View allAll Photos Tagged selective
I'm not usually a fan of black and white stuff because I like bright, bold photos that look like the stuff they look like but I thought I'd try something a little different with this one. I uploaded the original for comparison.
For We're Here and Red Car
I asked bron to draw me a red car so I can take a photo of it, she said I can do it, I said I have no drawing skills. She said everybody can draw....... I rest my case
Very happy polishing my photography skills taking a full Photoshop course... here is a sample of the first results ...
just practicing my settings again but i like how this one turned out. the way the shadow hits my eyelid and stuff
My first full wedding shoot.... heaps of fun and very happy with the finished results - as is Bride and Groom
I've never attempted selective colouring before. I'm quite chuffed with my results. But of course, I was working with some stunning models. Molly is a pure-bred Persian.
52 in 2021 Challenge . 35 ~ selective color in black & white
an in-camera special effect process
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Nikon S3700 .. S37_7218
exposure made: 01/14/2021 06:23:08 MST
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shoot it, don't 'pute it
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A Rollei Retro (Agfa Aviphot) 400 S film with my Zorki 1 type D (year 1955), Lyon, France, January 30 an 31, 2023.
The Zorki camera was loaded with a 36-exposure superpanchromatic Rollei Retro 400 S film, with its leader trimmed for old Leica's. The Industar-22 lens was equipped with a 36mm push-on filter of the indicated characteristic bellow and a generic metal cylindric shade hood.
Expositions were determined using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas. The absorption of the used filter was corrected according their coefficient.
36mm push-on yellow filter and shade hood on the Zorki, January 31, 2023
69004 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+50, 20°C for 22 min according to the manufacturer indication.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФÐД", "ФÐД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was deposited the custom receipt and a film label of Agfa negative-color CN17 likely from the 60's.
Excursion from Lyon to Eveux, France, on September 20, 2022 for a photo tour at the Monastery Sainte-Marie de a Tourette, designed in 1959 by the French architect Le Corbusier in the Cubist style. This monastery is the last big work of Le Corbusier and was registered in 2016 to UNESCO list the Human patrimony.
The film used was a CineStill-XX (or Kodak Eastman Double-X produced since 1959, Ref. 5222/7222 250D/200T for cinema 35 mm camera) exposed for 200 ISO with a Nikon F (year 1964-1965) and its normal lens Tokyo Kogaku Nikkor-S Auto 1:2 f=5cm fitted with a UV-protection multi-coated JYC 52mm filter and the Nikkor shade hood designed for the lens. Exposition were determined using a Minolta Autometer III with its 10° finder for selective measuring privileging the shadows.
Eveux, September 20, 2022
69210 Eveux
France
The film was processed using Ultrafin developer at dilution 1+20 for 12 min at 20°C. After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
Persistent URL: contentdm.lib.miamioh.edu/cdm/compoundobject/collection/p...
Subject: Parades & processions; flags; War; commercial streets; city & town life; Ohio--Oxford; miami digital collections; bowden postcard collection
Don't know how it turns out this way. I was only expecting the usual blurry picture from thoughtless shooting without even seeing. But seems like this time luck do what she do worse, not fucking up on peoples.
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Mark Farrington Photography
View Routemaster - Selective Colour online.
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Selective logging in the Pokeamoke State Forest, near the town of Snow Hill on Maryland's Eastern Shore.
Pokeamoke State Forest
Februrary 2007
I usually love shooting details, shooting wide open, getting that creamy bokeh. I usually have no trouble coming up with subjects. Today, I was stumped. That is, until the girl needed me to fix the hem on her vividly colored Ariel dress. Et, voila! My subject appeared before my very eyes. Don'tcha love when that happens?
I don't think I will ever fully comprehend the depth of the challenges faced by women in a patriarchal society. Body image issues are no exception.
For example, I don't think I can understand why this beautiful person would mask her freckles with foundation.
Please do not mistake this as direction of how she ought to live her life or construct her self. She has the autonomy to do as she please.
I guess it just goes to show again the subjectivity of the characteristics of beauty.
Photo notes: Yeahhh shrubs..
From my most recent visit to Bernheim with Sean. I like the selective here, but something happened to the edges. It looked great after I finished brushing the color back in, but somewhere between that and the final adjustments, something happened to make the edges where I brushed solid white. I'm not printing this or anything, so it doesn't ultimately matter just as long as you don't look to close. I took a bunch of black and white photos after this, a few of which I will eventually upload. Thanks for stopping by!