View allAll Photos Tagged selenium
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Another sunny day in Perth where the weather never changes... seemingly.
this is a bridge near fremantle in west australia. its near the old switching yards close to leighton beach and I had originally pulled over to climb it and get a better view of the dingo flour refinery on stirling highway. the long and short of it was the refinery the ended up second best to amazing texture and interplay of light and dark this bridge had.
Commissioned project (names removed to protect the surprise). Charted and knit by PrincessFroglips, herself. If you would like the pattern, PM me and I'll send it to you.
Based on idea found here:
sternlab.org/2010/02/emission-spectra-scarves/
Selenium spectrum generated here:
Selenium training is one of the best online certification courses which provides detailed knowledge on concepts of Selenium. This online course is all about making the candidate understand this tool by guiding them about different topics.
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by Paul Wainwright
#9 of 10
Selenium toned silver print from 4x5 negative, limited edition of 20.
www.paulwainwrightphotography.com
“Honey, don’t turn off the humidifier!” This photograph was made one morning in January, 2003, when the outside temperature was nine degrees below–definitely too cold to be outside with the view camera. I love the patterns of ice that form on the storm windows here in New Hampshire, and I had only a few minutes when the light was just right to capture this image from inside our bedroom.
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Selenium Toned Silver Gelatin Print - Ilford MGIV FB 11x14"
Fuji Neopan 1600
Nikkormat FT2
50/1.4
Alfred, NY
Canon EOS 50D + Tamron 17-50mm f/2,8
@50mm
ISO400
f/6.3
1/100 sec
Nissin Speedlite Di622 flash with small Softbox
Processed in Adobe Photoshop CS5 and Lightroom 3.5
Saw these discs drying in the sun as I descended Arunachala. I assumed they were to be used for fuel, and I saw a funeral pyre fueled by them in another Flickr photo. Because the rocks reminded me of whales, I used a selenium tint to give the feel of ocean, somewhat.
Posemètre sélénium. Appareil fermé.
Une description se trouve ici (en anglais)
Ciné-brocante, 17 octobre 2015, Lyon.
Reference FIle: FLA-160806-ND800E-569-BW_selenium
Infrared Underwater Photography
©2016 Fernando Lopez Arbarello - All Rights Reserved
Fine Art Photography by Fernando Lopez Arbarello
the result of being bored in the flat on a random hungover saturday!
toned using this technique: www.luminous-landscape.com/tutorials/duotone.shtml
Лилия Зданевич - выступала с докладом "Selenium: Выход за пределы возможного". DataArt, Украина
Лилия является старшим QA специалистом. Имеет 4-летний опыт работы в автоматизации тестирования с использованием популярных инструментов, таких как: Селен WebDriver (Ruby, Java), SoapUI, Фукидида, Sikuli, Jmeter.
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It’s like every friggin day now, “6 do this, 6 do that, 6 get me a, 6 go for a, 6 6 6 6 ahhhh, they are drivin me nuts. So of all days the Spectrum Separator Selenium Drive (SSSD) decides to color shift into spectral symbiosis, well who gets the call to check it out…6 why of course. I hate going down into the bowels of the (SSSD) but once again I have to figure out the problem and this time it looks like the pOla-biO and it’s rOidalator have finally shifted into electromagnetic equilibrium…We are so about to be “TOAST” as pure Crayola Melt Down (CMD) is inevitable…”so much for bossin old 6 around ever again, ha”
One of my favourite portraits is from around 1990, taken on a 35mm film camera with a 135mm lens. The original image was printed in my home darkroom on Agfa paper, either Portriga Rapid or Record Rapid; I cannot remember which and finished in a bath of selenium toner.
MY JOURNEY TO THE HOME DARKROOM.
One Saturday in 1979, I visited Cecil Hughson's photo hardware shop in Lerwick, the main town in the Shetland Islands, where I was working at the time; I emerged with a complete Paterson 'home' darkroom kit (chemicals and paper excluded) comprising:
- Paterson Universal 35mm Enlarger with 50mm lens
- Paterson Adjustable Printing Easel
- Universal Developing Tank and Spiral
- Set of three 8 x 10 trays
- Paterson safe light
- 3 measuring cylinders
- Chemical Mixer
- Thermometer
- Print tongues
- Pair of film clips
- Paterson Film Squeegee
- Paterson Micro Focus Finder
In those days, my 'darkroom' was the kitchen I shared with my flatmate Fraser on Thorfinn Street. What follows here is a journey down memory lane into a world largely (but not entirely) gone from view, where the terms used will resonate with a few and mean nothing to the many.
I had entered into the mysterious world of the darkroom - I had developed my first black & white film - I had experienced the wonder of seeing (by the dim red glow of the safe light) my first image magically appear from a blank sheet of printing paper submerged in developing fluid. The learning curve had begun, and through time and much trial and error, I gradually honed my skills in printing from B&W negatives. In succeeding years, I upgraded to a Durst enlarger, which allowed for medium-format and 35mm negative carriers. Also, a Gene Nocon f-stop timer linked to the enlarger facilitated a more advanced timing method for burning and dodging techniques than simply counting one elephant, two elephants, three elephants, etc. Other names entered my darkroom vocabulary:
FILM such as - Ilford FP4, Ilford HP5 and Ilford Pan and equivalent rated Agfapan films.
PAPER such as - Ilford Multigrade Resin Coated; also evocatively named Fibre-Based papers from Agfa like Portriga Rapid and Record Rapid.
CHEMISTRY, such as film developers - Agfa Rodinal and Ilford ID-11; Agfa paper developers Neutol NE / WA and Ilford Multigrade; followed sequentially by Ilford Ilfostop and Ilford Hypam Fixer.
TONERS such as Sepia and Selenium, the latter being my favourite.
My bible in those days was a book called 'CREATIVE ELEMENTS: Landscape Photography—Darkroom Techniques' by Eddie Ephraums; I still have his signed copy. My darkroom supplies came from a firm called 'Silverprint'. ***
Sadly, after 25 years, my association with 'the B&W darkroom' ended abruptly with selling my film cameras in 2004 and purchasing my first digital camera, a Kodak DCS-14n. Digital appeared to be the future, so I gave away my darkroom paraphernalia to a local school, but out of sentiment, I kept the original developing trays from 1979. The link was broken, but even today, I can recall the distinctive smell of those darkroom chemicals and, perhaps more importantly, the sense of fulfilment I felt upon creating the finished print.
Today, my journey continues via a different route, namely, Lightroom, Photoshop, and an Epson printer.
*** Regretfully, Silverprint are no longer in business; I understand they went into Administration in 2023.