View allAll Photos Tagged secondcoming
Darrell Thorne during a Pixie Harlots performance at Click + Drag 3.1
Photo by LEE KYLE.
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
A STRICT CYBER/FETISH/TRIBAL DRESS CODE WAS COMPLETELY ENFORCED: GODDESS OR TRANS-GODDESS, GLAMOUR MARTYR, SPHINX-WEAR, RUBBER NUN, PRIESTESS, SEQUINNED SAINT, CROWN OF THORNS, PAGAN CHIC, SHIVA REALNESS or CYBER, FETISH, TRIBAL, GENDER-HACKING, FAERIE, GOTHIC OR BRILLIANT BLACK. ABSOLUTELY NO STREET CLOTHES OR MUNDANES - NO EXCEPTIONS.
Sequinette in her downstairs evening-length installation at Click + Drag 3.1
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
A STRICT CYBER/FETISH/TRIBAL DRESS CODE WAS COMPLETELY ENFORCED: GODDESS OR TRANS-GODDESS, GLAMOUR MARTYR, SPHINX-WEAR, RUBBER NUN, PRIESTESS, SEQUINNED SAINT, CROWN OF THORNS, PAGAN CHIC, SHIVA REALNESS or CYBER, FETISH, TRIBAL, GENDER-HACKING, FAERIE, GOTHIC OR BRILLIANT BLACK. ABSOLUTELY NO STREET CLOTHES OR MUNDANES - NO EXCEPTIONS.
Founding producer Rob Roth at Click + Drag 3.1
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
A STRICT CYBER/FETISH/TRIBAL DRESS CODE WAS COMPLETELY ENFORCED: GODDESS OR TRANS-GODDESS, GLAMOUR MARTYR, SPHINX-WEAR, RUBBER NUN, PRIESTESS, SEQUINNED SAINT, CROWN OF THORNS, PAGAN CHIC, SHIVA REALNESS or CYBER, FETISH, TRIBAL, GENDER-HACKING, FAERIE, GOTHIC OR BRILLIANT BLACK. ABSOLUTELY NO STREET CLOTHES OR MUNDANES - NO EXCEPTIONS.
Designer Todd Thomas, one of the fabulously costumed guests at Click + Drag 3.1
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
Habakkuk 1:5
rumble.com/vhlls3-the-great-covid-deception.html
#bible #jesus #god #faith #christian #jesuschrist #love #church #scripture #bibleverse #christianity #apostles #bible #faith #holyspirit #Jesuschrist #prophecy #lastdays #endtimes #tribulation #beast #AntiVaxxers #antichrist #trending #trending #explorepage #photooftheday #loveislove #lockdown #picoftheday #socialdistancing #maskmandate #mask #rapture #antichrist #markofthebeast #spikeprotein #shedding #georgiaguidestones #VAXXED #cdc #vaccinessavelives #vaccine #covid_19 #infectiousdiseasesdoctors
#infectiousdiseasesdoctors #Jesus #God #Bible #Truth
#weareID #weareID #brainwashed #NWO #SecondComing #Apostacy #catholic #mRNA
#mRNA
For evangelist Dewey Cooper, who over two decades built dozens of these warning signs next to rural Kentucky roads, it was indeed the end. He met his maker on April 22, 2016 at the ripe age of 93.
Having just learned of his passing, I looked back at my photos because I remember stopping to photograph at least one of his signs. Here is a photo of one taken a week before he passed.
ZAZOO, in robot fetish couture, was one of the most severely costumed guests at Click + Drag 3.1
Photo by Satori for The Club Creatures
The Club Creatures CLICK + DRAG FLICKR set
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
A STRICT CYBER/FETISH/TRIBAL DRESS CODE WAS COMPLETELY ENFORCED: GODDESS OR TRANS-GODDESS, GLAMOUR MARTYR, SPHINX-WEAR, RUBBER NUN, PRIESTESS, SEQUINNED SAINT, CROWN OF THORNS, PAGAN CHIC, SHIVA REALNESS or CYBER, FETISH, TRIBAL, GENDER-HACKING, FAERIE, GOTHIC OR BRILLIANT BLACK. ABSOLUTELY NO STREET CLOTHES OR MUNDANES - NO EXCEPTIONS.
