View allAll Photos Tagged separation
Class 172 diesel multiple units Nos. 172004 and 172101 have just arrived at Worcester Shrub Hill station with 2V28, the 09:03 service from Dorridge on Thursday 6th June 2024, and would soon be uncoupled from each other.
"Sunset Separation 1:" The drama and the colors kept unfolding during this fiery sunset from a few weeks ago.
Two parts of the Argentiere glacier separated by a wall of rock. In the not distant past these two sections of the glacier were joined. I don't know the height difference but it's significant ant.
Aperture: f/11
Shutter: 240sec
ISO: 50
Focal Length: 23mm
Camera Body: Canon 5D MK II
Lens: EF 17-40mm f/4L USM
Filters: 11 Stop Nisi ND
Processed: Photoshop cs3
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My final image from the paddling pools in Llandudno. This is my favourite image from all three.
Thanks for looking....
The ECML and the Inter City 125 have been together for over 40yrs , but today sees a final run . The well received LNER Lets Go Round Again HST farewell tour visits Doncaster on its way to Kings Cross....Enjoy..
8 12 19
Looking past the rim and into a coloured glass candle shade from Istanbul's Bazaar.
MIR-1 37mm f2.8 wide open
Day 8 of Pentax Forum's Daily in September 2019 Challenge:
Theme day - Macro
Every separation is both sad and being open to new hopes... I believe this flower represents my situation very accurately with its emotional and colorful look together.
(I like this photo particularly even it is wrongly focused. In fact i'd like it less if it would be focused correctly.)
Büyükada, Adalar (Prince's Islands) - İstanbul
2 Lencarta 600SFs into silver umbrellas with Lee orange gels left and right. A spot grid on a Lencarta Safari II up above with a Lee teal gel provides the complementary colour. Why the Safari ? The head weighs almost nothing and is is a lot easier to manage on a boom - no 4kg counterweight required!
Note the colours you see here are not the exact colours these gels provide. All you need the gels for is to give colour separation. Once you have that, you can manipulate each colour channel through any number of tools: levels, curves etc.
Model: Nicky Phillips
Assistant: John Gannon
Shot at: Studio d'Lumiere