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same pano in 160 megapixel resolution and better interactive controls: www.360cities.net/image/summer-afternoon-on-the-peterboro...
from the bottom now, are they small or are they big?
Photography can play games with our visual perception, LOL
A series of ‘loose’ subjects. It can be anything, just seeing different scenes that attracted my attention. Pure photography.
thanx for your time and comments, greatly appreciated, M, (*_*)
For more of my other work visit here:www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
Same old, same old and it's two weeks old.
Turimetta Beach, Northern Beaches, Sydney, Australia (Sunday 28 Jun 2009 @ 7:06am).
I have chosen this section of a local stream as the subject of my second 12 Months of the same image. I am hoping that it shows a good range of variation at the year progresses.
Leake Street Tunnel is one of London’s coolest street art spots. Tucked away underneath Waterloo station, it’s an ever-changing canvas of colourful murals.
Leake Street graffiti tunnel is one of London’s not-so-hidden gems. This 300 metre tunnel is the city’s largest legal wall and has been a bastion of London’s street art scene since 2008.
Leake Street Tunnel wasn’t always a legal wall. Before 2008 it was just a dank and grimy tunnel squirreled beneath Kings Cross Station.
That all changed when British street art superstar Banksy (yes, the Banksy) decided to hold a street art festival called Cans Festival down in the tunnel.
Banksy invited the biggest and brightest names on the international street art scene to come down and put up a piece of work in the tunnel. And that was it – Leake Street was no longer dank and grimy, but instead a bold, colourful and cool place where artists could showcase their work.
Since then, Leake Street graffiti tunnel has been flying the flag for the London street art scene. The fact that this is a legal wall means that artists can work in peace and that no two visits are ever the same.
Leake Street Tunnel is a short walk away from Waterloo Station. It takes about five minutes to walk it from the station via York Road.
www.google.com/maps/d/embed?mid=1eSZmRmgp6mjFbEbSZSYA_gfA...
It's the same in every churchyard you said
These memories of endless love
Etched out in unforgiving stone
But I would rather you told me now
Rather than when I am cold and dead
I thought we would be together
I didn't think I would be here alone
The stones are more for the living
A promise never to forget
A love to go on
I expect you think me ridiculous
Tidying up the flowers and the edges
As if you were still in bed
But I miss you my darling
So I have to be here instead
A section of the churchyard had been restored recently, and some graves and the inscriptions cleaned. This particular grave belonged to a couple who had passed away in the 1970's.
But somebody had come, after the restoration, and left a token in memory.
Wilmington Churchyard, East Sussex, UK.
To see this work in its designed format on my website go to the page 'Our Stories' under the heading 'Another Time', and to see other works. Thank you.
Same owner since 1966!
Époqu'auto 2024
Eurexpo Lyon
Chassieu (69), France.
Video: youtu.be/01DTc9bndtU
Same month, another fullmoon, which makes it a blue moon. and it is a micro moon as the moon is furthest away from Earth in its elliptical orbit.
Once again, my Sky Chasing app gave me this alignment and so to Parliament Hill, I went, along with my astronomy friend, Helen. It was a glorious moonrise. And what a fascinating neetup of the Cathedral and the Shard from this perspective as the moon swept through a centuries old icon to the most modern one, each having had their period of dominance over the London skyline.
ONE SHOT - No Stacking, no splicing, no masking, my philosophy.
Capture details:
Lens: Skywatcher Equinox 80 Apochromatic refractor (f6.3, fl: 500mm)
Camera: Canon EOS M50
Tripod: Slik dx700 pro
Mount: Benro Gearhead
ISO: 1000
Exposure: 1/15
Software: Used Develop mode only in Affinity to do basic global curve, shadow, highlight, and noise reduction adjustments.
Can we have the same weather in Anglesey next week as we did in October please.
Newborough Warren on a stunning October day.
Magellanic Woodpecker (Campephilus magellanicus) is a huge woodpecker that is in the same genus as the extinct Ivory-billed Woodpecker. To give an idea of size, the Great Spotted Woodpecker is about 8 inches (20cm) l0ng and weighs about 85g. But the Magellanic Woodpecker is about 16 inches (40cm) and weighs in at about 340g, though females are a bit smaller. This is a male with a red head while females are black-headed with a more prominent curly crest. They are only found in mature Southern Beech (Nothofagus) forests in the extreme south of South America where they are scarce and difficult to find. They have large territories and occur at low density and I had looked for them on four different occasions before I eventually caught up with them. But when I did see them I saw both male and female, and they weren't especially shy. Like many species in South America they are named after the Portuguese explorer Ferdinand Magellan (c1480-1521). I photographed this one in Tierra del Fuego National Park close to Ushuaia, the most southerly city on earth.
Same limestone cliff as in my previous picture.
The beach I'm standing on is called Phra Nang Cave' Beach. It's in Krabi, Thailand.
Same day as the car engines roared thru town the skies were filled with these fun little guys just buzzin' around.
With our 40th Annual Lompoc Fly-In it just keeps getting better and bigger -- this year saw a lot of red planes plus a lot of white planes as well as the familiar Piper Cub yellow.
They make good use of those 65 horsepower 'engines'
Note the creeping vineyards overtaking our hills along with the powerlines for our new Wind Farm.