Diego and Brendan steal a kiss at Click + Drag 3.1.
at Click + Drag 3.1
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
Blaise and Jeff, two of the fabulously costumed guests at Click + Drag 3.1
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
Venus (right) and friend, glow bright, just two of the fabulously costumed guests at Click + Drag 3.1
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
Earthquake shook this one out of the archives. Not setting any dates just doing my part to make sure no one can say they weren't told.
" 1 Jesus left the temple and was walking away when his disciples came up to him to call his attention to its buildings. 2 “Do you see all these things?” he asked. “Truly I tell you, not one stone here will be left on another; every one will be thrown down.”
3 As Jesus was sitting on the Mount of Olives, the disciples came to him privately. “Tell us,” they said, “when will this happen, and what will be the sign of your coming and of the end of the age?”
4 Jesus answered: “Watch out that no one deceives you. 5 For many will come in my name, claiming, ‘I am the Messiah,’ and will deceive many. 6 You will hear of wars and rumors of wars, but see to it that you are not alarmed. Such things must happen, but the end is still to come. 7 Nation will rise against nation, and kingdom against kingdom. There will be famines and earthquakes in various places. 8 All these are the beginning of birth pains.
9 “Then you will be handed over to be persecuted and put to death, and you will be hated by all nations because of me. 10 At that time many will turn away from the faith and will betray and hate each other, 11 and many false prophets will appear and deceive many people. 12 Because of the increase of wickedness, the love of most will grow cold, 13 but the one who stands firm to the end will be saved. 14 And this gospel of the kingdom will be preached in the whole world as a testimony to all nations, and then the end will come.
15 “So when you see standing in the holy place ‘the abomination that causes desolation,’[a] spoken of through the prophet Daniel—let the reader understand— 16 then let those who are in Judea flee to the mountains. 17 Let no one on the housetop go down to take anything out of the house. 18 Let no one in the field go back to get their cloak. 19 How dreadful it will be in those days for pregnant women and nursing mothers! 20 Pray that your flight will not take place in winter or on the Sabbath. 21 For then there will be great distress, unequaled from the beginning of the world until now—and never to be equaled again.
22 “If those days had not been cut short, no one would survive, but for the sake of the elect those days will be shortened. 23 At that time if anyone says to you, ‘Look, here is the Messiah!’ or, ‘There he is!’ do not believe it. 24 For false messiahs and false prophets will appear and perform great signs and wonders to deceive, if possible, even the elect. 25 See, I have told you ahead of time.
26 “So if anyone tells you, ‘There he is, out in the wilderness,’ do not go out; or, ‘Here he is, in the inner rooms,’ do not believe it. 27 For as lightning that comes from the east is visible even in the west, so will be the coming of the Son of Man. 28 Wherever there is a carcass, there the vultures will gather.
29 “Immediately after the distress of those days
“‘the sun will be darkened,
and the moon will not give its light;
the stars will fall from the sky,
and the heavenly bodies will be shaken.’[b]
30 “Then will appear the sign of the Son of Man in heaven. And then all the peoples of the earth[c] will mourn when they see the Son of Man coming on the clouds of heaven, with power and great glory.[d] 31 And he will send his angels with a loud trumpet call, and they will gather his elect from the four winds, from one end of the heavens to the other.
32 “Now learn this lesson from the fig tree: As soon as its twigs get tender and its leaves come out, you know that summer is near. 33 Even so, when you see all these things, you know that it[e] is near, right at the door. 34 Truly I tell you, this generation will certainly not pass away until all these things have happened. 35 Heaven and earth will pass away, but my words will never pass away.
The Day and Hour Unknown
36 “But about that day or hour no one knows, not even the angels in heaven, nor the Son,[f] but only the Father. 37 As it was in the days of Noah, so it will be at the coming of the Son of Man. 38 For in the days before the flood, people were eating and drinking, marrying and giving in marriage, up to the day Noah entered the ark; 39 and they knew nothing about what would happen until the flood came and took them all away. That is how it will be at the coming of the Son of Man. 40 Two men will be in the field; one will be taken and the other left. 41 Two women will be grinding with a hand mill; one will be taken and the other left.
