View allAll Photos Tagged sequator
30 images au 8mm (16mm en ff), F2.8, 1600 iso, 20s assemblées avec Sequator suivant les conseils de la photojam de Studio Jiminy : studio-jiminy.fr/photojam/photojam-ciel-etoiles-lecureuil
Finalisée avec LT et NIK / Define.
nb : j'ai ajouté 10 images noires pour réduire le bruit, ce qui n'est pas expliqué par la formation SJ.
Au barrage du lac de Vassivière (Creuse)
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Charlie - Rainbow - Peace - Best O T day
Kingdom - PhPrime - Expert
Master of Light
the Year
PhAddiction
Goal
PhDesigner
The Week
21 PhPleasure 11 06
16 frames processed with Sequator. 16 images of Nikon D610 - 25sec at ISO 1600 and Tamron 15-30mm/2.8 at 17.0 mm with f/3.2
Another shot of the Milky Way from last September, taken from a beautiful hill, away from direct car lights but still with some light pollution close to the horizon.
Thanks to all for your kind visit and comments - stay healthy and keep looking up!
Technical info:
Date: September 10th, 2021
Location: Chalkidiki, Greece
Camera: CANON EOS 6D
Lens: Tokina AT-X 11-16 F2.8 Pro DX II@16mm
SKY: 12 exposures x 15 sec each, ISO 6400, f/2.8, calibrated with darks and stacked in Sequator.
FOREGROUND: 3 exposures x 2 mins each, ISO 3200, f/4, stacked in Photoshop. Composite image was done in Adobe Photoshop CC.
All images were taken from the same place without moving the tripod and in quick succession.
Comet C/2020 F3 (Neowise) at 85mm focal length (1.5mag), Petershausen, Bavaria, Germany
Komet C2020F3 (NEOWISE)_05
Unconceivable distances, uncountable stars, relentless motion, primordial elements. Everything about space seems so extraordinary and out of grasp for humans - and yet the stars have always been friendly company for seafarers, philosophers and farmers since the dawn of time. The myths of ancient people about them have survived until today and are still a beloved theme for poets and writers.
Some of the most beautiful star myths are about the Milky Way - a celestial river comprised by billions of stars that have sent their messengers of existence (a.k.a. photons) towards our planet thousands of years ago. This majestic arc of light shines brilliantly every clear night away from manmade light pollution, and is predominantly visible on summer nights, when our gaze of the night sky is turned towards the center of the Milky Way. This band is bisected by obscuring clouds of interstellar dust, thus forming the “Great Rift”.
Since the formation of our planet, we have travelled about 20 times around the center of our Milky Way, in a motion that lasts more than 220 million years, a period sometimes called a “Galactic Year”. So, this majestic light has adorned our night skies since the dawn of time and before any form of life existed on this beautiful planet.
The bright beacon on the left just above the treetops is planet Jupiter, which was prominent last summer as an evening object.
Thank you all for your kind visits and comments - stay healthy and keep looking up!
Technical info:
Date: August 30th, 2021
Location: Kassandra, Chalkidiki, Greece
Camera: CANON EOS 6D
Lens: Tokina AT-X 11-16 Pro DX II@16mm
SKY: 14 exposures x 15 secs each, ISO 6400, f/2.8, calibrated with separate darks and stacked in Sequator for reducing the noise.
FOREGROUND: 5 exposures x 2 mins each, ISO 3200, f/5. All images were taken from the same spot, without moving the tripod and in quick succession.
Standing still under the band of the Milky Way - the Celestial River of uncountable stars of our own Galaxy - this boat rests quietly on fine grains of sand created long ago. How long ago is exceedingly difficult to answer since the erosion of rocks and the formation of sand is an ongoing procedure.
Another interesting question is whether there are more grains of sand on all the beaches of Earth than there are stars in the whole Universe. And although one might argue that the stars probably outnumber the grains of sand, the only certain thing is that every single grain of sand and every single cell of our body, has been at some time part of a stellar interior, since all the heavy elements of the Universe have been created in the interiors of stars and have being ejected to interstellar space by exploding stars, only to be incorporated by next generation stars and ultimately into what now comprises our Solar system and our bodies. We are all made of stardust after all.
