View allAll Photos Tagged sequator

Feat. M6, M7 and a starry galactic background.

7 photos shot with a Pentax K-70 camera and a Samyang 135mm/F2.2 lens, stacked with Sequator 1.5.6

6 twenty second images stacked in Sequator, light painting of foreground

8 stacked images using Sequator software

Telescope: Astrotech 72mm w/ Star Adventurer tracking mount

Camera: Sony A7 - Prime focus (432mm)

Settings: ISO 2500, 2.5 Sec exposure

Image source: 52 subs, 14 darks, 0 flats, stacked with Sequator & cropped

Date: 10/16/2024

Location: Peck Farm Park Geneva, IL

 

NOTE: Anti-tail is visible in front.

40 x 20 sec

ISO: 1600

f/2.8

 

Stacked in Sequator

Shot this using my Celestron 130 slt on an ALT-AZ mount and using CPWI software for tracking.

I attached to it my Nikon D750 with a 25mm Celestron eyepiece.

 

Shots taken:

23 light frames (ISO 3200 / 20sec)

10 dark frames

 

Used Sequator 1.5.6 for stacking and then Adobe Photoshop CC for post processing.

31 secondes d'expositions additionnées dans Sequator, ISO 1600, f/2, f=77mm

Crop of 10 individual panels. Each panel consists of 10 individual photos taken with a modded Sony A6000 @1600 ASA and STC Multispectra Clip-Filter. Lens was a Sigma 56mm 1.4 @f2.0. Stacking done in Sequator and assembling in MS ICE. Final processing done in PS CS2, iOS LR, iOS photo App. Compare this to an old version taken with a film camera: flic.kr/p/2cwBuiW

Northern Limestone Alps, Austria.

20x15s, ISO:1600, f/1.8.

Sequator, Lightroom Classic.

 

Podal mi colu a zeptal se: „Are you going to the valley?“. Ano, vrátím se zpátky do údolí, odpovídám chatařovi a děkuju mu za ten sladký nápoj s kofeinem, který sem museli pro lidi jako já dopravit vrtulníkem. Určitě si v duchu říkal, co tady ještě dělám, když jsem ho v půl desáté večer poprosil o čaj na zahřátí. Sednul jsem si k nejbližšímu stolu a zeptal jsem se: Kdy tohle místo zavírá, v deset? Nevěřícně se zašklíbl a říká: "Yes, at 10 o’clock you have to go down.. finally.". Neměl úplně pochopení pro takového tuláka. Ale přece nečekal, že tu colu dopiju a půjdu dolů ještě za světla? A nechám si ujít západ slunce? A pohled na nejjasnější Mléčnou dráhu, jakou jsem kdy viděl? To teda ne. Byl jsem si jistej, že ten šestihodinovej sestup zpátky do údolí zvládnu i v noci. A tak jsem dopil čaj, oblíkl se a šel tomu silnýmu zážitku naproti. Mléčná dráha nad Dachsteinem, focená kousek od Adámkovy chaty (cca 2000 m n. m.).

 

Experimental shot with new gear. Altair Lightwave 72-edr, Skywatcher AZ-GTi mount (AZ mode) and Olympus OMD EM10 III. Taken from Stourbridge UK, Bortle 6 skies. No darks, flats etc just a quick batch of 22 x 8 sec exposures at ISO 1600. Processed in Sequator and GIMP. Impressed with the simplicity of the skywatcher. Forgot to extend the dew cover on the scope so a bit more LP getting in. Cant wait to get some more clear nights.

Lights : 30 shots

Darks : 10 shots

Flats : 10 shots

 

Exposure : 90 seconds

ISO settings : 3200

 

Imaging telescope : William Optics Zenithstar 61 APO

Accessory : William Optics Flattener

Imaging camera : Canon 70D

Filter : Optolong L-PRO

Acquisition software : BackyardEOS

Stacking software : Sequator

Post processing software : Adobe Lightroom / Topaz DeNoise AI

 

Shot in October 2022, Malta

Composite image of the Geminid meteor shower peak. Phillips Lake, Dedham, Maine.

 

Composite from 23 minutes of shooting. Base image is a 10-exposure stack in Sequator. Processed in Lightroom and Topaz Denoise, with meteor traces added back in Photoshop.

