View allAll Photos Tagged sequator
Another shot from my first ever outing where I took astro photos planning on stacking them later.
For this one, I wanted to get my boyfriend on the dock staring right into the milky way core. Of course, it wasn't this bright in real life, but it was still spectacular!
Canon 80D + Sigma 18-35 f1.8
f1.8, 35mm, ISO 1600, Six 10" exposures
Foreground stacked in Sequator
Sky stacked in Deep Sky Stacker
Composited and edited in Lightroom and Photoshop
The Antares region of the Milky Way Galaxy. 167, 5 second exposures stacked in Sequator = 14 minutes of exposure. Tamron 70-200mm G2 @ 70mm f2.8, ISO 10,000, Nikon D850.
Light Painting of RV that has seen it's better days.
Composite of
8 sky images 15sec f/3.5 ISO 2500 stacked w/Sequator
6 foreground light painting 15sdc f/f.1 ISO 320
Nikon D3300, Nikkor 18-55mm (@18mm, f/8, IS1600)
31 x 10 sec
The same raw data was used as the former image (flic.kr/p/2omEQ1D), but with different workflow.
Foreground and background were separately stacked with Siril, processed with Darktable and combined with Gimp.
Advantage of this workflow compared to Sequator: I can use a tracking mount for the stars.
This is 1.4 hours worth of data and is taken in bortle 5. It is stacked in Sequator and processed in Photoshop.
Comet NEOWISE - taken 2020/07/15. Stacked in Sequator using 20 lights (10 iso 400, 10 iso 1000), and 10 darks. Olympus E-PL1 with OM Zuiko 50mm f1.8 prime
Taken from a tripod on top of my woodshed.
This is a layer stack of 12 images, 10sec exposures, WB4550K, Processeing: stacked for noise reduction in Sequator 1.6.0, more processing in RawTherapee 5.8 and GIMP 2.10.32 after stacking for final image.
Venus & Mars rising along with the core of the Milky Way Galaxy. Taken pre-dawn on March 1, 2022 between 5:15-5:45 am. 147 images stacked in Sequator = just under 32 minutes of exposure. 28mm, f3.5, ISO 8000, Nikon D810.
Taken from Oxfordshire, UK with a Canon 1100D with a Canon 10-18mm lens on a static tripod.
25 x 25 seconds at ISO-3200 f/4.5 stacked with 20 darks using Sequator, using the freeze foreground and light pollution removal tools. Image was processed using Lightroom, Fast Stone Image Viewer and Photoshop CS2.
If you want to see my video tutorial on how I use Sequator to stack Milky Way images, you can watch it here: youtu.be/KPeyi4hZgfg
Das Bild ist ein Stack aus 12 Einzelbildern a 20 Sekunden, die mit Sequator übereinander gelegt wurden. Bearbeitet wurde es in Capture One.
Lights : 90 shots
Darks : 20 shots
Flats : 10 shots
Exposure : 120 seconds
ISO settings : 2500
Imaging telescope : William Optics Zenithstar 61 APO
Accessory : William Optics Flattener
Imaging camera : Canon 70D
Filter : Optolong L-PRO
Acquisition software : BackyardEOS
Stacking software : Sequator
Post processing software : Adobe Lightroom / Topaz DeNoise AI
Shot in October 2022, Malta
Taken from Piha Beach in New Zealand.
Nikon D750 + 24-70 f/2.8 @ 70mm, f/5.6, ISO 6400, 120s
iOptron Skyguider Pro
Lightroom 6
Sequator (9 image stack + 1 dark frame)
This is my first release of a photo of the Milkyway. This is one is titled "Milky Way Magic Over Jessica Lake" Taken this past August on the shores of Jessica Lake in the darkness of a moonless night. The timing had to be just right as the Milkyway core is only visible for part of the year, the moon couldn't be out, and the sky had to be cloud and smoke free. It was an amazing sight to see all the stars out in their magical glory.
Copyright: Jason Lee Photography 2023. All Rights Reserved.
Follow me on Facebook: Jason Lee Photography
To Contact or Order Prints visit my website at: www.jasonleephotography.ca
Proof that you don't have to look in the direction of Perseus to see the Perseids. There were more clouds and light pollution in the direction of Perseus, and I prefer aiming at the Milky Way core anyway, and it worked. You can even sort of see an anti-radiant point in the opposite direction of Perseus. (The fireballs go from green to red, I guess as the emitting surface cools.)