42 “Therefore keep watch, because you do not know on what day your Lord will come. 43 But understand this: If the owner of the house had known at what time of night the thief was coming, he would have kept watch and would not have let his house be broken into. 44 So you also must be ready, because the Son of Man will come at an hour when you do not expect him.
45 “Who then is the faithful and wise servant, whom the master has put in charge of the servants in his household to give them their food at the proper time? 46 It will be good for that servant whose master finds him doing so when he returns. 47 Truly I tell you, he will put him in charge of all his possessions. 48 But suppose that servant is wicked and says to himself, ‘My master is staying away a long time,’ 49 and he then begins to beat his fellow servants and to eat and drink with drunkards. 50 The master of that servant will come on a day when he does not expect him and at an hour he is not aware of. 51 He will cut him to pieces and assign him a place with the hypocrites, where there will be weeping and gnashing of teeth."
The brightness. It burns. In this view of the heavenly redemption, the skies explode with angels, somewhat like a stage show at a mega-star rock concert. All the saved will be raising their cell phones and cigarette lighters in homage.
Planet in Rebellion by George E. Vandeman, 1960, Southern Publishing Association, Nashville, TN. Hardbound book with first-person end-of-days advice and encouragement. The endpapers feature a nuclear cloud behind the 3 crosses at Calvary, perfectly capturing the angst of the Cold War era.
Faith No More Setlist, Second Coming Tour:
Reunited (Peaches & Herb cover)
From Out of Nowhere
Be Aggressive
Caffeine
Evidence
Surprise! You're Dead!
Chinese Arithmeticft. Rahzel
Last Cup of Sorrow
Easy (Commodores cover)
Midlife Crisis
The Gentle Art of Making Enemies
Ashes to Ashes
Ben (Jackson 5 cover)
King for a Day
Epic
Just a Man
Encore:
Chariots of Fire (Vangelis cover)
Stripsearch
Digging the Grave
Vanity, in full Oscar Wilde homage, one of the fabulously costumed guests at Click + Drag 3.1
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
Thanks again Everyday Masters / Case Parks for the Reconnective Healing Personal Reconnection sessions and @wwoonnddeerr Erin Winters for the blissed out weekend. I've been walking on water ever since.
Videography: Craig Morris
Music Credit:
MGMT - Electric Feel
MGMT - Time To Pretend
#slacklife #ripples #magic #Vote4Happiness #utah #waterline #Reconnection #healing #secondComing
Mar. Patty Bruce, one of the fabulously costumed guests at Click + Drag 3.1
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
Del Marquis one of the fabulously costumed guests at Click + Drag 3.1
SATURDAY OCTOBER 17, 2009
CLICK + DRAG 3.1/ THE SECOND COMING
SANTOS PARTY HOUSE
96 LAFAYETTE STREET NYC
"SURELY SOME REVELATION IS AT HAND" - W.B. Yeats, THE SECOND COMING, 1919
The pioneering "Cyber/Fetish/Gender-Hacking" party CLICK + DRAG, which ushered out the 20th Century in style and returned with a bang in 2008, held its second annual Future-Spectacle on October 17. Two of Click's founding producers - director and visual artist ROB ROTH and nightlife impresario CHI CHI VALENTI of THE JACKIE FACTORY staged this year's epic CLICK + DRAG 3.1/ THE SECOND COMING at sympatico venue SANTOS PARTY HOUSE. CLICK 3.1/ THE SECOND COMING was a two floor, evening-length epic, preserving the night's strict dress code and pansexual mix of fetishists, artists, gender-hackers and "Glam Nerds."
CLICK 3.1 was inspired by the W.B. YEATS poem THE SECOND COMING, and its themes of new gods for (often terrifying) new Ages, "Spiritus Mundi" or universal subconscious, and a post-Christian world. CLICK 3.1 celebrated gender-bending new prophets and prophetesses, and the neo-tribalism that borrows elements from a myriad of religions to create new believers and practices. CLICK + DRAG 3.1 featured multimedia works directed by Roth and installations and performances by dozens of collaborators.