Fujifilm XT-20 with Samyang 12mm@f2.4

21 x 30sec @ISO6400 stacked with Sequator, foreground aligned with Hugin, then merged in Gimp, used barndoor star tracker, editing with Darktable

 

same input images as www.flickr.com/photos/158573430@N02/31092989298/in/album-...

but different post processing

Lights : 45 shots

Darks : 30 shots

Flats : 60 shots

 

Exposure : 120 seconds

ISO settings : 3200

 

Imaging telescope : William Optics Zenithstar 61 APO

Accessory : William Optics Flattener

Imaging camera : Canon 70D

Filter : Optolong L-PRO

Guiding telescope : William Optics 32mm Scope

Guiding Camera : ASI 120MM Mini

Acquisition software : ASIAir

Stacking software : Sequator

Post processing software : Adobe Lightroom / Topaz DeNoise AI

 

Shot in March 2023, Malta

Lieu : en montagne, près de Grenoble

Date : 23/12/2016

 

- Nikon D5200 + objectif 38mm F4.5

- simple trépied

- 47 photos de 6 sec à 3200 ISO

- 29 Darks (après coup, un autre jour)

- Sequator + DxO 9

Auteur : Franck

Lieu : Chatou (Paris)

Date : 19/01/2017

 

version en crop central

 

Empilage de 30 Photos avec SEQUATOR

Sony A7S

Tamron 150-600

Monture EQ2 motorisée

10s de pose

30 photos

6400 ISO poussés à 51200 ISO

Post traitement : DxO + GIMP + Lightroom

 

Ciel très pollué par la lumière, je suis contraint de mettre mes gants autour du parer-soleil pendant les poses. Nébuleuse entre deux batiments, beaucoup de problème à débruiter le fond de ciel éclairé par les fenètres de ces constructions.

 

(M42-1024+DxO-5-1024x1024)

A starless version of the beautiful emission nebula Gamma Cygni and the Crescent Nebula captured on June 5, 2021 from my back yard in Pennsylvania. I used a Nikon D750, Nikon 300mm f/2.8 lens, and an AstroTrac. The subs were shot at ISO 1600 & f/2.8. Processed using Rawtherapee, Sequator, RNC-Color-Stretch, & Photoshop.

 

Feel free to find me on Instagram - @dm_astro

This is a star trail photo taken in my backyard. It is a series of 30 second exposures and has an integration time of 5.1 hours. It is all combined in Sequator and is processed in Photoshop. I used the tree in my backyard to add an element of interest in my foreground and I think it worked out well

(considering I was in my backyard). Overall I'm amazed by the results of this photo.

Handheld, Sequator, 39 images, Electronic shutter , Lightroom super resolution,

Auteur : Franck

Lieu : Chatou (Paris)

Date : 19/01/2017

 

version en champ large

 

Empilage de 30 Photos avec SEQUATOR

Sony A7S

Tamron 150-600

Monture EQ2 motorisée

10s de pose

30 photos

6400 ISO poussés à 51200 ISO

Post traitement : DxO + GIMP + Lightroom

 

Ciel très pollué par la lumière, je suis contraint de mettre mes gants autour du parer-soleil pendant les poses. Nébuleuse entre deux batiments, beaucoup de problème à débruiter le fond de ciel éclairé par les fenètres de ces constructions.

 

(M42-10s-6400-MergePix+N+coul+selC+bord+2-3)

M11 Wild Duck Cluster taken from Canyonlands National Park, UT.

 

Camera = Canon 5D IV astro modded visible + H-alpha

Tracker = IOptron SkyGuider Pro

Lens = Sigma Art 105mm at f/2.0

ISO = 400

Exp. = 120 sec.

Frames = 8 stacked in Sequator

This is the Lagoon Nebula taken from Canyonlands National Park, UT.

 

Camera = Canon 5D IV astro modded visible + H-alpha

Tracker = IOptron SkyGuider Pro

Lens = Sigma Art 105mm at f/2.0

ISO = 800

Exp. = 120 sec.

Frames = 8 stacked in Sequator

A compilation of 4 timelapses with different approaches. Main difference is created by stacking - it completely kills off all airplanes, satellites and meteors in the frame, which is great when the traffic is way too high, distracting the viewer from the main beauty! Yeah, clouds look weird, but I still prefer stacking, as it's cleaner and allows to push the post-processing more aggressive, thanks to higher SNR (well, that bright meteor is nice, but hey, most of the time you don't capture anything close to it!).

