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What a fantastic day as science fiction and movie fans from all over the North East got to meet at North Shields. It was a fantastic day and my personal highlight was a meeting with the legendary David Warner. Loved meeting up with old friends and meeting some new ones too
This is a 2 second exposure shot of Chicago from the observatory of the John Hancock Center. I was out on the skywalk and couldn't focus through the screen so I thought it would be interesting to try to focus on the screen with the city as a backdrop. I'm fairly happy with the result.
Detail of the remaining lower section of the late medieval rood screen. The surviving panels of the screen are curiously uneven stylistically as they are the work of two different artists and even two different periods; the right hand panels are 15th century and now more muted in colour and drawn in a more linear style (two figures are partially lost and have been incorrectly repositioned by a later repair). Those on the left are more colourful and broadly painted and clearly date from the early 16th century.
St Andrew's church at Westhall wasn't one I was familiar with on my previous visit to the area, if I had realised what I was missing on that occasion I may have changed my itinerary to include it. Subsequently learning of it along with the recommendations of those who know it convinced me that my next trip to Suffolk had to somehow include it, thus my plans for this excursion were largely built around making sure I didn't miss it again.
One can see why this church isn't as well known as it should be, it isn't the easiest one to find and stands some distance from the small village of Westhall itself, hidden away down a leafy lane. It is still somewhat elusive once one has even entered the churchyard, being beset by so much foliate cover that I could only get a full view of the building from the north side. It already promises good things, a fairly large 14th century building of chancel, nave and south aisle with the tower at the west end of this beside a fine Norman doorway. The tower was actually built in front of the original Norman facade and its original main doorway which is thus still preserved within, thus one shouldn't neglect the small room at the west end of the south aisle when exploring inside.
One enters however via the north porch and finds within a spacious interior with that delightful sense of antiquity that churches spared by over-zealous Victorians posses. Above is a fine old roof which springs from carved angels, still with their original colour though alas iconoclasts have sadly deprived us of their wings and heads (why is it iconoclastic zealots so embrace beheading?!). Ahead the east window retains some non-figurative 14th century glass in its reticulated traceries, while on both sides of the church significant sections of medieval wall-painting survive.
The best features here however are the medieval fittings that remain, most notably the Seven Sacrament font, one of the very best survivors; sadly it too has suffered from a frenzy of iconoclasm, though it may be the case here that the projecting details of the figures were hacked away to allow them to be more easily plastered over, which might also account for how well preserved the original colouring is (extremely rare on any font) and the remarkable small figure reliefs applied in gesso inbetween each panel (possibly a unique survival). The base of the rood screen also survives with its painted iconography, which includes yet another rarity in the depiction of Christ's transfiguration amongst the figures of saints.
Westhall church is a real treat and certainly deserves to be better known, a place of much charm and great interest that was happily normally open and welcoming to visitors in pre-Covid days. For more on the church see Simon's entry on his Suffolk Churches site below (it is mainly thanks to his recommendation that I came here, and much appreciated it was too).
2 of 3 screens drying in my studio, waiting to be used to print our "Thinking Of You" silkscreen art print, for the MS150 Screens'n'Spokes team show.
VIEW SCREEN fabric can be used for Roman Blinds and Roller Blinds
Composition: 73% PVC Coated, 27% polyester
Openness factor: 3%
Fabric weight: 410grams/m2
Breaking resistance
Length: 1739N/5cm
Width: 1735N/5cm
Colourfastness: 6 / 7
Fire classification: AS/NZS 1530.3-1999
Width: 2.65m
Roll length: 30m
For sales enquires contact
Decor Fabric Australia Pty Ltd
Phone: +61 3 9792 5250
Email: dfa@decorfabric.com.au
Website: www.DecorFabric.com.au
MTC Blinds
Phone: +61 3 9791 7970, Fax: +61 3 9791 3141
Email: sales@mtcblinds.com.au
Website: www.MTCBlinds.com.au
Showroom is open 7 days a week at
142 - 144 Williams Road
Dandenong
VIC 3175
Australia
For more information contact:
Mr Navaratnam Nadarajamoorthy
(Managing Director)
My old iPhone 3G. Dropped from table and cracked the screen.
Now, I have iPhone 4.
**PLEASE DO NOT USE THIS IMAGE WITHOUT MY PERMISSION**
What a fantastic day as science fiction and movie fans from all over the North East got to meet at North Shields. It was a fantastic day and my personal highlight was a meeting with the legendary David Warner. Loved meeting up with old friends and meeting some new ones too
The Screen Printing process. Check out the Hermes Festival of Craft Blog Post on Startup Fashion - startupfashion.com/herms-festival-craft-connect-customer/
Estores enrollables son unas cortinas que se enrollan en un tubo y el tejido según cada caso y gusto, pero siempre son tejidos con algo de rigidez para una perfecta caída.
La cortina enrollable tipo screen esta fabricada con hilo de fibra de poliéster y PVC de alta tenacidad. Diseñado especialmente para la protección solar con una amplia gama de colores, es un producto muy decorativo, con una facil limpieza y que no requiere de mantenimiento, su accionamiento de subida y bajada puede ser manual sistema cadena, en este caso, si el estor es manual y tiene unas dimensiones consideradas, se recomienda un reductor compensador para hacer tanto la subida como la bajada del mismo mas facil, y no forzar el embrague. Se puede motorizar, bien con un interruptor y con mando a distancia.
Telf. 965 146 174 Presupuestos sin compromiso. Envíos a toda España.
El asesoramiento, calidad y rapidez que Usted desea al precio que busca.
I added a forth screen, above the trapezoid of 23" cinema displays that make up the desk area. THis one is on top of my stereo receiver right behind the middle screen, so it makes a nice "dashboard" of shit going on in the world.
Sue me, I had a 4th DVI port on my Mac Pro.
What a fantastic day as science fiction and movie fans from all over the North East got to meet at North Shields. It was a fantastic day and my personal highlight was a meeting with the legendary David Warner. Loved meeting up with old friends and meeting some new ones too
A slight integrity intrusion - do I really want to show the queue that I am an inconsistent dieter (rice cakes, celery and ice cream?)
Looks like I have a failed 2114 SRAM chip. Note updated 2021 copyright date.
The box drawn around the border of the screen is intended to help line up the monitor to display the full 16x48 image. The UK101 relies on monostables for sync pulse generation, and they can be a bit... variable.
What a fantastic day as science fiction and movie fans from all over the North East got to meet at North Shields. It was a fantastic day and my personal highlight was a meeting with the legendary David Warner. Loved meeting up with old friends and meeting some new ones too
Christine GUICHARD, Artist
French Printmaker, Engraver (copper,wood,plastic,linocut,screen printing). Studio in Paris, France
Shop = www.saatchionline.com/profiles/portfolio/id/310360
Website = www.christineguichard.com
I invite you to discover my engravings and prints (you will find the links in blue color)
Good visit !