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same laminated cardboard as was here 20+ years ago. I remember Lillian making it when she was kitchen manager and I was menu planner... Or maybe it was the other girl who had similiar hair and used to joke around about the Water Monster.
Chart showing the percentage increase for November 2009 home sales vs. November 2008 home sales for RMLS coverage areas in Oregon and Washington.
10:02 AM ET LOSAIL, Qatar — Max Verstappen is convinced he did nothing wrong in defending the lead of the Sao Paulo Grand Prix against title rival Lewis Hamilton last weekend, saying he would pull the same move again in a similar situation. The incident, which saw both drivers end up in the run-off area
autorecent.com/2021/11/18/verstappen-id-pull-same-move-on...
Same as last night's rubbish - sunset stuff from the Clyde and Black & White Carts, 30th September 2015.
Shot using the Cha-Cha method of stereoscopic photography, where the camera is moved between two shots.
The two left images are for “cross-eyed” viewing.
The two right images are for “parallel” viewing.
The center image is shared and used for both versions.
Cross-Eyed-Stereo instructions for the left two images:
Cross your eyes and try to get the images to converge.
You might need to:
1- Move closer or farther away from the images.
2- Tilt your head (or the device) left and right.
3- Tilt your head (or the device) front and back.
4- If you’re doing it right, you’ll see three images, with the center one being stereo and the outer two images dim or fuzzy.
I struggle with the Parallel viewing process, so I’ll leave that to those who can:
Parallel viewing of the two right images is the same process used for those old "Magic Eye" books where you find hidden images in sort of psychedelic patterns.
Look through/above the monitor and into the distance. While aiming your eyes far into the distance, lower your gaze to the right two images, ensuring your eyes don’t converge. It will be out-of-focus at first; however, try to get the two right images to lay on top of each other and then focus your eyes on the stereo image.
March 11, 2013
The RPLP hosted Amy Stone, an associate professor of sociology and anthropology at Trinity University, for a series of conversations about her insights on religion and same-sex marriage. Using a broad historical context as her framework, Stone discussed changes in the ways different groups have framed arguments for and against same-sex ballot measures. The religious right, for example, has transitioned from an emphasis on pedophilia and explicitly religious rationales for rejecting same-sex marriage to greater focus on risks to health and families. LGBT activists, meanwhile, have found the public more receptive to the language of love and commitment than to rights-oriented rhetoric, and have changed their framing accordingly. With respect to religion, while some LGBT activists welcome the support of sympathetic ministers, others “want nothing to do with religion.” Overall, Stone’s research indicates that the use of religious rhetoric by the LGBT movement is increasing as conservatives downplay religious language.In their public discourse and in an attempt to gain the moral high ground, both the LGBT movement and the religious right compete for embattled minority status. Along these lines, the religious right regularly invokes examples of employees who are fired for anti-gay comments and creates documentaries like “Speechless: Silencing the Christians.” LGBT activists counter by drawing parallels between their objectives and those of previous civil rights movements.
Photo credit: Mathison Ingham
The rock on the right I found two years ago. It sat around for a long while and finally I came up with a scheme to integrate some cast glass. That scheme required getting a mated rock, of roughly the same form. I thought if I went back to the same location, I might find similar shards. (these are fragments of basalt pillars that break up over time, giving off chips and fragments of various form and shape) The problem was I did not quite remember where I found the first rock.
On my most recent trip, I decided to head back to the spot I thought most likely for the original find. I am learning about this rock. Basalt is formed when magma/lava from beneath the earth rises in columns and then is allowed to cool slowly. In the cooling process the rock forms crystalline structures. This structure determines the patterns of how the stone will fracture and break apart over the eons, as time and the elements slowly degrade the rock. There seem to be an vast variety of forms that result, no two quarries of basalt being exactly alike. So I'm starting to see patters in the way the rock breaks from place to place.
When I got the location I thought I might find the needed matching rock, I did not see any fragments of rock in this shape. But I was now paying acute attention to the shape of the fragments I did find. And I discovered that the way the rock fragments can be vastly different in just 50 meters of distance. I stumbled around for a while scouring the rough terrain and avoiding the snakes ( I saw one rattle snake on this trip, I keep reminding myself that this is snake season and to step carefully; In the winter they go to sleep and it is not really a problem) It was hot, and the car was allready filled with as much rock as I thought it could carry... I was not finding the match. 'I'll look behind this one more stand of rock,' I thought, 'And then I'll head back'. I walked around the corner and looked and there on the ground was a rock that seemed very similar to me. Amazing. I did not have my tape measure with me but I guessed it was pretty close to the original rock, which I had left at home.
When I got home and laid the rocks side by side, this is what I saw (the design involves inverting the form like this) Even more amazing the rocks were roughly the same shape and nearly the same length.
I love this sort of serendipity. It confirms my detective process, for sure, but mostly it makes me feel that the art spirits are guiding me in my quest!
Same bird at Limantour, in more typical posture. The dark incomplete neck band is a good field mark for the adult Snowy Plover. Note also the dark forecrown and ear patch. Juveniles are more gray, with neatly defined back feathers.
This is a Wedding Same Day Edit (SDE) created for Grace & Chris, whose Ceremony was held at St. Michael in Palisades Park, NJ and Reception at The Venetian (www.venetiannj.com) in Garfield, NJ. The video was captured by 2 cinematographers, edited during the Reception and then shown to all those in attendance. This video was captured and edited by New Jersey's, New York's & Connecticut's leading Wedding Photography & Wedding Cinematography Studio - Abella Studios - ift.tt/1rfQi7c - 973-575-6633 (Fairfield, NJ) or 732-254-8000 (East Brunswick, NJ)
Same dwelling other photo: www.flickr.com/photos/ioensis/54147800985/in/photostream/
Near Srinagar, Kashmir, India.
35mm slide scan.