Shot using Nikon D610 (ISO1600, 15s) and Irix 15mm @ f/2.5.

For Mimi by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license.

Multiple exposures at 30 seconds. 1600 ISO. Stacked in Sequator. Finished in Affinity.

北美洲星雲 - The North America Nebula (NGC 7000)

這顆形狀很沒fu...XD

 

Nikon Z50 + Z 70-200/F2.8S

Sequator

An overlay of 18 single 15 s exposures, ISO 1600, F/3.5 with my Nikon D3400 + Sigma 18-250 mm F 3.5-6.3. I stacked the images using the software 'sequator'.

Milky Way core, taken after the moon set. 10, 6-sec exposures stacked in Sequator, cleaned up further with Topaz DeNoise AI, and finalized in Lightroom.

 

Orland, Maine.

Lights : 30 shots

Darks : 10 shots

Flats : 10 shots

 

Exposure : 90 seconds

ISO settings : 1600

 

Imaging telescope : William Optics Zenithstar 61 APO

Accessory : William Optics Flattener

Imaging camera : Canon 70D

Filter : Optolong L-PRO

Acquisition software : BackyardEOS

Stacking software : Sequator

Post processing software : Adobe Lightroom / Topaz DeNoise AI

 

Shot in October 2022, Malta

3 panel mosaic taken with Sigma 56mm f1.4 and modded Sony A6000 (APS-C). 10 photos each 60 sec @f2 and ISO 1600 and STC Multispectra Clip-Filter. Taken at Roque de los Muchachos 2200 asl 23.01.2020. Tracked on Omegon Startracker NS.

 

Preprocessing done in Sequator (Flats and Darks). Assembled in MS ICE. Post processing done in PS CS3. Finally using LR on IPad and iOS PhotoApp.

Taken around 9 pm on Monday, Feb. 28, 2022. 7, 15 second shots stacked in Sequator = 1 minute 45 seconds of exposure. Rokinon 14mm, f2.8, ISO 6400, Nikon D850. Bortle 1 sky

 

From Wikipedia: The zodiacal light is a faint, diffuse, and roughly triangular white glow that is visible in the night sky and appears to extend from the Sun's direction and along the zodiac, straddling the ecliptic. Sunlight scattered by interplanetary dust causes this phenomenon. Zodiacal light is best seen in the Northern Hemisphere during twilight after sunset in spring and before sunrise in autumn.

 

The zodiac is a belt-shaped region of the sky that extends approximately 8° north or south (as measured in celestial latitude) of the ecliptic, the apparent path of the Sun across the celestial sphere over the course of the year.

Lights : 75 shots

Darks : 14 shots

Flats : 15 shots

 

Exposure : 120 seconds

ISO settings : 3200

 

Imaging telescope : William Optics Zenithstar 61 APO

Accessory : William Optics Flattener

Imaging camera : Canon 6D

Filter : Optolong L-PRO

Acquisition software : BackyardEOS

Stacking software : Sequator

Post processing software : Adobe Lightroom

 

Shot in October 2021, Malta

Canon 6D @ ISO 800

Rokinon 14mm Lens

Unprocessed

Used Sequator to make the image

不知道星點怎麼會產生奇怪的拖移

希望在下次朔月來臨之前研究出解法

Three separate layers:

1) 17 meteors (17x15s), cropped and manually aligned

2) background (18x15s, ISO:1600 + 47 DF) stacked in Sequator

3) transparent layer with startrails (about 3 hours)

 

More details here:

kommet.cz/2023/08/18/perseidy-nad-bilymi-karpatami/

"On the Comet's Path"

 

October, 16th; 7:34pm Local Time.

 

Continuing with the records of Comet C/2023 A3 (Tsuchinshan–ATLAS), I went to Campos de Cima da Serra, in Tainhas-RS to obtain a perfect spot to capture the Comet, now in the West after Sunset.

 

The spot couldn't be better: a Bortle 2.

 

Being in a Bortle 2, I had to cross my fingers for the weather to cooperate, some clouds beforehand made me apprehensive, but as soon as the sun went away, the A3 ATLAS started the show, making it possible to capture it even on a Smartphone and view it with the naked eye.

