreen

Motion Distribution

Pyro: Grooney

Laser: Mirage

Stagemanager: Dave Cats

Sound: Rentall

Pictures: Eyesupply / Art of Dance / Bass Events

Scenography for the play written by Daniel Hoffmann-Gill

Scenography for the play written by Daniel Hoffmann-Gill

costume design and watercolor and ink rendering by Niki de los Reyes-Torres, PATDAT

for Brian Maestro's DRACULA

watercolor on quality paper