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This time he was raising his trunk. Don't think he was impressed with us. Taken in Munnar, India.
Canon T-90
Vivitar Series One 70-210mm
Provia 35mm
Explored March 8, 2009 highest #418
You pretty much gotta push here.
You said I'm stubborn and I never give in
I think you're stubborn 'cept you're always softening
You say I'm selfish, I agree with you on that
I think you're giving out in way too much in fact
I say we've only known each other one year
You say I've known you longer my dear
You like to be so close, I like to be alone
I like to sit on chairs and you prefer the floor
Walking with each other, think we'll never match at all, but we do
But we do, but we do, but we do
I thought I knew myself, somehow you know me more
I've never known this, never before
You're the first to make out whenever we are two
I don't know who I'd be if I didn't know you
You're so provocative, I'm so conservative
You're so adventurous, I'm so very cautious, combining
You think we would and we do, but we do, but we do, but we do
Favouritism ain't my thing but,
In this situation I'll be glad...
Favouritism ain't my thing but,in this situation I'll be glad to make an exception
You said I'm stubborn and I never give in
I think you're stubborn 'cept you're always softening
You say I'm selfish, I agree with you on that
I think you're giving out in way too much in fact
I say we've only known each other one year
You say I've known you longer my dear
You like to be so close, I like to be alone
I like to sit on chairs and you prefer the floor
Walking with each other, think we'll never match at all, but we do.
-Lyrics © Adele
Same Place (Bedok Reservoir) same day, same technique and PP..
Vertorama consisting of 2 set of 9 exp tone mapped HDR images..
New Renault Clio Estate shares the same dynamic breeding as the hatchback but has its own distinct identity. This model has the aesthetic design cues of shooting brakes but also dials in practicality and versatility for good measure.
// Nouvelle Renault Clio Estate possède le style à part des breaks de chasse. Largement marqué par un style emprunt de dynamisme, ce modèle s'appuie également sur les notions de fonctionnalité et modularité.
Featuring- fk_morshed (front) & me (both behind)
Costum- mine (Only without Morshed's pant & his innerwears)
Place - GDA studio
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Palais Archduke Ludwig Viktor
The palace seen from Carinthian Ring
The Palais Archduke Ludwig Viktor is one of the most important Ring Road Palaces. It was built in 1863-1866 and is located at Schwarzenberg square in the first District of Vienna Schubertring/Schwarzenberg square
History
Photomontage about 1900
The architect Heinrich Freiherr von Ferstel was commissioned in 1861 to build on the glacis a monument to Prince Schwarzenberg and at the same time to create a representative landscaped square with the same name. The first building on Schwarzenberg square was the palace of Archduke Ludwig Viktor, the youngest brother of Emperor Franz Joseph.
He by himself could the palace, which was completed in 1866, not long using for his exceptional festivals as "Lutziwutzi", as he was called by his friends, was exiled to Kleßheim Palace in Salzburg because of some unpleasant scandals.
In 1910, after a major renovation, the building was made available for the military casino club, it was in 1912 the scene of the first officially designated as Rudolfina Redoute Carnival Balls of K.Ö.St.V. Rudolfina Vienna. However, after the end of the monarchy, there was a dispute between the Republic and the club, which also flared up again after 1945. It was therefore decided to make the grand ballroom as a rehearsal stage and venue available to the Burgtheater. This is also indicated by the words 'Burgtheater Casino' on the facade. Another part of the interior is now used by the Ministry of Economic Affairs and the rooms on the Ring Road are rented to the restaurant chain TGI Friday's.
Architecture
Seen from the Schwarzenberg square
The palace is modeled after the style of the Italian Renaissance. The main facade is oriented to the Schwarzenberg square and is dominated by a large central projection. The structuring of floors corresponds with the intented use at the time of the construction. The rooms on the ground floor were meant for stables and outbuildings of the carriages, on the mezzanine was located the living area and on the first floor the ballroom. In addition there were the homes of officials.