 

This time he gave a Bonus: the apparent Anti-Tail.

As planet Earth approaches the plane of the Comet's orbit, dust forms the anti-tail along its orbit as it leaves the inner Solar System behind.

  

Canon 6D + Canon L 24-105mm f4 (f/6.3 - ISO1600) - 105mm

 

56x1 photos in Stacking via Sequator (totaling 464s of exposure

  

Staking in Sequator.

 

Nikon Z6 + 24-70/4s

Lights : 45 shots

Darks : 30 shots

Flats : 60 shots

 

Exposure : 120 seconds

ISO settings : 3200

 

Imaging telescope : William Optics Zenithstar 61 APO

Accessory : William Optics Flattener

Imaging camera : Canon 70D

Filter : Optolong L-PRO

Guiding telescope : William Optics 32mm Scope

Guiding Camera : ASI 120MM Mini

Acquisition software : ASIAir

Stacking software : Sequator

Post processing software : Adobe Lightroom / Topaz DeNoise AI

 

Shot in March 2023, Malta

From Paris (6km from La Defense)

Done with a Sony A7S + Tamron 150-600 at 600mm F6.3

Shutter speed : from 20s to 30s

120 photos stacked with Sequator

As the sky was terrible (a lot of light pollution and some mist) I decided to use B&W for this one.

Post Prossessing : DXO PhotoLAB, Topaz AI Denoise, Topaz AI Gigapixel

  

(M81M82seq00cadre-1+1+GI4Xvc-crop2K-noiseNB-CRB-1600-DNsn3030+5_DxO_0+2v3BL05BGcrb+20)

高空雲太多...

累積時間不夠真是哭哭

下次再戰...

 

Cat's Paw Nebula-NGC6334

Nikon Z50 + Z 70-200/F2.8S

Sequator

Taken around 9 pm on Monday, Feb. 28, 2022. 14, 15 second shots stacked in Sequator = 3.5 minutes of exposure. Rokinon 14mm, f2.8, ISO 6400, Nikon D850.

 

From Wikipedia: The zodiacal light is a faint, diffuse, and roughly triangular white glow that is visible in the night sky and appears to extend from the Sun's direction and along the zodiac, straddling the ecliptic. Sunlight scattered by interplanetary dust causes this phenomenon. Zodiacal light is best seen in the Northern Hemisphere during twilight after sunset in spring and before sunrise in autumn.

 

The zodiac is a belt-shaped region of the sky that extends approximately 8° north or south (as measured in celestial latitude) of the ecliptic, the apparent path of the Sun across the celestial sphere over the course of the year.

These images were processed with a free astrophotography program called Sequator. It is sort of amazing.

If you take astro photos you need to try it.

These are just stacks with no dark frames or bias frames.

It is fast, simple and effective.

Lights : 70 shots

Darks : 30 shots

Flats : 25 shots

 

Exposure : 90 seconds

ISO settings : 3200

 

Imaging telescope : William Optics Zenithstar 61 APO

Accessory : William Optics Flattener

Imaging camera : Canon 6D

Filter : Optolong L-PRO

Acquisition software : BackyardEOS

Stacking software : Sequator

Post processing software : Adobe Lightroom

 

Shot in January 2020, Exmoor National Park, England

The seven sisters: Maia, Alcíone, Astérope, Celeno, Taígeta, Electra and Mérope, better known as Pleiades, received yesterday the visit of Venus, Aphrodite for the intimate, in a meeting worthy of the stars.

 

Specs:

Sony A73 mod | Astronomik L2 filter | Rokinon 85 mm AF f / 1.4 lens | Fixed tripod.

 

30x3s | ISO 1600 | f / 4 | Stacked on Sequator

 

Processed with LR & PS CC 2020.

 

Enjoy with imagination.

Milky Way and the Estalella lighthouse, in Mallorca, on a night of almost new moon. Sleepless night taking pictures, but who needs sleep anyway...

 

This shot created from 15 consecutive photos (each 15 sec exposure), that I then edited slightly and then processed with Sequator to reduce the noise. My camera uses a cropped sensor (APS-C), and Sequator makes it possible to increase the quality of the picture even with a sensor that does not absorb as much light as a full sensor.

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