View allAll Photos Tagged setdesign
Gulp, Chapter Arts Centre, July 1997
Writer: Roger Williams
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
Actors shown: Oliver Ryan
"Gulp is a romantic and realistic story of sex in modern day Wales. A frank, sexy and sometimes shocking portrait of five young people living, working and loving in Cardiff."
"A major and significant cultural event" THE GUARDIAN
"A cultural milestone" THE GUARDIAN
"Urgent, recognisable and very relevant" THE WESTERN MAIL
"A definite unmissable" TEMPLE BAR REVIEW
"To Gillian on Her 37th Birthday" starring Larry Jack Dotson and Rebekah Kennedy.
Director: Brad Stephens
Set Designer: David Jetre
Production Design by
Niki de los Reyes-Torres, PATDAT
for Theater Down South's
The Princess and the Red Carp
at the PODIUM
February 2010
low res picture of a moodboard for an upcoming commercial production.
PLEASE DO NOT USE THIS IMAGE ON YOUR WEBSITE WITHOUT CONTACTING ME FIRST! THANK YOU.
Feature film. Mark Longo--Production Designer
images-na.ssl-images-amazon.com/images/I/915J1D9eAiL._SL1... -- Poster
EDCOM - Escuela de Diseño + Comunicacion Visual
Seminario Internacional
Guayaquil - Ecuador
19 - 21 de marzo 2010
docente: m10
Handling Specialty works with the entertainment industry in set design. Here we have a 20,000 lbs. capacity custom tilt System for stage effect.
Handling Specialty was called upon to supply the tilting actuation system for the "Pride Rock" raked stage effect for both the Toronto, Ontario production and the travelling production of this popular musical. Each system is comprised of two cam style actuators and one HPU that is situated up to 150 feet away from the actuators. The footprint for each actuator is 34" wide x 120" long x 11" high. Rated for 20,000 lbs. capacity, the system lifts both the stage flooring and performers. (The system supplied for the travelling show is rated at 13,000 lbs. capacity.)
Performance considerations played an important role in the design of this unit. In terms of noise, the actuator system was selected to meet the requirements of 75 to 80 maximum decibels at three feet from the unit. A comprehensive test plan was also developed to simulate performance conditions prior to shipment.
Other features include over-sized base plates to help distribute the loading over a larger area of the supporting substructure and quick disconnect fittings for an interface-ready installation.
For more information about Handling Specialty's set design projects please visit: www.handling.com/Entertainment.aspx?rid=14
Learn more about Georg Burwick at www.georgburwick.com. In this episode Phoebe (Lisa Kudrow) considers her options when her brother visits with his new wife and asks her to carry their child. Phoebe visits her mother (Terrie Garr) to ask her advice. Phoebe's Mother is a ceramicist combining her two favorite interests ceramic and erotica, "erotiery!". Ceramicist Karen Sullivan and I where commissioned by Warner Brothers to produce as much "erotiery" in 72 hours as we could and install it on set to make it look "authentic". Good TImes!
Production Design by
Niki de los Reyes-Torres, PATDAT
for Theater Down South's
The Princess and the Red Carp
at the PODIUM
February 2010
Production Design by
Niki de los Reyes-Torres, PATDAT
for Theater Down South's
The Princess and the Red Carp
at the PODIUM
February 2010
Production Design by
Niki de los Reyes-Torres, PATDAT
for Theater Down South's
The Princess and the Red Carp
at the PODIUM
February 2010
Set and Costume Design by
Niki de los Reyes-Torres, PATDAT
for
Filipinescas: Philippine Life, Legend, and Lore in Dance
Cultural Center of the Philippines
Production Design by
Niki de los Reyes-Torres, PATDAT
for Theater Down South's
The Princess and the Red Carp
at the PODIUM
February 2010
Illustration of a set design by Ludwig Kainer in Das Moderne Bühnenbild by Oskar Fischel PN2091 .S8 F48
Learn more about Georg Burwick at www.georgburwick.com. In this episode Phoebe (Lisa Kudrow) considers her options when her brother visits with his new wife and asks her to carry their child. Phoebe visits her mother (Terrie Garr) to ask her advice. Phoebe's Mother is a ceramicist combining her two favorite interests ceramic and erotica, "erotiery!". Ceramicist Karen Sullivan and I where commissioned by Warner Brothers to produce as much "erotiery" in 72 hours as we could and install it on set to make it look "authentic". Good TImes!
An example of a production set being assembled at the Royal Opera House's purpose-built Production Workshop in Thurrock.
Production Design by
Niki de los Reyes-Torres, PATDAT
for Theater Down South's
The Princess and the Red Carp
at the PODIUM
February 2010
Kim Staunton and Calvin Dutton in Denver Center Theatre Company’s production of Fences.
Photo Credit: Jennifer M. Koskinen
Production Design by
Niki de los Reyes-Torres, PATDAT
for Theater Down South's
The Princess and the Red Carp
at the PODIUM
February 2010
directed by Sarah Rodgers
set design by Lauchlin Johnston
lighting design by Gillian Wolpert
costume design by Sydney Cavanagh
photo: Gillian Wolpert
Client: Art of Dance / Bass Events
Director: 250K
Stagedesign: Layhgo
Production: Rene Wiegant
Video-Operator: Eyesupply
Light-Operator: Leon Driessen
Lights: Purple
Video: Pixelscreen
Motion Distribution
Pyro: Grooney
Laser: Mirage
Stagemanager: Dave Cats
Sound: Rentall
Pictures: Eyesupply / Art of Dance / Bass Events
My Piece of Happiness, Chapter Arts Centre, February 1998
Writer: Lewis Davis
Director: Jeff Teare
Designer: Carolyn Willitts
Theatre Company: Made in Wales
Photographs: Carolyn Willitts
“A simple but effective setting by Carolyn Willitts, a beautifully realised production.” Jon Holliday, The Stage
The set was made from sheets of opal polycarbonate that was lightly scored with a router to create a tiled effect which became apparent in certain lighting states. Scene locations included a park, a social service office, a dining hall in an institutional facility and a jazz club.
Client: Art of Dance / Bass Events
Director: 250K
Stagedesign: Layhgo
Production: Rene Wiegant
Video-Operator: Eyesupply
Light-Operator: Leon Driessen
Lights: Purple
Video: Pixelscreen
Motion Distribution
Pyro: Grooney
Laser: Mirage
Stagemanager: Dave Cats
Sound: Rentall
Pictures: Eyesupply / Art of Dance / Bass Events
Meine Funktion: Setdesign
credits:
Buch und Regie/written and directed by: Laura Nöbauer , Christine Schörkhuber
Kamera/DoP: Victor Kössl, Matthias Helldoppler
Schnitt/editing: Lucas Riccabona
SchauspielerInnen/actors: Sun Sun Yap, Sonja Aziz,
Eri Bakali, Rainer Doppler, Wolfgang Lampl, Apollo Valentine Ye Yi Pamperl
Licht/gaffer: Alexander Püringer
Musik/music: Some Freak & Andreya Triana vs. Ritornell
Production Design by
Niki de los Reyes-Torres, PATDAT
for Theater Down South's
The Princess and the Red Carp
at the PODIUM
February 2010
Productora RGB - CMG
Labor: Ambientadora General
Asistente de Arte y Escenografía
Telefe
Año: 2009
Mas fotos:
www.flickr.com/photos/delgenermariana
Productora RGB - CMG
Labor: Ambientadora General
Asistente de Arte y Escenografía
Telefe
Año: 2009
Mas fotos:
www.flickr.com/photos/delgenermariana