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chocolate custard topped with orange segments
custard blended with chocolate powder during the cooking
small fresh oranges peeled and cut into small segments
bird's custard powder www.sainsburys.co.uk/gol-ui/product/birds-custard-powder-...
skimmed milk powder www.sainsburys.co.uk/gol-ui/product/marvel-dried-skimmed-...
chocolate powder www.sainsburys.co.uk/gol-ui/product/dr-oetker-fine-dark-c...
photo is in a square format
just one thing with michael mosley
food special with professor tim spector
7 days 30 different plant based foods
www.bbc.co.uk/sounds/play/m001ngjx
ps i'm not recommending any of these cookery adventures. they suit my personal taste. photographing to encourage myself to eat more healthily ...
i've created a group www.flickr.com/groups/cooking_is_my_hobby/ to gather ideas and encourage myself to continue with healthy eating by learning from others if you're interested in cooking, sometimes or a lot, or enjoy the cooking of others, you're always welcome ...
In mid-May there was still a lot of snow locked up in the mountains, which portends well for a good summer for vegetation, and for the wildlife that depends on it.
Oxbow Bend (Scenic Segment) of the Snake River, Grand Teton National Park, Wyoming
"If it is on the wall is it art?"
I have been dying to shoot this segment of the series for a month now. As of late, I have had an intense interest in sculptures, they have such a quiet resonance about them. In this segment I hope to capture the silent allure of classical sculpture.
What do sculptures dream of in the never ending cycle of their stoic state?
The Beginning.
Unfortunately my favorite lens malfunctioned right before the shoot.
RIP 50mm
A man cycles along Bernauer Strasse, behind the metal bars of the Gedenkstätte Berliner Mauer, a representation of the Berlin Wall.
La 208 phase 2 est une voiture de segment B produite par le constructeur automobile français Peugeot et commercialisée à partir du 6 octobre 2019. Elle est la seconde génération de Peugeot 208, et succède à la première génération produite de 2012 à 2019.
Forster-Tuncurry Bridge.
With apologies to my contacts for being away so long - looking forward to checkin' out your stuff!
'Museum Ritter' - Do you know 'Ritter Sport' chocolate? The square one? This is the place where the chocolate comes from. And they run a beautiful and interesting museum of modern art as well.
Some advertisement ;-) - Ritter Chocolate.
..and here's the way to the museum: Museum Ritter
What you see here is a segment from an illustration by Henry Holiday to The Hunting of the Snark and a portrait of Mary Throckmorton Lady Scudamor by Marcus Gheeraerts the Younger. Here Holiday's creativity and playing with zoomorphism gave life to a skarf. There is more:
285 But the Butcher turned nervous, and dressed himself fine,
286 With yellow kid gloves and a ruff--
287 Said he felt it exactly like going to dine,
288 Which the Bellman declared was all "stuff."
Literary reference in pictures is what you expect from an illustration to a poem. The colouring of the gloves I added to Henry Holiday's illustration (image on the left side) based on Lewis Carroll's poem. The Beaver's color I just guessed ;-)
Holiday could not use colour. But he could refer to a painting where yellow gloves caught the attention of the beholder. This is a pictorial reference. I don't know, what came first: Carroll's text or Holiday's idea to take reference to Gheeraert's painting. It is known, that the Dodgson (Carroll) and Holiday mutually inspired each other when they were working on their Snark project.
Henry Holiday made most of his arts business with quite customer friendly stained glass windows. That was honest craftsmanship. (Some of the windows I also like.) But something must have been boiling in him: When illustrating Lewis Carroll's The Hunting of the Snark, he allowed himself to go a bit crazy. He hid his "graphical quotes" from other artists well; yet he was not a plagiarist, as he left clear and detectable traces. The result of his Snark work are beautiful conundrums and witty graphical puns.