Thanks to everyone for visiting my photos, for all your faves and comments, I deeply appreciate it! Wishing you all the best! Clear skies and health to you and your families.
Technical info and some personal thoughts:
Photographing the Milky Way from that place on the beach proved problematic, since the wide angle lens at f/2.8 captured an annoyingly great amount of light pollution from the distant village, even in ten-second exposures, so I had to take many shots to find the best settings, as a balance between capturing more of the starlight and less of the light pollution. Clearly not the best place to photograph the Milky Way, but it is so relaxing to be on a beach on a clear, moonless summer night, under the canopy of stars with no people around, contemplating the mysteries of the Universe, that I could not resist it!
Date: June 28th, 2020
Location: Kassandra, Chalkidiki, Greece
Camera: CANON EOS 550D
Lens: Tokina AT-X 11-16 F2.8 Pro DX II@14mm
SKY: 10 exposures x 10 sec each, ISO 6400, f/2.8, calibrated with separate darks and stacked in Sequator for reducing the noise and light pollution
FOREGROUND: 3 exposures x 2 mins each, ISO 1600, f/5, stacked in Photoshop
Final Composite image was done in PS CC 2020.
Processing: Sequator, Adobe LR, Photoshop CC 2020.
Del pasado año, ya que este no ha sido posible pero con nuevo procesado.
Apilado de 8 fotos para la VL y unidas con Sequator, una de ellas con la iluninación para el suelo
Objetivo Tokina 11-16mm para Nikón APS-C con adaptador para Sony.
RM Sony ILCE-7RM3 f/2,8 11mm 20" ISO 3200
Extrait d'un time lapse tourné au lac de l'étoile (2755m à la limite entre 04 et 05).
www.flickr.com/photos/basses-lumieres/50609835736/in/date...
Sonnenblumenfeld mit dem Komet Neowise C/2020 F3 am 20.07.2020 um ca. 23:30uhr.
Sony A7s
Samyang 20mm @f4
50x 15sek @Sequator
Iso 800
According to Greek mythology, Zeus was the father of the Olympian gods and Thunder God. The ancients gave this name to planet Jupiter, the largest planet in our solar system.
As the planets revolve around the Sun, they are seen from Earth moving between the constellations (the stars of course are much farther away than the planets). Jupiter crosses all zodiac constellations once every 12 years and comes close (astronomical speaking) to the Earth once every year (“opposition” in astronomical terminology), so it looks particularly brilliant in the sky.
This past summer, Jupiter was placed between the constellations of Scorpion and Sagittarius (in fact inside the border of Ophiuchus), in an area where the band of our Milky Way Galaxy ("the Celestial River") is most prominent. In the area of Sagittarius and within tens of thousands of light years away from us, lies the center of the Milky Way Galaxy, where a massive black hole exists. The density of the stars in this area is tremendous, while dark areas of interstellar dust run through the galactic band and conceal the numerous stars behind them.
Jupiter is the bright “star” to the right of the Galactic band. On the other side of this band is planet Saturn (“Cronus”), the father of Zeus according to Greek mythology (the brightest “star” left from the band of the Milky Way and just above the middle of the photo).
This photograph was taken during the annual astronomical excursion of amateur astronomers from all over Greece, outside the village of Filippaioi in mountainous Grevena. As the intense lights from the urban web threatens to eliminate the stars from the night sky, astronomers - professionals and amateurs - gather in remote areas to study and record the beauties hidden in the night sky.
As we approach the New Year celebration, I would like to say goodbye to 2019 with this photo, hoping that you will forgive me for posting a summer photo at the heart of winter!
Let me express once again my gratitude to all of you for your faves and comments, but mostly for your wonderful photos that always inspire the rest of us! Please keep them coming!
I wish everyone a happy New Year, with many beautiful moments enjoyed and captured!
