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Well done for sticking with this series of prints. Here's the last one from the set where I went for an even more delicate look. To get this I had to dodge several areas to prevent the shadow areas from breaking out too much. The snatch point was even earlier than for variation #3. The original print colour wasn't too exciting so I went down the selenium and gold route once again. i tried not to overdo the gold as I didn't want the finished result to look too blue. What I got was a delicate lilac/lavender hue to the mid tones. The scan is a bit scruffy, but hey...
Lith print on Foma Nature II 532, developed in warm Fotospeed LD20 + old brown. Toned in selenium and gold.
Mamiya RB67, Kodak Tri-X 400, Rodinal (1+50)
Old trolley bus at the Illinois Railway Museum. I pulled it from the selenium just before the selenium hit the highlights
Hasselblad with 80mm lens, Acros film, lith printed on Fomatone then split toned (carefully!) in selenium
Hasselblad 500c
Kodak TMAX 100
Rodinal 1:100; SSD
Kodak Rapid Selenium Toner 1:3
The Witness from Drab Future
This camera has a built in selenium meter but the ISO settings available are 10, 32 & 64. I notice some slight vignetting on the edges and everything has a bit of a pink hue to it. The film was given to me by a friend but now I'm trying to remember if he said it was expired or not. I really must write these things down, lol
1959 Braun Paxette Electromatic
Kodak Gold 200
ISO 200
Shot at ISO 64 processed at box speed
Process & Scan by A+M Imaging, Unit 3, Stewartfield, Edinburgh
www.gardensofscotland.org/garden.aspx?id=abdd1a5f-b2c8-40...
The selenium light meter on this camera doesn't work so I'm very pleased to see that something came out on the film. First test roll.
Olympus EE-3 half-frame
Eastman Double X
Developed in Kodak D76
Pakon scan
Lith Print
Paper: Kodak Ektalure X (tweed texture) 8x10, expired 1983
Developer: Moersch SE5
Toner: Ilford Selenium 1:4
Camera: Bronica SQ-A, 80mm 2.8
Film: FP4+ in ID-11
Lighting: only a 200 watt clear incandescent light bulb
Evan Granite, left, a researcher in the Office of Research and Development at the Department of Energy’s National Energy Laboratory, and Albert Presto, a post-doctoral research associate from Carnegie Mellon University, prepare an experiment at the packed bed reactor, which is used for research into capturing mercury, arsenic and selenium.
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Selenium exposure meters manufactured 1960-77 in the Soviet Union. With Mamiyaflex, allows precise but battery-free photography... green photography.
8x10 Paper Negative, Slavitch Grade 2 rated ISO 3 [as low as the meter would go] exposure around 5 secs Developed in. Dektol for around 3 mins for high contrast. Selenium Toned for 15 mins which turned the neg-print a brown sepia colour. Scanned and inverted in P.Shop. Made with a lovely rickety Senca 8X10 with Darlot lens 250 mm
Turrach
Scan from print:
Paper: Adox MCP312
Developer: Mörsch Eco
Toner: Kodak Rapid Selenium
Film Info:
Film: Kodak Trix 400
Developer: Ilford DD-X
Lens: Nikkor 50mm 1.4G
Camera: Nikon F6
سيميكسوليف كبسول لعلاج امراض الكبد
Cemixo live capsules سيميكسوليف كبسول
المواد الفعالة :
سيليمارين SILYMARIN
عرقسوس LIQUORICE
سيلينيوم SELENIUM
دواعي الاستخدام :
يستخدم سيميكسوليف كبسول Cemixo live capsules في حالات التهاب الكبد الحاد والمزمن كما يستخدم في حالات تليف الكبد كعلاج مساعد...
pharmapedia.pw/cemixo-live-capsules-%d8%b3%d9%8a%d9%85%d9...
pharmapedia.pw/wp-content/uploads/2017/09/cemixo-live-cap...
Photographs for "100 Heads," a random street portraiture show featuring seven photographers at MakeShift gallery in Bellingham, WA.
Photographs taken on Mamiya RB67, 180mm lens, Tri-X pulled to 200 developed in Rodinal. Printed on Ilford FB Warmtone MG paper and toned in selenium. 11x14.
