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Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

Seems people were always feasting together in ancient times.

Nowadays, we are all alone.

Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

The floor of a darkened bird watching blind as the evening sun ray's illuminate the water below...

Photos taken at our ESOC mission control centre around the time of AOS(acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

Photo by Alice Merkel.

East 55th Street Marina, 5555 N Marginal Rd, Cleveland, OH 44114

 

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breaker wall out on the lake front.

Photos taken at our ESOC mission control centre around the time of Schiaparelli's separation from ExoMars/TGO at 16:42 CEST on 16 October Credit: ESA/P. Shlyaev

1974 - Separation of Egypt and Israeli forces in the Sinai after the Yom Kippur War of 1973 in which Israel was victorious.

Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

2nd processed shot from my oil and water test. Focus was way off on bottom so I cropped to the "filmstrip" look.

Some crew members were on the lucky side and floated away on the maiden voyage of the first pontoon last night.

(Image: Lauren Walker / Truthout)

Ceremony of Separation

Autumn / Winter 2015 - 2016

Coat of black polyester lace and net with attached children's dresses and bonnets of black nylon net, black cotton lawn, and black silk satin ribbon, and bow of cotton velveteen.

 

The Metropolitan Museum of Art’s Costume Institute spring 2017 exhibition, Rei Kawakubo/Comme des Garçons: Art of the In-Between, on view from May 4 through September 4, examines Kawakubo’s fascination with interstitiality, or the space between boundaries. In Kawakubo’s work, this in-between space is revealed as an aesthetic sensibility, establishing an unsettling zone of oscillating visual ambiguity that challenges conventional notions of beauty, good taste, and fashionability. A thematic exhibition, rather than a traditional retrospective, this is The Costume Institute’s first monographic show on a living designer since the Yves Saint Laurent exhibition in 1983.

--- Metropolitan Museum of Art

Photos taken at our ESOC mission control centre around the time of AOS(acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

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This caught my eye as I was walking along on my way to a friend's house. The title came to me as soon I took note of how the flag and the cross were positioned. The "crossed" building is the Roman Catholic High School for Boys, built in 1890. The "flagged" building is The Packard (condos).

 

I played with the levels in the sky to give the picture a more surreal or UNreal look to equal where separation of church and state are these days.

Impressive drawing of a primary school student expressing how he experiences the separation - divorce of his parents & family.

 

Ζωγραφιά μαθητή δημοτικού που αναπαριστά πως βιώνει τον χωρισμό - διαζύγιο των γονιών στην οικογένειά του.

 

Πηγή: Χάριτος Κατάκη, Οι τρεις ταυτότητες της Ελληνικής οικογένειας, εκδ. Κέδρος, σ. 112., διά της ΠΕΦΙΠ

Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

Dismantling the giant crane - Duke Street, Norwich

Brief based on a case regarding a set of autistic twins trying to cope with life in the 70's, society, acceptance and then separation.

Leicester Square, London

Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

Archives/Navy Memorial Station - Washington, DC

(On Black)

Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

Elitechrome 100. Cross process. Budapest.

View On Black

La realtà è una diagonale netta, che mostra due parti differenti, lontane.

Certe cose è giusto che siano separate.

Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev

We are still in Landmannalaugar and we climbed a mountain and this amazing view was below us.

 

Beautiful example of what is possible in tough Icelandic wilderness.

 

Czech, see an entry from this day in my journal.

Ceremony of Separation

Autumn / Winter 2015 - 2016

Dress of white cotton muslin

 

The Metropolitan Museum of Art’s Costume Institute spring 2017 exhibition, Rei Kawakubo/Comme des Garçons: Art of the In-Between, on view from May 4 through September 4, examines Kawakubo’s fascination with interstitiality, or the space between boundaries. In Kawakubo’s work, this in-between space is revealed as an aesthetic sensibility, establishing an unsettling zone of oscillating visual ambiguity that challenges conventional notions of beauty, good taste, and fashionability. A thematic exhibition, rather than a traditional retrospective, this is The Costume Institute’s first monographic show on a living designer since the Yves Saint Laurent exhibition in 1983.

--- Metropolitan Museum of Art

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