Technical data:
Date: August 3rd, 2019
Location: Filippaioi, Grevena, Greece
Camera: CANON EOS 550D
Lens: Tokina 11-16@14mm, f/2.8
Light Frames: 5 x 19 sec, ISO 6400, calibrated with darks and stacked in Sequator
Processing: Adobe LR, Photoshop CC
Special thanks to Alan Dyer for his fine pdf books of how to photograph and process Nightscapes and Timelapses.
Primera VL de este año, aunque las condiciones no resultaron muy propicias, nubes y una baja visibilidad en la atmósfera...
Una hoz es un valle generalmente estrecho con una curva descrita por el curso de un río, cuya sinuosidad es pronunciada, limitado por paredes altas de roca, especialmente si constituye el cauce de un río.
Dos tomas una para el cielo y otra para tierra, utilizando para el cielo 16 tomas apiladas con Sequator...
Los parámetros de EXIF son la foto de tierra, los del cielo los mismos excepto el ISO que es 3200.
Jupiter (-2.1 mag) + Venus (-4.0 mag) at 85 mm focal length, Petershausen, Bavaria, Germany
Jupiter&Venus_1
Comet C/2020 F3 (Neowise) at 85mm focal length (3.6mag) Petershausen, Bayern, Germany
Komet C2020F3 (NEOWISE)_15
Greetings human creatures, of the planet you call "Earth". I have come a long way to adorn your skies, to make you gaze up into the starry firmament to admire my mysterious nature.
You have given me the strange name "NEOWISE", because a few months ago a space telescope in orbit around Earth, first spotted me as I was approaching your planet, hundreds of millions of miles away. But this is not where I come from. My cradle is located far beyond the orbits of the furthest planets and asteroids, where billions of small, icy bodies, relics of the solar system's formation, move lazily around the Sun. Although the Sun from that far is just a speck of light, its gravitational attraction keeps these frozen bodies in orbit.
Thousands of years ago, perhaps after a tiny nudge from a passing star that slightly deflected my orbit, I started ever so slowly my plunge towards the Sun. I have silently travelled the coldness of space until I first crossed the orbits of the gas giants and then entered the inner solar system, heading towards the central star.
The Sun's heat slowly but steadily warmed my frozen surface and finally my true nature was revealed: an enormous mass of ice, mixed with rocks and dust. As the icy crust that covers my nucleus began to sublimate, gases and dust particles started to form an atmosphere around my solid nucleus. The steady flow of the solar wind pushes the dust and gas into two magnificent tails: the curved, yellowish dust tail and the more straight, blue ion tail, extending for millions of miles into space, opposite the direction of the Sun. And now you can see me in the night sky not as a dark, frozen mass but as a dazzling comet, changing position in front of the distant stars from night to night.
It will not be long before I disappear from the night sky, to return to the depths of space. In the coming weeks I will become increasingly dimmer and harder to spot and my tails will diminish. I will return, but it will not be until thousands of years in the future.
People used to fear comets: for eons, comets were considered sinister omens, heralding the death of kings, and announcing the start of wars and disaster. It took the genius of giants like Isaac Newton and Halley to realize that comets, are simply celestial bodies travelling in elongated orbits around the Sun.
I apologize for not being too splashy and bright like other famous comets, like Hale-Bopp or Halley, to name just two of them. But still if you can get at a dark place, with little or no light pollution from man-made lights - hard to find nowadays - you can still see me maybe with your naked eyes or even better with binoculars. And who knows how long it will be until the next bright comet arrives, so do not miss this opportunity!
So, farewell and stay safe. You will soon forget me, but I will leave something behind, to remind you of my apparition. Specks of dust from my tail will continue around my orbit and will eventually slam into Earth's atmosphere and burn like a meteor. So, the next time you see a meteor in the night sky, it could be one that has been part of my once prominent tail. And if you do, do not forget the wish!
Details:
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Camera: Canon EOS 550D, mounted on tripod, unguided
Lens: Canon EF 50mm f/1.8 II@f2.5
Frames: 32 x 8 secs each, ISO 3200
Processing: Developed in Lightroom Classic 9.3, stacked with Sequator (set to Accumulation, Align stars) and final processing in Adobe Photoshop v.21
Orage nocturne du 26/09/2021.
