View allAll Photos Tagged selenium

August 2018

Credit: Bonnie Gestring/Earthworks

It formed the knot by itself, so strange..

 

Mimicking selenium tone by Photoshop.

Abbey of the Order of Cluny

 

(split toned in selenium and mt5 polysulphid)

Forgot about this shot of the missus playing about with some strap thing on Sharon's dress before they headed out.

 

Really loving the 'Selenium' B&W setting in Topaz B&W effects 2!

How to right click in selenium

Kodak SIX-20 Brownie C in selenium

© Chase Hoffman Photography. All rights reserved.

 

I really liked her expression here, but my first edits weren't yielding good results. I went back and re-did it and tried the selenium preset with lightroom. Getting the tones just, right was my original problem.

 

View On Black

French selenium meter Realt Photo from 1949. This version has black dials.

 

(More pictures of this and other meters on my site www.kolumbus.fi/puistot/collection.)

August 2018

Credit: Bonnie Gestring/Earthworks

1st Place - Black and White Photography

John Spohnholtz

Back in the day when I used to print my photos, selenium tone was my favorite. I love the blue-ish purple hue that is created. Here's a shot at trying to replicate it in the digital darkroom of Photoshop CS2.

 

Channel Mixer

Color Balance [Midtones: add a dash of red and two dashes of blue]

 

This is also from when *Mike and I had the opportunity to meet and shoot with darkmatter and SF Buckaroo this past weekend. It was great to chat with fellow flickr'ers! Especially those whose photos I admire so much.

pentax k1000

tmax 400

ilford warmtone

selenium toned

A partially Selenium toned Lith print of Stonebarrow, nr Charmouth, Dorset England. Lyme Regis is in the distance. Part of the Jurassic coast.

 

The meta data suggestes the shot was made on a Nikon D70. It was however made witha Bronica ETRS with a 50mm lens. The original negative was made on Ilford Delta 400, rated at 200 and processed in Pyro developer.

 

The lith print was then made and subsequently photographed with a Nikon D70 to 'digitise' it for inclusion on Flickr.

 

August 2018

Credit: Bonnie Gestring/Earthworks

August 2018

Credit: Bonnie Gestring/Earthworks

Schuykill River. Philadelphia, PA.

 

Olympus OM-1n 35mm film camera with a 50mm standard lens. Kodak TMAX 100 film.

 

Lith print using Fotospeed LD20 on Fomatone MG Classic fiber glossy. Toned in selenium.

ND1000, 30sec @ f/9

Selenium Quadtone

playing around with photoshop lith and toning effects

selenium toned in gimp

August 2018

Credit: Bonnie Gestring/Earthworks

or a client, prints from glass negatives taken in ostende circa 1920. Printed on Bergger Variable NB 30x40cm, split toned with Moersch MT3 + selenium.

Another view of the Mount this time processed with Selenium toning.

Exposure meter with two selenium cells.

Taken on the fish market stall, like a shoal of dead fish.

Selenium toned version of an old negative on Adox Nuance paper. Its much better than using ilford multigrade :)

Exponometru cu fotocelule de selenium (functioneaza fara baterii) calibrat pentru standarde ASA si Din. Permite masurarea luminii pentru diafragme de la 1.4 la 22 si viteze de la 1/1000 la 15 secunde.

Dotat cu un filtru alb (detasabil) pentru masurarea luminii incidente.

 

Facut in URSS intre anii 1960-1977

 

L-am comparat cu exponometrul de la aparatul digital si inca da rezultate suficient de precise dupa atatia ani.

Zenit Helios 44 lens on Nikon D3100

Exposure meter with two selenium cells.

4x5 print, selenium toned on fiber paper

Experimented with a filter to give a sense of coldness to the shot. Not sure if it worked out as intended.

 

View On Black

Exposure meter with two selenium cells.

August 2018

Credit: Bonnie Gestring/Earthworks

This photograph was clicked in P@P Tamhini Ghat photo shoot. When I was doing a post processing decided to give this fern plant a different tone. So this is it - Selenium Tone - Selenium Fern

Further testing for my Leica M3 and Leicameter. The leicameter does work but it's a prone to being a stop out or so and probably a little further out in low light. Certainly better than guess work but I feel the need to bring a proper meter with me.

    

As for the M3? It's lovely. The shutter is buttery smooth even when it's half working, the finder is accurate and clear. Much nicer to use than my M6. Makes me wonder about an MP though, surely the finder just isn't as good as this?

    

I'm wondering about the lens. It is definitely back focussing compared to my other 50mm lenses when used on my M8 but I can't see it on the M3.

    

"Your M3 needs tweaking!" I hear you cry. I'm not so sure.

    

Shot on XP2

Developed at Jessops in an hour

Silverfast Scan Plustek 8100

Leica M3, CV Nokton F1.1 50

- Silver gelatin photography 8½x8½"

- Oriental Seagull FB paper 11x14"

- Selenium toned

- Printed from Fujifilm Neopan 100 Acros negative

- Taken by Rolleiflex TLR 3.5F / Carl Zeiss 75mm camera

 

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