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Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
Photos taken at our ESOC mission control centre around the time of AOS(acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
Photo by Alice Merkel.
East 55th Street Marina, 5555 N Marginal Rd, Cleveland, OH 44114
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Photos taken at our ESOC mission control centre around the time of Schiaparelli's separation from ExoMars/TGO at 16:42 CEST on 16 October Credit: ESA/P. Shlyaev
1974 - Separation of Egypt and Israeli forces in the Sinai after the Yom Kippur War of 1973 in which Israel was victorious.
Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
2nd processed shot from my oil and water test. Focus was way off on bottom so I cropped to the "filmstrip" look.
Some crew members were on the lucky side and floated away on the maiden voyage of the first pontoon last night.
Ceremony of Separation
Autumn / Winter 2015 - 2016
Coat of black polyester lace and net with attached children's dresses and bonnets of black nylon net, black cotton lawn, and black silk satin ribbon, and bow of cotton velveteen.
The Metropolitan Museum of Art’s Costume Institute spring 2017 exhibition, Rei Kawakubo/Comme des Garçons: Art of the In-Between, on view from May 4 through September 4, examines Kawakubo’s fascination with interstitiality, or the space between boundaries. In Kawakubo’s work, this in-between space is revealed as an aesthetic sensibility, establishing an unsettling zone of oscillating visual ambiguity that challenges conventional notions of beauty, good taste, and fashionability. A thematic exhibition, rather than a traditional retrospective, this is The Costume Institute’s first monographic show on a living designer since the Yves Saint Laurent exhibition in 1983.
--- Metropolitan Museum of Art
Photos taken at our ESOC mission control centre around the time of AOS(acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
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This caught my eye as I was walking along on my way to a friend's house. The title came to me as soon I took note of how the flag and the cross were positioned. The "crossed" building is the Roman Catholic High School for Boys, built in 1890. The "flagged" building is The Packard (condos).
I played with the levels in the sky to give the picture a more surreal or UNreal look to equal where separation of church and state are these days.
Impressive drawing of a primary school student expressing how he experiences the separation - divorce of his parents & family.
Ζωγραφιά μαθητή δημοτικού που αναπαριστά πως βιώνει τον χωρισμό - διαζύγιο των γονιών στην οικογένειά του.
Πηγή: Χάριτος Κατάκη, Οι τρεις ταυτότητες της Ελληνικής οικογένειας, εκδ. Κέδρος, σ. 112., διά της ΠΕΦΙΠ
Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
Brief based on a case regarding a set of autistic twins trying to cope with life in the 70's, society, acceptance and then separation.
Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
Elitechrome 100. Cross process. Budapest.
La realtà è una diagonale netta, che mostra due parti differenti, lontane.
Certe cose è giusto che siano separate.
Photos taken at our ESOC mission control centre around the time of AOS (acquisition of signal) from ExoMars/TGO following the separation of the Schiaparelli lander Credit: ESA/P. Shlyaev
We are still in Landmannalaugar and we climbed a mountain and this amazing view was below us.
Beautiful example of what is possible in tough Icelandic wilderness.
Czech, see an entry from this day in my journal.
Ceremony of Separation
Autumn / Winter 2015 - 2016
Dress of white cotton muslin
The Metropolitan Museum of Art’s Costume Institute spring 2017 exhibition, Rei Kawakubo/Comme des Garçons: Art of the In-Between, on view from May 4 through September 4, examines Kawakubo’s fascination with interstitiality, or the space between boundaries. In Kawakubo’s work, this in-between space is revealed as an aesthetic sensibility, establishing an unsettling zone of oscillating visual ambiguity that challenges conventional notions of beauty, good taste, and fashionability. A thematic exhibition, rather than a traditional retrospective, this is The Costume Institute’s first monographic show on a living designer since the Yves Saint Laurent exhibition in 1983.
--- Metropolitan Museum of Art