Stacking de 13 x 20 secondes F5.6 100 iso
Dxo pure raw, Sequator, lightroom
Leibniz-Institut für Atmosphärenphysik ist ein Forschungsinstitut bei Kühlungsborn (Mecklenburg-Vorpommern) das sich mit der Erforschung der Hoch-Atmosphäre beschäftigt. z.B. die Erforschung und Detektion von Leuchtenden Nachtwolken(NLC). Zusehen ist außerdem der Laser vom LIDAR-System, der mit ca.85km Höhe manchmal noch in 60km Entfernung auf Astrofotos erkennbar ist
Aufgenommen am 13.08.2020 um ca. 23:45uhr.
Sony A7s
Samyang 20mm @f4
15x 10sek @Sequator Composite
Iso 6400
#Astrofotografie #Leibniz-Institut
#Astrophotographie #Astrophoto #Astrofoto #sony #NLC #Milchstraße #Milkyway #sonnensystem #Laser #Laserstrahl #Leibniz-Institut
From Paris (6km from La Defense)
Done with a Sony A7S + Tamron 150-600 at 600mm F6.3
Shutter speed : from 20s to 30s
120 photos stacked with Sequator
As the sky was terrible (a lot of light pollution and some mist) I decided to use B&W for this one.
Post Prossessing : DXO PhotoLAB, Topaz AI Denoise, Topaz AI Gigapixel
Depuis Paris (à 6km de La défense à vol d'oiseau)
Réalisé avec un Sony A7S + Tamron 150-600 à 600mm F6.3
Vitesse d'obturation : de 20s à 30s
120 photos empilées avec sequator
Comme le ciel était mauvais (beaucoup de pollution lumineuse et un peu de brume) j'ai décidé d'utiliser le N&B pour celle-ci.
Post Prossessing : DXO PhotoLAB, Topaz AI Denoise, Topaz AI Gigapixel
(M81M82seq00cadre-1+1+GI4Xvc-crop2K-noiseNB-CRB-1600-DNsn3030+5_DxO_0+2v3BL05BGcrb+20)
Lac de l'étoile (2755m, entre Hautes Alpes et Alpes de Haute Provence).
Sony alpha 7s et Samyang 24 f1.4.
5 fois 13 secondes 2500 iso, Sequator, Lightroom, topaz denoise AI
10 Aufnahmen, 1 Schwarzbild in Sequator bearbeitet, Samyang 14mm, 2,8 13 Sek. ISO 3200
Dear friends, thank you for visiting my photo stream and the rating of my photos. I wish everyone the best of luck in their search for interesting and beautiful subjects
Vía Láctea con el faro de la Colònia de Sant Jordi. 15 fotos apiladas con SEQUATOR.
Canon 70D + Samyang 10mm.
ISO 3200 - f:4.0 - 30s.
retraitement avec sequator:
sites.google.com/site/sequatorglobal/home
de cette image:
www.flickr.com/photos/basses-lumieres/29322845852/
empilage de 9 images avec sequator .
Under clear skies this was a naked eye object. Luckily I was able to get away from London for a few days to observe it with lower light pollution. This image is a composite from 18 shots stacked using Sequator.
La Voie Lactée (et ses nébuleuses) dans le secteur du Cygne se lève, à l'opposé la Lune se couche et éclaire faiblement le paysage.
Une série de 14 images empilées telles que prises avec Sequator.
Sony A7s défiltré et Samyang 24 f1.4 ,8 secondes, 6400 iso
CATEGORY: STACKED
SOCIAL IG: @victorlimaphoto
STORY:
Star Trail over Salto Santa Maria, one of the main waterfalls of the Iguaçu Falls complex in Brazil.
Photographing Iguazu Falls at night has always been one of my priority projects. For that, it was necessary to obtain a special authorization from the environmental agency responsible for national parks in Brazil. Finally, in early 2021, I got this authorization and set out to put my plan into practice.
