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I believe that every woman should be free to dress as she wants and that this does not give permission to possess or to be insulted. A woman must be free at all ages to express her sensuality without fear of being raped or judged as an easy or available woman or prostitute.
Sexuality between males and females has always been experienced as "possession" and not as "sharing" of affection and pleasure.
This is my contribution to the freedom of being as we want to be, to dress ourselves as we please, to show what we want without being locked in a prison of prejudices and slander.
This is not a pre plan photo shoot actually, I was on my way to KLCC for a different reason, I call Chot, saying that I'm on my way to KLCC, then the rest is history. We have lunch together with the Model, ( she is not a full time model ). The session was very short because we used our lunch time for the shoot, so there's nothing much I can post here.
After so many crazy shots, I asked him to give me some normal, candid portrait material. Then he proceeded to undress everyone in the room with his eyes.
Black sheet background with one shop light shining from the model's right.
I finally had a chance to meet Lea Dawn - we talked about shooting for ages but finally meet at our group shoot at Cuddy Park, Anchorage, Alaska, in June 2011 - and even then I only had a few minutes to shoot with her!! We're going to change this in the future and I hope to do a pin-up shoot with here in the very near future.
Strobist info: I used a Canon 580 EX II unit off camera, shooting through a white umbrella; I set the 580 at 1/2 to 1/4 power, placed about 10-15 feet away from Lea. I triggered the units with Cybersync equipment.
the lake had this seductive ripple, so i shot some video.
music: thievery corporation- beautiful drug
( i don't know enough about editing in imovie , so the song gets cut off)
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Vintage postcard. Photo: Warner Bros.
Statuesque, smart Canadian-born Alexis Smith (1921-1993), with her blue/green eyes and a seductively husky voice, lent a touch of class to her leading ladies of the 1940s and 1950s. She was paired with the top male stars in Hollywood, including Clark Gable, Humphrey Bogart, William Holden and Bing Crosby. She was stylishly attired by costume designers like Milo Anderson and Helen Rose in the most glamorous gowns but also proved to be a capable and spirited actress. She reserved her best acting for the stage and in 1972, she won a Tony award for her starring role in Stephen Sondheim's musical Follies.
Alexis Smith was born Gladys Smith in 1921 in Penticton, British Columbia, Canada. After her family moved to California, she grew into a precocious talent, performing ballet in public by the age of thirteen, dancing to 'Carmen' at the Hollywood Bowl. She later graduated with a degree in drama from Los Angeles City College, having previously won an acting contest whilst still in high school. During a performance of a play on campus, she was spotted by a Warner Brothers talent scout and signed to a contract in 1941. Her earliest film roles were uncredited bit parts, and it took several years for her career to gain momentum. The studio's publicity department touted Alexis, much to her chagrin, as the 'Dynamite Girl'. Her first credited role was in the feature film Dive Bomber (Michael Curtiz, 1941), playing the female lead opposite Errol Flynn. She would make a total of four films with him including the boxing drama Gentleman Jim (Raoul Walsh, 1942) and the Western San Antonio (David Butler, 1945) . Though decidedly second fiddle to both the action and the charismatic Flynn, Alexis made a good first impression as the fetching romantic interest. She appeared with her future husband, Craig Stevens, in the comedy Steel Against the Sky (A. Edward Sutherland, 1941). Her appearance in The Constant Nymph (Edmund Goulding, 1943) opposite Charles Boyer, was described by a reviewer as an "intelligent rendition". It led to bigger parts. Her biggest hit of the mid-1940s was as Cole Porter's wife in the inaccurate but hugely successful biopic Night and Day (Michael Curtiz, 1946), starring Cary Grant. Until the early 1950s she was paired with the top male stars in Hollywood. She appeared in two Film Noirs with Humphrey Bogart at his most menacing: the interesting and underrated Conflict (Curtis Bernhardt, 1945) and the excellent The Two Mrs. Carrolls (Peter Godfrey, 1947). As Clark Gable's wife in the gambling drama Any Number Can Play (Mervyn LeRoy, 1949), she was critically lauded as "genuinely appealing". In between there were also some conspicuous failures, in particular her somewhat stolid performance in the period drama The Woman in White (Peter Godfrey, 1948). Stylishly attired by costume designers like Milo Anderson and Helen Rose in the most glamorous gowns, Smith also proved to be a capable and spirited actress, in spite of relatively few opportunities to break out of the mold of 'the other woman'.
While Alexis Smith claimed in later years to have typecast herself during her Holluwood heydays, and that few of her assigned roles ever challenged her on any level, she frequently enjoyed good critical reviews for many of her performances. She was also popular with directors and film crews, who appreciated her relaxed, professional manner on the set. Smith had little to do in Here Comes the Groom (Frank Capra, 1951) and The Turning Point (William Dieterle, 1952) and her best part in the 1950s, though small, was that of Carol Wharton in The Young Philadelphians (Vincent Sherman, 1959). During the 1960s Alexis took a sabbatical from the screen to appear on stage with her husband, actor Craig Stevens (her marriage, a rare Hollywood success, lasted 49 years) in Critic's Choice, Cactus Flower and Mary, Mary. She reserved her best acting for the stage, becoming the Tony Award-winning star of Stephen Sondheim's musical Follies, in which she played Phyllis during the 1971 run on Broadway and at the Shubert Theatre in Los Angeles in 1972. In 1973 she played Sylvia Fowler in a revival of Clare Boothe Luce's The Women" and was nominated for another Tony for her leading role of Lila Halliday in Platinum in 1979. On television Alexis was seen infrequently from the mid-'50s, sometimes appearing on the same show opposite her husband. She had a recurring role as the homicidal Lady Jessica Montfort in Dallas during the 1984 and 1990 seasons and was nominated for an Emmy for a guest-starring role on Cheers (1982). Outside the US, she appeared in the French-Canadian thriller The Little Girl Who Lives Down the Lane (Nicholas Gessner, 1976) with Jodie Foster, and in the French film La truite (Joseph Losey, 1982), starring Isabelle Huppert. In her last film, The Age of Innocence (Martin Scorsese, 1993), she was cast as a New York socialite, a type of character she had portrayed frequently in her heyday at Warners. Alexis Smith died in 1993 in Los Angeles of brain cancer.
Sources: I.S. Mowis (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.