Photographs were cropped horizontally due to a light leak across the top of the frame.
Scanned papercopy
Nikon F3
Nikkor 180mm f/2.8 ED Ais
Hp5+
D76 1+1
------------
Kentmere Fineprint 18X24 Glossy
Focomat 1C with Focotar 50mm f/4.5 and Ilford Colorhead
Exposed for 12s at f/8 Grade 2
Developed for 90s in Ilford Mg developer
Toned in Selenium 1+10 for 1.5 min (?)
The scan doesn't do this paper any justice....
Canonet
Tmax 400
Rodinal 1:50
Ilford FB warmtone paper
selenium toned
Warren Patrol wrist-watch selenium exposure meter, 1950, USA. Case is made of some plastic, wrist band is a metal one
Comparison Of Active Ingredients Between Wild Cordyceps And Cordycept Sinensis.
Avatar Represent Sign
- Cordyceps Sinensis : CS
- Wild Cordyceps : WC
Ingredient
D-Mannitol - 6.49% (CS), 5.7% (WC)
Cordicepin - 20.78ug/10ul (CS), 0.608ug/10ul (WC)
Cordyceps Polysaccharide - 24.44±0.34% (WC), 12.15±0.21% (CS)
Crude Oil - 10.56±0.38% (WC), 3.14±0.03% (CS)
TN - 11.38±0.02% (CS), 4.55±0.03% (WC)
Crude Protein - 71.14±0.13% (CS), 28.45±0.02% (WC)
Phosphorus - 12457ug/g (CS), 3671ug/g (WC)
Potassium - 19841ug/g (CS), 3975ug/g (WC)
Zinc - 127.6ug/g (CS), 13.9ug/g (WC)
Selenium - 0.54ug/g (CS), 0.340ug/g (WC)
Iron - 3163ug/g (WC), 829ug/g (CS)
Report from： Medicine Technology Research. Department Of China Jilin University.
Photographs for "100 Heads," a random street portraiture show featuring seven photographers at MakeShift gallery in Bellingham, WA.
Photographs taken on Mamiya RB67, 180mm lens, Tri-X pulled to 200 developed in Rodinal. Printed on Ilford FB Warmtone MG paper and toned in selenium. 11x14.
Photographs were cropped horizontally due to a light leak across the top of the frame.
Taken at a cook out with a Contax G1 and 90 mm lens on HP5+, printed on Multigrade IV RC and toned in Sepia and Selenium.
London Eye. Abstract.
Nellie Vin ©Photography.
Series Winter in London. UK
Limited Edition 200
Selenium Print
Linhof Kardan Standard / Schneider Symmar convertible 150-260mm / Forte Bromofort
Looking at princelle's book, 'Cameras from the Soviet Union', one notices that the quality and ambition of FED material doesn't stop decreasing over thime. This is a fine example. The FED 50 is an involution of FED 35, a parctically identical model, only that it has a coupled rangefinder and a CdS cell meter instead of the hopelessly outdated selenium meter around the lens. Some like celenium bulbs, though. My wife is one of them; in fact the camera is hers.
The prior generation of this camera, the half frame Mikron, was indeed closely 'inspired' in the simpler models of Olympus PEN snapshot cameras, and also used a barrel selenium meter.
Hey, it is an automatic camera... with single program curve :) Wich means that it can only shoot in a very limited number of diaphragm/speed combinations, which I find fairly odd.
The previous models of this generation fo cameras, the 35 and the 35a, had a coupled rangefinder, a feature that the 50 lost. What the 50 kept was the dark green tinted finder, pretty useless in my opinion, as it doesn't need to offer any contrast with a rangefinder image.
This is how the glorious history of the camera makers from Kharkhov ends
While I was on Tim Rudman's recent lith printing workshop, I was reminded how cemeteries can yield some striking images that suit lith printing very well. This prompted a return to an old 35mm negative, which I don't think has turned out too bad as a print.
Lith print on Foma Nature II, developed in warm Fotospeed LD20 + old brown. Selenium toned (1+14)
Pentax MX, Ilford HP5+, ID-11