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MIXED-MEDIA OILGRAPH // TRADITIONAL PHOTO, ACRYLIC, OIL PAINT AND BLOOD ON WOODEN PANEL // 24x32
Base image photographed with a Mamiya 645 on Ilford 400 and developed in Agfa Rodinal
-No digital work-
6/9 of the series
Created for the movie Magnum Opus which is the story of an ex-marine turned artist and cryptographer. I was tasked with making his series.
Private Sattler played by Dustin Ingram was the main antagonist. A soldier turned evil and who took the fingers of his kills as trophies.
It was the first day of production out at Blue Cloud Ranch www.bluecloud.com which was our location to stage the Afghanistan scenes. We only had one day.
One very long day.
I had to create his necklace of fingers which for some reason they decided not to show because it gave his intentions away. Or something. Too bad because I was quite proud of it. I only had a few minutes to get the shot on a single roll of 120 film. It had to work because the actor was wrapped just after it.
BACKGROUND
___________
Six years ago I was asked to create a nine piece series for the film Magnum Opus.
The concept of the film sounded intriguing - An ex-marine and war photographer saw some terrible things go down in Afghanistan, retired to become an artist (and cryptologist) and paint a series of works where he would secretly encode the narrative into the paintings themselves. Kind of like pulling an Edward Snowden.
And I thought this was awesome.
In reading the script I was confused as to how the main character's art technique was exactly like mine and the director's response (who was a friend and collector of mine) said, "Well, we based the main character on you."
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Explosive - Scripts and Animations, High Quality Bento Animations, available in Full Perm and Standard versoion. Visit the store and watch live Animations: Walking, Combat, Emotive. Sitting, Lying, Dancing, Couple, Sport and Other. Some animations have built-in avatar physics. Scripts and Pose Stand are also available in the store, to inspire your photos. Reach for joy with Explosive Animations
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The classic "Canadian Pacific" in script was becoming a rare sight on the Esqumalt & Nanaimo Railway when this photo was taken on July 16, 1991 at Wellcox Yards in Nanaimo, Vancouver Island.
MuCEM + Fort Saint-Jean, Marseille, France - 2013 -Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a free breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
My wedding present for Sharon and Catherine.
didn't have much time to decorate it and what worse I've applied the rice paper upside down :( had to re-order rice paper, it arrived the day before the wedding reception. I was still trying to get it right 2 hours before I was due to arrive...
15. Vintage
Taking some backroads to the Gilmore Car Museum on May 1, 2019 Grant and I came across this 1954 Packard in origiinal condition in front of a garage in the pleasant Michigan countryside. We had a nice conversation with the owner about the car.
All of my classic car photos can be found here: Car Collections
Press L for a larger image on black.
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I must be easily pleased - but, this small illustrated colour booklet of some 16 pages is so beautifully produced and is about such an esoteric subject as halibut oil that it is a gem! It was issued about 1950 I would say, given the style and 'feel', and was printed at The Fanfare Press, London, for The Crookes Laboratories who were based at Park Royal in north west London and from where they manufactured many vitamins and supplements including those made from halibut liver oil that provided Vitamin D.
Crookes have a fascinating history and they still exist as a multinational concern, based in Nottingham, as they had been for many years part of Boots the Chemists who had acquired them in 1971. Boots bought the company from the Park Royal 'neighbours' Guinness who had an interest in Crookes from 1960 when they'd jointly bought them along with a division of Philips. They're now owned by Reckitt Benckiser who took over Boots Healthcare manufacturing division in 2005.
The origins of the company go back to the eminant scientist Sir William Crookes, he of the Crookes Tube that allowed the development of many other technologies. It was his son, Henry, who started making colloids in around 1912 and whose concern became part of British Colloids in 1919, the name changing to Crookes Laboratories in 1951.
According to the booklet much clever technology was required from when the fresh halibut livers arrived at Park Royal until the purified capsules left! The charming illustrations and text look at the need for and importance of Vitamin D in such a sun-drenched country as the UK and the various demanding life and work styles encountered by many people. The illustrations are all signed "Xenia" and I'm tempted to think this is no other than Xenia Kashevaroff Cage (1913 - 1995?), the US born artist of some renown but whose work was overshadowed by her one time husband John Cage.
It seems a bit far fetched but Xenia, noted for sculptural forms and mobiles, did a series of posters for BOAC at around the same time and the style is so very similar. Hopefully this can be confirmed one way or the other! This page is striking - I'm not sure if this is Mr A D Green striding manfully along the street protected by his hat, brolly, gloves and Vitamin D!
Day Twenty-five of 48 Days of Camera Lucida.
A draft of "Accidents." Behind my own back.
Photo by Cheryl Klimaszewski. "Kevin #1," 1/7.