This is a composite of 5 individual "fireball" frames on the stacked exposure, which was done using Sequator with its light pollution removal option on. A lot of touchup was needed in the Gimp since the stars moved noticeably between the fireball frames.
Late season Milky Way over cactus outside of Ledbetter, TX (between Houston and Austin)
34 - 13 sec ISO3200 f/3.5 images stacked in Sequator for the sky
5 - 13 sec ISO250 f/9 images lit with flashlight lay
Photoshop used to blend sky and background images
Quick pass at M51 using Sequator
Canon 6D - 70-300mm lens @ 300mm
ISO 1600
Tracking with Skyguider pro
Cropped and processed in PS
15 mph wind gusts made it tough to get round stars.
The small galaxy is eating the bigger one.
The tidal interaction with NGC 5195, which was not discovered until the advent of radio astronomy, has considerably enhanced the spiral structure of the Whirlpool Galaxy. Astronomers believe that it is also triggering waves of new star formation.
Quick pass at M51 using Sequator
Canon 6D - 70-300mm lens @ 300mm
ISO 1600
Tracking with Skyguider pro
Cropped and processed in PS
15 mph wind gusts made it tough to get round stars.
Quick pass at M51 using Sequator
Canon 6D - 70-300mm lens @ 300mm
ISO 1600
Tracking with Skyguider pro
Cropped and processed in PS
15 mph wind gusts made it tough to get round stars.
The small galaxy is eating the bigger one.
The tidal interaction with NGC 5195, which was not discovered until the advent of radio astronomy, has considerably enhanced the spiral structure of the Whirlpool Galaxy. Astronomers believe that it is also triggering waves of new star formation.
Marble Falls, Texas. Equipment: Stellarvue 90mm f/7 SVR90T-25SV apo triplet refractor, SFF3-25-48 large photographic field flattener, Nikon Z7, Celestron AVX Mount. Camera setting: ISO 1600-12800, 10-30 s. Stack of 240 exposures. Post-Processing: Sequator and Photoshop.
Foto por: John Jairo Parra
Los Tres Reyes Magos, tomada con: Cámara Sony A7iii, Lente Sigma 70-300 Macro DG, montura orion eq1 mini. Este resultado es producto de apilar 11 fotos tomadas a 15” con ISO 25600. Revelada y procesada con: Adobe Lightroom, Photoshop 2020, Sequator.
202-01-04
Memorial seat light painted by torchlight, overlooking Loch Fleet, in Ross-shire.
Sky 12 shots stacked in sequator. iso6400, f2.8, 15 secs
Foreground iso 640, f5.6 15sec painted by torch light
Milky Way Core, Saturn, and Jupiter over Orland, Maine.
Two frame pano of 10, 6-sec exposures stacked in Sequator and processed in Lightroom.
Foto por: Julio Medina
3 Intento de Galaxia Andromeda
Bogotá Colombia - Nikon d5200 - 114 fotos
sobre montura meade lx65
iso desde 500 a 2500
exp 10 seg a 30 seg
apiladas sequator
Bridging Millennia: Comet and Pyramid Unite Under the Night Sky
This is a breathtaking image capturing the celestial dance between the ancient and the ephemeral. Comet C/2023 A3 (Tsuchinshan-ATLAS), a visitor from the depths of our solar system, streaks across the sky, its luminous tail a ghostly echo of its journey through space. Below, the Step Pyramid of Djoser stands stoic and eternal, a testament to human ingenuity and a monument to Egypt's rich history.
Date :Oct 15
Time : 7 PM
Gear:
Nikon Z6 Astro Modified
Samyang 135
Exif:
Stacked (300 photos) :2sec, ISO 400, f2.8
Forground :1,2,3, Sec HDR
Softwares :
Sequator, pixinsight, photoshop
Credit :
Osama Fathi / www.instagram.com/osama.fathi.nswatcher85/
Social:
www.instagram.com/osama.fathi.nswatcher85/
Cairo Egypt
In Carls's Sagan romance "Contact", Ellie (Jodie Foster) captures strong radiosignal coming from Alpha Lyrae / Vega, a close neighbour distant just about 25 light years away - the signal is further proven to be in fact an attempt of contact from an advanced civilization.