I spent 4 days inside the Iguaçu National Park with exclusive access at night to the Falls for me and my students. The first challenge is to walk around the park at night knowing that several jaguars reside there, which are frequently seen by employees and tourists. In the area closest to the main waterfalls, the big challenge is to make long exposure images with the strong water spray from the more than 1.5 million liters per second that fall through the waterfalls. Working with exposure times longer than 30 seconds became an almost impossible task and the lens was never dry.
To assemble the Star Trail, the Sequator software was used.
EXIF:
Canon R5 / Canon EF 16-35mm f/2.8L II USM
86x 16mm | f/2.8 | 30 sec | ISO 4000 (Sequator)
I shot this image in May of 2019 with my good friend JK Schow and his daughter, Hadley. The part of Utah that I live in is called Castle Country. So on this night we were looking for some castles to shoot in the night sky. We found this location that lined up nicely. It also made a nice location for Jk to teach Hadley some astrophotography. Which she ended up taking the nicest shot of the night.
Nikon D750, f/2.8, ISO 6400, 14mm for 15sec
Tokina 14-24mm f/2.8 lens at 14mm.
10 images stacked in sequator and processed in PS
Mont Gargan / Limousin, après le coucher de lune (23h30)
www.visitlimousin.com/decouvrir/randonnees-sensorielles/l...
12 prises de 20" à F2.8 ; 8mm et 2000 iso.
1er plan saisi vers 21h30.
5 images noires de 20".
traitement LT pour homogénéiser les images suivant le tuto de Stanley Marie (stan-timelapse-photographie.fr/) puis assemblage dans Sequator 162.
Passage dans PS pour coller le 1er plan.
Finalisation de la VL avec la suite du tuto de Stan mais avec PS.
Aussi formation astro de Studio Jiminy notamment pour Sequator. (studio-jiminy.fr/cours-photo-astrophotographie-lecureuil).
Assez content de moi pour cette sortie ...
;O))
Ciel un peu trop noir et 2 parties à éclaircir ... On y retourne !
The coop house at Netherby, near Longtown.
17 x 3 minutes. Sequator & Lr.
Partial clouds. Jupiter is the brightest.
Sony a7s et un vieux canon fd 50mm f1.8
120x 6secondes de poses, empilage avec Sequator.
Traitements: lightroom, topaz denoise ai.
6 tomas únicas apiladas con Sequator 1.60 , suelo y cielo por separado obteniendo dos imágenes.
Blending de ambas imágenes con Photoshop.
Procesado con Capture One 21 pro.
Milky Way over Legion Lake in Custer State Park, South Dakota
All images were taken sequentially of the same camera view.
14 images were taken at 15 sec and stacked in Sequator with freeze foreground option and used for Sky.
9 images were taken at 30 sec and merged to HDR in Lightroom and used for Foreground.
Resulting two stacked images were blended as layers in Photoshop.
320 images de 20" F2.8 8mm 2500 iso empilées avec Sequator.
1er plan à la lampe (à refaire ...).
2h de prise de vue.
23h20 - 1h20.
Travail sous LT sans tuto. A voir avec le tuto de Stanley Marie ...
stan-timelapse-photographie.fr/produit/reussir-ses-circum...
Apilado de seis tomas lights de 22 segundos a f-2.5 e iso 4000, y seis tomas darks con los mismos parámetros de exposición, con la versión 1.60 de Sequator.
La zona es especialmente indicada en estas fechas para fotografiar la Via Láctea, pues a nivel del mar es como ves mejor el centro galáctico por dos motivos:
-Tengo 200 km hacia el sur sin nada de contaminación lumínica hasta llegar a las costas marroquís.( las luces en la líena de horizonte)
- La elevación del centro galáctico es tan poca sobre el horizonte terrestre en esta época del año, que cualquier obstáculo como montañas altas estando en el fondo de un valle hace que no sea visible.
