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Script version of the main logo for clothing brand Magnetiq Eleven. Originally hand-drawn custom lettering digitized/vectorized for print/embroidery needs. Project developed between November 2010 and February 2011.
Photos taken for the blog post explaining the shell script written to look up school names Port Elizabeth via Google Maps API and plotting onto Google Maps.
Blog post: blog.christiaan008.com/2016/09/27/plotting-schools-port-e...
set of four images utilising flyers for Gay Pride cinema season at London's ICA, which I picked some time in June.
Some people call this "tree graffiti" and even art. It's better described as "Arboreal Script" by some.
Regardless, I like it for it's historical significance. Usually the result of young love, it often last longer than the affection. I've even found some crossed-out!
I was asked to shoot LOVESTRUCK (by Annabel Oakes)- a script reading starring Mary-Elizabeth Ellis and June Raphael.
I was most captivated by the greenroom and capturing the actors while they prepared.
Tinder clone open source app provides a great business opportunity in the platform of online dating. Alphonic Network Solutions has developed a flexible and powerful dating clone script that will allow businesses and individuals to develop and design a stunning.
Visit us:: www.alphonic.in/blog/dating-clone-scripts/
Available to download in the very near future, Sachiko. Inspired by 16th century "French Ronde" script and named after my sweet and very funny Japanese friend. <3
Just as my script is quite a bit blurry in my head at the moment, so is this photo of it. Lovely metaphor. Ok, not really.
I have spent the greater part of the day trapped in a mad cycle of bad reality television and individually wrapped packets of string cheese and matzoh bread, I believe as part of my semi-unconscious desire to avoid writing. I'm a little bit stuck for inspiration, as my script is feeling to me at the moment like a long series of mostly random words, currently strung together for the sole purpose of making me appear to myself as a writer, rather than actually conveying any actual story or message.
Huh. Rather depressing perspective, actually.
So after any number of shows—like Bravo's new "Step Up & Dance" and the UK version of "Make Me A Supermodel"—I went to the gym only to return to this evening's set of "Little People, Big World" and "Jon & Kate Plus 8," mixed in with a handful of "Daily Show" and "Colbert Reports" from last week, a new "Top Gear," and one great episode of In Treatment I watched with Jules. Throw in a few prepackaged snacks and some unleavened bread, and mmmmm... is that the smell of productivity?
No.
And now I'm thumbing rather desperately through Chris Voglers "The Writer's Journey" and Linda Aronson's "Screenwriting Updated," hoping that the artifice of structure will somehow be able to get me back on track. I know it won't, though, as I've finally chosen to let go of structure for structure's sake. "I *will not* rely on structure out of fear!" I say out loud to myself. I'm looking for the organic heartbeat of my story, but alas, the screenplay seems to be lying rather limply on the floor, gasping for breath, I can barely hear its rhythms now; the audience of my mind is crowded around it, watching the spectacle, milling about, wanting to help but not willing to actually step in...
Help! Oh somebody
help me please! Is there a script
doctor in the house?
Blasphemy freehand script, by Cherri Andrews.
Latin Angel studio, London, U.K.
Cherriandrewstattoo@gmail.com
020 8948 5535
The Incomparable Script Ohio - in this case four of them (one is off the photo to the left) - performed by the Ohio State Marching Band and that Ohio State Marching Band Alumni.
As you can tell by the dates in the top-right, this basic script was something I kept referring to as I tried to "steer" how much of the film's plot was conveyed in the trailer. I didn't want it to be too 'wordy', as a lot of the horror is dependent on the characters themselves not knowing what is happening most of the time. I feel this script is a good example of that planning coming into effect (much of this dialogue can still be heard in some form or another in the final trailer).
I was asked to shoot LOVESTRUCK (by Annabel Oakes)- a script reading starring Mary-Elizabeth Ellis and June Raphael.
I was most captivated by the greenroom and capturing the actors while they prepared.
Script, for the anchors in my office. Some of the things and stuff inside my office that you can usually see.
Add a date to your groomsmen's gift in a less conspicuous place for a remembrance of your special day.
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Jan Hendrix (Holanda, 1949)
Serigrafía sobre papel nepalés
Adquisición 1998-1999 y donación del artista 2007
1996-2007
Museo Universitario Arte Contemporaneo 2008