CLICK 2009 highlights included trans icon and vocalist OUR LADY J, who presented GOSPEL FOR THE GODLESS with piano, choir and chadri design by GARO SPARO, gender-illuminati cabaret troupe THE PIXIE HARLOTS in THE SWITCHING HOUR, and Method Go-Go icons FALON, AMBER RAY and SEQUINETTE. The DJ roster included original Click (and SCISSOR SISTERS) DJ SAMMY JO, DJ JOHNNY DYNELL (who created the night's signature mixes for the clicknyc.com website and show) Darkwave DJs JOSH CHEON (SF) and JOHANNA CONSTANTINE, and electro DJ ANGELO.
Shiny shoes, a crisply pressed suit and a stylish tie are de rigueur for Judgement Day. Be sure you take heed.
Planet in Rebellion by George E. Vandeman, 1960, Southern Publishing Association, Nashville, TN. Hardbound book with first-person end-of-days advice and encouragement. The endpapers feature a nuclear cloud behind the 3 crosses at Calvary, perfectly capturing the angst of the Cold War era.
An angel delivers a resurrected little girl to her parents.
Planet in Rebellion by George E. Vandeman, 1960, Southern Publishing Association, Nashville, TN. Hardbound book with first-person end-of-days advice and encouragement. The endpapers feature a nuclear cloud behind the 3 crosses at Calvary, perfectly capturing the angst of the Cold War era.
Fall Semester 2010 - Art 235/Intro to Photography. This course has two sections - Analog photography (B&W, Manual Camera) with photo developing (in the darkroom) and some digital photo editing. All editing was done in Adobe Photoshop CS5.
Keep in mind this class is an INTRO class - so the projects are very basic. But I wanted to post my results so others can see the functionality of Photoshop.
Thanks for stopping by!
The cover of the Book of Truth containing the revelations of events leading up to the Second Coming of Jesus Christ.
Here is an introduction to these heavenly writings:
thewildvoice.org/maria-divine-mercy-warning-second-coming...
All the messages are left to End Time Prophet MARIA DIVINE MERCY, and can be found at the following links:
thebookoftruthonline.blogspot.com/
mariadivinemercymessages.weebly.com/
daniel1021-thebookoftruth.blogspot.com
www.cagnz.org/second-coming-of-Jesus-Christ.html
In What Way Will the Second Coming of Jesus Christ Happen?
We Christians all know that when Jesus Christ descends for the second time, He will receive us so that we can be with Him. This is the promise that the Lord has made to us, and also is the greatest longing for all Christians. So welcoming the second coming of Jesus Christ is the most important matter of us believers’ lives. But to welcome the Lord, we must first know in what way His second coming will happen. If we are not clear about this, then we will be apt to miss the second coming of Jesus Christ and lose the opportunity to enter into the kingdom of heaven for all of eternity. Let’s fellowship about this topic today.
