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Sigh. Remember the other day I mentioned I had found some sensor dust on my D800. Well, today I got home, where I have the “industrial” size blower and I went to town on the sensor to clean it, and then my worst fears came true. It appears it’s not dust, it may be that sensor oil issue others have found from the manufacturing process (it’s believed the mirror or shutter action flings oil onto the sensor). So tomorrow I’ll have to take steps to get that oil off the sensor. Seems to be a common problem with Nikon’s pro SLRs so I’ll start with a Visible Dust wet cleaning kit rather than put my camera into Nikon’s service centre in Mississauga. Last time I did that with my D200 it took almost three months to get it back and I’ve got photos to take in the meantime.
The photo above is a composite from four images. I took the photos in sequence using the stop down and defocus technique for spotting sensor dust in between. I aimed the camera at my white drapes. Other than cropping out a 6 megapixel image out of the 36 megapixel sensor it’s unmodified from the camera. Yay.
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De 2 gebroken soldeerverbindingen van de meetpennen naar de printplaat en de 3 soldeerverbindingen van de connector zijn hier opnieuw vertinden met een soldeerbout en maken nu weer goed contact. De sensor werkt weer en de STOP lamp vanwege koelvloestof problemen is niet meer aangeweest sindsdien.
Interesting… I was playing with long exposures at night. I triggered the release and went back inside expecting to get a 5 minute exposure. An hour later I remembered the camera. This is the way it came out - no special effects added here. There was one porch light on, which probably accounts for the yellow cast, and some green leaves where the light was indirect (and of course breezes has moved the tree about in that hour).
What puzzles me is the buildings and fire escapes still have texture ad definition, but the BLACK SKY is all blown out. I wonder what the sensor was up to here...
Wattson sensor in situ around cable between the meter and fuse box at Pages Lane. Big yellow box is the FM transmitter.
Description:
1. Processor: Ambarella A7
2. Screen Size: 2.7 LTPS
3. Video Resolution: 1920x1080P 30FPS, 1920x1080P 30FPS, 1280x720 60FPS, 1280x720 30FPS
4. Video Format: MP4
5. Video Codec: H.264 Audio: AAC
6. Image Resolution: 5312X2988, 4800X2700, 4000X2250, 2688X1512
7. Language:
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This was a quick sensor experiment involving bokeh. The grain is rather prominent in the bokeh above the Chronicles of Narnia series, which is rather nice.
Sensor demonstration using ROHM Group sensors from UV light sensors to hall-effect and motions sensors. Shown at Sensors Expo, June 2011.
The solar sensor from Hobby-Boards.com has a humidity sensor, a temperature sensor and also the photodiode for solar sensor - it has been removed and the legs left for soldering the white wires to. Power is supplied to it via the two black wires ~ 12V DC unregulated. Please take good care to note the photo-diode leg closest to my thumb is the one with the tag indicating the +ve leg.
The data is transferred via ethernet cable and each device has its own ROM ID code and is polled in sequence by the weather software.
My A540 sensor seems to be dying; I am getting the Venetian blind effect. Flckr's sharpening agorithm masks this at the small size. Select large and you will get a dynamic flicker from the still image.
Después de un años de trabajo arduo, celebramos en compañía de nuestra familia en Cristo, sus grandes bendiciones durante el 2018.
Water Sensors
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SENSOR SYSTEM
MYSTICAL COMPUTER ENVIRONMENTS
A Mystical, interactive, aesthetic, computer experience.
The Sensor System was used as part of Padgett’s artist-in-residency at Loughborough University with the C&CRS for COSTART, partly funded by the EPSRC Grant GR/M14517 Studies of Computer Support for Creative Work, Artists and Technologists in Collaboration.
8 sensors are located on each side of a 365cm x 365cm frame at 30cm high. The frame is in front of a screen 245cm wide and 180cm high. One person rotates the shape and chooses the colour, one person walks in the frame and extrudes smaller basic shapes.
When people move in the installation squares are generated in the axis they move. Rotation is added and intergalactic patterns result.
This interactive work breaks down the subject/object dualisms as the participant is also the work. Participants move around a sensor system to produce moving abstract designs that are purely aesthetic and join 2D design with a 3D, mystical, inner space.