There are painters who must,
having found the place, must,
repaint it, compelled to repeat it,
each a variant, yet always the same,
always different
I awake to a perspective that is wide,
always differentiated from the prior,
always almost similar, but never with
the same exactitude, differing attitude,
same longitude, identical latitude,
always different
horizon distanced, in all ways a view
encompassing, duality near, far distant,
harmoniously, eyes open, magnetized
to wake before 6am by the suns modesty,
first light, first clarity, a curtain risen, yet,
always different
am I so blessed or thus cursed, for the urge
to disclaim and ode, compose and thus self-
decompose, analyze, reflect, slice apart, needing
the comprehensive understanding this me/place
scripts the raw appreciation, daily differentiated
always the same
this peaceful venue seizures, chest calmly
pounding at the insistence it commands,
the price I must pay for the prize to praise,
to sing, weep, reward restful sleep with lyrics
eked out, pouring, unsustainable yet finished,
always different
a single May Iris, returns, born from a torrential,
thunder, lightning, sky mayhem, rises by a sundial
greets midst a planted clump, upright rises, lavender,
in a majestic solitary, absent but a day prior, yet mine eyes
failed to witness its discernible emerging birthing creation,
always different,
always the same
here, I am Iris too, always the same, a day aged,
but the differences minute but stolid actualized,
this overnight sensation, my body’s restoration,
what I visualize, indivisible, now visible, realized,
miracle of continuity, unchanging chained change,
always different ,
always the same
wonder, am I more blessed, or a s~lightly cursed being,
my breath restored, wet eyes full brimming, changed,
revived but always modified, a newer old man, whose
sum total always a different number, but in sequential,
compelled to confess, no understanding of this miracle,
always the same,
always different,
this daily visionary miracle
-Nat Lipstadt via hellopoetry
Although taking photos of lightning at 240 fps lacks resolution of a dSLR time exposure, it more than makes up for the incredible detail it achieves. Case in point above:
29 movie frames were used in the top image (stacked and lightened in Photoshop) (excluding all but the brilliant cloud to ground (GC) image at bottom). While the bottom image is dramatic with its illuminated foreground, the finer (fainter) step leaders are all but lost by the overwhelming brilliance of the CG. This is why night images of lightning with a dSLR are a lot more difficult to capture. Each bolt varies in brightness, contrast with background, structure, distance, etc.
For slow motion clip: www.youtube.com/watch?v=GhPOcNax2zw.
Picture of the Day
Same alley as before from the other side of Center Street. Again it was the sun that caught my eye here and resulted in the click of the shutter.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved.
Same shooting position as yesterday's posting. The left edge of this photo is the right edge of that photo.
I increased the saturation of red, but minimized its luminance. I maxed out the saturation of blue and maxed out its luminance. Also did some slider gymnastics: maxed out shadows, maxed out contrast, and increased brightness to 0.34; all in Photos for Mac OS.
Ditto on everything else from yesterday's posting.
Recent escapees from WA ACB4405 and ACB4406 lead 4857 empty grain through Belford bound for Nevertire.
2022-03-20 Aurizon ACB4405-ACB4406 Belford 4857
When it was my birthday six months ago, a very dear friend who enjoys photography as much as I do, and knows that I collect beautiful and vintage pieces, gave me a wonderful selection of antique ribbons, buttons, buckles, lace and other fine notions. She also gave me three follow up tins of similar delightful gifts for Christmas.
Those wonderful gifts are what has inspired me to create this series of "Embroider my World" images featuring my vintage bobbin collection. In this case, the wonderfully delicate net baric embroidered with minute blue and pale pink sequins I bought yesterday from a shop that specialises in luxurious and unusual fabrics. I could hardly wait to use it! The fabric was manufactured in Milan. I have accessorised them on a 1930s embroidered tablecloth with two Dewhurst's Sylko Peach Rose reels of cotton which dates from between 1938 and 1954 and a small Edwardian cotton reel of soft Kingfisher Blue made by J. P. Coats.
Belle Vue Mill, commonly known as Dewhurst’s, was built by Thomas Dewhurst in 1828. It opened in 1829 as John Dewhurst & Sons and was one of Skipton’s largest spinning and weaving mills. The mill’s position next to the Leeds Liverpool Canal meant that raw cotton could be shipped in by boats from Liverpool. Finished goods would then be sent back the same way ready for distribution. Coal to power the machine’s steam engines was also delivered by barge. In 1897 Dewhurst’s was bought by the English Sewing Cotton Co. It continued to produce Sylko, one of the mill’s most famous products. It was produced in over 500 colours and sold throughout the world. Sylko cottons are still available at haberdashers today.
In 1802 James Coats set up a weaving business in Paisley. In 1826 he opened a cotton mill at Ferguslie to produce his own thread and, when he retired in 1830, his sons, James & Peter, took up the business under the name of J. & P. Coats. In 1952 J. & P. Coats and the Clark Thread Co. merged to become Coats & Clark's. Today, the business is known as the Coats Group.
Same sunset as the photo I posted a few days ago, but this time in a 30 sec exposure to streak the clouds.
Natural Arch at Nachsholim beach