In what method will the Lord appear when He descends for the second time in the last days? I believe most people think that when Jesus Christ returns He will descend upon a cloud and will be seen by everyone, because the Bible predicts, “You men of Galilee, why stand you gazing up into heaven? this same Jesus, which is taken up from you into heaven, shall so come in like manner as you have seen Him go into heaven” (Acts 1:11). “And then shall appear the sign of the Son of man in heaven: and then shall all the tribes of the earth mourn, and they shall see the Son of man coming in the clouds of heaven with power and great glory” (Matthew 24:30). Therefore, we keep watching the skies for years and waiting foolishly for that joyful day when the Lord suddenly returns on a white cloud to take us. However, so many years have passed, but we never see Jesus Christ descending on a cloud. Actually, if we examine the Bible’s prophecies regarding the second coming of Jesus Christ closely, we can readily discover that there is not just the “descend with the clouds” prophecy, but also prophecies like that the Lord will descend secretly. For instance, Revelation 3:3, “If therefore you shall not watch, I will come on you as a thief, and you shall not know what hour I will come on you.” Revelation 16:15, “Behold, I come as a thief. Blessed is he that watches, and keeps his garments, lest he walk naked, and they see his shame.” And Mark 13:32, “But of that day and that hour knows no man, no, not the angels which are in heaven, neither the Son, but the Father.” These prophecies mention that the Lord will come as a thief. “As a thief” means coming secretly, quietly and no one will know. Furthermore, in many parts of the Bible it is predicted that the second coming of Jesus Christ will be the “coming of the Son of man,” as it says in Luke 17:24–25: “For as the lightning, that lightens out of the one part under heaven, shines to the other part under heaven; so shall also the Son of man be in His day. But first must He suffer many things, and be rejected of this generation.” The “Son of man” mentioned here refers to someone born of a human and who is possessed of normal humanity, like Jesus Christ in the flesh who lived a normal life, ate and lived alongside man, really and truly gave sermons, and so on. Anyone that is a spiritual body cannot be called the Son of man. Such as Jehovah God, the resurrected Jesus Christ, and angels—they are all spiritual bodies and thus cannot be called the “Son of man.” Besides, we know that when Jesus Christ became flesh in the form of the Son of man and did His work in the land of Judea, He was rejected and condemned by the Jewish people, and was nailed to the cross, experiencing a lot of suffering. And this verse mentions “be rejected of this generation”, which proves that when the Lord returns in the last days, He will be rejected by this generation. If He openly descended with the clouds, everyone would tremble with fear and dare not to resist Him. That way, He definitely wouldn’t endure a lot of suffering, much less be rejected by this generation. So, the Lord will return by descending in secret as the incarnated Son of man, to perform His works and appear amongst mankind.
Source from: Daily Devotionals
Image Source: Daily Devotionals
The Second Coming of Jesus | Gospel Movies | "Disclose the Mystery About the Bible"
She believed in the Lord from childhood. At 18, she entered a theological school. In her 30’s, she became one of the leaders of a house church in Shanxi Province, China. For a long time, the Bible had a holy place and supreme authority in her heart. She thought that one could only know God and find God’s footsteps in the Bible. Thus, she devoted herself to reading and studying the Bible. However, there were still many mysteries in the Bible which puzzled her. Until one day….
Title of this is a reference to the King James Version of 1 Corinthians 13:12, which reads, "For now we see through a glass, darkly, but then face to face: now I know in part; but then shall I know even as also I am known." According to answers.com, the meaning of the verse is, To see "through a glass" -- a mirror -- "darkly" is to have an obscure or imperfect vision of reality. The expression comes from the writings of the Apostle Paul; he explains that we do not now see clearly, but at the end of time, we will do so.
The pictures within the square represent obscure or imperfect vision of reality. The whole thing itself -- the three dimensional square and the images in it -- is inspired by psychedelic rock band Traffic's CD covers for the albums The Low Spark of High Heeled Boys and Shoot Out at the Fantasy Factory. I guess the whole thing could be psychedelic in a way. Guess the images are familiar as well as not so familiar to the public. The beetle with the face on its back and the creature with a face and two legs both represent uncertainty because perople are uncertain as to what the future of this nation looks like, except for maybe looking like something surreal like the two images do. The cross -- being the centerpiece -- not only represents Christianity, but also the return, or second coming, of Christ. It has to do with the fact that at the end of time, we'll see clearly even though we may not at the moment. The gun represents war these day and its effect on the economy. Those fighting for this country probably shoot to kill, but I wonder if they shoot to spend for the government to spend more as well. And the moon and the "Z" on the four circles that are close to each other both represent solitude and separation from chaos. The latter perhaps being an allegory to God because when His people spend time with Him, especially indoors, they are typically, in a good way, cut off from this corrupt world. Think I explained it all pretty well.
The Traffic CDs I mentioned can be found here: en.wikipedia.org/wiki/The_Low_Spark_of_High_Heeled_Boys here: en.wikipedia.org/wiki/Shoot_Out_at_the_Fantasy_Factory
Guess that's it.
***********
Mechanical pencil, colored pencil, and black ink pen.