- Canon 40D
- 55-250mm at 135mm f/5.6
- DIY Barndoor Tracker
- 24 subs @ 30sec
- No darks, no flats
- APT, Sequator, Lightroom
Astro-modified Canon EOS 600D and Samyang 24mm f/1.4 lens. 8 x 13-second exposures at f/2 and ISO 6400, stacked in Sequator software; curves and colour balance adjusted in Cyberlink PhotoDirector.
Marble Falls, Texas. Equipment: Stellarvue 90mm f/7 SVR90T-25SV apo triplet refractor, SFF3-25-48 large photographic field flattener, Nikon Z7, iOptron AZ Mount Pro with Tri-Pier. Camera setting: ISO 12800, 10-15 s. Stack of 80 exposures. Post-Processing: Sequator and Photoshop.
The Crux section of the Milky Way, the large and small Magellanic Clouds, and the star Canopus in the sky above Wilderness Kulala Desert Lodge, Namibia.
2-frame stacked pano. each frame is 10, 8-sec exposures pre-processed in Lr, stacked in Sequator, the stacked images were stitched in Ps, and finished in Lr.
Day 41 - After 4 days waiting, the clouds finally clear up.
Stacked 12 light + 6 noise image in Sequator
Blended in Photoshop
Final touches in Lightroom
Not idea conditions, due to the thin cloud and the crescent Moon about to set not very far away to the right.
Stacked 5 x 15 sec. frames in Sequator to reduce noise.
Milkyway core over the Capel River mouth at Peppermint Grove Beach in the South-West of WA.
Gear: Nikon Z6, Nikkor Z 20mm f/1.8 S
Settings: 15s, f1.8, ISO 6400 (10 frames stacked to for noise reduction)
Processing: Affinity Photo, Sequator
The Lion's Triplet (also known as the M66 Group) is a small group of galaxies that is approximately 35 million light-years away from Earth in the constellation Leo.
The group consists of spiral galaxies M66, M65 and NGC 3628.
Shooting data: Camera canon eos 1100d fullspectrum,canon lens 75/300 to 300mm f 5/6 - iso 6400 - 25 x 15s - optolong l-pro eos clip filter, minitrack astroseguitor aid,eos backyard capture - sum with sequator and photoshop processing
14mm exposures stacked with sequator, then stitched with hugin.
-
Projection: Hammer-Aitoff Equal Area (21)
FOV: 121 x 98
Ev: -10.71
Rho Ophiuchi taken from Canyonlands National Park, UT.
Camera = Canon 5D IV astro modded visible + H-alpha
Tracker = IOptron SkyGuider Pro
Lens = Sigma Art 105mm at f/2.0
ISO = 800
Exp. = 120 sec.
Frames = 8 stacked in Sequator
I'm as guilty as the next astro landscape photographer who tends to focus on the Milkyway core. Last weekend I decided to point the camera slightly to the left and give some glory to two irregular dwarf galaxies some 200 million light years away known as the Large and Small Magellanic Clouds aka LMC and SMC.
The LMC and SMC have a rich tradition in the cultures of Aboriginal Australians. In Western Australia, the Magellanic Clouds represent the camp of an old couple who can no longer obtain their own food. The Large Magellanic Cloud is the camp of the old man while the Small Magellanic Cloud is the camp of the old woman and a nearby star represents their fire. This story represents a celestial model of respect for elders and the need to share food with those who need it.
Gear: Nikon Z6, Nikkor Z 20mm f/1.8 S
Settings: 15s, f1.8, ISO 6400 (10 stacked images for noise reduction)
Processing: Affinity Photo, Sequator, Nik Collection 3
The Milky Way from Cannon Beach Oregon. One of the most popular beaches on the West coast of the US. The famous Cannon beach and Haystack.I came here to shoot some Sunset pics, and I stayed just to see how the scene was. I was expecting a lot of light pollution. I was surprised there was not more light pollution here, and yet the rocks were easily lit up from the lights of nearby hotels, and apartments. A quick and dirty process of 5min stacked images in Sequator. Canon Ra, 24mm F/2.8 ISO6400
L'amas ouvert M16 et sa nébuleuse de l'Aigle (en haut) et la nébuleuse Oméga -M17- (ou du Homard, plus drôle, en bas), dans les constellations du Serpent eu du Sagittaire.
Pris en Essonne. Appareil non défiltré.
Sélection de 7 clichés d'une minute au zoom 250mm sur SAM, compil Sequator et traitement Photoshop