The front of the projecting central risalit is dominated by the powerful arched windows and the balustrade of the ballroom. The vertical structuring is done by rotating rows of columns. On the top floor there are 8 ½ feet high statues of Count Niklas Salm, Ernst Rüdiger Graf Starhemberg, Ernst Gideon von Laudon, Joseph von Sonnenfels, Johann Bernhard Fischer von Erlach and Prince Eugene of Savoy. These are works of Josef Gasser and Franz Melnitzky.
The central axis is completed by the coat of arms of the Archduke Ludwig Viktor, flanked by caryatids and a triangular pediment.
Palais Erzherzog Ludwig Viktor
Das Palais vom Kärntner Ring aus gesehen
Das Palais Erzherzog Ludwig Viktor ist eines der bedeutendsten Ringstraßenpalais. Es wurde zwischen 1863 und 1866 errichtet und befindet sich am Schwarzenbergplatz im 1. Wiener Gemeindebezirk am Schubertring/Schwarzenbergplatz 1.
Geschichte
Fotomontage etwa um 1900
Der Architekt Heinrich Freiherr von Ferstel wurde 1861 beauftragt, auf dem Glacis ein Denkmal für Fürst Schwarzenberg zu errichten und gleichzeitig einen repräsentativ gestalteten Platz mit gleichen Namen anzulegen. Als erstes Bauwerk auf dem Schwarzenbergplatz entstand das Palais von Erzherzog Ludwig Viktor, dem jüngsten Bruder von Kaiser Franz Joseph.
Er selbst konnte das Palais, das 1866 fertiggestellt worden war, nicht lange für seine außergewöhnlichen Feste nutzen, da „Luzi-Wuzi“, wie er von seinen Freunden genannt wurde, wegen einiger für den Hof unangenehmer Skandale nach Schloss Kleßheim in Salzburg verbannt wurde.
1910, nach einer größeren Renovierung, wurde das Gebäude dem Militärcasinoverein zur Verfügung gestellt, es war 1912 Schauplatz des ersten offiziell als Rudolfina Redoute bezeichneten Faschingsballs des K.Ö.St.V. Rudolfina Wien. Nach Ende der Monarchie kam es jedoch zu einem Rechtsstreit zwischen der Republik und dem Verein, der auch wieder nach 1945 entbrannte. Daher entschloss man sich, den großen Festsaal dem Burgtheater als Probebühne und Aufführungsort zur Verfügung zu stellen. Darauf verweist auch die Aufschrift „Burgtheater im Kasino“ auf der Fassade. Ein weiterer Teil der Innenräume wird heute vom Wirtschaftsministerium genutzt und die Räume an der Ringstraßenseite sind an die Restaurantkette TGI Friday's vermietet.
Architektur
Das Palais vom Schwarzenbergplatz aus gesehen
Das Palais ist im Stil der italienischen Renaissance nachempfunden. Die Hauptfassade ist zum Schwarzenbergplatz ausgerichtet und wird von einem breiten Mittelrisalit dominiert. Die Gliederung der Stockwerke entspricht der zum Zeitpunkt des Baus vorgesehenen Nutzung. Die Räume im Erdgeschoss waren als Stallungen und Remisen der Kutschen gedacht, im Mezzanin lag der Wohnbereich und im ersten Stock der Festsaal. Darüber befanden sich die Wohnungen der Bediensteten.
Die Front des vorspringenden Mittelrisalits wird von den mächtigen Rundbogenfenstern und der Balustrade des Festsaals dominiert. In der Senkrechten ist der Risalit durch umlaufende Säulenreihen strukturiert. Im obersten Stockwerk stehen die 2 ½ Meter hohen Statuen von Niklas Graf Salm, Ernst Rüdiger Graf Starhemberg, Ernst Gideon von Laudon, Joseph von Sonnenfels, Johann Bernhard Fischer von Erlach und Prinz Eugen von Savoyen. Es sind Arbeiten von Franz Melnitzky und Josef Gasser.
Das Wappen des Erzherzogs Ludwig Viktor, flankiert von Karyatiden und einem Dreiecksgiebel, schließt die Mittelachse ab.