Apparently, when the Messiah has his Second Coming, he'll walk out through a special, otherwise locked gate in the old city of Jerusalem, and the first place he'll come to is the Mount of Olives. Hence, all those buried there will be the first to be resurrected from the dead and saved.
Unsurprisingly, it's quite an expensive place to have a funeral.
"‘See that you are dressed for action and have your lamps lit. Be like men waiting for their master to return from the wedding feast, ready to open the door as soon as he comes and knocks. Happy those servants whom the master finds awake when he comes. I tell you solemnly, he will put on an apron, sit them down at table and wait on them. It may be in the second watch he comes, or in the third, but happy those servants if he finds them ready. You may be quite sure of this, that if the householder had known at what hour the burglar would come, he would not have let anyone break through the wall of his house. You too must stand ready, because the Son of Man is coming at an hour you do not expect.’" – Luke 12:35-40, which is part of today's Gospel for the 19th Sun of Ordinary Time (C).
My sermon for today can be read online here.
Stained glass window from Melton Mowbray parish church.
Faith No More Setlist, Second Coming Tour:
Reunited (Peaches & Herb cover)
From Out of Nowhere
Be Aggressive
Caffeine
Evidence
Surprise! You're Dead!
Chinese Arithmeticft. Rahzel
Last Cup of Sorrow
Easy (Commodores cover)
Midlife Crisis
The Gentle Art of Making Enemies
Ashes to Ashes
Ben (Jackson 5 cover)
King for a Day
Epic
Just a Man
Encore:
Chariots of Fire (Vangelis cover)
Stripsearch
Digging the Grave
Given what is written above this man, and the halo, I think I just snapped the second coming, in Golders Green!
The 'JC' is clear enough, but you have to delve into the name to find the 'Deux'.
Yes, I did ask him for the image, he was happy to oblige and like me had a good chuckle.
LIEGAIT--"Into The Crosshairs--Unlocked & Loaded--Prepare For Collective Triggerpull"--7ST6BA (7thSealTeam6BetterAngels)
SAME AS IT EVER WA$, Only WOR$E:
@ PUTRUMPKIN VILLAGE IDIOT NATION
POST GOP-TREASON:
A Shaken Nation Shudders
Back To Reason...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE SECOND SUCCUMBING (From '08 BayAreaStreet Post x The Artist General (Berkeley's Emperor Norton...)
Apologies to W.B. Yeats / The Second Coming. Written In The Final Term Of The 8-Year Tectonic Reign Of Deathstar Ye$Men, [Cheney-Bush] To Which Our Bloodied World Remains: In Gran Mal Aftershock...
----------------------------
Turning and Spinning in the Widening Mire
The Congress cannot hear the Precedent;
Things fall apart; the Party cannot hold;
Sheer Conarchy is loosed upon Democracy,
The freedom-gouging tide is loosed, and everywhere
The Standing of America is downed;
The best convictions are too polite, while the worst
Are full of obtuse intensity;
Surely some Reason is at hand.
Yet there instead, the Patriot “Act”!
The “Patriot” Act!
Hardly are those words out
When an Orwelled image out of Posse Comitatus
Troubles my sight:
Somewhere in the martial curfews of this seminal Treachery
A shape with Oz-lion body and the head of a borne-again fool:
An ‘Aye’ blank and clueless as the GOP itself
Is moving its leaky Trojan Agenda, but who knew?
While overhearing guffaws & careless cheering
from the belly of the beast, that all about it now should
gather threats of patriotic fillibuster, lighting & passing torchfire.
…Wounded cowardice drops again; but indignant courage
finds unexpected stride, in the edifying irony
that a Sitting President was on his Game after all,
as if afloat, fishing! entirely untorn,
glued from National Nightmare to “My Pet Goat.”
And what Hellbent Vision Thing,
its Truthless Power come round at last,
$louches towards Liberty to be Borne?
~~~~~~~~~~~~~~~~~~
More Poems @: scriggler.com/Profile/michael_masley_artist_general
ORIGINAL PHOTO Posted July 4, 2008: www.flickr.com/photos/habitforming/2638856678/in/pool-828...