The air glow at Lochiel always has good patterns! It's been a while since I have shot here. Testing some techniques, this is a stack of 5 shots for the sky in Sequator, the foreground is a stack of 3 long exposures in Photoshop, with a blend between the two. 28mm Sigma lens.
this picture is the results of 40 photos stacked in Sequator. Also, I slightly brightened the stars of Cassiopeia with StarSpikes to make them pop out. The Andromeda M31 galaxy is also visible on the right.
In der Nacht vom 12.August zum 13. August waren die Perseiden (Sternschnuppen) sehr gut zu sehen. Aufziehende Wolken und Hochnebel beendeten für mich dieses Ereignis..
Aufnahme erfolgte mit Samyang 14 mm, ISO 4000, WA 3900, Belichtungszeit 20 Sek. Serie von 10 Bildern und mit LR und Sequator bearbeitet. Die Lichtverschmutzung von Meiningen war für das Zentrum der Milchstraße nicht vorteilhaft😈
On the night of August 12th to August 13th, the Perseids (shooting stars) were very easy to see. Gaining clouds and high fog ended this event for me.
The photo was taken with Samyang 14 mm, ISO 4000, WA 3900, exposure time 20 seconds. Series of 10 images and processed with LR and sequator. Meiningen's light pollution was not beneficial for the center of the Milky Way😈
Dear friends, thank you for visiting my photo stream and the rating of my photos. I wish everyone the best of luck in their search for interesting and beautiful subjects
CATEGORY: STACKED
SOCIAL IG: @victorlimaphoto
STORY:
Star Trail over Salto Santa Maria, one of the main waterfalls of the Iguaçu Falls complex in Brazil.
Photographing Iguazu Falls at night has always been one of my priority projects. For that, it was necessary to obtain a special authorization from the environmental agency responsible for national parks in Brazil. Finally, in early 2021, I got this authorization and set out to put my plan into practice.
I spent 4 days inside the Iguaçu National Park with exclusive access at night to the Falls for me and my students. The first challenge is to walk around the park at night knowing that several jaguars reside there, which are frequently seen by employees and tourists. In the area closest to the main waterfalls, the big challenge is to make long exposure images with the strong water spray from the more than 1.5 million liters per second that fall through the waterfalls. Working with exposure times longer than 30 seconds became an almost impossible task and the lens was never dry.
To assemble the Star Trail, the Sequator software was used.
EXIF:
Canon R5 / Canon EF 16-35mm f/2.8L II USM
86x 16mm | f/2.8 | 30 sec | ISO 4000 (Sequator)
Startrails: 275 Aufnahmen - 25 Sek bei f/2.0, ISO 1600, 14mm verrechnet mit Starstax.
Vordergrund: 2 Aufnahmen 38 Sek bei f/8.0, ISO 400, 14mm mit Sequator verrechnet.
Unable to sleep following the disaster with my camera earlier in the evening (see previous upload), I kept looking out the window, watching the aurora dancing above Broadford Bay. At 4 am, Cassiopeia was due north in the sky, and remembered that the Milky Way runs through Cassiopeia. I found my old 6D camera and the 14mm lens I use for astrophotography and quietly crept out of the house to avoid disturbing my mammalian housemates, and went back to the seashore with my hated tripod. I thought I might try to capture the aurora and Milky Way together - my old 6D has a dodgy shutter but works fine with the long exposures I use for astrophotography. The big green arc that I had seen earlier was mostly gone at this point, but there were now strong pink and red colours. The aurora was so bright that it blew out the lower part of the Milky Way, but got a better capture higher up in the sky. The image was produced using nine shots combined in Sequator.
Went to Castle Hill last night looking for some Milky Way pics, I was particularly interested in doing a timelapse to record the star trails. And boom! This is what I was hoping for. Anything goes with night sky photography, hence this is a composite. First I took the foreground 240 sec exposure, f/5.0, ISO 3200. Next I took a timelapse of 240 images, 30 sec exposure,, f/2.8, ISO 1000. I only used the first hour worth of images as the full two hours became too busy. Denoised in DxO PhotoLab 6.5. Star trails stacked using Sequator. Finally composited with the foreground using Affinity Photo.