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I found an old, scratched negative and scanned it. My efforts to restore it follow. I do not know the date or place. Does anyone recognize the location of this photo?
selfportrait, kinda
trier, saksamaa 10/2011
9x12 ambrotype
collodion no.1
4 days old
potassium iodide
potassium bromide
carl zeiss jena tessar 165/4.5
12EV@f4.5
A shot I scanned from the family albums my mom has organized.
You are welcome to pin, re-post, embed and share this image, but please do not reproduce for your personal gain or profit without my permission.
© All Rights Reserved
40155 is captured at Birtley battling through a blizzard on 13th January 1985 with a Durham to Tyne Yard engineers working. This was the final month of service for the class except for 40122/D200 which was retained for special duties but in reality worked all types of train, much as previously.
Ultrafine Xtreme 100 120mm B&W,
Shot in a Mamiya C3 w/55 mm lens. developed in Rodinal
(Scanned in color)
Scan art
محاوله اوليه ادري التعديل شوي غامج بس ان شالله ينال على اعجابكم
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edit by photoshop cs3 me
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All rights reserved © to M. Almuhaini (MTM)™
01 519 (Eisenbahnfreunde Zollernbahn) Ende der Neunziger-Jahre auf der Schwarzwaldbahn bei Gutach. Scan vom Foto-Abzug.
Here is a sample of what, after a decent bit of work, I am able to get out of the Microtek i700 with a 4x5 slide.
Please view at original size for the intended sample!
The process involves a few steps - some of them because I am using Silverfast SE, which only scans to 24-bit RGB.
First I scan after modding the levels using the Silverfast Histogram to truncate the flat ends of the histogram. I use 'medium' USM when scanning.
Then after imported into photoshop, I convert to 48 bit, then export each channel as a 16 bit greyscale image.
I run each greyscale through Neat Image to minimise noise - this has the added effect of 'rebuilding' some tonal detail by averaging pixels interpreted as noise and resampling that average back into the image.
After noise reduction I open each of the processed greyscales in photoshop and run another tone adjustment using the levels tool, slicing off the low end until the blacks are black, and the whites are bright.
I then run a Smart Sharpen on each of the greyscales, using Lens Blur.
After that, I recombine the image, copying each greyscale image into its appropriate channel in the RGB image.
I then run more curves / levels adjustment, colour enhancements, and a manual clone touchup to remove any dust marks I find.
Finally, I run an appropriate USM on the final image, and resize for output. I may run an additional minor USM on the resulting resize as well, depending on whether it needs it.