R-KIVES: ARTIST GENERAL'S WARNINGS / Palo Alto Weekly: "Artist brings poetic, sometimes puzzling protest to downtown" Palo Alto Weekly #Banksy #streetart #NPR www.paloaltoonline.com/print/story/2008/08/06/artist-brin... …
www.cagnz.org/the-coming-of-the-Messiah.html
Why Did the Jews Yearn for the Coming of the Messiah yet Oppose Him When He Truly Came?
By Xia Wei
The Pharisees, chief priests, and scribes were all the leaders of the religious world that held authority, prestige and position; they appeared pious, were well-versed in the Bible, were very familiar with the law, and served God in the temple for generations. Because the Jews worshiped power and status, they thought that, since the chief priests, scribes and the Pharisees had believed in God for a long time and had read the Bible for many years, they must be able to recognize the Messiah when He came, and thereby following them would not be wrong. Thus when the blind and ignorant Pharisees relied on their own imagination and conceptions to deny that the Lord Jesus was the Messiah and even to condemn and blaspheme the Lord Jesus, the Jews followed them in doing the same. Just as when the Pharisees said that the Lord Jesus cast out devils through Beelzebub, chief of the devils, the Jews thought that their condemnations couldn’t possibly be wrong, and thus followed them to condemn Him. Jews Yearn for the Coming of the Messiah yet Oppose HimEven when the chief priests yelled out to nail the Lord Jesus to the cross, the Jews still blindly played along with them, as recorded in John 19:6–7, “When the chief priests therefore and officers saw Him, they cried out, saying, Crucify Him, crucify Him. Pilate said to them, Take you Him, and crucify Him: for I find no fault in Him. The Jews answered him, We have a law, and by our law He ought to die, because He made Himself the Son of God.” The Jews did not apply their discernment to what the chief priests said. When the chief priests said that Jesus should be crucified, the Jews chimed in and used the law to convict Him, following the chief priests in resisting God. And they even made the vow that the sin would be on them and their descendants, with the result that their offspring fled to countries around the world and many of them were killed.
Image Source: Daily Devotionals
Source from: Our Daily Devotionals
Terms of Use: www.cagnz.org/disclaimer
Faith No More Setlist, Second Coming Tour:
Reunited (Peaches & Herb cover)
From Out of Nowhere
Be Aggressive
Caffeine
Evidence
Surprise! You're Dead!
Chinese Arithmeticft. Rahzel
Last Cup of Sorrow
Easy (Commodores cover)
Midlife Crisis
The Gentle Art of Making Enemies
Ashes to Ashes
Ben (Jackson 5 cover)
King for a Day
Epic
Just a Man
Encore:
Chariots of Fire (Vangelis cover)
Stripsearch
Digging the Grave
This large window of the Second Coming of Christ dominates the right transept of Basel's cathedral, the Basler Munster. Although the Munster was completed in the 15th century the window only dates to the 19th century: all the original medieval windows were destroyed during the Protestant Reformation in the 1520s/1530s.
Faith No More Setlist, Second Coming Tour:
Reunited (Peaches & Herb cover)
From Out of Nowhere
Be Aggressive
Caffeine
Evidence
Surprise! You're Dead!
Chinese Arithmeticft. Rahzel
Last Cup of Sorrow
Easy (Commodores cover)
Midlife Crisis
The Gentle Art of Making Enemies
Ashes to Ashes
Ben (Jackson 5 cover)
King for a Day
Epic
Just a Man
Encore:
Chariots of Fire (Vangelis cover)
Stripsearch
Digging the Grave
Faith No More Setlist, Second Coming Tour:
Reunited (Peaches & Herb cover)
From Out of Nowhere
Be Aggressive
Caffeine
Evidence
Surprise! You're Dead!
Chinese Arithmeticft. Rahzel
Last Cup of Sorrow
Easy (Commodores cover)
Midlife Crisis
The Gentle Art of Making Enemies
Ashes to Ashes
Ben (Jackson 5 cover)
King for a Day
Epic
Just a Man
Encore:
Chariots of Fire (Vangelis cover)
Stripsearch
Digging the Grave